The Complete Recordings on Deutsche Grammophon & Decca

Compilation by Claudio Abbado

Released 17 February 2023

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CD 1: Bach: Brandenburg Concertos nos. 1, 3 & 5
1
Brandenburg Concerto no. 1 in F major, BWV 1046: 1. (Allegro)
Johann Sebastian Bach
3:47
2
Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio
Johann Sebastian Bach
3:02
3
Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro
Johann Sebastian Bach
3:53
4
Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polacca - Trio II
Johann Sebastian Bach
7:10
5
Brandenburg Concerto no. 3 in G major, BWV 1048: 1. (Allegro)
Johann Sebastian Bach
5:16
6
Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio
Johann Sebastian Bach
0:23
7
Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro
Johann Sebastian Bach
4:46
8
Brandenburg Concerto no. 5 in D major, BWV 1050: 1. Allegro
Johann Sebastian Bach
8:50
9
Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Affettuoso
Johann Sebastian Bach
4:59
10
Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro
Johann Sebastian Bach
5:12
CD 2: Bach: Brandenburg Concertos nos. 6, 4 & 2
1
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. (Allegro)
Johann Sebastian Bach
5:57
2
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto
Johann Sebastian Bach
4:46
3
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro
Johann Sebastian Bach
5:47
4
Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro
Johann Sebastian Bach
6:59
5
Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante
Johann Sebastian Bach
3:43
6
Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto
Johann Sebastian Bach
5:22
7
Brandenburg Concerto no. 2 in F major, BWV 1047: 1. (Allegro)
Johann Sebastian Bach
4:38
8
Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante
Johann Sebastian Bach
3:44
9
Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai
Johann Sebastian Bach
3:00
CD 3: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)
1
The Miraculous Mandarin, Sz. 73 (op. 19): Beginning
Béla Bartók
1:16
2
The Miraculous Mandarin, Sz. 73 (op. 19): The curtain rises.
Béla Bartók
1:32
3
The Miraculous Mandarin, Sz. 73 (op. 19): First seduction game: the shabby old rake.
Béla Bartók
3:45
4
The Miraculous Mandarin, Sz. 73 (op. 19): Second seduction game.
Béla Bartók
1:11
5
The Miraculous Mandarin, Sz. 73 (op. 19): The shy youth appears at the door.
Béla Bartók
1:38
6
The Miraculous Mandarin, Sz. 73 (op. 19): Third seduction game
Béla Bartók
1:27
7
The Miraculous Mandarin, Sz. 73 (op. 19): The Mandarin enters; encounter with the girl
Béla Bartók
2:25
8
The Miraculous Mandarin, Sz. 73 (op. 19): The girl's dance
Béla Bartók
4:33
9
The Miraculous Mandarin, Sz. 73 (op. 19): She flees from him; he chases her wildly.
Béla Bartók
1:11
10
The Miraculous Mandarin, Sz. 73 (op. 19): The Mandarin stumbles, but catches the girl; they fight. The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows.
Béla Bartók
2:46
11
The Miraculous Mandarin, Sz. 73 (op. 19): Suddenly the Mandarin's head appears. The tramps drag him out, one stabs him three times. He almost collapses, but draws himself up and leaps at the girl.
Béla Bartók
3:16
12
The Miraculous Mandarin, Sz. 73 (op. 19): They drag the Mandarin to the centre of the room and hang him on a lamp hook. The lamp falls to the floor - goes out. The Mandarin's body begins to glow.
Béla Bartók
2:50
13
The Miraculous Mandarin, Sz. 73 (op. 19): The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace.
Béla Bartók
1:04
14
The Miraculous Mandarin, Sz. 73 (op. 19): His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies.
Béla Bartók
1:11
15
Two Portraits (One Ideal - One Grotesque), Sz. 37 (op. 5): 1. Andante
Béla Bartók
10:11
16
Two Portraits (One Ideal - One Grotesque), Sz. 37 (op. 5): 2. Presto
Béla Bartók
2:08
CD 4: Bartók: Piano Concertos nos. 1 & 2
1
Concerto for Piano and Orchestra no. 1, Sz. 83: 1. Allegro moderato - Allegro
Béla Bartók
9:06
2
Concerto for Piano and Orchestra no. 1, Sz. 83: 2. Andante - Allegro - attacca
Béla Bartók
7:51
3
Concerto for Piano and Orchestra no. 1, Sz. 83: 3. Allegro molto
Béla Bartók
6:30
4
Concerto for Piano and Orchestra no. 2, Sz. 95: 1. Allegro
Béla Bartók
9:39
5
Concerto for Piano and Orchestra no. 2, Sz. 95: 2. Adagio - Presto - Adagio
Béla Bartók
11:48
6
Concerto for Piano and Orchestra no. 2, Sz. 95: 3. Allegro molto
Béla Bartók
6:04
CD 5: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)
1
Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio
Ludwig van Beethoven
9:03
2
Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto
Ludwig van Beethoven
7:39
3
Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace - Trio
Ludwig van Beethoven
4:33
4
Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace
Ludwig van Beethoven
5:43
5
Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio
Ludwig van Beethoven
16:56
6
Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai
Ludwig van Beethoven
14:49
7
Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio
Ludwig van Beethoven
5:51
8
Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto
Ludwig van Beethoven
11:05
CD 6: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)
1
Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio
Ludwig van Beethoven
12:13
2
Symphony no. 2 in D major, op. 36: 2. Larghetto
Ludwig van Beethoven
10:49
3
Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio
Ludwig van Beethoven
4:24
4
Symphony no. 2 in D major, op. 36: 4. Allegro molto
Ludwig van Beethoven
6:12
5
Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace
Ludwig van Beethoven
11:34
6
Symphony no. 4 in B-flat major, op. 60: 2. Adagio
Ludwig van Beethoven
9:47
7
Symphony no. 4 in B-flat major, op. 60: 3. Allegro molto e vivace - Trio. Un poco meno allegro
Ludwig van Beethoven
5:54
8
Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo
Ludwig van Beethoven
6:39
CD 7: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)
1
Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
Ludwig van Beethoven
7:25
2
Symphony no. 5 in C minor, op. 67: 2. Andante con moto
Ludwig van Beethoven
9:29
3
Symphony no. 5 in C minor, op. 67: 3. Allegro
Ludwig van Beethoven
7:59
4
Symphony no. 5 in C minor, op. 67: 4. Allegro
Ludwig van Beethoven
10:38
5
Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
Ludwig van Beethoven
11:32
6
Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto mosso
Ludwig van Beethoven
10:40
7
Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro
Ludwig van Beethoven
5:09
8
Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter - Sturm. Allegro
Ludwig van Beethoven
3:25
9
Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
Ludwig van Beethoven
8:34
CD 8: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)
1
Symphony no. 7 in A minor, op. 92: 1. Poco sostenuto - Vivace
Ludwig van Beethoven
13:33
2
Symphony no. 7 in A minor, op. 92: 2. Allegretto
Ludwig van Beethoven
7:39
3
Symphony no. 7 in A minor, op. 92: 3. Presto
Ludwig van Beethoven
8:58
4
Symphony no. 7 in A minor, op. 92: 4. Allegro con brio
Ludwig van Beethoven
8:21
5
Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
Ludwig van Beethoven
9:21
6
Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
Ludwig van Beethoven
4:13
7
Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto
Ludwig van Beethoven
5:48
8
Symphony no. 8 in F major, op. 93: 4. Allegro vivace
Ludwig van Beethoven
7:11
CD 9: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)
1
Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso
Ludwig van Beethoven
14:18
2
Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto
Ludwig van Beethoven
13:03
3
Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato
Ludwig van Beethoven
12:48
4
Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai -
Ludwig van Beethoven
5:37
5
Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Rezitativo: »O Freunde, nicht diese Töne!« - Allegro assai
Ludwig van Beethoven
16:28
CD 10: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)
1
Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio
Ludwig van Beethoven
9:21
2
Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto
Ludwig van Beethoven
8:35
3
Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace - Trio
Ludwig van Beethoven
3:48
4
Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace
Ludwig van Beethoven
5:49
5
Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio
Ludwig van Beethoven
12:27
6
Symphony no. 2 in D major, op. 36: 2. Larghetto
Ludwig van Beethoven
11:26
7
Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio
Ludwig van Beethoven
3:30
8
Symphony no. 2 in D major, op. 36: 4. Allegro molto
Ludwig van Beethoven
6:25
CD 11: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)
1
Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio
Ludwig van Beethoven
18:25
2
Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai
Ludwig van Beethoven
15:40
3
Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio
Ludwig van Beethoven
6:20
4
Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto
Ludwig van Beethoven
11:43
CD 12: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)
1
Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace
Ludwig van Beethoven
12:16
2
Symphony no. 4 in B-flat major, op. 60: 2. Adagio
Ludwig van Beethoven
10:06
3
Symphony no. 4 in B-flat major, op. 60: 3. Allegro molto e vivace - Trio. Un poco meno allegro
Ludwig van Beethoven
5:50
4
Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo
Ludwig van Beethoven
6:54
5
Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
Ludwig van Beethoven
7:56
6
Symphony no. 5 in C minor, op. 67: 2. Andante con moto
Ludwig van Beethoven
10:11
7
Symphony no. 5 in C minor, op. 67: 3. Allegro
Ludwig van Beethoven
5:23
8
Symphony no. 5 in C minor, op. 67: 4. Allegro
Ludwig van Beethoven
11:04
CD 13: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)
1
Meeresstille und glückliche Fahrt, op. 112: Meeresstille. Poco sostenuto
Ludwig van Beethoven
5:22
2
Meeresstille und glückliche Fahrt, op. 112: Glückliche Fahrt. Allegro vivace
Ludwig van Beethoven
2:48
3
Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
Ludwig van Beethoven
13:28
4
Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto mosso
Ludwig van Beethoven
12:28
5
Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro
Ludwig van Beethoven
5:30
6
Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter - Sturm. Allegro
Ludwig van Beethoven
3:36
7
Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
Ludwig van Beethoven
9:24
8
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio
Ludwig van Beethoven
3:19
9
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegro - Meno allegro - Allegro molto -
Ludwig van Beethoven
6:14
10
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Adagio ma non troppo -
Ludwig van Beethoven
2:40
11
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Marcia, assai vivace - Allegro -
Ludwig van Beethoven
2:11
12
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegretto, ma non troppo (quasi andante con moto) »Schmeichelnd hold und lieblich klingen«-
Ludwig van Beethoven
2:15
13
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Presto
Ludwig van Beethoven
1:37
CD 14: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)
1
Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace
Ludwig van Beethoven
14:34
2
Symphony no. 7 in A major, op. 92: 2. Allegretto
Ludwig van Beethoven
8:41
3
Symphony no. 7 in A major, op. 92: 3. Presto
Ludwig van Beethoven
9:03
4
Symphony no. 7 in A major, op. 92: 4. Allegro con brio
Ludwig van Beethoven
9:05
5
Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
Ludwig van Beethoven
9:46
6
Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
Ludwig van Beethoven
3:58
7
Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto
Ludwig van Beethoven
4:54
8
Symphony no. 8 in F major, op. 93: 4. Allegro vivace
Ludwig van Beethoven
7:18
CD 15: Symphony no. 9 “Choral” (Wiener Philharmoniker)
1
Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso
Ludwig van Beethoven
17:16
2
Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto
Ludwig van Beethoven
14:21
3
Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato
Ludwig van Beethoven
17:05
4.0 ★
4
Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai - Presto - Rezitativo: »O Freunde, nicht diese Töne!« - Allegro assai
Ludwig van Beethoven
23:55
CD 16: Beethoven: Overtures
1
Die Geschöpfe des Prometheus, op. 43: Overture. Adagio - Allegro molto con brio
Ludwig van Beethoven
5:20
2
König Stephan, op. 117: Overture. Andante con moto - Presto
Ludwig van Beethoven
6:45
3
Die Ruinen von Athen, op. 113: Overture. Andante con moto - Allegro, ma non troppo
Ludwig van Beethoven
4:55
4
Die Weihe des Hauses, op. 124: Overture. Maestoso e sostenuto - Allegro con brio
Ludwig van Beethoven
10:27
5
Overture “Zur Namensfeier”, op. 115: Maestoso - Allegro assai vivace
Ludwig van Beethoven
6:44
6
Overture “Coriolan”, op. 62: Allegro con brio
Ludwig van Beethoven
8:11
7
Overture “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro
Ludwig van Beethoven
8:02
CD 17: Beethoven: Overtures: Fidelio / Leonore I-III
1
Overture “Fidelio”, op. 72: Allegro - Adagio - Presto
Ludwig van Beethoven
6:36
2
Overture “Leonore I”, op. 138: Andante con moto - Allegro con brio
Ludwig van Beethoven
9:14
3
Overture “Leonore II”, op. 72a: Adagio - Allegro - Adagio - Presto
Ludwig van Beethoven
15:31
4
Overture “Leonore III”, op. 72b: Adagio - Allegro - Presto
Ludwig van Beethoven
13:40
CD 18: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”
1
Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace
Ludwig van Beethoven
13:14
2
Symphony no. 7 in A major, op. 92: 2. Allegretto
Ludwig van Beethoven
9:53
3
Symphony no. 7 in A major, op. 92: 3. Presto
Ludwig van Beethoven
10:07
4
Symphony no. 7 in A major, op. 92: 4. Allegro con brio
Ludwig van Beethoven
9:12
5
Overture “Die Geschöpfe des Prometheus”, op. 43: Adagio - Allegro molto con brio
Ludwig van Beethoven
5:16
6
Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
Ludwig van Beethoven
9:01
7
Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
Ludwig van Beethoven
4:08
8
Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto
Ludwig van Beethoven
4:50
9
Symphony no. 8 in F major, op. 93: 4. Allegro vivace
Ludwig van Beethoven
7:36
CD 19: Beethoven: Piano Concertos nos. 1 & 2
1
Concerto for Piano and Orchestra no. 1 in C major, op. 15: 1. Allegro con brio
Ludwig van Beethoven
17:16
2
Concerto for Piano and Orchestra no. 1 in C major, op. 15: 2. Largo
Ludwig van Beethoven
11:13
3
Concerto for Piano and Orchestra no. 1 in C major, op. 15: 3. Rondo. Allegro scherzando
Ludwig van Beethoven
9:05
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 1. Allegro con brio
Ludwig van Beethoven
13:33
5
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 2. Adagio
Ludwig van Beethoven
8:41
6
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro
Ludwig van Beethoven
6:30
CD 20: Beethoven: Piano Concertos nos. 3 & 4
1
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 1. Allegro con brio
Ludwig van Beethoven
16:07
2
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 2. Largo
Ludwig van Beethoven
10:07
3
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 3. Rondo. Allegro
Ludwig van Beethoven
9:36
4
Concerto for Piano and Orchestra no. 4 in G major, op. 58: 1. Allegro moderato
Ludwig van Beethoven
17:18
5
Concerto for Piano and Orchestra no. 4 in G major, op. 58: 2. Andante con moto
Ludwig van Beethoven
5:16
6
Concerto for Piano and Orchestra no. 4 in G major, op. 58: 3. Rondo. Vivace
Ludwig van Beethoven
10:00
CD 21: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto
1
Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 1. Allegro
Ludwig van Beethoven
20:29
2
Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 2. Adagio un poco mosso
Ludwig van Beethoven
7:47
3
Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 3. Rondo. Allegro
Ludwig van Beethoven
10:44
4
Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 1. Allegro
Ludwig van Beethoven
17:27
5
Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 2. Largo
Ludwig van Beethoven
4:53
6
Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 3. Rondo alla polacca
Ludwig van Beethoven
12:45
CD 22: Beethoven: Piano Concertos nos. 3 & 2
1
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 1. Allegro con brio
Ludwig van Beethoven
16:11
2
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 2. Largo
Ludwig van Beethoven
10:21
3
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 3. Rondo. Allegro
Ludwig van Beethoven
9:17
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 1. Allegro con brio
Ludwig van Beethoven
13:18
5
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 2. Adagio
Ludwig van Beethoven
8:49
6
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro
Ludwig van Beethoven
6:02
CD 23: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy
1
Musik zu Goethes Trauerspiel “Egmont”, op. 84: Ouvertüre
Ludwig van Beethoven
8:06
2
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 1. Lied (Klärchen): »Die Trommel gerühret«
Ludwig van Beethoven
2:57
3
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 2. Zwischenaktmusik I
Ludwig van Beethoven
1:44
4
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 4. Lied (Klärchen): »Freudvoll und leidvoll«
Ludwig van Beethoven
1:38
5
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 5. Zwischenaktmusik III
Ludwig van Beethoven
3:51
6
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 6. Zwischenaktmusik IV
Ludwig van Beethoven
3:37
7
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 7. Musik, Klärchens Tod bezeichnend
Ludwig van Beethoven
2:44
8
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 8. Melodram (Egmont): »Süßer Schlaf!«
Ludwig van Beethoven
5:15
9
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 9. Siegessymphonie
Ludwig van Beethoven
1:34
10
Scena ed Aria “Ah! perfido” for Soprano and Orchestra, op. 65
Ludwig van Beethoven
13:33
11
Overture “Leonore III”, op. 72b
Ludwig van Beethoven
14:46
12
Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo (quasi andante con moto): »Schmeichelnd hold und lieblich klingen« - Presto
Ludwig van Beethoven
18:44
CD 24: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)
1
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: Ouvertüre, op. 124
Ludwig van Beethoven
10:52
2
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 1. Chor: »Folge dem mächtigen Ruf der Ehre!«
Ludwig van Beethoven
4:04
3
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 2. Duett: »Ohne Verschulden Knechtschaft dulden«
Ludwig van Beethoven
3:58
4
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 3. Chor der Derwische: »Du hast in deines Ärmels Falten«
Ludwig van Beethoven
2:37
5
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 4. Marcia alla turca
Ludwig van Beethoven
1:39
6
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 5. Chor (mit Sopran-Solo): »Wo sich die Pulse« - »Lasst uns im Tanze«
Ludwig van Beethoven
6:03
7
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 6. Marsch (mit Chor): »Schmückt die Altäre«
Ludwig van Beethoven
6:38
8
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 7. Melodram: »Es wandelt schon das Volk im Feierkleide«
Ludwig van Beethoven
1:45
9
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 8. Rezitativ: »Mit reger Freude, die nie erkaltet«
Ludwig van Beethoven
1:45
10
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 8. Chor: »Wir tragen empfängliche Herzen im Busen« / Arie (mit Chor): »Will unser Genius« - »Er ist's! Wir sind erhört!«
Ludwig van Beethoven
7:58
11
Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 9. Chor: »Heil unserm Kaiser!«
Ludwig van Beethoven
3:57
12
Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 1. Kriegerchor: »Wir bauen und sterben«
Ludwig van Beethoven
1:21
13
Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 2. Romanze: »Es blüht eine Blume im Garten mein«
Ludwig van Beethoven
2:37
14
Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 3. Melodram: »Du, dem sie gewunden« (Recitation)
Ludwig van Beethoven
1:46
15
Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 4. Trauermarsch
Ludwig van Beethoven
6:06
16
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 2. Zwischenaktmusik I - »Es ist keine falsche Ader an ihm«
Ludwig van Beethoven
3:10
17
Musik zu Goethes Trauerspiel “Egmont”, op. 84: 3. Zwischenaktmusik II
Ludwig van Beethoven
5:02
CD 25: Beethoven: Fidelio (Act I)
1
Fidelio, op. 72: Ouvertüre
Ludwig van Beethoven
6:20
2
Fidelio, op. 72: Erster Aufzug. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline)
Ludwig van Beethoven
4:52
3
Fidelio, op. 72: Erster Aufzug. »Seit Fidelio bei uns ist, ist die Welt wie verwandelt« (Marzelline)
Ludwig van Beethoven
0:11
4
Fidelio, op. 72: Erster Aufzug. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline)
Ludwig van Beethoven
3:41
5
Fidelio, op. 72: Erster Aufzug. »Ich täusche die Menschen, die mich ernähren« (Leonore, Rocco)
Ludwig van Beethoven
0:54
6
Fidelio, op. 72: Erster Aufzug. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)
Ludwig van Beethoven
4:31
7
Fidelio, op. 72: Erster Aufzug. »Marzelline und Fidelio haben sich offensichtlich recht lieb« (Rocco)
Ludwig van Beethoven
0:17
8
Fidelio, op. 72: Erster Aufzug. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco)
Ludwig van Beethoven
2:34
9
Fidelio, op. 72: Erster Aufzug. »In den finstersten Gewölben sitzt ein Gefangener« (Rocco)
Ludwig van Beethoven
0:30
10
Fidelio, op. 72: Erster Aufzug. Nr. 5 Terzett: »Gut, Söhnchen, gut, hab immer Mut« (Rocco, Leonore, Marzelline)
Ludwig van Beethoven
6:38
11
Fidelio, op. 72: Erster Aufzug. Nr. 6 Marsch
Ludwig van Beethoven
2:08
12
Fidelio, op. 72: Erster Aufzug. »Was Neues vorgefallen?« (Pizarro, Rocco)
Ludwig van Beethoven
0:48
13
Fidelio, op. 72: Erster Aufzug. Nr. 7 Arie mit Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor)
Ludwig van Beethoven
3:30
14
Fidelio, op. 72: Erster Aufzug. »Und nun zu dir mein lieber Rocco!« (Pizarro, Rocco)
Ludwig van Beethoven
0:05
15
Fidelio, op. 72: Erster Aufzug. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Eile!« (Pizarro, Rocco)
Ludwig van Beethoven
5:13
16
Fidelio, op. 72: Erster Aufzug. Nr. 9 Rezitativ und Arie: »Abscheulicher! Wo eilst du hin?« … »Komm, Hoffnung, lass den letzten Stern« (Leonore)
Ludwig van Beethoven
7:22
17
Fidelio, op. 72: Erster Aufzug. »Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel« (Jaquino)
Ludwig van Beethoven
0:21
18
Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Gefangene, Erster Gefangener, Zweiter Gefangener)
Ludwig van Beethoven
6:56
19
Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: [Rezitativ und Duett]: »Nun sprecht, wie ging's?« … »Noch heute! Noch heute!« (Leonore, Rocco)
Ludwig van Beethoven
5:19
20
Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Ach, Vater, Vater eilt!« (Marzelline, Rocco, Jaquino, Leonore)
Ludwig van Beethoven
0:41
21
Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Verwegner Alter!« (Pizarro, Rocco)
Ludwig van Beethoven
1:49
22
Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
Ludwig van Beethoven
3:44
CD 26: Beethoven: Fidelio (Act II)
1
Fidelio op. 72: Zweiter Aufzug. Nr. 11 Introduktion und Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan)
Ludwig van Beethoven
11:23
2
Fidelio op. 72: Zweiter Aufzug. Nr. 12 Melodram und Duett: »Wie kalt ist es diesem unterirdischen Gewölbe!« … »Nur hurtig fort, nur frisch gegraben« (Leonore, Rocco)
Ludwig van Beethoven
5:53
3
Fidelio op. 72: Zweiter Aufzug. »Ihr habt wieder geruht?« (Rocco, Florestan, Leonore)
Ludwig van Beethoven
0:33
4
Fidelio op. 72: Zweiter Aufzug. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)
Ludwig van Beethoven
6:31
5
Fidelio op. 72: Zweiter Aufzug. »Ist alles bereit?« (Pizarro, Rocco)
Ludwig van Beethoven
0:07
6
Fidelio op. 72: Zweiter Aufzug. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco)
Ludwig van Beethoven
5:02
7
Fidelio op. 72: Zweiter Aufzug. Nr. 15 Duett: »O namenlose Freude!« (Leonore, Florestan)
Ludwig van Beethoven
3:04
8
Fidelio op. 72: Zweiter Aufzug. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino)
Ludwig van Beethoven
13:46
CD 27: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder
1
Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. Sostenuto
Alban Berg
15:09
2
Lulu-Suite: 2. Ostinato. Allegro
Alban Berg
3:24
3
Lulu-Suite: 3. Lied der Lulu. Comodo (»Wenn sich die Menschen um meinetwillen umgebracht haben«)
Alban Berg
2:58
4
Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderato
Alban Berg
3:24
5
Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (»Lulu! Mein Engel!«)
Alban Berg
9:05
6
3 Pieces for Orchestra, op. 6 Revised version (1929): 1. Präludium. Langsam
Alban Berg
5:01
7
3 Pieces for Orchestra, op. 6 Revised version (1929): 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt
Alban Berg
5:51
8
3 Pieces for Orchestra, op. 6 Revised version (1929): 3. Marsch. Mässiges Marschtempo
Alban Berg
9:53
9
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 1. »Seele, wie bist du schöner«
Alban Berg
2:53
10
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 2. »Sahst du nach dem Gewitterregen den Wald«
Alban Berg
1:08
11
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 3. »Über die Grenzen des All«
Alban Berg
1:37
12
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 4. »Nichts ist gekommen«
Alban Berg
1:32
13
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 5. »Hier ist Friede«
Alban Berg
4:30
CD 28: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite
1
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 1. »Seele, wie bist du schöner«
Alban Berg
2:47
2
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 2. »Sahst du nach dem Gewitteregen den Wald«
Alban Berg
1:09
3
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 3. »Über die Grenzen des All«
Alban Berg
1:32
4
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 4. »Nichts ist gekommen«
Alban Berg
1:28
5
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 5. »Hier ist Friede«
Alban Berg
4:18
6
3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 1. Andante amoroso
Alban Berg
6:21
7
3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 2. Allegro misterioso - Trio estatico
Alban Berg
3:33
8
3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 3. Adagio appassionato
Alban Berg
6:40
9
Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. Sostenuto
Alban Berg
14:27
10
Lulu-Suite: 2. Ostinato. Allegro
Alban Berg
3:19
11
Lulu-Suite: 3. Lied der Lulu. Comodo (»Wenn sich die Menschen um meinetwillen umgebracht haben«)
Alban Berg
2:57
12
Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderato
Alban Berg
3:19
13
Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (»Lulu! Mein Engel!«)
Alban Berg
8:14
CD 29: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra
1
7 Early Songs, Orchestral version (1928): 1. Nacht
4:10
2
7 Early Songs, Orchestral version (1928): 2. Schilflied
2:24
3
7 Early Songs, Orchestral version (1928): 3. Die Nachtigall
2:15
4
7 Early Songs, Orchestral version (1928): 4. Traumgekrönt
2:42
5
7 Early Songs, Orchestral version (1928): 5. Im Zimmer
1:11
6
7 Early Songs, Orchestral version (1928): 6. Liebesode
2:00
7
7 Early Songs, Orchestral version (1928): 7. Sommertage
1:48
8
Der Wein: Die Seele des Weines - Der Wein der Liebenden - Der Wein des Einsamen
13:10
9
3 Pieces for Orchestra, op. 6: 1. Präludium. Langsam
4:45
10
3 Pieces for Orchestra, op. 6: 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt
5:31
11
3 Pieces for Orchestra, op. 6: 3. Marsch. Mäßiges Marschtempo
9:29
CD 30: Berg: Wozzeck (Act I)
1
Wozzeck, op. 7: Erster Akt. »Langsam, Wozzeck, langsam!« (Hauptmann, Wozzeck)
Alban Berg
8:13
2
Wozzeck, op. 7: Erster Akt. »Du, der Platz ist verflucht!« (Wozzeck, Andres)
Alban Berg
6:40
3
Wozzeck, op. 7: Erster Akt. »Tschin Bum …! Hörst Bub? Da kommen sie!« (Marie, Margret, Wozzeck)
Alban Berg
8:14
4
Wozzeck, op. 7: Erster Akt. »Was erleb' ich, Wozzeck?« (Doktor, Wozzeck)
Alban Berg
7:32
5
Wozzeck, op. 7: Erster Akt. »Geh einmal vor dich hin …« (Marie, Tambourmajor)
Alban Berg
3:00
CD 31: Berg: Wozzeck (Acts II & III)
1
Wozzeck, op. 7: Zweiter Akt. »Was die Steine glänzen!« (Marie, Wozzeck)
Alban Berg
5:37
2
Wozzeck, op. 7: Zweiter Akt. »Wohin so eilig, geehrtester Herr Sargnagel?« (Hauptmann, Doktor, Wozzeck)
Alban Berg
8:52
3
Wozzeck, op. 7: Zweiter Akt. »Guten Tag, Franz« / »Ich seh' nichts« (Marie, Wozzeck)
Alban Berg
3:28
4
Wozzeck, op. 7: Zweiter Akt. »Ich hab' ein Hemdlein an, das ist nicht mein …« (1. & 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr)
Alban Berg
10:25
5
Wozzeck, op. 7: Zweiter Akt. »Oh! oh! Andres! Ich kann nicht schlafen« (Soldaten, Wozzeck, Andres, Tambourmajor)
Alban Berg
4:33
6
Wozzeck, op. 7: Dritter Akt. »Und ist kein Betrug in seinem Munde erfunden worden« (Marie)
Alban Berg
3:05
7
Wozzeck, op. 7: Dritter Akt. »Und kniete hin zu seinen Füßen« (Marie)
Alban Berg
2:01
8
Wozzeck, op. 7: Dritter Akt. »Dort links geht's in die Stadt« (Marie, Wozzeck)
Alban Berg
5:00
9
Wozzeck, op. 7: Dritter Akt. »Tanzt Alle; tanzt nur zu …!« (Wozzeck, Margret, Burschen, Dirnen)
Alban Berg
2:54
10
Wozzeck, op. 7: Dritter Akt. »Das Messer? Wo ist das Messer?« (Wozzeck, Hauptmann, Doktor)
Alban Berg
7:50
11
Wozzeck, op. 7: Dritter Akt. »Ringel, Ringel, Rosenkranz, Ringelreih'n!« (Kinder, Mariens Knabe)
Alban Berg
1:44
CD 32: Berlioz: Symphonie fantastique
1
Symphonie fantastique, op. 14: 1. Rêveries – Passions: Largo – Allegro agitato ed appassionato assai
Hector Berlioz
15:24
2
Symphonie fantastique, op. 14: 2. Un bal. Valse. Allegro non troppo
Hector Berlioz
6:05
3
Symphonie fantastique, op. 14: 2. Scène aux champs. Adagio
Hector Berlioz
16:36
4
Symphonie fantastique, op. 14: 4. Marche au supplice. Allegretto non troppo
Hector Berlioz
6:25
5
Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Larghetto – Allegro -
Hector Berlioz
3:10
6
Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Dies irae -
Hector Berlioz
1:49
7
Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Ronde du sabbat -
Hector Berlioz
2:46
8
Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Dies irae et Ronde du sabbat ensemble
Hector Berlioz
1:45
CD 33: Berlioz: Te Deum
1
Te Deum, op. 22: Te Deum (Hymne). Allegro moderato
Hector Berlioz
7:27
2
Te Deum, op. 22: Tibi omnes (Hymne). Andantino
Hector Berlioz
9:23
3
Te Deum, op. 22: Dignare (Prière). Moderato quasi andantino
Hector Berlioz
7:10
4
Te Deum, op. 22: Christe, rex gloriae (Hymne). Allegro non troppo
Hector Berlioz
5:19
5
Te Deum, op. 22: Te ergo quaesumus (Prière). Andantino quasi adagio
Hector Berlioz
7:02
6
Te Deum, op. 22: Judex crederis (Hymne et prière). Allegretto un poco maestoso
Hector Berlioz
10:33
CD 34: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite
1
L'Arlésienne Suite no. 1: Prélude. Allegro deciso (Tempo di marcia) - Andantino - Andante molto
Georges Bizet
7:02
2
L'Arlésienne Suite no. 1: Minuetto. Allegro giocoso
Georges Bizet
3:15
3
L'Arlésienne Suite no. 1: Adagietto. Adagio
Georges Bizet
4:47
4
L'Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino - Tempo I
Georges Bizet
4:29
5
L'Arlésienne Suite no. 2: Pastorale. Andante sostenuto assai - Andantino - Tempo I
Georges Bizet
5:21
6
L'Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato
Georges Bizet
3:57
7
L'Arlésienne Suite no. 2: Menuet. Andantino quasi allegretto
Georges Bizet
3:56
8
L'Arlésienne Suite no. 2: Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso
Georges Bizet
3:32
9
Carmen Suite: Prélude. Allegro giocoso
Georges Bizet
3:28
10
Carmen Suite: Entr'acte. Allegro moderato (between Act I & II)
Georges Bizet
1:48
11
Carmen Suite: Entr'acte. Andantino quasi allegretto (between Act II & III)
Georges Bizet
3:01
12
Carmen Suite: Entr'acte Allegro vivo (between Act III & IV)
Georges Bizet
2:10
CD 35: Bizet: Carmen (Acts I & II beg.)
1
Carmen: Prélude
Georges Bizet
3:31
2
Carmen: Premier Acte. Nᵒ 1 Introduction « Sur la place chacun passe » (les soldats, Moralès)
Georges Bizet
2:09
3
Carmen: Premier Acte. « Regardez donc cette petite » (Moralès, les soldats, Micaëla)
Georges Bizet
4:09
4
Carmen: Premier Acte. Nᵒ 2 Marche et chœur des gamins : « Avec la garde montante » (les gamins)
Georges Bizet
2:34
5
Carmen: Premier Acte. « Repos! » (Zuniga, Moralès, Don José)
Georges Bizet
0:45
6
Carmen: Premier Acte. « Allons! allons! » (Zuniga, les gamins)
Georges Bizet
1:37
7
Carmen: Premier Acte. « Dites‐moi, brigadier? » (Zuniga, Don José)
Georges Bizet
1:06
8
Carmen: Premier Acte. Nᵒ 3 Chœur et scène : « La cloche a sonné » (les jeunes gens, les soldats, les cigarières)
Georges Bizet
5:12
9
Carmen: Premier Acte. « Mais nous ne voyons pas la Carmencita » (les soldats, les jeunes gens)
Georges Bizet
0:45
10
Carmen: Premier Acte. « Quand je vous aimerai? » (Carmen) / Nᵒ 4 Havanaise : « L’amour est un oiseau rebelle » (Carmen, chœur)
Georges Bizet
4:49
11
Carmen: Premier Acte. Nᵒ 5 Scène : « Carmen, sur tes pas nous nous pressons tous » (les jeunes gens, le cigarières, Don José)
Georges Bizet
2:24
12
Carmen: Premier Acte. « Monsieur le brigadier? » (Micaëla, Don José) / Nᵒ 6 Duo : « Parle‐moi de ma mère ! » (Don José, Micaëla)
Georges Bizet
1:41
13
Carmen: Premier Acte. « Votre mère avec moi sortait de la chapelle » (Micaëla, Don José)
Georges Bizet
2:19
14
Carmen: Premier Acte. « Ma mère, je la vois… » (Don José, Micaëla)
Georges Bizet
2:24
15
Carmen: Premier Acte. « Que son fils l’aime et la vénère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga)
Georges Bizet
4:04
16
Carmen: Premier Acte. Nᵒ 7 Chœur : « Au secours ! » (les cigarières, Zuniga, les soldats)
Georges Bizet
3:19
17
Carmen: Premier Acte. « Voyons, brigadier… » (Zuniga, Don José) / Nᵒ 8 Chanson et mélodrame : « Tra la la la… » (Carmen, Zuniga, les cigarières, un soldat, Don José)
Georges Bizet
4:14
18
Carmen: Premier Acte. Nᵒ 9 Chanson (Séguedille) et duo : « Près des remparts de Séville » (Carmen, Don José)
Georges Bizet
4:29
19
Carmen: Premier Acte. Nᵒ 10 Finale : « Le lieutenant!… Prenez garde! » (Don José, Zuniga, Carmen)
Georges Bizet
2:16
20
Carmen: Entr’acte
Georges Bizet
1:47
21
Carmen: Deuxième Acte. Nᵒ 11 Chanson : « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
Georges Bizet
5:06
22
Carmen: Deuxième Acte. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen)
Georges Bizet
1:15
23
Carmen: Deuxième Acte. « Tout est bien alors » (Carmen, Zuniga) / Nᵒ 12 Chœur et ensemble : « Vivat ! vivat le toréro ! » (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia)
Georges Bizet
1:31
24
Carmen: Deuxième Acte. Nᵒ 13 Couplet (Air du Toréador) : « Votre toast… je peux vous le rendre » (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) / Nᵒ 13 bis Chœur : « Toréador, en garde » (chœur, Frasquita, Pastia, Dancaïre, Remendado)
Georges Bizet
8:00
25
Carmen: Deuxième Acte. Nᵒ 14 Quintette : « Nous avons en tête une affaire » (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)
Georges Bizet
4:49
26
Carmen: Deuxième Acte. « Amoureuse… ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / Nᵒ 15 Chanson : « Halte‐là ! Qui va là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen)
Georges Bizet
2:33
CD 36: Bizet: Carmen (Acts II cont. & III)
1
Carmen: Deuxième Acte. Nᵒ 16 Duo : « Je vais danser en votre honneur » (Carmen, Don José)
Georges Bizet
5:41
2
Carmen: Deuxième Acte. Air de la fleur : « La fleur que tu m’avais jetée » (Don José)
Georges Bizet
4:15
3
Carmen: Deuxième Acte. « Non! Tu ne m’aimes pas ! » (Carmen, Don José)
Georges Bizet
4:01
4
Carmen: Deuxième Acte. Nᵒ 17 Finale : « Holà ! Carmen ! holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, les bohémiens)
Georges Bizet
3:31
5
Carmen: Deuxième Acte. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, les bohémiens, les bohémiennes)
Georges Bizet
2:00
6
Carmen: Entr’acte
Georges Bizet
3:00
7
Carmen: Troisième Acte, Premier Tableau. Nᵒ 18 Introduction : « Écoute, compagnon, écoute » (les contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
Georges Bizet
4:40
8
Carmen: Troisième Acte, Premier Tableau. « Halte ! nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen)
Georges Bizet
1:29
9
Carmen: Troisième Acte, Premier Tableau. Nᵒ 19 Trio : « Mêlons ! » - « Mêlons ! » - « Coupons ! » (Frasquita, Mercédès)
Georges Bizet
3:20
10
Carmen: Troisième Acte, Premier Tableau. Air des cartes : « Carreau, pique… la mort ! » (Carmen)
Georges Bizet
3:20
11
Carmen: Troisième Acte, Premier Tableau. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)
Georges Bizet
0:49
12
Carmen: Troisième Acte, Premier Tableau. « Eh bien, j’avais raison » (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)
Georges Bizet
0:30
13
Carmen: Troisième Acte, Premier Tableau. Nᵒ 20 Morceau d’ensemble : « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, les bohémiennes, les bohémiens, Dancaïre, Remandado)
Georges Bizet
3:07
14
Carmen: Troisième Acte, Premier Tableau. « Nous y sommes » (le guide, Micaëla)
Georges Bizet
0:43
15
Carmen: Troisième Acte, Premier Tableau. Nᵒ 21 Air « Je dis que rien ne m’épouvante » (Micaëla)
Georges Bizet
4:50
16
Carmen: Troisième Acte, Premier Tableau. « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nᵒ 22 Duo : « Je suis Escamillo, toréro de Grenade » (Escamillo, Don José)
Georges Bizet
3:42
17
Carmen: Troisième Acte, Premier Tableau. Nᵒ 23 Finale : « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, les contrebandiers, les contrebandières)
Georges Bizet
3:00
18
Carmen: Troisième Acte, Premier Tableau. « Halte !... Quelqu’un est là qui cherche à se cacher » (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)
Georges Bizet
5:16
19
Carmen: Entr’acte
Georges Bizet
2:10
20
Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 24 Chœur : « A deux cuartos » (marchandes, marchands, un soldat, Andrès, un bohémien)
Georges Bizet
2:23
21
Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 25 Chœur et scène : « Les voici ! Voici le quadrille » (chœur)
Georges Bizet
3:51
22
Carmen: Troisième Acte, Deuxième Tableau. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
Georges Bizet
3:19
23
Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 26 Duo final : « C’est toi? » / « C’est moi ! » (Carmen, Don José, chœur)
Georges Bizet
9:24
CD 37: Brahms: Symphony no. 1 / Gesang der Parzen
1
Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro
Johannes Brahms
14:13
2
Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto
Johannes Brahms
9:39
3
Symphony no. 1 in C minor, op. 68: 3. Un poco Allegretto e grazioso
Johannes Brahms
5:05
4
Symphony no. 1 in C minor, op. 68: 4. Adagio - Più Andante - Allegro non troppo, ma con brio
Johannes Brahms
16:35
5
Gesang der Parzen, op. 89: Maestoso - »Es fürchte die Götter das Menschengeschlects!«
Johannes Brahms
12:32
CD 38: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2
1
Rhapsody, op. 53: Adagio - »Aber abseits, wer ist's?« - Poco andante - Adagio: »Ist auf deinem Psalter«
Johannes Brahms
13:18
2
Symphony no. 2 in D major, op. 73: 1. Allegro non troppo
Johannes Brahms
21:02
3
Symphony no. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
Johannes Brahms
10:02
4
Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I
Johannes Brahms
5:25
5
Symphony no. 2 in D major, op. 73: 4. Allegro con spirito
Johannes Brahms
9:42
CD 39: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3
1
Tragische Ouvertüre, op. 81
Johannes Brahms
13:07
2
Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf keiner Stätte zu ruhn« - Adagio
Johannes Brahms
17:01
3
Symphony no. 3 in F major, op. 90: 1. Allegro con brio
Johannes Brahms
13:39
4
Symphony no. 3 in F major, op. 90: 2. Andante
Johannes Brahms
8:27
5
Symphony no. 3 in F major, op. 90: 3. Poco allegretto
Johannes Brahms
6:28
6
Symphony no. 3 in F major, op. 90: 4. Allegro
Johannes Brahms
9:01
CD 40: Brahms: Haydn Variations / Nänie / Symphony no. 4
1
Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante
Johannes Brahms
18:10
2
Nänie, op. 82: Andante - »Auch das Schöne muss sterben!« - Più sostenuto: »Aber sie steigt aus dem Meer« - Tempo primo - »Auch ein Klaglied zu sein«
Johannes Brahms
14:00
3
Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo
Johannes Brahms
13:06
4
Symphony no. 4 in E minor, op. 98: 2. Andante moderato
Johannes Brahms
12:10
5
Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I
Johannes Brahms
6:26
6
Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro
Johannes Brahms
10:03
CD 41: Brahms: Symphony no. 1
1
Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro
Johannes Brahms
17:03
2
Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto
Johannes Brahms
9:25
3
Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso
Johannes Brahms
4:51
4
Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio
Johannes Brahms
16:30
CD 42: Brahms: Symphony no. 2 / Akademische Festouvertüre
1
Symphony no. 2 in D major, op. 73: 1. Allegro non troppo
Johannes Brahms
21:46
2
Symphony no. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
Johannes Brahms
10:20
3
Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I
Johannes Brahms
5:36
4
Symphony no. 2 in D major, op. 73: 4. Allegro con spirito
Johannes Brahms
9:47
5
Akademische Festouvertüre, op. 80
Johannes Brahms
10:01
CD 43: Brahms: Symphony no. 3 / Haydn Variations
1
Symphony no. 3 in F major, op. 90: 1. Allegro con brio
Johannes Brahms
12:53
2
Symphony no. 3 in F major, op. 90: 2. Andante
Johannes Brahms
9:09
3
Symphony no. 3 in F major, op. 90: 3. Poco allegretto
Johannes Brahms
6:54
4
Symphony no. 3 in F major, op. 90: 4. Allegro
Johannes Brahms
8:56
5
Variations on a Theme by Joseph Haydn, op. 56a: Chorale St Antoni. Andante
Johannes Brahms
2:06
6
Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato
Johannes Brahms
1:29
7
Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace
Johannes Brahms
1:07
8
Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto
Johannes Brahms
1:53
9
Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto
Johannes Brahms
2:04
10
Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace
Johannes Brahms
0:53
11
Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace
Johannes Brahms
1:18
12
Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso
Johannes Brahms
2:50
13
Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo
Johannes Brahms
1:01
14
Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante
Johannes Brahms
3:47
CD 44: Brahms: Symphony no. 4 / Tragische Ouvertüre
1
Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo
Johannes Brahms
12:15
2
Symphony no. 4 in E minor, op. 98: 2. Andante moderato
Johannes Brahms
12:18
3
Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I
Johannes Brahms
6:00
4
Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro
Johannes Brahms
9:34
5
Tragische Ouvertüre, op. 81
Johannes Brahms
12:51
CD 45: Brahms: Serenades nos. 1 & 2
1
Serenade no. 1 in D major, op. 11: 1. Allegro molto
Johannes Brahms
13:16
2
Serenade no. 1 in D major, op. 11: 2. Scherzo. Allegro non troppo - Trio. Poco più moto
Johannes Brahms
8:16
3
Serenade no. 1 in D major, op. 11: 3. Adagio non troppo
Johannes Brahms
14:53
4
Serenade no. 1 in D major, op. 11: 4. Menuetto I - Menuetto II
Johannes Brahms
4:09
5
Serenade no. 1 in D major, op. 11: 5. Scherzo. Allegro - Trio
Johannes Brahms
2:40
6
Serenade no. 1 in D major, op. 11: 6. Rondo. Allegro
Johannes Brahms
6:00
7
Serenade no. 2 in A major, op. 16: 1. Allegro moderato
Johannes Brahms
9:35
8
Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace
Johannes Brahms
2:37
9
Serenade no. 2 in A major, op. 16: 3. Adagio non troppo
Johannes Brahms
9:40
10
Serenade no. 2 in A major, op. 16: 4. Quasi menuetto
Johannes Brahms
5:44
11
Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro
Johannes Brahms
6:17
CD 46: Brahms: Hungarian Dances
1
Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto
Johannes Brahms
2:56
2
Hungarian Dances, WoO 1: No. 2 in D minor. Allegro non assai - Vivace
Johannes Brahms
2:36
3
Hungarian Dances, WoO 1: No. 3 in F major. Allegretto
Johannes Brahms
2:18
4
Hungarian Dances, WoO 1: No. 4 in F-sharp minor. Poco sostenuto - Vivace
Johannes Brahms
4:11
5
Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - Vivace
Johannes Brahms
2:18
6
Hungarian Dances, WoO 1: No. 6 in D major. Vivace
Johannes Brahms
3:09
7
Hungarian Dances, WoO 1: No. 7 in F major. Allegretto - Vivo
Johannes Brahms
1:34
8
Hungarian Dances, WoO 1: No. 8 in A minor. Presto
Johannes Brahms
2:51
9
Hungarian Dances, WoO 1: No. 9 in E minor. Allegro ma non troppo
Johannes Brahms
1:38
10
Hungarian Dances, WoO 1: No. 10 in F major. Presto
Johannes Brahms
1:39
11
Hungarian Dances, WoO 1: No. 11 in D minor. Poco andante
Johannes Brahms
2:26
12
Hungarian Dances, WoO 1: No. 12 in D minor. Presto
Johannes Brahms
2:20
13
Hungarian Dances, WoO 1: No. 13 in D major. Andantino grazioso - Vivace
Johannes Brahms
1:37
14
Hungarian Dances, WoO 1: No. 14 in D minor. Un poco andante
Johannes Brahms
1:34
15
Hungarian Dances, WoO 1: No. 15 in B-flat major. Allegretto grazioso
Johannes Brahms
2:44
16
Hungarian Dances, WoO 1: No. 16 in F minor. Con moto
Johannes Brahms
2:19
17
Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace
Johannes Brahms
2:50
18
Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace
Johannes Brahms
1:24
19
Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto
Johannes Brahms
1:57
20
Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - Vivace
Johannes Brahms
2:26
21
Hungarian Dances, WoO 1: No. 21 in E minor. Vivace
Johannes Brahms
1:16
CD 47: Brahms: Piano Concerto no. 2 (Pollini)
1
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
17:12
2
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
8:54
3
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
12:44
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
9:25
CD 48: Brahms: Piano Concerto no. 1 (Brendel)
1
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato
Johannes Brahms
22:44
2
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio
Johannes Brahms
13:48
3
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo
Johannes Brahms
12:16
CD 49: Brahms: Piano Concerto no. 2 (Brendel)
1
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
Johannes Brahms
18:00
2
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
Johannes Brahms
9:26
3
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
Johannes Brahms
12:17
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
Johannes Brahms
9:29
CD 50: Brahms: Piano Concerto no. 1 (Pollini)
1
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato
Johannes Brahms
21:02
2
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio
Johannes Brahms
12:11
3
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo
Johannes Brahms
11:46
CD 51: Brahms: Piano Concerto no. 2 (Pollini)
1
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
Johannes Brahms
17:45
2
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
Johannes Brahms
8:55
3
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
Johannes Brahms
12:33
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
Johannes Brahms
9:24
CD 52: Brahms: Violin Concerto / Akademische Festouvertüre
1
Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo
Johannes Brahms
23:43
2
Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio
Johannes Brahms
9:46
3
Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
Johannes Brahms
8:59
4
Akademische Festouvertüre, op. 80
Johannes Brahms
10:03
CD 53: Brahms: Violin Concerto
1
Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo
Johannes Brahms
22:36
2
Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio
Johannes Brahms
8:42
3
Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
Johannes Brahms
8:29
CD 54: Brahms: Violin Concerto / Double Concerto
1
Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo
Johannes Brahms
21:01
2
Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio
Johannes Brahms
8:33
3
Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
Johannes Brahms
7:44
4
Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 1. Allegro
Johannes Brahms
17:09
5
Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 2. Andante
Johannes Brahms
8:02
6
Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 3. Vivace non troppo - Poco meno allegro - Tempo I
Johannes Brahms
8:51
CD 55: Brahms: Ein Deutsches Requiem
1
Ein deutsches Requiem, op. 45: 1. »Selig sind, die da Leid tragen« (chorus)
Johannes Brahms
10:26
2
Ein deutsches Requiem, op. 45: 2. »Denn alles Fleisch, es ist wie Gras« (chorus)
Johannes Brahms
15:03
3
Ein deutsches Requiem, op. 45: 3. »Herr, lehre doch mich« (baritone, chorus)
Johannes Brahms
10:29
4
Ein deutsches Requiem, op. 45: 4. »Wie lieblich sind deine Wohnungen« (chorus)
Johannes Brahms
5:56
5
Ein deutsches Requiem, op. 45: 5. »Ihr habt nun Traurigkeit« (soprano, chorus)
Johannes Brahms
7:37
6
Ein deutsches Requiem, op. 45: 6. »Denn wir haben hie keine bleibende Statt« (baritone, chorus)
Johannes Brahms
12:22
7
Ein deutsches Requiem, op. 45: 7. »Selig sind die Toten« (chorus)
Johannes Brahms
11:40
CD 56: Brahms: Rinaldo / Schicksalslied
1
Rinaldo, op. 50: »Zu dem Strande! Zu der Barke!« (chorus) - »O lasst mich einen Augenblick noch hier!« (Rinaldo) -
Johannes Brahms
6:18
2
Rinaldo, op. 50: Poco adagio - »Stell her der goldnen Tage« (Rinaldo) - »Sachte kommt! und kommt verbunden« (chorus, Rinaldo) - In tempo - Allegro - »Aber Alles verkündet« (Rinaldo) -
Johannes Brahms
11:00
3
Rinaldo, op. 50: »Nein! nicht länger ist zu säumen!« - Allegro non troppo (chorus) - Poco sostenuto - »Weh, was seh' ich, welch ein Bild!« (Rinaldo, chorus) -
Johannes Brahms
4:24
4
Rinaldo, op. 50: Allegretto non troppo - »Zurück nur! zurücke« (chorus) -
Johannes Brahms
2:33
5
Rinaldo, op. 50: Andante con moto e poco agitato - »Zum zweiten Male seh' ich erscheinen« (Rinaldo, chorus) -
Johannes Brahms
2:50
6
Rinaldo, op. 50: Allegro con fuoco - »Und umgewandelt seh' ich die Holde« (Rinaldo, chorus) - »Schon sind sie erhöret« (chorus, Rinaldo)
Johannes Brahms
5:54
7
Rinaldo, op. 50: Auf dem Meere. Final Chorus: »Segel schwellen! Grüne Wellen« - »Das erfrischet«
Johannes Brahms
6:53
8
Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf Stätte zu ruhn« - Adagio
Johannes Brahms
15:17
CD 57: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)
1
Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 1. Allegro
Anton Bruckner
12:16
2
Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 2. Adagio
Anton Bruckner
13:45
3
Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 3. Scherzo. Schnell - Trio. Langsamer
Anton Bruckner
8:40
4
Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 4. Finale. Bewegt, feurig
Anton Bruckner
13:48
CD 58: Bruckner: Symphony no. 4 “Romantic”
1
Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 1. Bewegt, nicht zu schnell
Anton Bruckner
19:07
2
Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 2. Andante, quasi allegretto
Anton Bruckner
16:17
3
Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keineswegs schleppend
Anton Bruckner
10:35
4
Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht zu schnell
Anton Bruckner
22:37
CD 59: Bruckner: Symphony no. 5
1
Symphony no. 5 in B-flat major (ed. Leopold Nowak): 1. Introduktion. Adagio - Allegro
Anton Bruckner
19:33
2
Symphony no. 5 in B-flat major (ed. Leopold Nowak): 2. Adagio. Sehr langsam
Anton Bruckner
16:33
3
Symphony no. 5 in B-flat major (ed. Leopold Nowak): 3. Scherzo. Molto vivace (schnell)
Anton Bruckner
12:14
4
Symphony no. 5 in B-flat major (ed. Leopold Nowak): 4. Finale. Adagio
Anton Bruckner
23:30
CD 60: Bruckner: Symphony no. 7
1
Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderato
Anton Bruckner
20:17
2
Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsam
Anton Bruckner
21:57
3
Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamer
Anton Bruckner
9:17
4
Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnell
Anton Bruckner
12:51
CD 61: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)
1
Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misterioso
Anton Bruckner
25:05
2
Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell
Anton Bruckner
10:06
3
Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlich
Anton Bruckner
25:13
CD 62: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)
1
Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 1. Allegro
Anton Bruckner
12:04
2
Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 2. Adagio
Anton Bruckner
12:44
3
Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 3. Scherzo. Schnell - Trio. Langsamer
Anton Bruckner
8:39
4
Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 4. Finale. Bewegt, feurig
Anton Bruckner
16:40
CD 63: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)
1
Symphony no. 1 in C Minor (1866 Linz version): 1. Allegro
Anton Bruckner
11:51
2
Symphony no. 1 in C Minor (1866 Linz version): 2. Adagio
Anton Bruckner
12:40
3
Symphony no. 1 in C Minor (1866 Linz version): 3. Scherzo. Schnell - Trio. Langsamer
Anton Bruckner
8:54
4
Symphony no. 1 in C Minor (1866 Linz version): 4. Finale. Bewegt, feurig
Anton Bruckner
12:52
CD 64: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)
1
Symphony no. 9 in D minor: 1. Feierlich, misterioso
Anton Bruckner
26:47
2
Symphony no. 9 in D minor: 2. Scherzo. Bewegt, lebhaft — Trio. Schnell
Anton Bruckner
11:02
3
Symphony no. 9 in D minor: 3. Adagio. Langsam, feierlich
Anton Bruckner
25:16
CD 65: Chopin & Liszt: Piano Concertos nos. 1
1
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 1. Allegro maestoso
Frédéric Chopin
18:59
2
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 2. Romance. Larghetto
Frédéric Chopin
9:58
3
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 3. Rondo. Vivace
Frédéric Chopin
9:13
4
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso
Franz Liszt
5:09
5
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato
Franz Liszt
8:26
6
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato - Presto
Franz Liszt
4:01
CD 66: Chopin: Piano Concerto no. 2 / Polonaise, op. 44
1
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 1. Maestoso
Frédéric Chopin
13:55
2
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 2. Larghetto
Frédéric Chopin
10:03
3
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 3. Allegro vivace
Frédéric Chopin
7:42
4
Polonaise in F-sharp minor, op. 44: Tempo di polacca - Doppio movimento, tempo di mazurka - Tempo I
Frédéric Chopin
9:39
CD 67: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite
1
Prélude à l'après-midi d'un faune, L 86: Très modéré
Claude Debussy
9:27
2
Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé
Claude Debussy
6:21
3
Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
Claude Debussy
6:15
4
Nocturnes, L 91: 3. Sirènes (with women's chorus). Modérément animé
Claude Debussy
9:54
5
Pelléas et Melisande - Concert Suite, L 88: Acte I. Une forêt
Claude Debussy
8:05
6
Pelléas et Melisande - Concert Suite, L 88: Acte II, scène 1. Une fontaine dans le parc
Claude Debussy
9:10
7
Pelléas et Melisande - Concert Suite, L 88: Acte III, scène 2. Les souterrains du château / Acte IV, scène 2. Un appartement dans le château
Claude Debussy
7:30
8
Pelléas et Melisande - Concert Suite, L 88: Acte V: Une chambre dans le château
Claude Debussy
5:08
CD 68: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte
1
Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé
Claude Debussy
7:53
2
Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
Claude Debussy
6:05
3
Nocturnes, L 91: 3. Sirènes. Modérément animé
Claude Debussy
10:47
4
Daphnis et Chloé , M. 57b, Fragments symphoniques (2ᵉ série) : 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé
Maurice Ravel
16:18
5
Pavane pour une infante défunte, M. 19: Lent
Maurice Ravel
6:45
6
La Mer, L 109: 1. De l'aube à midi sur la mer - Très lent
Claude Debussy
8:36
7
La Mer, L 109: 2. Jeux de vagues. Allegro
Claude Debussy
6:47
8
La Mer, L 109: 3. Dialogue du vent et de la mer. Animé et tumultueux
Claude Debussy
8:37
CD 69: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »
1
La damoiselle élue, L 62: Début
Claude Debussy
3:43
2
La damoiselle élue, L 62: Chœur : « La Damoiselle élue s’appuyait » (chœur, une récitante)
Claude Debussy
4:44
3
La damoiselle élue, L 62: La Damoiselle : « Je voudrais qu’il fût déjà près de moi »
Claude Debussy
8:22
4
La damoiselle élue, L 62: Chœur : « La lumière tressaillit … » (chœur, une récitante)
Claude Debussy
3:41
5
Prélude à l’après-midi d’un faune, L 86: Très modéré
Claude Debussy
9:50
6
Images pour orchestre Nᵒ 2 « Ibéria », L 122: 1. Par les rues et par les chemins. Assez animé
Claude Debussy
7:00
7
Images pour orchestre Nᵒ 2 « Ibéria », L 122: 2. Les Parfums de la nuit. Lent et rêveur
Claude Debussy
7:21
8
Images pour orchestre Nᵒ 2 « Ibéria », L 122: 3. Le matin d’un jour de fête. Dans un rythme de marche lointaine, alerte et joyeuse
Claude Debussy
4:29
CD 70: Debussy: Pelléas et Melisande (Acts I-III beg.)
1
Pelléas et Mélisande, L 88: Premier Acte. « Je ne pourrai plus sortir de cette forêt » (Golaud)
Claude Debussy
3:09
2
Pelléas et Mélisande, L 88: Premier Acte. « Pourquoi pleures-tu? » (Golaud, Mélisande)
Claude Debussy
6:21
3
Pelléas et Mélisande, L 88: Premier Acte. « Je suis perdu aussi » (Golaud)
Claude Debussy
3:10
4
Pelléas et Mélisande, L 88: Premier Acte. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève)
Claude Debussy
2:06
5
Pelléas et Mélisande, L 88: Premier Acte. « Qu'en dites-vous ? » (Geneviève, Arkel, Pelléas)
Claude Debussy
5:23
6
Pelléas et Mélisande, L 88: Premier Acte. Interlude
Claude Debussy
1:14
7
Pelléas et Mélisande, L 88: Premier Acte. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas)
Claude Debussy
2:38
8
Pelléas et Mélisande, L 88: Premier Acte. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève)
Claude Debussy
3:57
9
Pelléas et Mélisande, L 88: Deuxième Acte. « Vous ne savez pas où je vous ai menée ? » (Pelléas, Mélisande)
Claude Debussy
3:40
10
Pelléas et Mélisande, L 88: Deuxième Acte. « C'est au bord d'une fontaine » (Pelléas, Mélisande)
Claude Debussy
2:51
11
Pelléas et Mélisande, L 88: Deuxième Acte. Interlude
Claude Debussy
3:19
12
Pelléas et Mélisande, L 88: Deuxième Acte. « Ah ! Ah ! Tout va bien » (Golaud, Mélisande)
Claude Debussy
7:51
13
Pelléas et Mélisande, L 88: Deuxième Acte. « Voyons, donne-moi ta main » (Golaud, Mélisande)
Claude Debussy
2:53
14
Pelléas et Mélisande, L 88: Deuxième Acte. Interlude
Claude Debussy
2:19
15
Pelléas et Mélisande, L 88: Deuxième Acte. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande)
Claude Debussy
4:45
16
Pelléas et Mélisande, L 88: Troisième Acte. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas)
Claude Debussy
5:59
17
Pelléas et Mélisande, L 88: Troisième Acte. « Je les tiens dans les mains » (Pelléas, Mélisande)
Claude Debussy
4:11
18
Pelléas et Mélisande, L 88: Troisième Acte. « Que faites-vous ici ? » (Golaud, Pelléas)
Claude Debussy
3:32
19
Pelléas et Mélisande, L 88: Troisième Acte. « Prenez garde ; par ici, par ici » (Golaud, Pelléas)
Claude Debussy
3:03
CD 71: Debussy: Pelléas et Melisande (Acts III cont. - V)
1
Pelléas et Mélisande, L 88: Troisième Acte. Interlude … « Ah ! Je respire enfin ! » (Pelléas, Golaud)
Claude Debussy
4:14
2
Pelléas et Mélisande, L 88: Troisième Acte. Interlude
Claude Debussy
1:06
3
Pelléas et Mélisande, L 88: Troisième Acte. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)
Claude Debussy
5:13
4
Pelléas et Mélisande, L 88: Troisième Acte. « Qu'ils s'embrassent, petit père ? » (Yniold, Golaud)
Claude Debussy
4:21
5
Pelléas et Mélisande, L 88: Quatrième Acte. « Où vas-tu ? » (Pelléas, Mélisande)
Claude Debussy
2:49
6
Pelléas et Mélisande, L 88: Quatrième Acte. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)
Claude Debussy
5:46
7
Pelléas et Mélisande, L 88: Quatrième Acte. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)
Claude Debussy
2:53
8
Pelléas et Mélisande, L 88: Quatrième Acte. « Ne mettez pas ainsi votre main à la gorge » (Golaud, Arkel, Mélisande)
Claude Debussy
3:25
9
Pelléas et Mélisande, L 88: Quatrième Acte. Interlude
Claude Debussy
3:54
10
Pelléas et Mélisande, L 88: Quatrième Acte. « Oh ! Cette pierre est lourde » (Yniold, un berger)
Claude Debussy
4:03
11
Pelléas et Mélisande, L 88: Quatrième Acte. « C'est le dernier soir » (Pelléas, Mélisande)
Claude Debussy
3:25
12
Pelléas et Mélisande, L 88: Quatrième Acte. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)
Claude Debussy
1:46
13
Pelléas et Mélisande, L 88: Quatrième Acte. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)
Claude Debussy
3:47
14
Pelléas et Mélisande, L 88: Quatrième Acte. « Quel est ce bruit ? » (Pelléas, Mélisande)
Claude Debussy
4:06
15
Pelléas et Mélisande, L 88: Cinquième Acte. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)
Claude Debussy
2:53
16
Pelléas et Mélisande, L 88: Cinquième Acte. « Attention ; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)
Claude Debussy
5:18
17
Pelléas et Mélisande, L 88: Cinquième Acte. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi ? » (Golaud, Mélisande)
Claude Debussy
2:40
18
Pelléas et Mélisande, L 88: Cinquième Acte. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)
Claude Debussy
1:54
19
Pelléas et Mélisande, L 88: Cinquième Acte. « Qu'avez-vous fait ? » (Arkel, Golaud, Mélisande)
Claude Debussy
2:34
20
Pelléas et Mélisande, L 88: Cinquième Acte. « Qu'y a-t-il » (Golaud, le médecin, Arkel)
Claude Debussy
2:24
21
Pelléas et Mélisande, L 88: Cinquième Acte. « Attention… attention. Il faut parler à voix basse, maintenant » (Arkel, le médecin, Golaud)
Claude Debussy
6:42
CD 72: Dvořák: Symphony no. 9
1
Concert Overture “Othello”, op. 93
Antonín Dvořák
13:44
2
Symphony no. 9 in E minor “From the New World”. op. 95: 1. Adagio - Allegro molto
Antonín Dvořák
12:04
3
Symphony no. 9 in E minor “From the New World”. op. 95: 2. Largo
Antonín Dvořák
13:20
4
Symphony no. 9 in E minor “From the New World”. op. 95: 3. Molto vivace
Antonín Dvořák
7:39
5
Symphony no. 9 in E minor “From the New World”. op. 95: 4. Allegro con fuoco
Antonín Dvořák
11:28
CD 73: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101
1
Symphony in D major, Hob. I:93: 1. Adagio - Allegro assai
Joseph Haydn
7:48
2
Symphony in D major, Hob. I:93: 2. Largo cantabile
Joseph Haydn
5:07
3
Symphony in D major, Hob. I:93: 3. Menuetto. Allegro - Trio
Joseph Haydn
4:11
4
Symphony in D major, Hob. I:93: 4. Finale. Presto ma non troppo
Joseph Haydn
5:21
5
Symphony in D major “The Clock”, Hob. I:101: 1. Adagio - Presto
Joseph Haydn
8:05
6
Symphony in D major “The Clock”, Hob. I:101: 2. Andante
Joseph Haydn
7:40
7
Symphony in D major “The Clock”, Hob. I:101: 3. Menuetto. Allegretto - Trio
Joseph Haydn
6:18
8
Symphony in D major “The Clock”, Hob. I:101: 4. Finale. Vivace
Joseph Haydn
4:26
CD 74: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105
1
Symphony in D major “The Miracle”, Hob. I:96: 1. Adagio - Allegro
Joseph Haydn
7:13
2
Symphony in D major “The Miracle”, Hob. I:96: 2. Andante
Joseph Haydn
6:20
3
Symphony in D major “The Miracle”, Hob. I:96: 3. Menuetto. Trio
Joseph Haydn
5:18
4
Symphony in D major “The Miracle”, Hob. I:96: 4. Finale. Vivace assai
Joseph Haydn
3:38
5
Sinfonia Concertante in B-flat major, Hob. I:105: 1. Allegro
Joseph Haydn
9:11
6
Sinfonia Concertante in B-flat major, Hob. I:105: 2. Andante
Joseph Haydn
5:01
7
Sinfonia Concertante in B-flat major, Hob. I:105: 3. Allegro con spirito
Joseph Haydn
6:19
CD 75: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100
1
Overture to “Il mondo della luna”, Hob. XXVIII:7
Joseph Haydn
4:10
2
Symphony in B-flat major, Hob. I:98: 1. Adagio - Allegro
Joseph Haydn
8:33
3
Symphony in B-flat major, Hob. I:98: 2. Adagio
Joseph Haydn
6:26
4
Symphony in B-flat major, Hob. I:98: 3. Menuetto - Trio
Joseph Haydn
5:05
5
Symphony in B-flat major, Hob. I:98: 4. Finale. Presto
Joseph Haydn
7:46
6
Symphony in G major “Military”, Hob. I:100: 1. Adagio - Allegro
Joseph Haydn
7:52
7
Symphony in G major “Military”, Hob. I:100: 2. Allegretto
Joseph Haydn
5:49
8
Symphony in G major “Military”, Hob. I:100: 3. Menuet. Moderato - Trio
Joseph Haydn
4:47
9
Symphony in G major “Military”, Hob. I:100: 4. Finale. Presto
Joseph Haydn
5:06
CD 76: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103
1
Symphony in B-flat major, Hob. I:102: 1. Largo - Vivace
Joseph Haydn
9:08
2
Symphony in B-flat major, Hob. I:102: 2. Adagio
Joseph Haydn
5:44
3
Symphony in B-flat major, Hob. I:102: 3. Menuet. Allegro - Trio
Joseph Haydn
4:59
4
Symphony in B-flat major, Hob. I:102: 4. Finale. Presto
Joseph Haydn
4:47
5
Symphony in E-flat major “Drum Roll”, Hob. I:103: 1. Adagio - Allegro con spirito
Joseph Haydn
9:04
6
Symphony in E-flat major “Drum Roll”, Hob. I:103: 2. Andante più tosto Allegretto
Joseph Haydn
9:58
7
Symphony in E-flat major “Drum Roll”, Hob. I:103: 3. Menuet - Trio
Joseph Haydn
4:53
8
Symphony in E-flat major “Drum Roll”, Hob. I:103: 4. Finale. Allegro con spirito
Joseph Haydn
5:15
CD 77: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen
1
Symphonie »Mathis der Maler«: 1. Engelkonzert. Ruhig bewegt
Paul Hindemith
8:58
2
Symphonie »Mathis der Maler«: 2. Grablegung. Sehr langsam
Paul Hindemith
4:48
3
Symphonie »Mathis der Maler«: 3. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft
Paul Hindemith
13:37
4
Nobilissima visione: 1. Einleitung und Rondo. Sehr langsam - Rondo. Mäßig schnell
Paul Hindemith
7:46
5
Nobilissima visione: 2. Marsch und Pastorale. Lebhaft
Paul Hindemith
8:56
6
Nobilissima visione: 3. Passacaglia. Feierlich bewegt
Paul Hindemith
5:49
7
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 1. Allegro
Paul Hindemith
4:05
8
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 2. “Turandot, Scherzo”. Moderate - Lively
Paul Hindemith
7:12
9
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 3. Andantino
Paul Hindemith
4:04
10
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 4. March
Paul Hindemith
4:39
CD 78: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)
1
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 1. Allegro
Paul Hindemith
4:11
2
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 2. “Turandot, Scherzo”. Moderate - Lively
Paul Hindemith
7:38
3
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 3. Andantino
Paul Hindemith
4:03
4
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 4. March
Paul Hindemith
4:39
5
Sinfonietta: 1. Allegretto - Allegro - Maestoso
Leoš Janáček
2:32
6
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Leoš Janáček
5:42
7
Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato
Leoš Janáček
5:07
8
Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
Leoš Janáček
2:47
9
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Leoš Janáček
7:27
10
Romeo and Juliet, Suite no. 2, op. 64b no. 1: The Montagues and Capulets
Sergei Prokofiev
5:36
4.0 ★
11
Romeo and Juliet, Suite no. 3, op. 101 no. 16: Morning Dance
Sergei Prokofiev
2:04
12
Romeo and Juliet, Ballet, op. 64 no. 5: The Quarrrel
Sergei Prokofiev
1:47
13
Romeo and Juliet, Ballet, op. 64 no. 6: The Fight
Sergei Prokofiev
3:02
14
Romeo and Juliet, Ballet, op. 64 no. 25: Dance with Mandolins
Sergei Prokofiev
1:46
15
Romeo and Juliet, Suite no. 2, op. 64b no. 4: Dance
Sergei Prokofiev
3:52
16
Romeo and Juliet, Suite no. 3, op. 101 no. 19: Aubade (Morning Serenade)
Sergei Prokofiev
2:45
17
Romeo and Juliet, Suite no. 2, op. 64b no. 6: Dance of the Maids from the Antilles
Sergei Prokofiev
2:55
18
Romeo and Juliet, Suite no. 1, op. 64a no. 7: Death of Tybalt
Sergei Prokofiev
5:04
CD 79: Janáček: The Diary of One Who Disappeared / Sinfonietta
1
The Diary of One Who Disappeared: 1. “Potkal Jsem Mladou cigánku” (tenor)
Leoš Janáček
1:13
2
The Diary of One Who Disappeared: 2. “Ta černá cigánka” (tenor)
Leoš Janáček
1:18
3
The Diary of One Who Disappeared: 3. “Svatojanské mušky tančíja” (tenor)
Leoš Janáček
1:49
4
The Diary of One Who Disappeared: 4. “Už mladé vlaštúvky” (tenor)
Leoš Janáček
0:54
5
The Diary of One Who Disappeared: 5. “Těžko sa mi oře” (tenor)
Leoš Janáček
0:48
6
The Diary of One Who Disappeared: 6. “Hajsi, vy siví volci” (tenor)
Leoš Janáček
1:28
7
The Diary of One Who Disappeared: 7. “Ztratil sem količek” (tenor)
Leoš Janáček
0:53
8
The Diary of One Who Disappeared: 8. “Nehled’te, volečci” (tenor)
Leoš Janáček
1:15
9
The Diary of One Who Disappeared: 9. “Vítaj, Janičku” (alto, tenor, chorus)
Leoš Janáček
2:31
10
The Diary of One Who Disappeared: 10. “Bože Dálný, Nesmrtelný” (alto, chorus)
Leoš Janáček
4:24
11
The Diary of One Who Disappeared: 11. “Táhne vuňa k lesu” (tenor, alto)
Leoš Janáček
3:12
12
The Diary of One Who Disappeared: 12. “Tmavá olšinka, chladná studénka” (tenor)
Leoš Janáček
1:01
13
The Diary of One Who Disappeared: 13. * * * (orchestra)
Leoš Janáček
2:59
14
The Diary of One Who Disappeared: 14. “Slnéčko sa zdvihá” (tenor)
Leoš Janáček
1:03
15
The Diary of One Who Disappeared: 15. “Moji sivi volci” (tenor)
Leoš Janáček
0:56
16
The Diary of One Who Disappeared: 16. “Co sem to udělal?” (tenor)
Leoš Janáček
1:18
17
The Diary of One Who Disappeared: 17. “Co komu súzeno” (tenor)
Leoš Janáček
1:43
18
The Diary of One Who Disappeared: 18. “Nedbám já včil o nic” (tenor)
Leoš Janáček
1:06
19
The Diary of One Who Disappeared: 19. “Letí straka” (tenor)
Leoš Janáček
1:16
20
The Diary of One Who Disappeared: 20. “Mám já panenku” (tenor)
Leoš Janáček
0:44
21
The Diary of One Who Disappeared: 21. “Muj drahý tatíčku” (tenor)
Leoš Janáček
0:52
22
The Diary of One Who Disappeared: 22. “S Bohem, rodný kraju” (tenor)
Leoš Janáček
2:29
23
Sinfonietta: 1. Allegretto - Allegro - Maestoso
Leoš Janáček
2:18
24
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto
Leoš Janáček
5:45
25
Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato
Leoš Janáček
5:07
26
Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo
Leoš Janáček
2:59
27
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio
Leoš Janáček
6:54
CD 80: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen
1
Grabstein für Stephan, op. 15c
György Kurtág
9:31
2
Gruppen
Karlheinz Stockhausen
22:34
3
Stele, op. 33 (revised version): 1. Adagio -
György Kurtág
2:31
4
Stele, op. 33 (revised version): 2. Lamentoso - disperato, con moto. Nicht zu schnell, aber wild, gehetzt, ungeduldig -
György Kurtág
4:07
5
Stele, op. 33 (revised version): 3. Molto sostenuto
György Kurtág
5:55
CD 81: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)
1
Symphony no. 1 “Titan”: 1. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich
Gustav Mahler
16:13
2
Symphony no. 1 “Titan”: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
Gustav Mahler
7:23
3
Symphony no. 1 “Titan”: 3. Feierlich und gemessen, ohne zu schleppen
Gustav Mahler
10:32
4
Symphony no. 1 “Titan”: 4. Stürmisch bewegt
Gustav Mahler
20:37
CD 82: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)
1
Symphony no. 2 “Resurrection”: 1. Allegro maestoso. [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
Gustav Mahler
20:45
2
Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich. Nie eilen
Gustav Mahler
9:22
3
Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung
Gustav Mahler
11:21
4
Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot!« (alto solo)
Gustav Mahler
5:04
5
Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzo - Wild herausfahrend - »Auferstehn, ja auferstehnwirst du« (soprano solo, chorus) - »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus)
Gustav Mahler
34:42
CD 83: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)
1
Symphony no. 3: Part I. 1. Kräftig. Entschieden
Gustav Mahler
5:10
2
Symphony no. 3: Part I. 1. Immer das gleiche Tempo [fig. 11]
Gustav Mahler
3:42
3
Symphony no. 3: Part I. 1. Tempo I [fig. 18]
Gustav Mahler
4:50
4
Symphony no. 3: Part I. 1. Zeit lassen [fig. 29]
Gustav Mahler
2:02
5
Symphony no. 3: Part I. 1. Zeit lassen [fig. 33]
Gustav Mahler
4:10
6
Symphony no. 3: Part I. 1. Immer dasselbe Tempo. (Marsch) [fig. 43]
Gustav Mahler
3:26
7
Symphony no. 3: Part I. 1. Im alten Marschtempo (Allegro Moderato): 3 bars after [fig. 54]
Gustav Mahler
4:44
8
Symphony no. 3: Part I. 1. Tempo I [fig. 62]
Gustav Mahler
5:14
CD 84: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)
1
Symphony no. 3: Part II. 2. Tempo di Menuetto. Sehr mäßig
Gustav Mahler
1:56
2
Symphony no. 3: Part II. 2. L'istesso tempo [fig. 3]
Gustav Mahler
0:58
3
Symphony no. 3: Part II. 2. A tempo. (Wie im Anfang) [fig. 6]
Gustav Mahler
3:23
4
Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di Menuetto [fig. 14]
Gustav Mahler
2:44
5
Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast
Gustav Mahler
2:28
6
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]
Gustav Mahler
2:51
7
Symphony no. 3: Part II. 3. Etwas zurückhaltend: 6 bars before [fig. 14]
Gustav Mahler
4:26
8
Symphony no. 3: Part II. 3. Tempo I: 2 bars before [fig. 17]
Gustav Mahler
2:48
9
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]
Gustav Mahler
3:47
10
Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp »O Mensch! Gib acht!« (alto solo)
Gustav Mahler
4:50
11
Symphony no. 3: Part II. 4. Più mosso subito: 6 bars before [fig. 6]
Gustav Mahler
4:18
12
Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck »Bimm Bamm! Es sungen drei Engel« (chorus, alto solo)
Gustav Mahler
4:19
13
Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden
Gustav Mahler
3:18
14
Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4]
Gustav Mahler
2:41
15
Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9]
Gustav Mahler
2:51
16
Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 13]
Gustav Mahler
4:00
17
Symphony no. 3: Part II. 6. Tempo I [fig. 21]
Gustav Mahler
2:41
18
Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25]
Gustav Mahler
6:28
19
Applause
[no artist]
3:19
CD 85: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)
1
Symphony no. 4: 1. Bedächtig. Nicht eilen - Recht gemächlich
Gustav Mahler
16:12
2
Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast
Gustav Mahler
9:34
3
Symphony no. 4: 3. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito
Gustav Mahler
19:57
4
Symphony no. 4: 4. Sehr behaglich: »Wir genießen die himmlischen Freuden« (soprano solo)
Gustav Mahler
9:28
5
7 Early Songs: 1. Nacht
Alban Berg
3:56
6
7 Early Songs: 2. Schilflied
Alban Berg
2:11
7
7 Early Songs: 3. Die Nachtigall
Alban Berg
2:15
8
7 Early Songs: 4. Traumgekrönt
Alban Berg
2:41
9
7 Early Songs: 5. Im Zimmer
Alban Berg
1:13
10
7 Early Songs: 6. Liebesode
Alban Berg
1:43
11
7 Early Songs: 7. Sommertage
Alban Berg
1:53
12
Applause
[no artist]
0:32
CD 86: Mahler: Symphony no. 5 (Berliner Philharmoniker)
1
Symphony no. 5: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Gustav Mahler
12:36
2
Symphony no. 5: Part I. 2. Stürmisch bewegt, mit größter Vehemenz
Gustav Mahler
14:46
3
Symphony no. 5: Part II. 3. Scherzo. Kräftig, nicht zu schnell
Gustav Mahler
17:26
4
Symphony no. 5: Part III. 4. Adagietto. Sehr langsam
Gustav Mahler
9:00
5
Symphony no. 5: Part III. 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Gustav Mahler
15:40
CD 87: Mahler: Symphony no. 6 (Berliner Philharmoniker)
1
Symphony no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig
Gustav Mahler
22:48
2
Symphony no. 6: 2. Andante moderato
Gustav Mahler
13:57
3
Symphony no. 6: 3. Scherzo. Wuchtig
Gustav Mahler
12:43
4
Symphony no. 6: 4. Finale. Allegro moderato - Allegro energico
Gustav Mahler
29:44
5
Applause
[no artist]
0:24
CD 88: Mahler: Symphony no. 7 (Berliner Philharmoniker)
1
Symphony no. 7: 1. Langsam (Adagio) - Allegro risoluto, ma non troppo
Gustav Mahler
21:35
2
Symphony no. 7: 2. Nachtmusik. Allegro moderato
Gustav Mahler
15:54
3
Symphony no. 7: 3. Scherzo. Schattenhaft - Trio
Gustav Mahler
8:53
4
Symphony no. 7: 4. Nachtmusik. Andante amoroso
Gustav Mahler
12:58
5
Symphony no. 7: 5. Rondo - Finale. Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico)
Gustav Mahler
17:45
6
Applause
[no artist]
1:01
CD 89: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)
1
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Allegro impetuoso. »Veni, creator spiritus« (chorus I/II)
Gustav Mahler
1:33
2
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend. »Imple superna gratia« (soprano I, tenor, soprano II, alto I/II, baritone, bass, chorus I/II)
Gustav Mahler
3:34
3
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Etwas drängend - Noch einmal so langsam. (Nicht schleppend). »Infirma nostri corporis« (chorus I/II, soprano I/II, alto I/II, tenor, bass, baritone)
Gustav Mahler
2:09
4
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Tempo I. (Allegro, etwas hastig)
Gustav Mahler
1:17
5
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend. »Infirma nostri corporis« (bass, tenor, alto I/II, baritone, soprano I/II)
Gustav Mahler
2:44
6
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung. »Accende lumen sensibus« (soprano I/II, alto I/II, tenor, baritone, bass, boys' choir, chorus I/II)
Gustav Mahler
4:53
7
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. »Veni, creator spiritus« (soprano I/II, alto I/II, tenor, baritone, bass, chorus I/II, boys' choir)
Gustav Mahler
4:13
8
Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Wieder frisch. »Gloria sit Patri Domino« (boys' choir, soprano I/II, alto I/II, tenor, chorus I/II, baritone, bass)
Gustav Mahler
2:57
CD 90: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)
1
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Poco adagio
Gustav Mahler
6:49
2
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Più mosso. (Allegro moderato)
Gustav Mahler
3:15
3
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Wieder langsam. Chor und Echo: »Waldung, sie schwankt heran« (chorus I/II)
Gustav Mahler
4:46
4
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Moderato. Pater ecstaticus: »Ewiger Wonnebrand« (baritone)
Gustav Mahler
1:53
5
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro - (Allegro appassionato). Pater profundus: »Wie Felsenabgrund mir zu Füßen« (bass)
Gustav Mahler
4:42
6
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: »Gerettet ist das edle Glied der Geisterwelt vom Bösen« / Chor seliger Knaben: »Hände verschlinget euch« (chorus I/II, soprano, alto, boys' choir)
Gustav Mahler
1:03
7
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Molto leggiero. Chor der jüngeren Engel: »Jene Rosen aus den Händen« (chorus I, soprano, alto)
Gustav Mahler
1:52
8
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: »Uns bleibt ein Erdenrest« (chorus II, soprano, alto, tenor, alto solo)
Gustav Mahler
2:04
9
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: »Ich spür’ soeben nebelnd um Felsenhöh« / Doctor Marianus: »Hier ist die Aussicht frei« / Chor seliger Knaben: »Freudig empfangen wir« (chorus I, soprano, alto, tenor, boys' choir)
Gustav Mahler
1:19
10
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sempre l'istesso tempo. Doctor Marianus: »Höchste Herrscherin der Welt!« (tenor, chorus I/II)
Gustav Mahler
4:02
11
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Äußerst langsam. Adagissimo. »Dir, der Unberührbaren« (chorus I/II) / Chor der Büßerinnen und Una poenitentium: »Du schwebst zu Höhen der ewigen Reiche« (chorus II, soprano I)
Gustav Mahler
3:52
12
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Fließend. Magna Peccatrix: »Bei der Liebe, die den Füßen« / Mulier Samaritana: »Bei dem Bronn, zu dem schon weiland« / Maria Aegyptiaca: »Bei dem hochgeweihten Orte« (soprano II, alto I, alto II)
Gustav Mahler
4:57
13
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Una poenitentium: »Neige, neige, du Ohnegleiche« (soprano I)
Gustav Mahler
0:54
14
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Unmerklich frischer werden. Selige Knaben: »Er überwächst uns schon« / Una poenitentium: »Vom edlen Geisterchor umgeben« (boys' choir, chorus II, soprano, soprano I)
Gustav Mahler
3:23
15
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam. Mater gloriosa: »Komm! hebe dich zu höhern Sphären!« / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten« (soprano, tenor, chorus I/II, boys' choir)
Gustav Mahler
7:16
16
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam beginnend. Chorus mysticus: »Alles Vergängliche ist nur ein Gleichnis« (chorus I/II, soprano I/II, alto I/II, tenor, baritone, bass, boys' choir)
Gustav Mahler
5:43
CD 91: Mahler: Symphony no. 9 (Berliner Philharmoniker)
1
Symphony no. 9: 1. Andante comodo
Gustav Mahler
25:52
2
Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Gustav Mahler
14:56
3
Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig
Gustav Mahler
12:21
4
Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend
Gustav Mahler
25:56
5
Applause
[no artist]
1:58
CD 92: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)
1
Symphony no. 10 (unfinished): Adagio: 1. Andante - Adagio
Gustav Mahler
3:28
2
Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40]
Gustav Mahler
5:49
3
Symphony no. 10 (unfinished): Adagio: 3. [bar 105]
Gustav Mahler
6:01
4
Symphony no. 10 (unfinished): Adagio: 4. [bar 178]
Gustav Mahler
3:26
5
Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217]
Gustav Mahler
5:49
6
Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
Gustav Mahler
5:59
7
Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7]
Gustav Mahler
5:34
8
Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15]
Gustav Mahler
4:06
9
Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20]
Gustav Mahler
3:27
10
Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24]
Gustav Mahler
3:16
CD 93: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)
1
Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich
Gustav Mahler
1:26
2
Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3]
Gustav Mahler
1:34
3
Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5]
Gustav Mahler
1:42
4
Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6]
Gustav Mahler
2:28
5
Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12]
Gustav Mahler
3:23
6
Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung
Gustav Mahler
5:10
7
Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40]
Gustav Mahler
1:26
8
Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43]
Gustav Mahler
4:59
9
Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (alto solo)
Gustav Mahler
5:26
10
Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrend
Gustav Mahler
1:49
11
Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3]
Gustav Mahler
4:11
12
Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7]
Gustav Mahler
1:23
13
Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10]
Gustav Mahler
3:14
14
Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14]
Gustav Mahler
4:30
15
Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21]
Gustav Mahler
3:51
16
Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29]
Gustav Mahler
2:37
17
Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Auferstehn, ja auferstehn wirst du« (soprano solo, chorus)
Gustav Mahler
3:35
18
Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus)
Gustav Mahler
3:23
19
Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus)
Gustav Mahler
3:31
20
Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (alto & soprano solo, chorus)
Gustav Mahler
4:57
CD 94: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)
1
Symphony no. 3: Part I. 1. Kräftig. Entschieden
Gustav Mahler
7:01
2
Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13]
Gustav Mahler
2:40
3
Symphony no. 3: Part I. 1. Tempo I [fig. 18]
Gustav Mahler
5:02
4
Symphony no. 3: Part I. 1. A tempo [fig. 29]
Gustav Mahler
6:09
5
Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43]
Gustav Mahler
3:15
6
Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54]
Gustav Mahler
5:10
7
Symphony no. 3: Part I. 1. Tempo I [fig. 62]
Gustav Mahler
5:06
8
Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßig
Gustav Mahler
3:04
9
Symphony no. 3: Part II. 2. A tempo [fig. 6]
Gustav Mahler
3:32
10
Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14]
Gustav Mahler
2:50
11
Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast
Gustav Mahler
2:33
12
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]
Gustav Mahler
3:05
13
Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14]
Gustav Mahler
4:28
14
Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17]
Gustav Mahler
2:58
15
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]
Gustav Mahler
3:50
CD 95: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)
1
Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp. »O Mensch! Gib acht!« (alto solo)
Gustav Mahler
5:44
2
Symphony no. 3: Part II. 4. Più mosso subito [6 bars after fig. 6]
Gustav Mahler
4:57
3
Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck. »Bimm bamm / Es sungen drei Engel« (chorus, alto solo)
Gustav Mahler
4:31
4
Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden
Gustav Mahler
4:23
5
Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4]
Gustav Mahler
3:07
6
Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9]
Gustav Mahler
4:01
7
Symphony no. 3: Part II. 6. A tempo (Etwas bewegter) [fig. 14]
Gustav Mahler
4:17
8
Symphony no. 3: Part II. 6. Tempo I [fig. 21]
Gustav Mahler
3:13
9
Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25]
Gustav Mahler
7:36
CD 96: Mahler: Symphony no. 4 (Wiener Philharmoniker)
1
Symphony no. 4: 1. Bedächtig. Nicht eilen - Recht gemächlich
Gustav Mahler
16:12
2
Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast
Gustav Mahler
9:18
3
Symphony no. 4: 3. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen - Allegro subito - Andante subito)
Gustav Mahler
23:32
4
Symphony no. 4: 4. Sehr behaglich: »Wir genießen die himmlischen Freuden« (soprano solo)
Gustav Mahler
9:12
CD 97: Mahler: Symphony no. 9 (Wiener Philharmoniker)
1
Symphony no. 9: 1. Andante comodo
Gustav Mahler
5:02
2
Symphony no. 9: 1. Etwas frischer [bar 80]
Gustav Mahler
3:47
3
Symphony no. 9: 1. Tempo I [bar 148]
Gustav Mahler
1:30
4
Symphony no. 9: 1. Mit Wut. Allegro risoluto [bar 174]
Gustav Mahler
1:34
5
Symphony no. 9: 1. Leidenschaftlich [bar 211]
Gustav Mahler
2:39
6
Symphony no. 9: 1. Schattenhaft [bar 254]
Gustav Mahler
1:40
7
Symphony no. 9: 1. Etwas fließender [bar 279]
Gustav Mahler
3:35
8
Symphony no. 9: 1. Wie von Anfang [bar 347]
Gustav Mahler
3:57
9
Symphony no. 9: 1. Schon ganz langsam [bar 406]
Gustav Mahler
3:38
10
Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Gustav Mahler
2:40
11
Symphony no. 9: 2. Poco più mosso subito (Tempo II) [bar 90]
Gustav Mahler
2:28
12
Symphony no. 9: 2. Tempo III [bar 218]
Gustav Mahler
1:31
13
Symphony no. 9: 2. A tempo II [bar 261]
Gustav Mahler
2:44
14
Symphony no. 9: 2. Tempo I [bar 369]
Gustav Mahler
1:26
15
Symphony no. 9: 2. Tempo II [bar 423]
Gustav Mahler
1:25
16
Symphony no. 9: 2. 8 bars before: Tempo I subito [bar 515]
Gustav Mahler
3:10
17
Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig
Gustav Mahler
1:50
18
Symphony no. 9: 3. L'istesso tempo [bar 109]
Gustav Mahler
1:14
19
Symphony no. 9: 3. Sempre l'istesso tempo [bar 180]
Gustav Mahler
2:15
20
Symphony no. 9: 3. Sempre l'istesso tempo [bar 311]
Gustav Mahler
3:06
21
Symphony no. 9: 3. (clarinets/Klarinetten) [bar 444]
Gustav Mahler
1:39
22
Symphony no. 9: 3. Tempo I. subito [bar 522]
Gustav Mahler
1:36
23
Symphony no. 9: 3. Più stretto [bar 617]
Gustav Mahler
0:59
24
Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend
Gustav Mahler
3:49
25
Symphony no. 9: 4. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd [bar 28]
Gustav Mahler
2:06
26
Symphony no. 9: 4. Molto adagio subito [bar 49]
Gustav Mahler
1:58
27
Symphony no. 9: 4. A tempo (Molto adagio) [bar 64]
Gustav Mahler
2:27
28
Symphony no. 9: 4. Stets sehr gehalten [bar 88]
Gustav Mahler
2:58
29
Symphony no. 9: 4. Fließender, doch durchaus nicht eilend [bar 107]
Gustav Mahler
1:33
30
Symphony no. 9: 4. Tempo I. Molto adagio [bar 126]
Gustav Mahler
5:08
31
Symphony no. 9: 4. Adagissimo [bar 159]
Gustav Mahler
4:29
CD 98: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)
1
Symphony no. 1 “Titan”: 1 Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich
Gustav Mahler
16:20
2
Symphony no. 1 “Titan”: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
Gustav Mahler
7:16
3
Symphony no. 1 “Titan”: 3. Feierlich und gemessen, ohne zu schleppen
Gustav Mahler
10:55
4
Symphony no. 1 “Titan”: 4. Stürmisch bewegt
Gustav Mahler
19:44
CD 99: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)
1
Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
Gustav Mahler
5:38
2
Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend
Gustav Mahler
5:37
3
Symphony no. 2 “Resurrection”: 1. Sehr langsam beginnend
Gustav Mahler
9:35
4
Symphony no. 2 “Resurrection”: 2. Andante moderato
Gustav Mahler
10:01
5
Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung
Gustav Mahler
10:32
6
Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot« (alto solo)
Gustav Mahler
5:08
7
Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzo. Wild herausfahrend
Gustav Mahler
1:40
8
Symphony no. 2 “Resurrection”: 5. Langsam
Gustav Mahler
3:55
9
Symphony no. 2 “Resurrection”: 5. Im Anfang sehr zurückgehalten
Gustav Mahler
1:16
10
Symphony no. 2 “Resurrection”: 5. Wieder sehr breit
Gustav Mahler
3:03
11
Symphony no. 2 “Resurrection”: 5. Maestoso. Sehr zurückhaltend
Gustav Mahler
4:19
12
Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend
Gustav Mahler
2:16
13
Symphony no. 2 “Resurrection”: 5. Langsam, immer noch mehr zurückhaltend
Gustav Mahler
1:24
14
Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt
Gustav Mahler
2:29
15
Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso »Auferstehen, ja auferstehen wirst du« (soprano solo, chorus)
Gustav Mahler
6:52
16
Symphony no. 2 “Resurrection”: 5. Etwas bewegter »O glaube, mein Herz, o glaube« (alto & soprano solo)
Gustav Mahler
1:32
17
Symphony no. 2 “Resurrection”: 5. Wieder etwas zurückhaltend »Was entstanden ist, das muss vergehen« (chorus, alto & soprano solo)
Gustav Mahler
5:39
CD 100: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)
1
Symphony no. 5: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Gustav Mahler
12:54
2
Symphony no. 5: Part I. 2. Stürmisch bewegt, mit größter Vehemenz
Gustav Mahler
15:17
3
Symphony no. 5: Part II. 3. Scherzo. Kräftig, nicht zu schnell
Gustav Mahler
17:40
4
Symphony no. 5: Part III. 4. Adagietto. Sehr langsam
Gustav Mahler
11:55
5
Symphony no. 5: Part III. 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Gustav Mahler
14:40
CD 101: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)
1
Symphonie no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig
Gustav Mahler
23:35
2
Symphonie no. 6: 2. Andante moderato
Gustav Mahler
13:18
3
Symphonie no. 6: 3. Scherzo. Wuchtig
Gustav Mahler
15:53
CD 102: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)
1
Symphonie no. 6: 4. Finale. Allegro moderato - Allegro energico
Gustav Mahler
30:56
2
5 Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder
Gustav Mahler
1:32
3
5 Lieder nach Texten von Friedrich Rückert: Liebst du um Shönheit
Gustav Mahler
2:14
4
5 Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen
Gustav Mahler
7:04
5
5 Lieder nach Texten von Friedrich Rückert: Ich atmet' einen linden Duft
Gustav Mahler
2:54
6
5 Lieder nach Texten von Friedrich Rückert: Um Mitternacht
Gustav Mahler
6:10
CD 103: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)
1
Symphony no. 7: 1. Langsam (Adagio)
Gustav Mahler
2:03
2
Symphony no. 7: 1. Nicht schleppen [bar 27]
Gustav Mahler
1:17
3
Symphony no. 7: 1. Allegro risoluto, ma non troppo [bar 50]
Gustav Mahler
1:27
4
Symphony no. 7: 1. a tempo [bar 118]
Gustav Mahler
1:48
5
Symphony no. 7: 1. [bar 171]
Gustav Mahler
3:12
6
Symphony no. 7: 1. Subito allegro I [bar 266]
Gustav Mahler
3:42
7
Symphony no. 7: 1. Adagio (Tempo der Einleitung) [bar 388]
Gustav Mahler
2:29
8
Symphony no. 7: 1. Allegro come prima [bar 373]
Gustav Mahler
5:26
9
Symphony no. 7: 2. Nachtmusik. Allegro moderato
Gustav Mahler
3:55
10
Symphony no. 7: 2. Sempre l'istesso Tempo (Nicht eilen) [bar 83]
Gustav Mahler
6:56
11
Symphony no. 7: 2. Tempo [bar 223]
Gustav Mahler
1:45
12
Symphony no. 7: 2. [bar 262]
Gustav Mahler
3:59
13
Symphony no. 7: 3. Scherzo. Schattenhaft
Gustav Mahler
3:02
14
Symphony no. 7: 3. Trio [bar 179]
Gustav Mahler
2:07
15
Symphony no. 7: 3. Wieder wie zu Anfang [bar 294]
Gustav Mahler
3:45
16
Symphony no. 7: 4. Nachtmusik. Andante amoroso
Gustav Mahler
6:15
17
Symphony no. 7: 4. [bar 187]
Gustav Mahler
7:45
18
Symphony no. 7: 5. Rondo - Finale. Tempo I (Allegro ordinario)
Gustav Mahler
3:01
19
Symphony no. 7: 5. Tempo II (Allegro moderato ma energico) [bar 87]
Gustav Mahler
5:27
20
Symphony no. 7: 5. Tempo I [bar 267]
Gustav Mahler
2:56
21
Symphony no. 7: 5. Sempre l'istesso tempo (Tempo I) [bar 368]
Gustav Mahler
6:18
CD 104: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
1
Lieder nach Gedichten aus Des Knaben Wunderhorn: Revelge
Gustav Mahler
7:13
2
Lieder nach Gedichten aus Des Knaben Wunderhorn: Rheinlegendchen
Gustav Mahler
3:21
3
Lieder nach Gedichten aus Des Knaben Wunderhorn: Trost im Unglück
Gustav Mahler
2:22
4
Lieder nach Gedichten aus Des Knaben Wunderhorn: Verlorne Müh’
Gustav Mahler
2:42
5
Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Schildwache Nachtlied
Gustav Mahler
6:10
6
Lieder nach Gedichten aus Des Knaben Wunderhorn: Das irdische Leben
Gustav Mahler
2:52
7
Lieder nach Gedichten aus Des Knaben Wunderhorn: Lied des Verfolgten im Turm
Gustav Mahler
3:56
8
Lieder nach Gedichten aus Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
Gustav Mahler
2:05
9
Lieder nach Gedichten aus Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
Gustav Mahler
4:03
10
Lieder nach Gedichten aus Des Knaben Wunderhorn: Lob des hohen Verstandes
Gustav Mahler
2:32
11
Lieder nach Gedichten aus Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
Gustav Mahler
7:08
12
Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Tamboursg’sell
Gustav Mahler
6:56
13
Lieder nach Gedichten aus Des Knaben Wunderhorn: Urlicht
Gustav Mahler
5:44
CD 105: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt
1
Symphony no. 1 in C minor, op. 11: 1. Allegro de molto
Felix Mendelssohn
10:39
2
Symphony no. 1 in C minor, op. 11: 2. Andante
Felix Mendelssohn
6:40
3
Symphony no. 1 in C minor, op. 11: 3. Menuetto. Allegro molto
Felix Mendelssohn
6:45
4
Symphony no. 1 in C minor, op. 11: 4. Allegro con fuoco
Felix Mendelssohn
8:20
5
Scherzo in G minor from Octet, op. 20: Sempre pianissimo e leggiero
Felix Mendelssohn
4:02
6
Ein Sommernachtstraum, op. 21: Allegro di molto
Felix Mendelssohn
12:07
7
Die Hebriden (»Die Fingalshöhle«), op. 26: Allegro moderato - animato in tempo
Felix Mendelssohn
10:29
8
Meeresstille und glückliche Fahrt, op. 27: Adagio - Molto allegro e vivace
Felix Mendelssohn
13:08
CD 106: Mendelssohn: Symphony no. 2 “Hymn of Praise”
1
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Sinfonia. Maestoso con moto - Allegro - Maestoso con moto come I - attacca
Felix Mendelssohn
13:47
2
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Allegretto un poco agitato -
Felix Mendelssohn
7:00
3
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Adagio religioso
Felix Mendelssohn
8:08
4
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 2. Allegro moderato maestoso - Allegro di molto - Chorus: »Alles, was Odem hat, lobe den Herrn«
Felix Mendelssohn
5:29
5
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 2. Molto più moderato ma con fuoco - »Lobe den Herrn, meine Seele« (soprano I, women's chorus)
Felix Mendelssohn
2:42
6
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 3. Recitative: »Saget es, die ihr erlöset seid durch den Herrn« (tenor)
Felix Mendelssohn
0:51
7
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 3. Allegro moderato - [Aria]: »Er zählet unsre Tränen in der Zeit der Not« (tenor)
Felix Mendelssohn
2:20
8
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 4. A tempo moderato - Chorus: »Sagt es, die ihr erlöset seid«
Felix Mendelssohn
2:08
9
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 5. Andante - Duet & Chorus: »Ich harrete des Herrn« (sopranos I & II) - »Wohl dem, der seine Hoffnung setzt« (chorus)
Felix Mendelssohn
6:46
10
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 6. Allegro un poco agitato - Allegro assai agitato - Tempo I moderato - Aria: »Stricke des Todes hatten uns umfangen« (tenor)
Felix Mendelssohn
4:14
11
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 7. Allegro maestoso e molto vivace - Chorus: »Die Nacht ist vergangen«
Felix Mendelssohn
4:58
12
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 8. Andante con moto - Un poco più animato - Chorale: »Nun danket alle Gott«
Felix Mendelssohn
4:13
13
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I)
Felix Mendelssohn
5:12
14
Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 10. Allegro non troppo - Più vivace - Maestoso come I - Final Chorus: »Ihr Völker, bringet her dem Herrn Ehre und Macht! Danket dem Herrn und rühmt seinen Namen«
Felix Mendelssohn
6:31
CD 107: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas
1
Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima -
Felix Mendelssohn
16:54
2
Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo
Felix Mendelssohn
4:04
3
Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio
Felix Mendelssohn
11:28
4
Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai
Felix Mendelssohn
10:04
5
Die schöne Melusine, op. 32: Allegro con moto
Felix Mendelssohn
10:55
6
Trompeten-Ouvertüre, op. 101: Allegro vivace
Felix Mendelssohn
9:14
7
Ruy Blas, op. 95: Lento - Allegro molto
Felix Mendelssohn
8:20
CD 108: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments
1
Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace
Felix Mendelssohn
10:30
2
Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto
Felix Mendelssohn
5:55
3
Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato
Felix Mendelssohn
6:29
4
Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto
Felix Mendelssohn
5:30
5
Symphony no. 5 in D minor “Reformation”, op. 107: 1. Andante - Allegro con fuoco
Felix Mendelssohn
12:13
6
Symphony no. 5 in D minor “Reformation”, op. 107: 2. Allegro vivace
Felix Mendelssohn
5:48
7
Symphony no. 5 in D minor “Reformation”, op. 107: 3. Andante
Felix Mendelssohn
3:45
8
Symphony no. 5 in D minor “Reformation”, op. 107: 4. Chorale »Ein' feste Burg ist unser Gott«. Andante con moto - Allegro maestoso
Felix Mendelssohn
9:14
9
Overture for Wind Instruments in C major, op. 24: Andante con moto - Allegro vivace
Felix Mendelssohn
9:46
CD 109: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”
1
Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
Felix Mendelssohn
12:41
2
Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo
Felix Mendelssohn
4:15
3
Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio
Felix Mendelssohn
10:11
4
Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai
Felix Mendelssohn
9:32
5
Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace
Felix Mendelssohn
10:30
6
Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto
Felix Mendelssohn
7:00
7
Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato
Felix Mendelssohn
6:39
8
Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto
Felix Mendelssohn
5:44
CD 110: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
1
Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato
Felix Mendelssohn
13:27
2
Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante
Felix Mendelssohn
8:50
3
Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace
Felix Mendelssohn
7:06
4
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 1. Vorspiel. Allegro moderato
Max Bruch
8:47
5
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 2. Adagio
Max Bruch
9:34
6
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 3. Finale. Allegro energico
Max Bruch
7:32
CD 111: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33
1
Symphony no. 35 in D major “Haffner”, K. 385: 1. Allegro con spirito
Wolfgang Amadeus Mozart
5:36
2
Symphony no. 35 in D major “Haffner”, K. 385: 2. Andante
Wolfgang Amadeus Mozart
8:13
3
Symphony no. 35 in D major “Haffner”, K. 385: 3. Menuetto - Trio
Wolfgang Amadeus Mozart
3:09
4
Symphony no. 35 in D major “Haffner”, K. 385: 4. Presto
Wolfgang Amadeus Mozart
3:54
5
Symphony no. 29 in A major, K. 201: 1. Allegro moderato
Wolfgang Amadeus Mozart
10:30
6
Symphony no. 29 in A major, K. 201: 2. Andante
Wolfgang Amadeus Mozart
10:14
7
Symphony no. 29 in A major, K. 201: 3. Menuetto - Trio
Wolfgang Amadeus Mozart
3:18
8
Symphony no. 29 in A major, K. 201: 4. Allegro con spirito
Wolfgang Amadeus Mozart
6:41
9
Symphony no. 33 in B-flat major, K. 319: 1. Allegro assai
Wolfgang Amadeus Mozart
6:23
10
Symphony no. 33 in B-flat major, K. 319: 2. Andante moderato
Wolfgang Amadeus Mozart
3:59
11
Symphony no. 33 in B-flat major, K. 319: 3. Menuetto - Trio
Wolfgang Amadeus Mozart
2:37
12
Symphony no. 33 in B-flat major, K. 319: 4. Allegro assai
Wolfgang Amadeus Mozart
7:55
CD 112: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”
1
Symphony no. 38 in D major “Prague”, K. 504: 1. Adagio - Allegro
Wolfgang Amadeus Mozart
17:41
2
Symphony no. 38 in D major “Prague”, K. 504: 2. Andante
Wolfgang Amadeus Mozart
11:13
3
Symphony no. 38 in D major “Prague”, K. 504: 3. Presto
Wolfgang Amadeus Mozart
8:20
4
Symphony no. 41 in C major “Jupiter”, K. 551: 1. Allegro vivace
Wolfgang Amadeus Mozart
11:27
5
Symphony no. 41 in C major “Jupiter”, K. 551: 2. Andante cantabile
Wolfgang Amadeus Mozart
9:31
6
Symphony no. 41 in C major “Jupiter”, K. 551: 3. Menuetto. Allegretto - Trio
Wolfgang Amadeus Mozart
4:14
7
Symphony no. 41 in C major “Jupiter”, K. 551: 4. Molto allegro
Wolfgang Amadeus Mozart
11:42
CD 113: Mozart: Symphonies nos. 39 & 40
1
Symphony no. 39 in E-flat major, K. 543: 1. Adagio - Allegro
Wolfgang Amadeus Mozart
10:43
2
Symphony no. 39 in E-flat major, K. 543: 2. Andante con moto
Wolfgang Amadeus Mozart
8:28
3
Symphony no. 39 in E-flat major, K. 543: 3. Menuetto. Allegretto - Trio
Wolfgang Amadeus Mozart
3:42
4
Symphony no. 39 in E-flat major, K. 543: 4. Finale. Allegro
Wolfgang Amadeus Mozart
8:09
5
Symphony no. 40 in G minor, K. 550: 1. Molto allegro
Wolfgang Amadeus Mozart
7:47
6
Symphony no. 40 in G minor, K. 550: 2. Andante
Wolfgang Amadeus Mozart
13:34
7
Symphony no. 40 in G minor, K. 550: 3. Menuetto. Allegretto - Trio
Wolfgang Amadeus Mozart
3:57
8
Symphony no. 40 in G minor, K. 550: 4. Allegro assai
Wolfgang Amadeus Mozart
9:45
CD 114: Mozart: Symphonies nos. 40 & 41 “Jupiter”
1
Symphony no. 40 in G minor, K. 550: 1. Allegro molto
Wolfgang Amadeus Mozart
8:40
2
Symphony no. 40 in G minor, K. 550: 2. Andante
Wolfgang Amadeus Mozart
8:38
3
Symphony no. 40 in G minor, K. 550: 3. Minuetto. Allegretto - Trio
Wolfgang Amadeus Mozart
4:39
4
Symphony no. 40 in G minor, K. 550: 4. Allegro assai
Wolfgang Amadeus Mozart
6:57
5
Symphony no. 41 in C major “Jupiter”, K. 551: 1. Allegro vivace
Wolfgang Amadeus Mozart
12:18
6
Symphony no. 41 in C major “Jupiter”, K. 551: 2. Andante cantabile
Wolfgang Amadeus Mozart
8:31
7
Symphony no. 41 in C major “Jupiter”, K. 551: 3. Minuetto. Allegretto - Trio
Wolfgang Amadeus Mozart
5:12
8
Symphony no. 41 in C major “Jupiter”, K. 551: 4. Allegro molto
Wolfgang Amadeus Mozart
8:54
CD 115: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)
1
Concerto no. 8 in C major “Lützow”, K. 246: 1. Allegro aperto
Wolfgang Amadeus Mozart
8:25
2
Concerto no. 8 in C major “Lützow”, K. 246: 2. Andante
Wolfgang Amadeus Mozart
7:48
3
Concerto no. 8 in C major “Lützow”, K. 246: 3. Rondeau. Tempo di menuetto
Wolfgang Amadeus Mozart
8:21
4
Concerto no. 12 in A major, K. 414: 1. Allegro
Wolfgang Amadeus Mozart
10:02
5
Concerto no. 12 in A major, K. 414: 2. Andante
Wolfgang Amadeus Mozart
8:35
6
Concerto no. 12 in A major, K. 414: 3. Rondeau (Allegretto)
Wolfgang Amadeus Mozart
6:45
CD 116: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)
1
Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 1. Allegro
Wolfgang Amadeus Mozart
11:24
2
Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 2. Andantino
Wolfgang Amadeus Mozart
12:21
3
Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 3. Rondeau. Presto - Menuetto. Cantabile - Tempo I
Wolfgang Amadeus Mozart
11:27
4
Concerto no. 17 in G major, K. 453: 1. Allegro
Wolfgang Amadeus Mozart
12:46
5
Concerto no. 17 in G major, K. 453: 2. Andante
Wolfgang Amadeus Mozart
10:55
6
Concerto no. 17 in G major, K. 453: 3. Allegretto - Finale. Presto
Wolfgang Amadeus Mozart
7:32
CD 117: Mozart: Piano Concertos nos. 15 & 22 (Serkin)
1
Concerto no. 15 in B-flat major, K. 450: 1. Allegro
Wolfgang Amadeus Mozart
12:01
2
Concerto no. 15 in B-flat major, K. 450: 2. [Andante]
Wolfgang Amadeus Mozart
6:34
3
Concerto no. 15 in B-flat major, K. 450: 3. Allegro
Wolfgang Amadeus Mozart
8:56
4
Concerto no. 22 in E-flat major, K. 482: 1. Allegro
Wolfgang Amadeus Mozart
14:39
5
Concerto no. 22 in E-flat major, K. 482: 2. Andante
Wolfgang Amadeus Mozart
11:45
6
Concerto no. 22 in E-flat major, K. 482: 3. Allegro - Andantino cantabile - Tempo I
Wolfgang Amadeus Mozart
12:44
CD 118: Mozart: Piano Concertos nos. 18 & 24 (Serkin)
1
Concerto no. 18 in B-flat major, K. 456: 1. Allegro vivace
Wolfgang Amadeus Mozart
12:45
2
Concerto no. 18 in B-flat major, K. 456: 2. Andante un poco sostenuto
Wolfgang Amadeus Mozart
11:46
3
Concerto no. 18 in B-flat major, K. 456: 3. Allegro vivace
Wolfgang Amadeus Mozart
7:50
4
Concerto no. 24 in C minor, K. 491: 1. Allegro
Wolfgang Amadeus Mozart
14:26
5
Concerto no. 24 in C minor, K. 491: 2. [Larghetto]
Wolfgang Amadeus Mozart
8:37
6
Concerto no. 24 in C minor, K. 491: 3. [Allegretto]
Wolfgang Amadeus Mozart
9:22
CD 119: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)
1
Concerto no. 25 in C major, K. 503: 1. Allegro maestoso
Wolfgang Amadeus Mozart
17:55
2
Concerto no. 25 in C major, K. 503: 2. Andante
Wolfgang Amadeus Mozart
7:58
3
Concerto no. 25 in C major, K. 503: 3. [Allegretto]
Wolfgang Amadeus Mozart
9:46
4
Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 1. Allegro
Wolfgang Amadeus Mozart
12:40
5
Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 2. Allegretto
Wolfgang Amadeus Mozart
8:12
6
Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 3. Allegro assai
Wolfgang Amadeus Mozart
7:33
CD 120: Mozart: Piano Concertos nos. 20 & 27 (Serkin)
1
Concerto no. 20 in D minor, K. 466: 1. Allegro
Wolfgang Amadeus Mozart
14:49
2
Concerto no. 20 in D minor, K. 466: 2. Romance
Wolfgang Amadeus Mozart
9:50
3
Concerto no. 20 in D minor, K. 466: 3. Allegro assai
Wolfgang Amadeus Mozart
8:13
4
Concerto no. 27 in B-flat major, K. 595: 1. Allegro
Wolfgang Amadeus Mozart
14:55
5
Concerto no. 27 in B-flat major, K. 595: 2. Larghetto
Wolfgang Amadeus Mozart
8:01
6
Concerto no. 27 in B-flat major, K. 595: 3. Allegro
Wolfgang Amadeus Mozart
9:35
CD 121: Mozart: Piano Concertos nos. 21 & 23 (Serkin)
1
Concerto no. 21 in C major, K. 467: 1. Allegro maestoso
Wolfgang Amadeus Mozart
15:25
2
Concerto no. 21 in C major, K. 467: 2. Andante
Wolfgang Amadeus Mozart
7:56
3
Concerto no. 21 in C major, K. 467: 3. Allegro vivace assai
Wolfgang Amadeus Mozart
7:10
4
Concerto no. 23 in A major, K. 488: 1. Allegro
Wolfgang Amadeus Mozart
12:12
5
Concerto no. 23 in A major, K. 488: 2. Adagio
Wolfgang Amadeus Mozart
7:48
6
Concerto no. 23 in A major, K. 488: 3. Allegro assai
Wolfgang Amadeus Mozart
8:52
CD 122: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)
1
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 1. Allegro vivace
Wolfgang Amadeus Mozart
8:34
2
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 2. Andantino
Wolfgang Amadeus Mozart
6:51
3
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 3. Allegro ma non troppo
Wolfgang Amadeus Mozart
6:13
4
Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 1. Allegro
Wolfgang Amadeus Mozart
14:08
5
Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 2. (Larghetto)
Wolfgang Amadeus Mozart
5:38
6
Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 3. (Allegretto)
Wolfgang Amadeus Mozart
10:36
CD 123: Mozart: Piano Concertos nos. 17 & 21 (Pires)
1
Concerto for Piano and Orchestra no. 17 in G major, K. 453: 1. Allegro
Wolfgang Amadeus Mozart
12:03
2
Concerto for Piano and Orchestra no. 17 in G major, K. 453: 2. Andante
Wolfgang Amadeus Mozart
9:53
3
Concerto for Piano and Orchestra no. 17 in G major, K. 453: 3. Allegretto - Finale. Presto
Wolfgang Amadeus Mozart
7:32
4
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 1. Allegro
Wolfgang Amadeus Mozart
14:04
5
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 2. Andante
Wolfgang Amadeus Mozart
6:10
6
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 3. Allegro vivace assai
Wolfgang Amadeus Mozart
6:40
CD 124: Mozart: Piano Concertos nos. 27 & 20 (Pires)
1
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 1. Allegro
Wolfgang Amadeus Mozart
13:39
2
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 2. Larghetto
Wolfgang Amadeus Mozart
6:23
3
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 3. Allegro
Wolfgang Amadeus Mozart
8:51
4
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro
Wolfgang Amadeus Mozart
14:48
5
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance
Wolfgang Amadeus Mozart
8:24
6
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai
Wolfgang Amadeus Mozart
8:07
CD 125: Mozart: Piano Concertos nos. 25 & 20 (Argerich)
1
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 1. Allegro maestoso
Wolfgang Amadeus Mozart
14:18
2
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 2. Andante
Wolfgang Amadeus Mozart
7:01
3
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 3. [Allegretto]
Wolfgang Amadeus Mozart
9:23
4
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro
Wolfgang Amadeus Mozart
14:05
5
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance
Wolfgang Amadeus Mozart
9:01
6
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai
Wolfgang Amadeus Mozart
7:50
CD 126: Mozart: Piano Concertos nos. 20 & 21 (Gulda)
1
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro
Wolfgang Amadeus Mozart
15:30
2
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance
Wolfgang Amadeus Mozart
9:59
3
Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai
Wolfgang Amadeus Mozart
7:49
4
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 1. Allegro maestoso
Wolfgang Amadeus Mozart
14:59
5
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 2. Andante
Wolfgang Amadeus Mozart
7:49
6
Concerto for Piano and Orchestra no. 21 in C major, K. 467: 3. Allegro vivace assai
Wolfgang Amadeus Mozart
6:41
CD 127: Mozart: Piano Concertos nos. 25 & 27 (Gulda)
1
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 1. Allegro maestoso
Wolfgang Amadeus Mozart
16:32
2
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 2. Andante
Wolfgang Amadeus Mozart
8:24
3
Concerto for Piano and Orchestra no. 25 in C major, K. 503: 3. [Allegretto]
Wolfgang Amadeus Mozart
10:00
4
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 1. Allegro
Wolfgang Amadeus Mozart
14:51
5
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 2. Larghetto
Wolfgang Amadeus Mozart
8:15
6
Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 3. Allegro
Wolfgang Amadeus Mozart
9:23
CD 128: Mozart: Violin Concertos nos. 1-3
1
Concerto no. 1 in B-flat major, K. 207: 1. Allegro moderato
Wolfgang Amadeus Mozart
6:54
2
Concerto no. 1 in B-flat major, K. 207: 2. Adagio
Wolfgang Amadeus Mozart
7:17
3
Concerto no. 1 in B-flat major, K. 207: 3. Presto
Wolfgang Amadeus Mozart
5:10
4
Concerto no. 2 in D major, K. 211: 1. Allegro moderato
Wolfgang Amadeus Mozart
7:32
5
Concerto no. 2 in D major, K. 211: 2. Andante
Wolfgang Amadeus Mozart
6:06
6
Concerto no. 2 in D major, K. 211: 3. Rondeau: Allegro
Wolfgang Amadeus Mozart
4:05
7
Concerto no. 3 in G major, K. 216: 1. Allegro
Wolfgang Amadeus Mozart
8:31
8
Concerto no. 3 in G major, K. 216: 2. Adagio
Wolfgang Amadeus Mozart
5:59
9
Concerto no. 3 in G major, K. 216: 3. Rondeau: Allegro
Wolfgang Amadeus Mozart
5:58
CD 129: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)
1
Concerto no. 4 in D major, K. 218: I. Allegro
Wolfgang Amadeus Mozart
7:52
2
Concerto no. 4 in D major, K. 218: II. Andante cantabile
Wolfgang Amadeus Mozart
5:12
3
Concerto no. 4 in D major, K. 218: III. Rondeau: Andante grazioso
Wolfgang Amadeus Mozart
6:42
4
Concerto no. 5 in A major, K. 219: I. Allegro aperto
Wolfgang Amadeus Mozart
8:45
5
Concerto no. 5 in A major, K. 219: II. Adagio
Wolfgang Amadeus Mozart
7:50
6
Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di menuetto
Wolfgang Amadeus Mozart
7:51
7
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 1. Allegro maestoso
Wolfgang Amadeus Mozart
12:22
8
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 2. Andante
Wolfgang Amadeus Mozart
9:07
9
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 3. Presto
Wolfgang Amadeus Mozart
6:01
CD 130: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454
1
Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 1. Allegro
Wolfgang Amadeus Mozart
11:11
2
Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 2. Andante
Wolfgang Amadeus Mozart
7:13
3
Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 3. Rondeau: Allegro
Wolfgang Amadeus Mozart
8:31
4
Concerto for Violin and Orchestra no. 4 in D major, K. 218: 1. Allegro
Wolfgang Amadeus Mozart
10:38
5
Concerto for Violin and Orchestra no. 4 in D major, K. 218: 2. Andante cantabile
Wolfgang Amadeus Mozart
7:15
6
Concerto for Violin and Orchestra no. 4 in D major, K. 218: 3. Rondeau: Andante grazioso
Wolfgang Amadeus Mozart
7:34
7
Sonata for Piano and Violin in B-Flat major, K. 454: 1. Largo - Allegro
Wolfgang Amadeus Mozart
7:29
8
Sonata for Piano and Violin in B-Flat major, K. 454: 2. Andante
Wolfgang Amadeus Mozart
8:19
9
Sonata for Piano and Violin in B-Flat major, K. 454: 3. Allegretto
Wolfgang Amadeus Mozart
6:29
CD 131: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra
1
Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 1. Allegro
Wolfgang Amadeus Mozart
13:07
2
Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 2. Adagio (Andante)
Wolfgang Amadeus Mozart
7:24
3
Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 3. Andantino con variazioni
Wolfgang Amadeus Mozart
8:16
4
Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 1. Allegro
Wolfgang Amadeus Mozart
9:50
5
Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 2. Andantino
Wolfgang Amadeus Mozart
7:38
6
Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondeau. Allegro
Wolfgang Amadeus Mozart
8:35
CD 132: Mozart: Horn Concertos nos. 1-4
1
Concerto for Horn and Orchestra no. 1 in D major, K. 412/514 (K. 386b): 1. Allegro
Wolfgang Amadeus Mozart
4:41
2
Concerto for Horn and Orchestra no. 1 in D major, K. 412/514 (K. 386b): 2. Rondo. Allegro
Wolfgang Amadeus Mozart
3:23
3
Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 1. Allegro maestoso
Wolfgang Amadeus Mozart
6:20
4
Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 2. Andante
Wolfgang Amadeus Mozart
3:37
5
Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 3. Rondo
Wolfgang Amadeus Mozart
3:44
6
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro
Wolfgang Amadeus Mozart
7:20
7
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto
Wolfgang Amadeus Mozart
4:07
8
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro
Wolfgang Amadeus Mozart
3:32
9
Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 1. Allegro moderato
Wolfgang Amadeus Mozart
7:49
10
Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 2. Romanza. Andante
Wolfgang Amadeus Mozart
4:26
11
Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 3. Rondo. Allegro vivace
Wolfgang Amadeus Mozart
4:14
CD 133: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto
1
Concerto for Clarinet and Orchestra in A major, K. 622: 1. Allegro
Wolfgang Amadeus Mozart
11:50
2
Concerto for Clarinet and Orchestra in A major, K. 622: 2. Adagio
Wolfgang Amadeus Mozart
6:34
3
Concerto for Clarinet and Orchestra in A major, K. 622: 3. Rondo. Allegro
Wolfgang Amadeus Mozart
8:24
4
Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 1. Allegro aperto
Wolfgang Amadeus Mozart
7:09
5
Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 2. Adagio ma non troppo
Wolfgang Amadeus Mozart
6:25
6
Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 3. Rondeau. Allegro
Wolfgang Amadeus Mozart
5:15
7
Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 1. Allegro
Wolfgang Amadeus Mozart
6:36
8
Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 2. Andante ma adagio
Wolfgang Amadeus Mozart
5:59
9
Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 3. Rondo. Tempo di menuetto
Wolfgang Amadeus Mozart
4:05
CD 134: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1
1
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro
Wolfgang Amadeus Mozart
7:39
2
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto
Wolfgang Amadeus Mozart
4:44
3
Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro
Wolfgang Amadeus Mozart
3:41
4
Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 1. Allegro
Wolfgang Amadeus Mozart
7:15
5
Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 2. Andante ma adagio
Wolfgang Amadeus Mozart
6:18
6
Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 3. Rondo. Tempo di minuetto
Wolfgang Amadeus Mozart
4:37
7
Concerto for Oboe and Orchestra in C major, K. 314 (285d): 1. Allegro aperto
Wolfgang Amadeus Mozart
7:39
8
Concerto for Oboe and Orchestra in C major, K. 314 (285d): 2. Adagio ma non troppo
Wolfgang Amadeus Mozart
6:59
9
Concerto for Oboe and Orchestra in C major, K. 314 (285d): 3. Rondeau. Allegro
Wolfgang Amadeus Mozart
5:52
10
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 1. Allegro
Joseph Haydn
6:22
11
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 2. Andante
Joseph Haydn
3:18
12
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Finale. Allegro
Joseph Haydn
4:43
13
Allegro for Oboe and Orchestra in F major, K. 293
Wolfgang Amadeus Mozart
9:44
CD 135: Auf Mozarts Spuren
1
Andante in B-flat major, K. 315
Wolfgang Amadeus Mozart
5:51
2
Concerto for Oboe and Orchestra in C major, K. 314 (285d): 1. Allegro aperto
Wolfgang Amadeus Mozart
7:59
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Concerto for Oboe and Orchestra in C major, K. 314 (285d): 2. Andante non troppo
Wolfgang Amadeus Mozart
6:59
4
Concerto for Oboe and Orchestra in C major, K. 314 (285d): 3. Allegro
Wolfgang Amadeus Mozart
6:17
5
Aria “Sperai vicino il lido” in F major, K. 368: Andantino - Allegro
Wolfgang Amadeus Mozart
7:27
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Aria “Al desio, di chi t'adora” in F major, K. 577
Wolfgang Amadeus Mozart
5:20
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Andante and Rondo (Allegro) in D major, K. 271a (271i): Andante
Wolfgang Amadeus Mozart
7:24
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Andante and Rondo (Allegro) in D major, K. 271a (271i): Rondo. Allegro
Wolfgang Amadeus Mozart
8:56
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Concerto for Oboe and Orchestra no. 1 in D minor: 1. Allegro
Ludwig August Lebrun
8:32
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Concerto for Oboe and Orchestra no. 1 in D minor: 2. Grazioso
Ludwig August Lebrun
5:30
11
Concerto for Oboe and Orchestra no. 1 in D minor: 3. Rondo. Allegro
Ludwig August Lebrun
5:23
CD 136: Mozart: Missa solemnis “Waisenhaus”
1
Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (chorus)
Wolfgang Amadeus Mozart
1:47
2
Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (soprano, alto, tenor, chorus)
Wolfgang Amadeus Mozart
2:31
3
Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Christe eleison” (soloists)
Wolfgang Amadeus Mozart
1:37
4
Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (chorus)
Wolfgang Amadeus Mozart
2:33
5
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Gloria in excelsis Deo” (chorus)
Wolfgang Amadeus Mozart
1:01
6
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Laudamus te” (soprano, alto)
Wolfgang Amadeus Mozart
1:49
7
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Gratias agimus” (chorus)
Wolfgang Amadeus Mozart
1:04
8
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Domine deus” (tenor, bass)
Wolfgang Amadeus Mozart
2:02
9
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Qui tollis peccata mundi” (chorus)
Wolfgang Amadeus Mozart
1:53
10
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Quoniam tu solus Sanctus” (soprano)
Wolfgang Amadeus Mozart
2:48
11
Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Cum Sancto spiritu” (chorus)
Wolfgang Amadeus Mozart
2:43
12
Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Credo in unum Deum” (chorus)
Wolfgang Amadeus Mozart
2:17
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Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et incarnatus est” (soprano, alto)
Wolfgang Amadeus Mozart
2:41
14
Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Crucifixus etiam pro nobis” (chorus)
Wolfgang Amadeus Mozart
1:42
15
Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et resurrexit” (chorus)
Wolfgang Amadeus Mozart
1:28
16
Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et in spiritum sanctum” (tenor)
Wolfgang Amadeus Mozart
2:04
17
Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et in unam sanctam” (chorus)
Wolfgang Amadeus Mozart
3:18
18
Missa solemnis in C minor “Waisenhaus”, K. 139: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (chorus)
Wolfgang Amadeus Mozart
0:56
19
Missa solemnis in C minor “Waisenhaus”, K. 139: Sanctus. “Pleni sunt coeli” / “Osanna in excelsis” (chorus)
Wolfgang Amadeus Mozart
0:50
20
Missa solemnis in C minor “Waisenhaus”, K. 139: Benedictus. “Benedictus” (soprano)
Wolfgang Amadeus Mozart
1:57
21
Missa solemnis in C minor “Waisenhaus”, K. 139: Benedictus. “Osanna in excelsis” (chorus)
Wolfgang Amadeus Mozart
0:21
22
Missa solemnis in C minor “Waisenhaus”, K. 139: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus)
Wolfgang Amadeus Mozart
3:45
23
Missa solemnis in C minor “Waisenhaus”, K. 139: Agnus Dei. “Dona nobis pacem” (chorus)
Wolfgang Amadeus Mozart
1:50
CD 137: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«
1
Requiem in D minor, K. 626: Introitus. “Requiem aeternam” (chorus, soprano)
Wolfgang Amadeus Mozart
4:29
2
Requiem in D minor, K. 626: Kyrie. “Kyrie eleison” (chorus)
Wolfgang Amadeus Mozart
2:25
3
Requiem in D minor, K. 626: Sequentia. “Dies irae” (chorus)
Wolfgang Amadeus Mozart
1:59
4
Requiem in D minor, K. 626: Sequentia. “Tuba mirum” (soprano, alto, tenor, bass)
Wolfgang Amadeus Mozart
3:17
5
Requiem in D minor, K. 626: Sequentia. “Rex tremendae” (chorus)
Wolfgang Amadeus Mozart
1:44
6
Requiem in D minor, K. 626: Sequentia. “Recordare” (soprano, alto, tenor, bass)
Wolfgang Amadeus Mozart
5:04
7
Requiem in D minor, K. 626: Sequentia. “Confutatis” (chorus)
Wolfgang Amadeus Mozart
2:34
8
Requiem in D minor, K. 626: Sequentia. “Lacrimosa” (chorus)
Wolfgang Amadeus Mozart
2:53
9
Requiem in D minor, K. 626: Offertorium. “Domine Jesu Christe” (chorus, soprano, alto, tenor, bass)
Wolfgang Amadeus Mozart
3:36
10
Requiem in D minor, K. 626: Offertorium. “Hostias” (chorus)
Wolfgang Amadeus Mozart
3:48
11
Requiem in D minor, K. 626: Sanctus. “Sanctus, sanctus, sanctus” (chorus)
Wolfgang Amadeus Mozart
2:07
12
Requiem in D minor, K. 626: Benedictus. “Benedictus qui venit in nomine Domini” (chorus, soprano, alto, tenor, bass)
Wolfgang Amadeus Mozart
5:10
13
Requiem in D minor, K. 626: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (chorus)
Wolfgang Amadeus Mozart
3:29
14
Requiem in D minor, K. 626: Communio. “Lux aeterna luceat eis” (chorus, soprano)
Wolfgang Amadeus Mozart
5:24
15
Grabmusic, K. 42 (35a): Aria »Betracht dies Herz und frage mich«
Wolfgang Amadeus Mozart
4:11
16
Vesperae solennes de confessore, K. 339: No. 5 “Laudate Dominum”
Wolfgang Amadeus Mozart
4:30
CD 138: Mozart: Arias / R. Strauss: Orchestral Songs
1
»Nehmt meinen Dank, ihr holden Gönner«, K. 383
Wolfgang Amadeus Mozart
3:48
2
Exsultate, Jubilate, K. 165
Wolfgang Amadeus Mozart
14:06
3
“Mia speranza adorata! … Ah, non sai qual pena sia”, K. 416
Wolfgang Amadeus Mozart
8:51
4
“Ch'io mi scordi di te? … Non temer, amato bene”, K. 505
Wolfgang Amadeus Mozart
10:29
5
Zaide, K. 344: »Ruhe sanft, mein holdes Leben«
Wolfgang Amadeus Mozart
5:19
6
“Vorrei spiegarvi, oh Dio! … Ah conte, partite!”, K. 418
Wolfgang Amadeus Mozart
6:14
7
Wiegenlied, op. 41 no. 1
Richard Strauss
4:29
8
Das Rosenband, op. 36 no. 1
Richard Strauss
3:23
9
Liebeshymnus, op. 32 no. 3
Richard Strauss
2:19
10
Das Bächlein, op. AV 118
Richard Strauss
2:16
11
Morgen!, op. 27 no. 4
Richard Strauss
3:59
CD 139: Mozart: Le nozze di Figaro (Acts I & II beg.)
1
Le nozze di Figaro, K. 492: Sinfonia
Wolfgang Amadeus Mozart
4:09
2
Le nozze di Figaro, K. 492: Atto Primo. N. 1 Duettino: “Cinque… dieci… venti… trenta” (Figaro, Susanna)
Wolfgang Amadeus Mozart
2:35
3
Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cosa stai misurando” (Susanna, Figaro)
Wolfgang Amadeus Mozart
0:36
4
Le nozze di Figaro, K. 492: Atto Primo. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna)
Wolfgang Amadeus Mozart
2:25
5
Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro)
Wolfgang Amadeus Mozart
1:25
6
Le nozze di Figaro, K. 492: Atto Primo. “Bravo, signor padrone!” (Figaro)
Wolfgang Amadeus Mozart
0:42
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Le nozze di Figaro, K. 492: Atto Primo. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)
Wolfgang Amadeus Mozart
2:19
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Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)
Wolfgang Amadeus Mozart
0:53
9
Le nozze di Figaro, K. 492: Atto Primo. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)
Wolfgang Amadeus Mozart
3:06
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Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)
Wolfgang Amadeus Mozart
0:33
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Le nozze di Figaro, K. 492: Atto Primo. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)
Wolfgang Amadeus Mozart
2:08
12
Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)
Wolfgang Amadeus Mozart
1:40
13
Le nozze di Figaro, K. 492: Atto Primo. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)
Wolfgang Amadeus Mozart
2:42
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Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ah, son perduto!” … “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio)
Wolfgang Amadeus Mozart
3:14
15
Le nozze di Figaro, K. 492: Atto Primo. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna)
Wolfgang Amadeus Mozart
4:44
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Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio)
Wolfgang Amadeus Mozart
0:55
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Le nozze di Figaro, K. 492: Atto Primo. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine)
Wolfgang Amadeus Mozart
0:58
18
Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna)
Wolfgang Amadeus Mozart
1:13
19
Le nozze di Figaro, K. 492: Atto Primo. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine)
Wolfgang Amadeus Mozart
0:46
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Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Evviva!” … “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3
Wolfgang Amadeus Mozart
1:03
21
Le nozze di Figaro, K. 492: Atto Primo. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)
Wolfgang Amadeus Mozart
3:38
22
Le nozze di Figaro, K. 492: Atto Secondo. N. 11 Cavatina: “Porgi, amor, qualche ristoro” (contessa)
Wolfgang Amadeus Mozart
3:41
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Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro)
Wolfgang Amadeus Mozart
3:16
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Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino)
Wolfgang Amadeus Mozart
1:11
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Le nozze di Figaro, K. 492: Atto Secondo. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)
Wolfgang Amadeus Mozart
2:22
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Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino)
Wolfgang Amadeus Mozart
0:58
27
Le nozze di Figaro, K. 492: Atto Secondo. N. 13 Aria: “Venite, inginocchiatevi” (Susanna)
Wolfgang Amadeus Mozart
2:39
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Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quante buffonerie!” … “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte)
Wolfgang Amadeus Mozart
2:26
29
Le nozze di Figaro, K. 492: Atto Secondo. “Che novità! Non fu mai vostra usanza” (conte, contessa)
Wolfgang Amadeus Mozart
1:04
30
Le nozze di Figaro, K. 492: Atto Secondo. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna)
Wolfgang Amadeus Mozart
3:05
31
Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Dunque, voi non aprite?” (conte, contessa)
Wolfgang Amadeus Mozart
0:48
32
Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)
Wolfgang Amadeus Mozart
0:59
33
Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Oh guarda il demonietto” (Susanna)
Wolfgang Amadeus Mozart
0:24
CD 140: Mozart: Le nozze di Figaro (Acts II cont. & III)
1
Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Tutto è come il lasciai” (conte, contessa)
Wolfgang Amadeus Mozart
1:11
2
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa)
Wolfgang Amadeus Mozart
3:06
3
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa)
Wolfgang Amadeus Mozart
1:14
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Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte)
Wolfgang Amadeus Mozart
3:49
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Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa)
Wolfgang Amadeus Mozart
0:50
6
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa)
Wolfgang Amadeus Mozart
2:06
7
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro)
Wolfgang Amadeus Mozart
2:53
8
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro, Susanna, contessa)
Wolfgang Amadeus Mozart
2:28
9
Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna)
Wolfgang Amadeus Mozart
3:45
10
Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Che imbarazzo è mai questo” … “Via, fatti core” (conte, contessa, Susanna)
Wolfgang Amadeus Mozart
2:12
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Le nozze di Figaro, K. 492: Atto Terzo. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna)
Wolfgang Amadeus Mozart
2:27
12
Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “E perché fosti meco stamattina sì austera?” … “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro)
Wolfgang Amadeus Mozart
0:44
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Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte)
Wolfgang Amadeus Mozart
1:13
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Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte)
Wolfgang Amadeus Mozart
3:15
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Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino)
Wolfgang Amadeus Mozart
0:35
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Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa)
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1:29
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Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa)
Wolfgang Amadeus Mozart
4:03
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Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo)
Wolfgang Amadeus Mozart
1:53
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Le nozze di Figaro, K. 492: Atto Terzo. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna)
Wolfgang Amadeus Mozart
4:51
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Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)
Wolfgang Amadeus Mozart
0:51
21
Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Io vi dico, signor” … “Cosa mi narri!” (Antonio, conte, contessa, Susanna)
Wolfgang Amadeus Mozart
0:52
22
Le nozze di Figaro, K. 492: Atto Terzo. N. 21 Duettino: “Sull'aria” … “Che soave zeffiretto” (contessa, Susanna)
Wolfgang Amadeus Mozart
2:06
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Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Piegato è il foglio” (Susanna, contessa)
Wolfgang Amadeus Mozart
0:16
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Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)
Wolfgang Amadeus Mozart
0:57
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Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Queste sono, madama, le ragazze del loco” … “Eh cospettaccio!” … “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino)
Wolfgang Amadeus Mozart
2:35
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Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa)
Wolfgang Amadeus Mozart
1:49
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Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Amanti costanti” (due contadine, coro)
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1:14
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Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro)
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1:36
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Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Andate, amici” (conte, coro)
Wolfgang Amadeus Mozart
1:22
CD 141: Mozart: Le nozze di Figaro (Act IV)
1
Le nozze di Figaro, K. 492: Atto Quarto. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina)
Wolfgang Amadeus Mozart
1:40
2
Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Barbarina, cos'hai?” … “Madre” / “Figlio” … “Presto, avvertiam Susanna!” (Figaro, Barbarina, Marcellina)
Wolfgang Amadeus Mozart
2:20
3
Le nozze di Figaro, K. 492: Atto Quarto. N. 25 Aria: “Il capro e la capretta” (Marcellina)
Wolfgang Amadeus Mozart
3:02
4
Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Nel padiglione a manca” … “È Barbarina. Chi va là?” … “Ha i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo)
Wolfgang Amadeus Mozart
1:49
5
Le nozze di Figaro, K. 492: Atto Quarto. N. 26 Aria: “In quegli anni in cui val poco” (Basilio)
Wolfgang Amadeus Mozart
3:20
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Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Tutto è disposto” … (Figaro)
Wolfgang Amadeus Mozart
0:45
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Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Oh Susanna, Susanna, quanta pena mi costi!” (Figaro)
Wolfgang Amadeus Mozart
0:34
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Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Aprite un po' quegli occhi” (Figaro)
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2:39
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Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Signora, ella mi disse” … “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro)
Wolfgang Amadeus Mozart
0:44
10
Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Recitativo ed aria: “Giunse alfin il momento” … (Susanna)
Wolfgang Amadeus Mozart
1:09
11
Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Recitativo ed aria: “Deh vieni, non tardar, o gioia bella” (Susanna)
Wolfgang Amadeus Mozart
2:57
12
Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa)
Wolfgang Amadeus Mozart
0:34
13
Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa)
Wolfgang Amadeus Mozart
1:13
14
Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Ecco qui la mia Susanna” (conte, Susanna, Figaro, Cherubino, contessa)
Wolfgang Amadeus Mozart
4:29
15
Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna)
Wolfgang Amadeus Mozart
3:30
16
Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Pace, pace, mio dolce tesoro” … “Non la trovo” (Figaro, Susanna, conte)
Wolfgang Amadeus Mozart
1:52
17
Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Gente, gente, all'armi, all'armi!” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro)
Wolfgang Amadeus Mozart
5:13
18
Le nozze di Figaro, K. 492: Appendice. N. 13a Arietta, K. 579: “Un moto di gioia” (Susanna)
Wolfgang Amadeus Mozart
3:04
19
Le nozze di Figaro, K. 492: Appendice. N. 28a Rondò, K. 577: “Al desio di chi t'adora” (Susanna)
Wolfgang Amadeus Mozart
6:00
CD 142: Mozart: Don Giovanni (Act I beg.)
1
Don Giovanni, K. 527: Ouvertura
Wolfgang Amadeus Mozart
5:54
2
Don Giovanni, K. 527: Atto Primo. N. 1 Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, commendatore)
Wolfgang Amadeus Mozart
5:26
3
Don Giovanni, K. 527: Atto Primo. Recitativo: “Leporello, ove sei?” (Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
0:35
4
Don Giovanni, K. 527: Atto Primo. Recitativo: “Ah! del padre in periglio” (Donna Anna, Don Ottavio) / N. 2 Recitativo accompagnato: “Ma qual mai s'offre, oh dei” (Donna Anna, Don Ottavio)
Wolfgang Amadeus Mozart
2:42
5
Don Giovanni, K. 527: Atto Primo. N. 2 Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
Wolfgang Amadeus Mozart
3:57
6
Don Giovanni, K. 527: Atto Primo. Recitativo: “Orsù, spicciati presto” (Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
1:40
7
Don Giovanni, K. 527: Atto Primo. N. 3 Aria: “Ah! chi mi dice mai” (Donna Elvira. Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
3:36
8
Don Giovanni, K. 527: Atto Primo. Recitativo: “Chi è là?” / “Stelle! che vedo!” (Donna Elvira, Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
2:57
9
Don Giovanni, K. 527: Atto Primo. N. 4 Aria: “Madamina, il catalogo è questo” (Leporello)
Wolfgang Amadeus Mozart
5:37
10
Don Giovanni, K. 527: Atto Primo. Recitativo: “In questa forma, dunque” (Donna Elvira)
Wolfgang Amadeus Mozart
0:32
11
Don Giovanni, K. 527: Atto Primo. N. 5 Coro: “Giovinette che fate all'amore” (Zerlina, Masetto, coro di contadine e contadini)
Wolfgang Amadeus Mozart
1:28
12
Don Giovanni, K. 527: Atto Primo. Recitativo: “Manco male è partita” (Don Giovanni, Leporello, Zerlina, Masetto)
Wolfgang Amadeus Mozart
2:17
13
Don Giovanni, K. 527: Atto Primo. N. 6 Aria: “Ho capito, signor, sì!” (Masetto)
Wolfgang Amadeus Mozart
1:35
14
Don Giovanni, K. 527: Atto Primo. Recitativo: “Alfin siam liberati” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart
2:02
15
Don Giovanni, K. 527: Atto Primo. N. 7 Duettino: Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart
2:55
16
Don Giovanni, K. 527: Atto Primo. Recitativo: “Fermati, scellerato” (Donna Elvira, Zerlina, Don Giovanni)
Wolfgang Amadeus Mozart
0:43
17
Don Giovanni, K. 527: Atto Primo. N. 8 Aria: “Ah, fuggi il traditor” (Donna Elvira)
Wolfgang Amadeus Mozart
1:10
18
Don Giovanni, K. 527: Atto Primo. Recitativo: “Mi par ch'oggi il demonio si diverta” (Don Giovanni, Don Ottavio, Donna Anna) / Recitativo: “Ah, ti ritrovo ancor” (Donna Elvira)
Wolfgang Amadeus Mozart
1:13
19
Don Giovanni, K. 527: Atto Primo. N. 9 Quartetto: “Non ti fidar, oh misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
Wolfgang Amadeus Mozart
3:59
20
Don Giovanni, K. 527: Atto Primo. Recitativo: “Povera sventurata!” (Don Giovanni)
Wolfgang Amadeus Mozart
0:22
21
Don Giovanni, K. 527: Atto Primo. N. 10 Recitativo accompagnato: “Don Ottavio, son morta!” (Donna Anna, Don Ottavio)
Wolfgang Amadeus Mozart
3:06
22
Don Giovanni, K. 527: Atto Primo. N. 10 Aria: “Or sai chi l'onore” (Donna Anna)
Wolfgang Amadeus Mozart
2:37
23
Don Giovanni, K. 527: Atto Primo. Recitativo: “Come mai creder deggio” (Don Ottavio)
Wolfgang Amadeus Mozart
0:35
24
Don Giovanni, K. 527: Atto Primo. N. 10a Aria: “Dalla sua pace”, KV 540a (Don Ottavio)
Wolfgang Amadeus Mozart
4:22
CD 143: Mozart: Don Giovanni (Acts I cont. & II beg.)
1
Don Giovanni, K. 527: Atto Primo. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni)
Wolfgang Amadeus Mozart
1:48
2
Don Giovanni, K. 527: Atto Primo. N. 11 Aria: “Fin ch'han dal vino” (Don Giovanni)
Wolfgang Amadeus Mozart
1:21
3
Don Giovanni, K. 527: Atto Primo. Recitativo: “Masetto, senti un po'” (Zerlina, Masetto)
Wolfgang Amadeus Mozart
1:11
4
Don Giovanni, K. 527: Atto Primo. N. 12 Aria: “Batti, batti, oh bel Masetto” (Zerlina)
Wolfgang Amadeus Mozart
3:31
5
Don Giovanni, K. 527: Atto Primo. Recitativo: “Guarda un po'” (Masetto, Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart
0:36
6
Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Presto, presto, pria ch'ei venga” (Masetto, Zerlina) / “Su svegliatevi, da bravi” (Don Giovanni, servi)
Wolfgang Amadeus Mozart
1:55
7
Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Tra quest'arbori celata” (Zerlina, Don Giovanni, Masetto)
Wolfgang Amadeus Mozart
2:17
8
Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
Wolfgang Amadeus Mozart
3:45
9
Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Riposate, vezzose ragazze” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
Wolfgang Amadeus Mozart
8:44
10
Don Giovanni, K. 527: Atto Secondo. N. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
1:04
11
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
2:04
12
Don Giovanni, K. 527: Atto Secondo. N. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
Wolfgang Amadeus Mozart
4:30
13
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
2:07
14
Don Giovanni, K. 527: Atto Secondo. N. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
Wolfgang Amadeus Mozart
2:03
15
Don Giovanni, K. 527: Atto Secondo. Recitativo: “V'è gente alla finestra!” (Don Giovanni) / Recitativo: “Non ci stanchiamo” (Masetto, Don Giovanni)
Wolfgang Amadeus Mozart
1:16
16
Don Giovanni, K. 527: Atto Secondo. N. 17 Aria: “Metà di voi qua vadano” (Don Giovanni)
Wolfgang Amadeus Mozart
2:46
17
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Zitto! lascia ch'io senta” (Don Giovanni, Masetto) / Recitativo: “Ahi! ahi! la testa mia!” (Masetto, Zerlina)
Wolfgang Amadeus Mozart
2:05
18
Don Giovanni, K. 527: Atto Secondo. N. 18 Aria: “Vedrai, carino” (Zerlina)
Wolfgang Amadeus Mozart
3:22
19
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira)
Wolfgang Amadeus Mozart
0:32
20
Don Giovanni, K. 527: Atto Secondo. N. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
Wolfgang Amadeus Mozart
7:21
21
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Wolfgang Amadeus Mozart
0:23
22
Don Giovanni, K. 527: Atto Secondo. N. 20 Aria: “Ah, pietà, signori miei” (Leporello)
Wolfgang Amadeus Mozart
1:46
23
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Wolfgang Amadeus Mozart
0:45
24
Don Giovanni, K. 527: Atto Secondo. N. 21 Aria: “Il mio tesoro intanto” (Don Ottavio)
Wolfgang Amadeus Mozart
4:07
CD 144: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias
1
Don Giovanni, K. 527: Atto Secondo. N. 21b Recitativo accompagnato: “In quali eccessi, o Numi”, KV 540c (Donna Elvira)
Wolfgang Amadeus Mozart
1:55
2
Don Giovanni, K. 527: Atto Secondo. Aria: “Mi tradì quell'alma ingrata”, KV 540c (Donna Elvira)
Wolfgang Amadeus Mozart
3:55
3
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, commendatore)
Wolfgang Amadeus Mozart
4:30
4
Don Giovanni, K. 527: Atto Secondo. N. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, commendatore)
Wolfgang Amadeus Mozart
3:33
5
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna)
Wolfgang Amadeus Mozart
0:58
6
Don Giovanni, K. 527: Atto Secondo. N. 23 Recitativo accompagnato: “Crudele! Ah no, mio bene!” (Donna Anna)
Wolfgang Amadeus Mozart
1:44
7
Don Giovanni, K. 527: Atto Secondo. N. 23 Rondo: “Non mi dir, bell'idol mio” (Donna Anna)
Wolfgang Amadeus Mozart
5:03
8
Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, si segua il suo passo” (Don Ottavio)
Wolfgang Amadeus Mozart
0:18
9
Don Giovanni, K. 527: Atto Secondo. N. 24 Finale II: “Già la mensa è preparata” (Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
4:20
10
Don Giovanni, K. 527: Atto Secondo. Recitativo: “L'ultima prova dell'amor mio” (Donna Elvira, Don Giovanni, Leporello)
Wolfgang Amadeus Mozart
3:21
11
Don Giovanni, K. 527: Atto Secondo. “Don Giovanni, a cenar teco” (commendatore, Don Giovanni, Leporello, coro)
Wolfgang Amadeus Mozart
6:40
12
Don Giovanni, K. 527: Atto Secondo. “Ah! dov'è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Wolfgang Amadeus Mozart
6:28
13
Le nozze di Figaro: “Giunse alfin il momento … Deh vieni non tardar, o gioia bella” (Susanna)
Wolfgang Amadeus Mozart
3:32
14
Idomeneo: “Oh smania! …D'Oreste, d'Aiace” (Elettra)
Wolfgang Amadeus Mozart
6:05
15
Idomeneo: “Zeffiretti lusinghieri” (Ilia)
Wolfgang Amadeus Mozart
6:41
16
Don Giovanni: “Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio)
Wolfgang Amadeus Mozart
6:19
CD 145: Mozart: Die Zauberflöte (Acts I & II beg.)
1
Die Zauberflöte, K. 620: Ouvertüre
Wolfgang Amadeus Mozart
6:05
2
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 1 Introduktion: »Zu Hilfe! Zu Hilfe!« (Tamino, die drei Damen) / »Wo bin ich?« (Tamino)
Wolfgang Amadeus Mozart
6:08
3
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) / »He da!« / »Was da!« (Tamino, Papageno)
Wolfgang Amadeus Mozart
4:30
4
Die Zauberflöte, K. 620: Erster Aufzug. »Papageno!« / Ah! Das geht mich an!« (die drei Damen, Papageno, Tamino)
Wolfgang Amadeus Mozart
1:28
5
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schön« (Tamino)
Wolfgang Amadeus Mozart
3:42
6
Die Zauberflöte, K. 620: Erster Aufzug. »Freue dich und fasse Mut, schöner Jüngling!« (die drei Damen, Tamino)
Wolfgang Amadeus Mozart
1:01
7
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« (Königin der Nacht) / »Ist's auch denn Wirklichlkeit, was ich sah?« (Tamino)
Wolfgang Amadeus Mozart
4:25
8
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, die drei Damen)
Wolfgang Amadeus Mozart
5:46
9
Die Zauberflöte, K. 620: Erster Aufzug. »Ha, ha, ha!« / »He, Sklaven!« (Monostatos, die drei Sklaven)
Wolfgang Amadeus Mozart
1:15
10
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno)
Wolfgang Amadeus Mozart
1:48
11
Die Zauberflöte, K. 620: Erster Aufzug. »Bin ich nicht ein Narr« (Papageno, Pamina)
Wolfgang Amadeus Mozart
2:28
12
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno)
Wolfgang Amadeus Mozart
2:59
13
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (die drei Knaben, Tamino, Priester, Sprecher, Chor)
Wolfgang Amadeus Mozart
9:00
14
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Wie stark ist nicht dein Zauberton« (Tamino)
Wolfgang Amadeus Mozart
2:43
15
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Schnelle Füße, rascher Mut« (Pamina, Papageno, Monostatos, Sklaven, Chor)
Wolfgang Amadeus Mozart
3:54
16
Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Es lebe Sarastro! Sarastro soll leben« (Chor, Pamina, Sarastro, Monostatos, Tamino)
Wolfgang Amadeus Mozart
7:15
17
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 9 Marsch der Priester
Wolfgang Amadeus Mozart
2:23
18
Die Zauberflöte, K. 620: Zweiter Aufzug: »Ihr in dem Weisheitstempel« (Sarastro, zweiter Priester, Sprecher, dritter Priester)
Wolfgang Amadeus Mozart
3:26
19
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor)
Wolfgang Amadeus Mozart
2:32
20
Die Zauberflöte, K. 620: Zweiter Aufzug: »Eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, zweiter Priester) / »Ihr Fremdlinge!« (Sprecher, Tamino, zweiter Priester, Papageno)
Wolfgang Amadeus Mozart
3:29
21
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 11 Duett: »Bewahret euch vor Weibertücken« (erster Priester, zweiter Priester)
Wolfgang Amadeus Mozart
1:00
CD 146: Mozart: Die Zauberflöte (Act II cont.)
1
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (dier drei Damen, Papageno, Tamino, Priester)
Wolfgang Amadeus Mozart
3:04
2
Die Zauberflöte, K. 620: Zweiter Aufzug: »Heil dir, Jüngling! Dein standhaft männliches Betragen« (Sprecher, zweiter Priester, Papageno) / »Ah, da find ich ja die spröde Schöne!« (Monostatos)
Wolfgang Amadeus Mozart
1:52
3
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) / »Zurück!« / »O weh! Das ist die Göttin der Nacht« (Königin der Nacht, Monostatos, Pamina)
Wolfgang Amadeus Mozart
3:00
4
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht)
Wolfgang Amadeus Mozart
2:54
5
Die Zauberflöte, K. 620: Zweiter Aufzug: »Morden soll ich?« (Pamina, Monostatos, Sarastro) / »Herr, strafe meine Mutter nicht« (Pamina, Sarastro)
Wolfgang Amadeus Mozart
1:51
6
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 15 Arie: »In diesen heil'gen Hallen« (Sarastro)
Wolfgang Amadeus Mozart
4:01
7
Die Zauberflöte, K. 620: Zweiter Aufzug: »Hier seid ihr euch beide allein überlassen« (Sprecher, zweiter Priester, Papageno) / »Tamino!« / »Pst!« (Papageno, Tamino) / »Ah! Was? Ist das für mich?« (Papageno, das alte Weib)
Wolfgang Amadeus Mozart
2:58
8
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 16 Terzett: »Seid uns zum zweiten Mal willkommen« (die drei Knaben)
Wolfgang Amadeus Mozart
1:34
9
Die Zauberflöte, K. 620: Zweiter Aufzug: »Tamino, wollen wir nicht speisen?« (Papageno) / »Tamino! Du hier?« (Pamina)
Wolfgang Amadeus Mozart
1:39
10
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina)
Wolfgang Amadeus Mozart
3:57
11
Die Zauberflöte, K. 620: Zweiter Aufzug: »Nicht wahr, Tamino, ich kann auch schweigen« (Papageno)
Wolfgang Amadeus Mozart
1:27
12
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor)
Wolfgang Amadeus Mozart
2:32
13
Die Zauberflöte, K. 620: Zweiter Aufzug: »Prinz, dein Betragen war bis hieher männlich und gelassen« (Sarastro, Pamina)
Wolfgang Amadeus Mozart
0:48
14
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino)
Wolfgang Amadeus Mozart
2:54
15
Die Zauberflöte, K. 620: Zweiter Aufzug: »Tamino! Tamino! Willst du mich denn gänzlich verlassen?« (Papageno, eine Stimme, die drei Priester) / »Mensch!« … »Du hättest verdient« (die drei Priester, Papageno, Sprecher)
Wolfgang Amadeus Mozart
2:04
16
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich!« (Papageno)
Wolfgang Amadeus Mozart
3:48
17
Die Zauberflöte, K. 620: Zweiter Aufzug: »Da bin ich schon, mein Engel!« (das alte Weib, Papageno) / »Fort mit dir, junges Weib!« (Sprecher, Papageno)
Wolfgang Amadeus Mozart
1:48
18
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (die drei Knaben, Pamina)
Wolfgang Amadeus Mozart
5:42
19
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (die Geharnischten, Tamino, Pamina) / »Tamino main! O welchein Glück« (Pamina, Tamino, die Gerharnischten, Chor)
Wolfgang Amadeus Mozart
10:57
20
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Papagena! Papagena! Papagena! Weibchen! Täubchen!« (Papageno, die drei Knaben, Papagena)
Wolfgang Amadeus Mozart
7:25
21
Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor)
Wolfgang Amadeus Mozart
5:01
CD 147: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)
1
Night on Bald Mountain
Modest Mussorgsky
12:47
2
The Destruction of Sennacherib
Modest Mussorgsky
6:05
3
Salammbô: Chorus of Priestesses
Modest Mussorgsky
5:15
4
Oedipus in Athens: Chorus of People in the Temple
Modest Mussorgsky
3:09
5
Joshua (Jesus Navin)
Modest Mussorgsky
5:18
6
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto
Modest Mussorgsky
1:47
7
Pictures at an Exhibition: 1. Gnomus. Vivo
Modest Mussorgsky
2:19
8
Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza
Modest Mussorgsky
1:04
9
Pictures at an Exhibition: 2. Il vecchio castello. Andante
Modest Mussorgsky
4:21
10
Pictures at an Exhibition: Promenade. Moderato non tanto, pesante
Modest Mussorgsky
0:33
11
Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso
Modest Mussorgsky
1:11
12
Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante
Modest Mussorgsky
2:51
13
Pictures at an Exhibition: Promenade. Tranquillo
Modest Mussorgsky
0:44
14
Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero
Modest Mussorgsky
1:13
15
Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante
Modest Mussorgsky
2:10
16
Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando
Modest Mussorgsky
1:20
17
Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo
Modest Mussorgsky
2:01
18
Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante non troppo, con lamento
Modest Mussorgsky
2:03
19
Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto
Modest Mussorgsky
3:28
20
Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza
Modest Mussorgsky
5:16
CD 148: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)
1
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto
Modest Mussorgsky
1:47
2
Pictures at an Exhibition: 1. Gnomus. Vivo
Modest Mussorgsky
2:23
3
Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza
Modest Mussorgsky
1:03
4
Pictures at an Exhibition: 2. Il vecchio castello. Andante
Modest Mussorgsky
4:21
5
Pictures at an Exhibition: Promenade. Moderato non tanto, pesante
Modest Mussorgsky
0:33
6
Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso
Modest Mussorgsky
1:04
7
Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante
Modest Mussorgsky
3:16
8
Pictures at an Exhibition: Promenade. Tranquillo
Modest Mussorgsky
0:45
9
Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero
Modest Mussorgsky
1:12
10
Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante
Modest Mussorgsky
2:06
11
Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando
Modest Mussorgsky
1:15
12
Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo / Cum mortuis in lingua mortua. Andante non troppo, con lamento
Modest Mussorgsky
3:58
13
Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto
Modest Mussorgsky
3:29
14
Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza
Modest Mussorgsky
5:46
CD 149: Mussorgsky: Khovanshchina (Act I)
1
Khovanshchina: Prelude: Dawn over the River Moscow
Modest Mussorgsky
5:36
2
Khovanshchina: Act I. «Podojdu, podojdu… pod Ivangorod» (Kuzka, 2nd Strelyets, 1st Strelyets, Scribe)
Modest Mussorgsky
2:59
3
Khovanshchina: Act I. «Ėj ty, stročilo!» (Shaklovity, Scribe, Muscovites)
Modest Mussorgsky
3:47
4
Khovanshchina: Act I. «Aj! Prjamaja pogibel'…» (Scribe, Streltsy, Shaklovity) / «A my živem nyne v pochoronkach» (Shaklovity, Scribe) / «Da čto ty straščaeš'?» (Scribe, Shaklovity, Muscovites)
Modest Mussorgsky
4:31
5
Khovanshchina: Act I. «Čto b ėto na Moskve takoe priključilos'?» (Muscovites, Scribe) / «Žil da byl pod'jačij sem'desjat godov» (Muscovites, Scribe) / «Stojte, stojte, okajannye!» (Scribe, Muscovites) / «Och ty, rodnaja matuška Rus'» (Muscovites) / «Aj da! Veselo!» (boys, women, Muscovites, Scribe, Streltsy)
Modest Mussorgsky
8:53
6
Khovanshchina: Act I. «Ljudi pravoslavnye, ljudi rossijskie» (Streltsy) / «Deti, deti moi!» (Prince Ivan Khovansky, people, Streltsy) / «Slava lebedju, slava belomu» (people, Streltsy)
Modest Mussorgsky
4:18
7
Khovanshchina: Act I. «Pustite, pustite!» (Emma, Prince Andrei Khovansky) / «Otdajsja mne! … Ne pytaj menja!» (Andrei Khovansky, Emma, Marfa)
Modest Mussorgsky
2:57
8
Khovanshchina: Act I. «Tak, tak, knjaže!» (Marfa, Emma, Andrei Khovansky, people, Streltsy)
Modest Mussorgsky
3:39
9
Khovanshchina: Act I. «Slava lebedju» (people, Emma, Streltsy) / «Čto takoe?» (Ivan Khovansky, Andrei Khovansky, Streltsy, Dosifei, Emma)
Modest Mussorgsky
3:09
10
Khovanshchina: Act I. «Marfa, svedi-ko ljuterku domoj» (Dosifei, Marfa) / «Strel'cy! Živo! V Krem'!» (Ivan Khovansky, Streltsy, Dosifei) / «Bože vsesil'nyj» (Old Believers, Dosifei)
Modest Mussorgsky
6:09
CD 150: Mussorgsky: Khovanshchina (Acts II & III)
1
Khovanshchina: Act II. «Svet moj, bratec Vasen'ka» (Golitsyn) / «Kto tam?» (Golitsyn, Varsonofiev, Marfa)
Modest Mussorgsky
5:45
2
Khovanshchina: Act II. «Postav'!» (Golitsyn, Marfa) / «Vot v čem rešen'e sud'by moej» (Golitsyn)
Modest Mussorgsky
6:42
3
Khovanshchina: Act II. «A my bez dokladu, knjaz', vot kak!» (Ivan Khovansky, Golitsyn) / «Ne tebe sudit' moi postupki!» (Golitsyn, Ivan Khovansky, Dosifei)
Modest Mussorgsky
8:46
4
Khovanshchina: Act II. «Pobedichom, pobedichom, posramichom» (Old Believers, Ivan Khovansky, Dosifei, Golitsyn)
Modest Mussorgsky
2:03
5
Khovanshchina: Act II. «Knjaže, knjaže!» (Marfa, Golitsyn, Ivan Khovansky, Dosifei, Varsonofiev)
Modest Mussorgsky
1:06
6
Khovanshchina: Act II. «Knjaz'ja!» (Shaklovity, Ivan Khovansky, Dosifei)
Modest Mussorgsky
1:54
7
Khovanshchina: Act III. «Posramichom, prerekochom» (Old Believers)
Modest Mussorgsky
2:55
8
Khovanshchina: Act III. «Ischodila mladešen'ka» (Marfa) / «Grech! Tjažkij, neiskupimyj grech» (Susanna, Marfa) / «Esli b ty togda ponjat' mogla» (Marfa, Susanna) / «Ty … ty iskusila menja» (Susanna)
Modest Mussorgsky
8:44
9
Khovanshchina: Act III. «Počto mjatešisja» (Dosifei, Marfa, Susanna) / «Beliala i besov ugodnica» (Dosifei, Marfa) / «Strašnaja pytka ljubov' moja» (Marfa, Dosifei)
Modest Mussorgsky
6:09
10
Khovanshchina: Act III. «Spit streleckoe gnezdo» (Shaklovity)
Modest Mussorgsky
6:02
11
Khovanshchina: Act III. «Podnimajsja, molodcy!» (Streltsy, Shaklovity) / «Vali valom!» (Streltsy)
Modest Mussorgsky
2:21
12
Khovanshchina: Act III. «Ach, okajannye propojcy» (Streltsy women, Streltsy) / «Oj, da achti ž» (Streltsy, Streltsy women, Kuzka)
Modest Mussorgsky
1:31
13
Khovanshchina: Act III. «Och, mne nevmogotu, och, vot» (Kuzka, Streltsy women, Streltsy)
Modest Mussorgsky
2:32
14
Khovanshchina: Act III. «Beda, beda … ach, zlejšaja!» (Scribe, Streltsy, Streltsy women) / «… mernyj dal'nij topot» (Scribe, Streltsy, Streltsy women) / «Strel'cy! Sprosim batju» (Kuzka, Streltsy women, Streltsy)
Modest Mussorgsky
6:28
15
Khovanshchina: Act III. «Zdorovo, detki» (Ivan Khovansky, Streltsy women, Streltsy)
Modest Mussorgsky
4:07
CD 151: Mussorgsky: Khovanshchina (Acts IV & V)
1
Khovanshchina: Act IV, Scene 1. «Vozle rečki na lužočke» (peasant girls, Ivan Khovansky) / «Ty začem?» (Ivan Khovansky, confidant)
Modest Mussorgsky
5:24
2
Khovanshchina: Act IV, Scene 1. Dances of the Persian slave girls
Modest Mussorgsky
6:32
3
Khovanshchina: Act IV, Scene 1. «Ty začem?» (Ivan Khovansky, Shaklovity) / «Plyvet, plyvet lebeduška» (peasant girls, Shaklovity)
Modest Mussorgsky
4:08
4
Khovanshchina: Act IV, Scene 2. «Glijan'-ko! Vezut, vezut kak est'!» (Muscovites)
Modest Mussorgsky
3:50
5
Khovanshchina: Act IV, Scene 2. «Sveršilosja rešenie sud'by» (Dosifei, Marfa) / «Čto ž, proznala ty, golubka» (Dosifei, Marfa)
Modest Mussorgsky
4:13
6
Khovanshchina: Act IV, Scene 2. «A, ty zdes', zlodejka!» (Andrei Khovansky, Marfa) / «Vidnom ty ne čujal, knjaže» (Marfa, Andrei Khovansky) / «Ja ne verju tebe» (Andrei Khovansky, Marfa)
Modest Mussorgsky
3:25
7
Khovanshchina: Act IV, Scene 2. «Gospodi, bože moj!» (Andrei Khovansky, Marfa, Streltsy women, Streltsy) / Preobrazhensky March / «Strel'cy! Cari i gosudari Ivan i Petr» (Streshnev)
Modest Mussorgsky
4:55
8
Khovanshchina: Act V. «Zdes', na ėtom meste svjate» (Dosifei, Old Believers) / «Oblekajtesja v rizy svetlye» (Dosifei) / «Vrag čelovekov» (Old Believers, Marfa)
Modest Mussorgsky
11:25
9
Khovanshchina: Act V. «Gde ty, moja volijuška?» (Andrei Khovansky, Marfa) / «Ja ne ostavlju tebja» (Marfa) / «Truba predvečnogo!» (Dosifei, Marfa, Andrei Khovansky) / «Gospodi slavy» (Old Believers, Dosifei)
Modest Mussorgsky
7:55
10
Khovanshchina: Act V. «Gospod' spaset mja» (Old Believers, Dosifei) / «I Gospod' moj, spaset mja» (Andrei Khovansky, Old Believers, Dosifei, Marfa) / Closing applause
Modest Mussorgsky
5:28
CD 152: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente
1
Como una ola de fuerza y luz: Beginning
Luigi Nono
2:32
2
Como una ola de fuerza y luz: 1. Interno dolce (Soprano entry: “Lusiano!”). Score: p. 8
Luigi Nono
1:46
3
Como una ola de fuerza y luz: 2. Duro deciso (Soprano: “en los vientos azarósos de esta tierra”). Score: p. 8bis
Luigi Nono
2:13
4
Como una ola de fuerza y luz: Piano entry. Score: p. 8bis
Luigi Nono
6:54
5
Como una ola de fuerza y luz: 3. Dolcissimo sereno (Soprano: “voces de niños doblen campanas dulces”). Score: p. 27
Luigi Nono
2:11
6
Como una ola de fuerza y luz: Orchestra entry. Score: p. 28
Luigi Nono
10:01
7
Como una ola de fuerza y luz: Orchestra and piano entry. Score: p. 67
Luigi Nono
4:24
8
..... sofferte onde serene ...
Luigi Nono
14:07
9
Contrappunto dialettico alla mente
Luigi Nono
19:51
CD 153: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina
1
Stabat Mater: 1. Duet: “Stabat mater dolorosa”
Giovanni Battista Pergolesi
4:14
2
Stabat Mater: 2. Aria: “Cuius animam gementem” (soprano)
Giovanni Battista Pergolesi
2:20
3
Stabat Mater: 3. Duet: “O quam tristis et afflicta”
Giovanni Battista Pergolesi
2:14
4
Stabat Mater: 4. Aria: “Quae moerebat et dolebat” (alto)
Giovanni Battista Pergolesi
2:09
5
Stabat Mater: 5. Duet: “Quis est homo, qui non fleret”
Giovanni Battista Pergolesi
2:31
6
Stabat Mater: 6. Aria: “Vidit suum dulcem natum” (soprano)
Giovanni Battista Pergolesi
3:35
7
Stabat Mater: 7. Aria: “Eia, Mater, fons amoris” (alto)
Giovanni Battista Pergolesi
2:14
8
Stabat Mater: 8. Duet: “Fac, ut ardeat cor meum”
Giovanni Battista Pergolesi
2:20
9
Stabat Mater: 9. Duet: “Sancta Mater, istud agas”
Giovanni Battista Pergolesi
5:31
10
Stabat Mater: 10. Aria: “Fac, ut portem Christi mortem” (alto)
Giovanni Battista Pergolesi
3:52
11
Stabat Mater: 11. Duet: “Inflammatus et accensus”
Giovanni Battista Pergolesi
2:12
12
Stabat Mater: 12. Duet: “Quando corpus morietur - Amen”
Giovanni Battista Pergolesi
5:15
13
Concerto for Violin, Strings and Basso continuo in B-flat major: 1. Allegro
Giovanni Battista Pergolesi
5:10
14
Concerto for Violin, Strings and Basso continuo in B-flat major: 2. Largo
Giovanni Battista Pergolesi
3:37
15
Concerto for Violin, Strings and Basso continuo in B-flat major: 3. Allegro
Giovanni Battista Pergolesi
3:52
16
Salve Regina in C minor: 1. “Salve Regina”
Giovanni Battista Pergolesi
3:58
17
Salve Regina in C minor: 2. “Ad te clamamus”
Giovanni Battista Pergolesi
3:54
18
Salve Regina in C minor: 3. “Eia ergo”
Giovanni Battista Pergolesi
1:30
19
Salve Regina in C minor: 4. “Et Jesum benedictum”
Giovanni Battista Pergolesi
2:16
20
Salve Regina in C minor: 5. “O clemens, o pia”
Giovanni Battista Pergolesi
2:16
CD 154: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum
1
Missa S. Emidio (Missa romana): Kyrie. “Kyrie eleison” (chorus)
Giovanni Battista Pergolesi
0:45
2
Missa S. Emidio (Missa romana): Kyrie. “Christe eleison” (chorus)
Giovanni Battista Pergolesi
2:28
3
Missa S. Emidio (Missa romana): Kyrie. “Kyrie eleison” (chorus)
Giovanni Battista Pergolesi
0:58
4
Missa S. Emidio (Missa romana): Gloria. “Gloria in excelsis Deo” (chorus)
Giovanni Battista Pergolesi
2:40
5
Missa S. Emidio (Missa romana): Gloria. “Laudamus te” (soprano)
Giovanni Battista Pergolesi
2:07
6
Missa S. Emidio (Missa romana): Gloria. “Gratias agimus tibi” (chorus)
Giovanni Battista Pergolesi
3:48
7
Missa S. Emidio (Missa romana): Gloria. “Domine Deus” (soprano, alto)
Giovanni Battista Pergolesi
4:12
8
Missa S. Emidio (Missa romana): Gloria. “Qui tollis peccata mundi” (I) (chorus)
Giovanni Battista Pergolesi
2:15
9
Missa S. Emidio (Missa romana): Gloria. “Qui tollis peccata mundi” (II) (chorus)
Giovanni Battista Pergolesi
4:03
10
Missa S. Emidio (Missa romana): Gloria. “Qui sedes ad dexteram Patris” (chorus)
Giovanni Battista Pergolesi
2:19
11
Missa S. Emidio (Missa romana): Gloria. “Quoniam to solus Sanctus” (soprano)
Giovanni Battista Pergolesi
1:47
12
Missa S. Emidio (Missa romana): Gloria. “Cum Sancto Spiritu. Amen” (chorus)
Giovanni Battista Pergolesi
2:40
13
Salve Regina in F minor: “Salve Regina”
Giovanni Battista Pergolesi
4:38
14
Salve Regina in F minor: “Ad te clamamus”
Giovanni Battista Pergolesi
4:44
15
Salve Regina in F minor: “Eia ergo”
Giovanni Battista Pergolesi
1:33
16
Salve Regina in F minor: “Et Jesum benedictum”
Giovanni Battista Pergolesi
2:18
17
Salve Regina in F minor: “O clemens, o pia”
Giovanni Battista Pergolesi
2:09
18
Manca la guida al piè: Recitativo: “È dover che luci”
Giovanni Battista Pergolesi
2:09
19
Manca la guida al piè: Aria: “Manca la guida al piè”
Giovanni Battista Pergolesi
6:35
20
Laudate pueri Dominum: “Laudate pueri Dominum” (soprano, chorus)
Giovanni Battista Pergolesi
3:05
21
Laudate pueri Dominum: “A solis ortu” (soprano)
Giovanni Battista Pergolesi
3:38
22
Laudate pueri Dominum: “Excelsus super omnes” (soprano, chorus)
Giovanni Battista Pergolesi
2:05
23
Laudate pueri Dominum: “Qui sicut Dominus” (soprano, chorus)
Giovanni Battista Pergolesi
2:05
24
Laudate pueri Dominum: “Suscitans a terra” (soprano, chorus)
Giovanni Battista Pergolesi
2:29
25
Laudate pueri Dominum: “Gloria patri” (soprano)
Giovanni Battista Pergolesi
2:53
26
Laudate pueri Dominum: “Sicut erat in principio” (soprano, chorus)
Giovanni Battista Pergolesi
2:15
CD 155: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus
1
Confitebor tibi, Domine: “Confitebor tibi, Domine” (chorus)
Giovanni Battista Pergolesi
2:09
2
Confitebor tibi, Domine: “Confessio et magnificentia opus eius” (soprano, chorus)
Giovanni Battista Pergolesi
4:38
3
Confitebor tibi, Domine: “Fidelia omnia mandata eius” (soprano)
Giovanni Battista Pergolesi
2:08
4
Confitebor tibi, Domine: “Redemptionem misit populo suo” (chorus)
Giovanni Battista Pergolesi
0:53
5
Confitebor tibi, Domine: “Sanctum et terribile nomen eius” (alto)
Giovanni Battista Pergolesi
3:56
6
Confitebor tibi, Domine: “Gloria Patri” (chorus)
Giovanni Battista Pergolesi
0:58
7
Confitebor tibi, Domine: “Sicut erat in principio” (soprano, chorus)
Giovanni Battista Pergolesi
2:59
8
Chi non ode e chi non vede: Aria: “Chi non ode e chi non vede”
Giovanni Battista Pergolesi
7:20
9
Chi non ode e chi non vede: Recitativo: “Di costei parlo”
Giovanni Battista Pergolesi
1:00
10
Chi non ode e chi non vede: Largo: “Tu dovresti, Amor tiranno”
Giovanni Battista Pergolesi
1:23
11
Chi non ode e chi non vede: Recitativo: “Ma dove io mi rivolgo?”
Giovanni Battista Pergolesi
0:26
12
Chi non ode e chi non vede: Largo stentato: “Miseri affetti miei”
Giovanni Battista Pergolesi
0:57
13
Chi non ode e chi non vede: Aria. Presto: “Cadrò contento”
Giovanni Battista Pergolesi
4:18
14
Salve Regina in A minor: “Salve Regina”
Giovanni Battista Pergolesi
3:19
15
Salve Regina in A minor: “Ad te clamamus”
Giovanni Battista Pergolesi
2:17
16
Salve Regina in A minor: “Eia ergo”
Giovanni Battista Pergolesi
2:14
17
Salve Regina in A minor: “O clemens, o pia”
Giovanni Battista Pergolesi
3:24
18
Dixit Dominus: “Dixit Dominus” (chorus)
Giovanni Battista Pergolesi
3:14
19
Dixit Dominus: “Virgam virtutis” (soprano)
Giovanni Battista Pergolesi
2:13
20
Dixit Dominus: “Dominare” (chorus)
Giovanni Battista Pergolesi
1:02
21
Dixit Dominus: “Tecum principium” (soprano)
Giovanni Battista Pergolesi
2:35
22
Dixit Dominus: “Juravit Dominus” (chorus)
Giovanni Battista Pergolesi
1:45
23
Dixit Dominus: “Dominus a dextris tuis” (chorus, soloists)
Giovanni Battista Pergolesi
4:38
24
Dixit Dominus: “Gloria Patri” (chorus)
Giovanni Battista Pergolesi
5:05
CD 156: Pergolesi: Stabat Mater
1
Stabat Mater: 1. Duet: “Stabat Mater dolorosa”
Giovanni Battista Pergolesi
4:40
2
Stabat Mater: 2. Aria: “Cuius animam gementem” (soprano)
Giovanni Battista Pergolesi
3:08
3
Stabat Mater: 3. Duet: “O quam tristis et afflicta”
Giovanni Battista Pergolesi
2:35
4
Stabat Mater: 4. Aria: “Quae moerebat et dolebat” (alto)
Giovanni Battista Pergolesi
2:49
5
Stabat Mater: 5. Duet: “Quis est homo, qui non fleret”
Giovanni Battista Pergolesi
3:01
6
Stabat Mater: 6. Aria: “Vidit suum dulcem natum” (soprano)
Giovanni Battista Pergolesi
3:33
7
Stabat Mater: 7. Aria: “Eia, Mater, fons amoris” (alto)
Giovanni Battista Pergolesi
2:54
8
Stabat Mater: 8. Duet: “Fac, ut ardeat cor meum”
Giovanni Battista Pergolesi
2:41
9
Stabat Mater: 9. Duet: “Sancta mater, istud agas”
Giovanni Battista Pergolesi
5:59
10
Stabat Mater: 10. Aria: “Fac, ut portem Christi mortem” (alto)
Giovanni Battista Pergolesi
3:43
11
Stabat Mater: 11. Duet: “Inflammatus et accensus”
Giovanni Battista Pergolesi
2:51
12
Stabat Mater: 12. Duet: “Quando corpus morietur - Amen”
Giovanni Battista Pergolesi
4:57
CD 157: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)
1
Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro
Sergei Prokofiev
3:57
2
Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto
Sergei Prokofiev
4:19
3
Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro
Sergei Prokofiev
1:32
4
Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace
Sergei Prokofiev
4:27
5
Symphony no. 3 in C minor, op. 44: 1. Moderato
Sergei Prokofiev
13:24
6
Symphony no. 3 in C minor, op. 44: 2. Andante
Sergei Prokofiev
7:23
7
Symphony no. 3 in C minor, op. 44: 3. Allegro agitato
Sergei Prokofiev
7:44
8
Symphony no. 3 in C minor, op. 44: 4. Andante mosso - Allegro agitato
Sergei Prokofiev
6:17
9
Ballet Suite “Chout”, op. 21b: 1. The Buffoon and His Wife
Sergei Prokofiev
3:17
10
Ballet Suite “Chout”, op. 21b: 2. Dance of the Wives
Sergei Prokofiev
3:44
11
Ballet Suite “Chout”, op. 21b: 3. Fugue. The Buffoons Kill Their Wives
Sergei Prokofiev
2:22
12
Ballet Suite “Chout”, op. 21b: 4. Dance of the Buffoons' Daughters
Sergei Prokofiev
2:27
13
Ballet Suite “Chout”, op. 21b: 5. In the Merchant's Bedroom
Sergei Prokofiev
2:09
14
Ballet Suite “Chout”, op. 21b: 6. The Young Wife Becomes a Goat
Sergei Prokofiev
2:40
15
Ballet Suite “Chout”, op. 21b: 7. Fifth Entr'acte and the Goat's Burial
Sergei Prokofiev
3:19
16
Ballet Suite “Chout”, op. 21b: 8. The Buffoon and the Merchant Quarrel
Sergei Prokofiev
1:31
17
Ballet Suite “Chout”, op. 21b: 9. Final Dance
Sergei Prokofiev
3:35
CD 158: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”
1
March in B-flat major, op. 99: Allegro
Serge Prokofiev
2:35
2
Peter and the Wolf, op. 67: “Let me tell you a story”
Serge Prokofiev
2:39
3
Peter and the Wolf, op. 67: “Early one morning Peter opened the gate”
Serge Prokofiev
0:56
4
Peter and the Wolf, op. 67: “On a branch of a big tree sat a little bird” (The Bird)
Serge Prokofiev
1:25
5
Peter and the Wolf, op. 67: “Just then a duck came waddling round” (The Duck)
Serge Prokofiev
2:11
6
Peter and the Wolf, op. 67: “Suddenly something caught Peter’s attention” (The Cat)
Serge Prokofiev
1:43
7
Peter and the Wolf, op. 67: “Grandfather came out.” (The Grandfather)
Serge Prokofiev
2:13
8
Peter and the Wolf, op. 67: “No sooner had Peter gone” (The Wolf)
Serge Prokofiev
4:12
9
Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate”
Serge Prokofiev
2:28
10
Peter and the Wolf, op. 67: “Meanwhile, Peter made a lasso with his rope”
Serge Prokofiev
1:35
11
Peter and the Wolf, op. 67: “Just then … out of the woods came the hunters” (The Hunters)
Serge Prokofiev
6:49
12
Overture on Hebrew Themes, op. 34a
Serge Prokofiev
8:01
13
Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro
Serge Prokofiev
4:16
14
Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto
Serge Prokofiev
3:46
15
Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro
Serge Prokofiev
1:23
16
Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace
Serge Prokofiev
3:48
CD 159: Prokofiev: Scythian Suite / Lieutenant Kijé
1
Scythian Suite, op. 20: 1. The Adoration of Veless and Ala. Allegro feroce - Poco meno mosso - Poco più lento
Sergei Prokofiev
5:38
2
Scythian Suite, op. 20: 2. The Enemy God and the Dance of the Spirits of Darkness. Allegro sostenuto
Sergei Prokofiev
3:10
3
Scythian Suite, op. 20: 3. Night. Andantino - Poco più mosso
Sergei Prokofiev
6:16
4
Scythian Suite, op. 20: 4. The Glorious Departure of Lolly and the Sun's Procession. Tempestoso - Allegro - Andante sostenuto
Sergei Prokofiev
5:38
5
Lieutenant Kijé, op. 60: 1. Kijé’s Birth
Sergei Prokofiev
4:09
6
Lieutenant Kijé, op. 60: 2. Romance
Sergei Prokofiev
4:08
7
Lieutenant Kijé, op. 60: 3. Kijé’s Wedding
Sergei Prokofiev
2:36
8
Lieutenant Kijé, op. 60: 4. Troika
Sergei Prokofiev
2:44
9
Lieutenant Kijé, op. 60: 5. Kije’s Burial
Sergei Prokofiev
5:55
CD 160: Prokofiev: Romeo and Juliet (Excerpts)
1
Romeo and Juliet, op. 64b: The Montagues and the Capulets (op. 64b/1). Andante - Allegro pesante - Moderato tranquillo - Allegro pesante
Sergei Prokofiev
4:59
2
Romeo and Juliet, op. 101: Romeo at the fountain (op. 101/1, fig. 2). Andante assai
Sergei Prokofiev
1:30
3
Romeo and Juliet, op. 64: The street awakens (op. 64/3). Allegretto
Sergei Prokofiev
1:30
4
Romeo and Juliet, op. 101: Morning Dance (op. 101/2). Allegro
Sergei Prokofiev
2:28
5
Romeo and Juliet, op. 64: The quarrel (op. 64/5). Allegro brusco
Sergei Prokofiev
1:41
6
Romeo and Juliet, op. 64: The fight (op. 64/6). Presto - Poco più sostenuto - Tempo I
Sergei Prokofiev
2:31
7
Romeo and Juliet, op. 64: Dance with mandolins (op. 64/25). Vivace
Sergei Prokofiev
1:44
8
Romeo and Juliet, op. 64: The Nurse (op. 64/26). Adagio scherzoso
Sergei Prokofiev
2:10
9
Romeo and Juliet, op. 64b: Juliet the Young Girl (op. 64b/2). Vivace - Andante dolente - Lento
Sergei Prokofiev
3:39
10
Romeo and Juliet, op. 64: Dance of the five couples (op. 64/24). Vivo - Meno mosso (Moderato marchiale) - Vivo, come prima
Sergei Prokofiev
4:19
11
Romeo and Juliet, op. 64: Interlude (op. 64/8). Andante pomposo (L'istesso tempo)
Sergei Prokofiev
1:52
12
Romeo and Juliet, op. 64: Masks (op. 64/12). Moderato marciale - Andante
Sergei Prokofiev
2:06
13
Romeo and Juliet, op. 64a: Romeo and Juliet (op. 64a/6). Larghetto - Andante - Più mosso
Sergei Prokofiev
7:20
14
Romeo and Juliet, op. 64a: Tybalt's death (op. 64a/7). Precipitato - Presto - Adagio drammatico
Sergei Prokofiev
4:47
15
Romeo and Juliet, op. 64b: Romeo and Juliet before parting (op. 64b/5). Lento - Andante - Adagio - Poco più animato - Adagio - Andante
Sergei Prokofiev
8:25
16
Romeo and Juliet, op. 64: Morning Serenade (op. 64/48). Andante giocoso
Sergei Prokofiev
2:32
17
Romeo and Juliet, op. 64: Dance of the young girls with the lilies (op. 64/49). Andante con eleganza
Sergei Prokofiev
2:24
18
Romeo and Juliet, op. 64: At Juliet's bedside (op. 64/50, Fig. 345). Andante - Adagio
Sergei Prokofiev
1:58
19
Romeo and Juliet, op. 64: Juliet's funeral (op. 64/51). Adagio funebre -
Sergei Prokofiev
6:14
20
Romeo and Juliet, op. 64: Death of Juliet (op. 64/52). Adagio (meno mosso del tempo precedente)
Sergei Prokofiev
4:18
CD 161: Prokofiev: Piano Concertos nos. 1 & 3
1
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro brioso – Poco più mosso – Tempo I – Meno mosso – Più mosso (Tempo I) – Animato –
Sergei Prokofiev
6:28
2
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Andante assai –
Sergei Prokofiev
4:10
3
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro scherzando – Poco più sostenuto – Più mosso – Animato
Sergei Prokofiev
4:13
4
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 1. Andante – Allegro
Sergei Prokofiev
9:26
5
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 2. Tema. Andantino – Variation I. L’istesso tempo – Var. II. Allegro – Var. III. Allegro moderato – Var. IV. Andantino meditativo – Var V. Allegro giusto – Tema. L’istesso tempo
Sergei Prokofiev
8:42
6
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 3. Allegro ma non troppo
Sergei Prokofiev
9:28
CD 162: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
1
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 1. Andante – Allegro
Sergei Prokofiev
9:01
2
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 2. Tema. Andantino – Variation I. L’istesso tempo – Var. II. Allegro – Var. III. Allegro moderato – Var. IV. Andantino meditativo – Var V. Allegro giusto – Tema. L’istesso tempo
Sergei Prokofiev
9:03
3
Concerto for Piano and Orchestra no. 3 in C major, op. 26: 3. Allegro ma non troppo
Sergei Prokofiev
9:09
4
Concerto for Piano and Orchestra in G major, M. 83: 1. Allegramente
Maurice Ravel
8:10
5
Concerto for Piano and Orchestra in G major, M. 83: 2. Adagio assai
Maurice Ravel
9:03
6
Concerto for Piano and Orchestra in G major, M. 83: 3. Presto
Maurice Ravel
3:55
CD 163: Prokofiev: Alexander Nevsky
1
Alexander Nevsky, op. 78: 1. Russia under the Mongol Yoke
Sergei Prokofiev
3:09
2
Alexander Nevsky, op. 78: 2. Song about Alexander Nevsky
Sergei Prokofiev
3:32
3
Alexander Nevsky, op. 78: 3. The Crusaders in Pskov
Sergei Prokofiev
6:40
4
Alexander Nevsky, op. 78: 4. Arise, Ye Russian People
Sergei Prokofiev
2:20
5
Alexander Nevsky, op. 78: 5. The Battle on the Ice
Sergei Prokofiev
12:04
6
Alexander Nevsky, op. 78: 6. Field of the Dead
Sergei Prokofiev
6:01
7
Alexander Nevsky, op. 78: 7. Alexander's Entry into Pskov
Sergei Prokofiev
4:45
CD 164: Prokofiev: Violin Concertos nos. 1 & 2
1
Concerto for Violin and Orchestra no. 1 in D major, op. 19: 1. Andantino - Andante assai
Sergei Prokofiev
10:01
2
Concerto for Violin and Orchestra no. 1 in D major, op. 19: 2. Scherzo. Vivacissimo
Sergei Prokofiev
3:55
3
Concerto for Violin and Orchestra no. 1 in D major, op. 19: 3. Moderato - Allegro moderato - Moderato - Più tranquillo
Sergei Prokofiev
8:18
4
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 1. Allegro moderato
Sergei Prokofiev
10:46
5
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 2. Andante assai - Allegretto - Andante assai
Sergei Prokofiev
9:58
6
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 3. Allegro, ben marcato
Sergei Prokofiev
6:15
CD 165: Rachmaninoff: Piano Concertos nos. 2 & 3
1
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 1. Moderato
Sergei Rachmaninov
11:05
2
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 2. Adagio sostenuto
Sergei Rachmaninov
11:30
3
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 3. Allegro scherzando
Sergei Rachmaninov
11:43
4
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto
Sergei Rachmaninov
16:16
5
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio
Sergei Rachmaninov
11:25
6
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve
Sergei Rachmaninov
14:20
CD 166: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2
1
Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace
Sergei Rachmaninov
0:09
2
Rhapsody on a Theme of Paganini, op. 43: Variation I (Precedente)
Sergei Rachmaninov
0:20
3
Rhapsody on a Theme of Paganini, op. 43: Tema. L’istesso tempo
Sergei Rachmaninov
0:20
4
Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo
Sergei Rachmaninov
0:19
5
Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo
Sergei Rachmaninov
0:26
6
Rhapsody on a Theme of Paganini, op. 43: Variation IV. Piú vivo
Sergei Rachmaninov
0:28
7
Rhapsody on a Theme of Paganini, op. 43: Variation V. Tempo precedente
Sergei Rachmaninov
0:28
8
Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo
Sergei Rachmaninov
1:03
9
Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato
Sergei Rachmaninov
1:03
10
Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I
Sergei Rachmaninov
0:34
11
Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo
Sergei Rachmaninov
0:32
12
Rhapsody on a Theme of Paganini, op. 43: Variation X
Sergei Rachmaninov
0:54
13
Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato
Sergei Rachmaninov
1:16
14
Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto
Sergei Rachmaninov
1:18
15
Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro
Sergei Rachmaninov
0:29
16
Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo
Sergei Rachmaninov
0:45
17
Rhapsody on a Theme of Paganini, op. 43: Variation XV. Piú vivo. Scherzando
Sergei Rachmaninov
1:09
18
Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto
Sergei Rachmaninov
1:34
19
Rhapsody on a Theme of Paganini, op. 43: Variation XVII
Sergei Rachmaninov
1:35
20
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile - A tempo vivace
Sergei Rachmaninov
2:45
21
Rhapsody on a Theme of Paganini, op. 43: Variation XIX. L’istesso tempo
Sergei Rachmaninov
0:28
22
Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco piú vivo
Sergei Rachmaninov
0:36
23
Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco piú vivo
Sergei Rachmaninov
0:26
24
Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco piú vivo (alla breve)
Sergei Rachmaninov
1:47
25
Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo
Sergei Rachmaninov
0:52
26
Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso
Sergei Rachmaninov
1:21
27
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 1. Moderato
Sergei Rachmaninov
10:26
28
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 2. Adagio sostenuto
Sergei Rachmaninov
11:15
29
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 3. Allegro scherzando
Sergei Rachmaninov
11:26
CD 167: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte
1
Boléro, M. 81: Tempo di bolero moderato assai
Maurice Ravel
14:33
2
Rapsodie espagnole, M. 54: 1. Prélude à la nuit. Très modéré
Maurice Ravel
4:25
3
Rapsodie espagnole, M. 54: 2. Malagueña. Assez vif
Maurice Ravel
2:03
4
Rapsodie espagnole, M. 54: 3. Habanera. Assez lent et d'un rythme las
Maurice Ravel
2:41
5
Rapsodie espagnole, M. 54: 4. Feria. Assez animé
Maurice Ravel
6:08
6
Ma mère l'Oye, M. 60: Prélude. Très lent
Maurice Ravel
3:25
7
Ma mère l'Oye, M. 60: 1ᵉʳ TABLEAU : Danse du rouet et scène. Allegro
Maurice Ravel
3:31
8
Ma mère l'Oye, M. 60: 2ᵉ TABLEAU : Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré
Maurice Ravel
2:47
9
Ma mère l'Oye, M. 60: 3ᵉ TABLEAU : Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré
Maurice Ravel
5:14
10
Ma mère l'Oye, M. 60: 4ᵉ TABLEAU : Petit Poucet. Très modéré
Maurice Ravel
4:44
11
Ma mère l'Oye, M. 60: 5ᵉ TABLEAU : Laideronnette, impératrice des pagodes. Mouvement de marche - Allegro - Très modéré
Maurice Ravel
4:48
12
Ma mère l'Oye, M. 60: APOTHÉOSE : Le jardin féerique. Lent et grave
Maurice Ravel
3:49
13
Pavane pour une infante défunte, M. 19: Lent
Maurice Ravel
6:37
CD 168: Ravel: Daphnis et Chloé / Valses nobles et sentimentales
1
Daphnis et Chloé, M. 57: Première partie. Introduction. Lent: A meadow at the edge of a sacred wood. Hills in the background. On the right, a grotto, at the entrance of which, cut out of the rock, three Nymphs are represented in an archaic sculpture. A little towards the back, on the left, a great mass of rock vaguely simulates the shape of the god Pan. In the middle ground, sheep are grazing. A clear springtime afternoon. The curtain rises on an empty stage. Youths and maidens enter, carrying open baskets of gifts intended for the Nymphs. Très modéré: The stage gradually fills. The crowd bows down before the altar of the Nymphs. The maidens encircle the pedestals with garlands.
Maurice Ravel
3:31
2
Daphnis et Chloé, M. 57: Première partie. Danse religieuse. Modéré
Maurice Ravel
2:34
3
Daphnis et Chloé, M. 57: Première partie. In the far background, Daphnis becomes visible, preceded by his flocks. Chloé joins him. They make their way towards the altar and disappear round a corner. Un peu plus lent: Daphnis and Chloé reappear in the foreground, coming to prostrate themselves before the Nymphs. The dance is interrupted. Tender emotion at the sight of the couple.
Maurice Ravel
3:12
4
Daphnis et Chloé, M. 57: Première partie. Vif: The maidens entice Daphnis and surround him with their dancing. Chloé feels the first pangs of jealousy.
Maurice Ravel
0:50
5
Daphnis et Chloé, M. 57: Première partie. Just then, she is drawn into the dance of the young men. The driver Dorcon shows himself particularly venturesome. Daphnis, in his turn, seems upset.
Maurice Ravel
0:56
6
Daphnis et Chloé, M. 57: Première partie. Danse Générale. Beaucoup moins vif: At the end of the dance, Dorcon, emboldened, wants to kiss Chloé. Innocently, she offers her cheek.
Maurice Ravel
0:43
7
Daphnis et Chloé, M. 57: Première partie. Vif: But, with a brusque movement. Daphnis brushes the herdsman aside and gently approaches Chloé. The young men intervene. Placing themselves in front of Chloé, they gently lead Daphnis away. Plus modéré: One of them proposes a dance contest between Daphnis and Dorcon. A kiss from Chloé will be the winner’s prize. / Danse grotesque de Dorcon. Très modéré. Pesant: Ironically, the crowd imitates the awkward movements of the herdsman, who ends the dance amidst general laughter.
Maurice Ravel
2:37
8
Daphnis et Chloé, M. 57: Première partie. Danse légère et gracieuse de Daphnis. Assez lent. Animé: All invite Daphnis to receive the award. Vif: Dorcon also comes forward, but is chased away by the crowd accompanying him with noisy laughter.
Maurice Ravel
2:54
9
Daphnis et Chloé, M. 57: Première partie. Lent: The laughter breaks off when the radiant couple formed by Daphnis and Chloé entwined is sighted. Moins lent: The crowd retires, leading Chloé away. Daphnis remains motionless, as if in ecstasy. Then he lies flat on the grass, his face in his hands. Très libre: Lycanion enters. She sees the young shepherd, approaches him, lifts his head, putting her hand before his eyes. Daphnis thinks it is one of Chloé’s pranks. But he recognises Lycanion and wants to get away.
Maurice Ravel
1:42
10
Daphnis et Chloé, M. 57: Première partie. Très modéré: Lycanion dances. As if by accident, she lets one of her veils fall. Daphnis picks it up and puts it back on her shoulders. Ironically, she continues her dance, which, more languorous, quickens till the end. Another veil falls to the ground. Again, Daphnis picks it up. Vexed, she slips away, mocking, and leaving the young shepherd very confused.
Maurice Ravel
1:35
11
Daphnis et Chloé, M. 57: Première partie. Modérément animé: The noises of weapons and war cries are heard coming nearer. The women cross the middle of the stage, pursued by pirates. Daphnis dreams of Chloé, perhaps in danger, and hurriedly leaves to rescue her. Chloé runs in, lost and seeking shelter. She throws herself before the altar of the Nymphs, imploring their protection. Très animé: A group of brigands rushes in, sees the young maid and abducts her. Lent: Daphnis enters, looking for Chloé. On the ground, he finds a sandal which she has lost in the struggle. Très agité: Mad with despair, he curses the gods who have been unable to protect the young girl and falls fainting to the ground before the entrance to the grotto.
Maurice Ravel
1:35
12
Daphnis et Chloé, M. 57: Première partie. Modéré: A strange light envelops the landscape. A small flame suddenly illuminates the head of one of the statues. Coming to life, the Nymph descends from her pedestal. The second Nymph descends. The third Nymph descends. Plus lent: They act in concert …
Maurice Ravel
1:53
13
Daphnis et Chloé, M. 57: Première partie. Lent et très souple de mesure: … beginning a slow and mysterious dance. They notice Daphnis. They lean over him and dry his tears. They revive him and lead him towards the rock. They invoke the god Pan. Gradually, the form of the god takes shape. Daphnis prostrates himself, imploring. The scene grows dark.
Maurice Ravel
3:30
14
Daphnis et Chloé, M. 57: Deuxième partie. Même mouvement: Offstage, voices are heard, very distant at first. Trumpet calls in the distance. The voices draw nearer. A dull light. It is the pirates’ camp. A very rough coast. In the background, the sea. On the right and left, a perspective of rocks. A trireme is visible near the coast. Here and there, cypress trees. Pirates are seen, running hither and thither, loaded with plunder. They carry torches, which violently light up the stage.
Maurice Ravel
2:52
15
Daphnis et Chloé, M. 57: Deuxième partie. Danse guerrière. Animé et très rude
Maurice Ravel
2:00
16
Daphnis et Chloé, M. 57: Deuxième partie. Un peu moins animé
Maurice Ravel
1:54
17
Daphnis et Chloé, M. 57: Deuxième partie. Très rude: The pirates, exhausted from dancing, send for the captive, and Bryaxis orders the captive to be brought in. Chloé, her hands bound, is led in by two pirates. Bryaxis commands her to dance. / Danse suppliante de Chloé. Modéré Animé – Assez lent: Chloé tries to flee. Violently, she is brought back. Desperately, she resumes her dance (tempo primo). Animé – Lent: A second time, she tries to escape. Again, she is brought back. She abandons herself to despair, thinking of Daphnis (tempo primo).
Maurice Ravel
3:31
18
Daphnis et Chloé, M. 57: Deuxième partie. Assez animé: Bryaxis wants to seduce her. She implores. Triumphant, the pirate chief bears her off.
Maurice Ravel
0:29
19
Daphnis et Chloé, M. 57: Deuxième partie. Lent – Modéré: Suddenly, the atmosphere seems charged with strange new elements. In places, lit by invisible hands, little fires break out. Fantastic creatures jump, here and there. Gradually, terror seizes the whole camp. Little fauns appear on all sides and surround the pirates. Plus animé: The earth opens up. Formidable, with a menacing gesture, the shadow of Pan is profiled against the mountains in the background. All flee, bewildered. On the deserted stage, Chloé holds herself motionless. A luminous crown is placed on her head. The scene seems to dissolve. It is replaced by the landscape of Part One towards the end of night.
Maurice Ravel
2:09
20
Daphnis et Chloé, M. 57: Troisième partie. Lent: No sound but the murmur of the brooklets gathered by the dew that flows from the rocks. Daphnis still lies stretched out in front of the grotto of the Nymphs. Gradually day breaks. Birdsong is heard. In the distance, a shepherd passes with his flock. Another shepherd crosses the back of the stage going farther away. Enter a group of shepherds looking for Daphnis and Chloé. They discover Daphnis and awaken him. Anguished, he seeks Chloé with his eyes. At last, she appears, surrounded by shepherdesses. They throw themselves into each other’s arms. Daphnis notices Chloé’s crown. His dream was a prophetic vision. Pan’s intervention is manifest.
Maurice Ravel
4:49
21
Daphnis et Chloé, M. 57: Troisième partie. The old shepherd Lammon explains that if Pan has saved Chloé, it is the memory of the nymph Syrinx, with whom the god was once in love. Lent: Daphnis and Chloé mime the tale of Pan and Syrinx. Chloé depicts the young Nymph wandering in the meadow. Daphnis/Pan appears and declares his love for her. The Nymph rejects him. The god becomes more pressing. She disappears into the rushes. Desperate, he tears off some reeds, makes a flute with them and plays a melancholy air.
Maurice Ravel
2:01
22
Daphnis et Chloé, M. 57: Troisième partie. Très lent – Vif: Chloé reappears and depicts, in her dance, the accents of the flute. The dance becomes more and more animated, and, in a bewildered swirling, Chloé falls into the arms of Daphnis.
Maurice Ravel
4:08
23
Daphnis et Chloé, M. 57: Troisième partie. Lent – Animé: Before the altar of the Nymphs, he plights his troth by two ewes. Enter a group of young maidens, dressed as bacchantes, shaking tambourines. Lent – Animé: Daphnis and Chloé tenderly entwine. A group of young men invades the stage. Joyous tumult.
Maurice Ravel
1:01
24
Daphnis et Chloé, M. 57: Troisième partie. Danse Générale – Danse du Daphnis et Chloé – Danse de Dorcon – Danse finale : Bacchanale
Maurice Ravel
3:44
25
Valses nobles et sentimentales, M. 61: 1. Modéré
Maurice Ravel
1:18
26
Valses nobles et sentimentales, M. 61: 2. Assez lent
Maurice Ravel
1:52
27
Valses nobles et sentimentales, M. 61: 3. Modéré
Maurice Ravel
1:31
28
Valses nobles et sentimentales, M. 61: 4. Assez animé
Maurice Ravel
1:10
29
Valses nobles et sentimentales, M. 61: 5. Presque lent
Maurice Ravel
0:59
30
Valses nobles et sentimentales, M. 61: 6. Assez vif
Maurice Ravel
0:43
31
Valses nobles et sentimentales, M. 61: 7. Moins vif
Maurice Ravel
2:53
32
Valses nobles et sentimentales, M. 61: 8. Epilogue. Lent
Maurice Ravel
3:15
CD 169: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse
1
Le Tombeau de Couperin, M. 68a: 1. Prélude. Vif
Maurice Ravel
3:02
2
Le Tombeau de Couperin, M. 68a: 2. Forlane. Allegretto
Maurice Ravel
5:35
3
Le Tombeau de Couperin, M. 68a: 3. Menuet. Allegro moderato
Maurice Ravel
4:39
4
Le Tombeau de Couperin, M. 68a: 4. Rigaudon. Assez vif
Maurice Ravel
3:10
5
Alborada del gracioso, M. 43/4: Assez vif
Maurice Ravel
7:24
6
Shéhérazade, Ouverture de féerie, M. 17: Modéré
Maurice Ravel
13:39
7
Menuet antique, M. 7: Maestoso
Maurice Ravel
6:24
8
Une barque sur l'océan, M. 433: Très souple de rythme
Maurice Ravel
7:20
9
Fanfare for the ballet “L'Éventail de Jeanne”, M. 80: Allegro moderato
Maurice Ravel
1:53
10
La Valse, M. 72: Mouvement de valse viennoise
Maurice Ravel
12:27
CD 170: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41
1
Concerto for Piano and Orchestra in G major, M. 83: 1. Allegramente
Maurice Ravel
8:46
2
Concerto for Piano and Orchestra in G major, M. 83: 2. Adagio assai
Maurice Ravel
9:33
3
Concerto for Piano and Orchestra in G major, M. 83: 3. Presto
Maurice Ravel
4:03
4
Piano Concerto for the Left Hand in D major, M. 82: Lento - Andante - Allegro - Tempo I
Maurice Ravel
17:25
5
Tzigane, M. 76: Lento, quasi cadenza - Molto espressivo, portando - Quasi cadenza - Moderato - Poco più moderato - Allegro - Tempo I - Allegro - Meno vivo, grandioso - Moderato - Vivo - Meno vivo - Sempre accelerando - Presto
Maurice Ravel
10:00
6
Shéhérazade, M. 41: 1. Asie
Maurice Ravel
9:49
7
Shéhérazade, M. 41: 2. La Flûte enchantée
Maurice Ravel
2:56
8
Shéhérazade, M. 41: 3. L'indifférent
Maurice Ravel
4:13
CD 171: Rossini: Overtures (London Symphony Orchestra)
1
Il barbiere di Siviglia: Overture
Gioachino Rossini
7:29
2
La Cenerentola: Overture
Gioachino Rossini
8:13
3
La gazza ladra: Overture
Gioachino Rossini
9:19
4
L’italiana in Algeri: Overture
Gioachino Rossini
8:16
5
Il signor Bruschino: Overture
Gioachino Rossini
4:26
6
L’assedio di Corinto: Overture
Gioachino Rossini
9:12
CD 172: Rossini: Overtures (Chamber Orchestra of Europe)
1
Il barbiere di Siviglia: Overture
Gioachino Rossini
7:16
2
Semiramide: Overture
Gioachino Rossini
11:56
3
L’italiana in Algeri: Overture
Gioachino Rossini
7:48
4
Guillaume Tell: Overture
Gioachino Rossini
11:00
5
La Cenerentola: Overture
Gioachino Rossini
8:10
6
La scala di seta: Overture
Gioachino Rossini
5:54
7
La gazza ladra: Overture
Gioachino Rossini
8:55
CD 173: Rossini: L'italiana in Algeri (Act I)
1
L'italiana in Algeri: Sinfonia (Ouverture)
Gioachino Rossini
7:52
2
L'italiana in Algeri: Atto Primo. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà)
Gioachino Rossini
6:53
3
L'italiana in Algeri: Atto Primo. Recitativo: “Ritiratevi tutti” (Mustafà, Haly)
Gioachino Rossini
1:21
4
L'italiana in Algeri: Atto Primo. N. 2 Cavatina: “Languir per una bella” (Lindoro)
Gioachino Rossini
6:41
5
L'italiana in Algeri: Atto Primo. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà)
Gioachino Rossini
0:41
6
L'italiana in Algeri: Atto Primo. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)
Gioachino Rossini
4:09
7
L'italiana in Algeri: Atto Primo. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, coro)
Gioachino Rossini
4:46
8
L'italiana in Algeri: Atto Primo. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly)
Gioachino Rossini
1:02
9
L'italiana in Algeri: Atto Primo. Recitativo: “Ah! Isabella… siam giunti a mal partito” (Taddeo, Isabella)
Gioachino Rossini
0:55
10
L'italiana in Algeri: Atto Primo. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo)
Gioachino Rossini
7:18
11
L'italiana in Algeri: Atto Primo. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro)
Gioachino Rossini
0:40
12
L'italiana in Algeri: Atto Primo. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly)
Gioachino Rossini
0:44
13
L'italiana in Algeri: Atto Primo. N. 6 Aria: “Già d'insolito ardore” (Mustafà)
Gioachino Rossini
3:22
14
L'italiana in Algeri: Atto Primo. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)
Gioachino Rossini
1:01
15
L'italiana in Algeri: Atto Primo. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo)
Gioachino Rossini
8:24
16
L'italiana in Algeri: Atto Primo. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro)
Gioachino Rossini
9:12
CD 174: Rossini: L'italiana in Algeri (Act II)
1
L'italiana in Algeri: Atto Secondo. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly)
Gioachino Rossini
1:36
2
L'italiana in Algeri: Atto Secondo. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)
Gioachino Rossini
0:42
3
L'italiana in Algeri: Atto Secondo. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro)
Gioachino Rossini
1:15
4
L'italiana in Algeri: Atto Secondo. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro)
Gioachino Rossini
2:12
5
L'italiana in Algeri: Atto Secondo. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo)
Gioachino Rossini
0:53
6
L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro)
Gioachino Rossini
1:01
7
L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)
Gioachino Rossini
0:21
8
L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro)
Gioachino Rossini
3:55
9
L'italiana in Algeri: Atto Secondo. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)
Gioachino Rossini
1:25
10
L'italiana in Algeri: Atto Secondo. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)
Gioachino Rossini
5:13
11
L'italiana in Algeri: Atto Secondo. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)
Gioachino Rossini
0:31
12
L'italiana in Algeri: Atto Secondo. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
Gioachino Rossini
9:03
13
L'italiana in Algeri: Atto Secondo. Recitativo: “Con tutta la sua boria” (Haly)
Gioachino Rossini
0:24
14
L'italiana in Algeri: Atto Secondo. N. 13 Aria: “La femmine d'Italia” (Haly)
Gioachino Rossini
2:24
15
L'italiana in Algeri: Atto Secondo. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà)
Gioachino Rossini
1:17
16
L'italiana in Algeri: Atto Secondo. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo)
Gioachino Rossini
5:26
17
L'italiana in Algeri: Atto Secondo. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro)
Gioachino Rossini
0:35
18
L'italiana in Algeri: Atto Secondo. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento … Pensa alla patria” (Isabella, coro)
Gioachino Rossini
8:32
19
L'italiana in Algeri: Atto Secondo. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà)
Gioachino Rossini
0:37
20
L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella)
Gioachino Rossini
9:00
21
L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Son l'aure seconde, son placide l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà)
Gioachino Rossini
1:48
22
L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro)
Gioachino Rossini
2:26
CD 175: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)
1
Il barbiere di Siviglia: Sinfonia
Gioachino Rossini
6:47
2
Il barbiere di Siviglia: Atto Primo. N. 1 Introduzione “Piano, pianissimo” (Fiorello, coro, conte)
Gioachino Rossini
2:48
3
Il barbiere di Siviglia: Atto Primo. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo “Gente indiscreta!” (conte, Fiorello)
Gioachino Rossini
8:07
4
Il barbiere di Siviglia: Atto Primo. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo)
Gioachino Rossini
11:26
5
Il barbiere di Siviglia: Atto Primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” (conte, Figaro)
Gioachino Rossini
3:59
6
Il barbiere di Siviglia: Atto Primo. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte) / Recitativo: “Evviva il mio padrone!” (Fiorello)
Gioachino Rossini
8:46
7
Il barbiere di Siviglia: Atto Primo. N. 5 Cavatina: “Una voce poco fa” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio)
Gioachino Rossini
10:30
8
Il barbiere di Siviglia: Atto Primo. N. 6 Aria: “La calunnia è un venticello” (Basilio) – Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina)
Gioachino Rossini
7:17
9
Il barbiere di Siviglia: Atto Primo. N. 7 Duetto: “Dunque io son” (Rosina, Figaro) / Recitativo “Ora mi sento meglio” (Rosina, Bartolo)
Gioachino Rossini
6:35
10
Il barbiere di Siviglia: Atto Primo. N. 8 Aria: “A un dottor della mia sorte” (Bartolo)
Gioachino Rossini
5:42
11
Il barbiere di Siviglia: Atto Primo. Recitativo: “Finora in questa camera” (Berta, conte)
Gioachino Rossini
0:30
12
Il barbiere di Siviglia: Atto Primo. N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina)
Gioachino Rossini
4:52
CD 176: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)
1
Il barbiere di Siviglia: Atto Primo. “Con la presente il dottor Bartolo” (Bartolo, conte, Rosina, Berta, Basilio)
Gioachino Rossini
3:40
2
Il barbiere di Siviglia: Atto Primo. “Che cosa accadde, signori miei?” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro)
Gioachino Rossini
6:12
3
Il barbiere di Siviglia: Atto Primo. Stretta del finale I: “Ma signor” … “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro)
Gioachino Rossini
5:18
4
Il barbiere di Siviglia: Atto Secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina)
Gioachino Rossini
6:24
5
Il barbiere di Siviglia: Atto Secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo: “Bella voce! Bravissima!” (conte, Rosina, Bartolo)
Gioachino Rossini
6:48
6
Il barbiere di Siviglia: Atto Secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte)
Gioachino Rossini
3:39
7
Il barbiere di Siviglia: Atto Secondo. N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo, Berta)
Gioachino Rossini
10:42
8
Il barbiere di Siviglia: Atto Secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina)
Gioachino Rossini
3:54
9
Il barbiere di Siviglia: Atto Secondo. N. 14a Recitativo e aria: “Ma forse, ahimè, Lindoro … Ah se è ver” (Rosina)
Gioachino Rossini
7:03
10
Il barbiere di Siviglia: Atto Secondo. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina)
Gioachino Rossini
3:58
11
Il barbiere di Siviglia: Atto Secondo. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Un notaio, Bartolo, ufficiale, coro)
Gioachino Rossini
8:22
12
Il barbiere di Siviglia: Atto Secondo. N. 17 Recitativo: “Il conte! Ah, che mai sento!” (Bartolo, conte, Basilio)
Gioachino Rossini
1:14
13
Il barbiere di Siviglia: Atto Secondo. N. 18 Aria con coro: “Cessa di più resistere” (conte, coro) / Recitativo: “Insomma, io ho tutti i torti!” (Bartolo, Figaro, Basilio)
Gioachino Rossini
8:00
14
Il barbiere di Siviglia: Atto Secondo. N. 19 Finaletto II: “Di sì felice innesto” (tutti)
Gioachino Rossini
2:12
CD 177: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)
1
Il barbiere di Siviglia: Sinfonia (Ouverture)
Gioachino Rossini
7:26
2
Il barbiere di Siviglia: Atto Primo. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, conte)
Gioachino Rossini
3:00
3
Il barbiere di Siviglia: Atto Primo. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello)
Gioachino Rossini
7:29
4
Il barbiere di Siviglia: Atto Primo. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo)
Gioachino Rossini
10:52
5
Il barbiere di Siviglia: Atto Primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” … “Nella stanza convien dir” (conte, Figaro)
Gioachino Rossini
3:50
6
Il barbiere di Siviglia: Atto Primo. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte)
Gioachino Rossini
8:47
7
Il barbiere di Siviglia: Atto Primo. N. 5 Cavatina: “Una voce poco fa … Io sono docile” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio)
Gioachino Rossini
9:41
8
Il barbiere di Siviglia: Atto Primo. N. 6 Aria: “La calunnia è un venticello” (Basilio) / Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina)
Gioachino Rossini
7:43
9
Il barbiere di Siviglia: Atto Primo. N. 7 Duetto: “Dunque io son… tu non m'inganni?” (Rosina, Figaro) / Recitativo: “Ora mi sento meglio” (Rosina, Bartolo)
Gioachino Rossini
6:22
10
Il barbiere di Siviglia: Atto Primo. N. 8 Aria: “A un dottor della mia sorte” (Bartolo)
Gioachino Rossini
6:08
CD 178: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)
1
Il barbiere di Siviglia: Atto Primo, Recitativo: “Finora in questa camera” (Berta, conte) / N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina, Berta, Figaro, Basilio, ufficiale)
Gioachino Rossini
9:12
2
Il barbiere di Siviglia: Atto Primo. N. 9 Finale I: “Alto là! Che cosa accadde” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro)
Gioachino Rossini
6:36
3
Il barbiere di Siviglia: Atto Primo. Stretta del finale I: “Ma signor ”… “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro, ufficiale)
Gioachino Rossini
5:36
4
Il barbiere di Siviglia: Atto Secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina)
Gioachino Rossini
6:37
5
Il barbiere di Siviglia: Atto Secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo “Bella voce! Bravissima!” (conte, Rosina, Bartolo)
Gioachino Rossini
5:07
6
Il barbiere di Siviglia: Atto Secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte)
Gioachino Rossini
3:30
7
Il barbiere di Siviglia: Atto Secondo, N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo) / Recitativo: “Che vecchio sospettoso!” (Berta)
Gioachino Rossini
11:40
8
Il barbiere di Siviglia: Atto Secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina)
Gioachino Rossini
4:04
9
Il barbiere di Siviglia: Atto Secondo. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina)
Gioachino Rossini
4:11
10
Il barbiere di Siviglia: Atto Secondo. N. 16 Terzetto: “Ah! qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Bartolo, ufficiale, coro)
Gioachino Rossini
8:42
11
Il barbiere di Siviglia: Atto Secondo. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti)
Gioachino Rossini
2:17
CD 179: Rossini: La Cenerentola (Act I beg.)
1
La Cenerentola: Sinfonia (Ouverture)
Gioachino Rossini
8:10
2
La Cenerentola: Atto Primo. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe)
Gioachino Rossini
1:43
3
La Cenerentola: Atto Primo. Introduzione: “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro)
Gioachino Rossini
4:42
4
La Cenerentola: Atto Primo. Introduzione: “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro)
Gioachino Rossini
4:23
5
La Cenerentola: Atto Primo. Recitativo: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola)
Gioachino Rossini
0:45
6
La Cenerentola: Atto Primo. Cavatina: “Miei rampolli femminini” (Magnifico)
Gioachino Rossini
5:01
7
La Cenerentola: Atto Primo. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico)
Gioachino Rossini
1:08
8
La Cenerentola: Atto Primo. Scena: “Tutto è deserto” (Ramiro, Cenerentola)
Gioachino Rossini
3:23
9
La Cenerentola: Atto Primo. Duetto: “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe)
Gioachino Rossini
7:11
10
La Cenerentola: Atto Primo. Recitativo: “Non so che dir” (Ramiro, Magnifico)
Gioachino Rossini
1:08
11
La Cenerentola: Atto Primo. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)
Gioachino Rossini
6:46
12
La Cenerentola: Atto Primo. Recitativo: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola)
Gioachino Rossini
1:55
13
La Cenerentola: Atto Primo. Quintetto: “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro)
Gioachino Rossini
11:10
14
La Cenerentola: Atto Primo. Recitativo: “Sì, tutto cangerà” (Alidoro, Cenerentola)
Gioachino Rossini
2:37
15
La Cenerentola: Atto Primo. Aria: “Là del ciel nell'arcano profondo” (Alidoro)
Gioachino Rossini
5:42
16
La Cenerentola: Atto Primo. Recitativo: “Ma bravo, bravo” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)
Gioachino Rossini
2:53
17
La Cenerentola: Atto Primo. Coro: “Conciossiacosacché trenta botti già gustò” … Aria: “Intendente? Direttor?” (Magnifico, coro)
Gioachino Rossini
5:13
CD 180: Rossini: La Cenerentola (Act I cont. & II)
1
La Cenerentola: Atto Primo. Finale I Duetto: “Zitto, zitto: piano piano” … “Principino, dove siete?” … “Venga, inoltri” (Ramiro, Dandini, Tisbe, Clorinda, coro, Alidoro)
Gioachino Rossini
8:06
2
La Cenerentola: Atto Primo. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)
Gioachino Rossini
6:59
3
La Cenerentola: Atto Primo. Finale I “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini)
Gioachino Rossini
5:08
4
La Cenerentola: Atto Secondo. Recitativo: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda)
Gioachino Rossini
0:42
5
La Cenerentola: Atto Secondo. Aria: “Sia qualunque delle figlie” (Magnifico)
Gioachino Rossini
5:05
6
La Cenerentola: Atto Secondo. Recitativo: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro)
Gioachino Rossini
2:14
7
La Cenerentola: Atto Secondo. Recitativo: “E allor … se non ti spiaccio” (Ramiro, Alidoro)
Gioachino Rossini
1:01
8
La Cenerentola: Atto Secondo. Aria: “Sì, ritrovarla io giuro” (Ramiro, coro)
Gioachino Rossini
4:34
9
La Cenerentola: Atto Secondo. Recitativo: “Ma dunque io son un ex?” (Dandini, Magnifico)
Gioachino Rossini
1:28
10
La Cenerentola: Atto Secondo. Duetto: “Un segreto d'importanza” (Dandini, Magnifico)
Gioachino Rossini
4:56
11
La Cenerentola: Atto Secondo. Canzone: “Una volta c'era un re” (Cenerentola)
Gioachino Rossini
1:34
12
La Cenerentola: Atto Secondo. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe)
Gioachino Rossini
1:43
13
La Cenerentola: Atto Secondo. Temporale
Gioachino Rossini
2:21
14
La Cenerentola: Atto Secondo. Recitativo: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola)
Gioachino Rossini
1:18
15
La Cenerentola: Atto Secondo. Sestetto: “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico)
Gioachino Rossini
4:34
16
La Cenerentola: Atto Secondo. Sestetto: “Donna sciocca, alma di fango” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola)
Gioachino Rossini
8:27
17
La Cenerentola: Atto Secondo. Recitativo: “Giusto ciel, ti ringrazio!” (Alidoro)
Gioachino Rossini
0:20
18
La Cenerentola: Atto Secondo. Finale II Coro: “Della fortuna instabile”
Gioachino Rossini
1:42
19
La Cenerentola: Atto Secondo. Finale II Scena: “Sposa” … “Signor, perdona” (Ramiro, Cenerentola, Magnifico)
Gioachino Rossini
1:37
20
La Cenerentola: Atto Secondo. Finale II Rondò: “Nacqui all'affanno” (Cenerentola, tutti)
Gioachino Rossini
7:04
CD 181: Rossini: Il viaggio a Reims (beg.)
1
Il viaggio a Reims: N. 1 Introduzione. “Presto, presto, su, coraggio” (Maddalena, coro)
Gioachino Rossini
3:44
2
Il viaggio a Reims: “Benché grazie al mio talento” (Don Prudenzio, coro, Antonio)
Gioachino Rossini
2:38
3
Il viaggio a Reims: [Aria]: “Di vaghi raggi adorno” (Madama Cortese, coro, Maddalena, Antonio, Don Prudenzio)
Gioachino Rossini
7:18
4
Il viaggio a Reims: “Partire io pur vorrei” (Madama Cortese, contessa di Folleville, Modestina)
Gioachino Rossini
1:26
5
Il viaggio a Reims: “Amabil contessina” (Don Luigino, contessa di Folleville)
Gioachino Rossini
0:36
6
Il viaggio a Reims: “Che accade?” (Maddalena, barone di Trombonok, Don Luigino, Don Prudenzio)
Gioachino Rossini
0:18
7
Il viaggio a Reims: N. 2 Recitativo ed aria: “Ahimè! sta in gran pericolo” (Don Prudenzio, barone di Trombonok, Don Luigino, contessa di Folleville)
Gioachino Rossini
2:12
8
Il viaggio a Reims: [Aria]: “Partir, oh ciel! desio” …
Gioachino Rossini
5:25
9
Il viaggio a Reims: “Che miro! ah! qual sorpresa!” (contessa di Folleville, coro)
Gioachino Rossini
5:51
10
Il viaggio a Reims: “Eh! senti, mastro Antonio” (barone di Trombonok, Antonio)
Gioachino Rossini
0:45
11
Il viaggio a Reims: N. 3 Sestetto: “Sì, di matti una gran gabbia” (barone di Trombonok)
Gioachino Rossini
0:42
12
Il viaggio a Reims: “La mia quota a voi consegno” (Don Profondo, Don Alvaro, marchesa Melibea)
Gioachino Rossini
2:17
13
Il viaggio a Reims: “Donna ingrata” (conte di Libenskof, Don Alvaro, marchesa Melibea, barone di Trombonok)
Gioachino Rossini
1:08
14
Il viaggio a Reims: “Naturale è l'impazienza” (Madama Cortese, conte di Libenskof, marchesa Melibea, Don Alvaro)
Gioachino Rossini
1:29
15
Il viaggio a Reims: “Non pavento alcun periglio” (conte di Libenskof, Don Alvaro, Don Profondo, barone di Trombonok, Madama Cortese, marchesa Melibea)
Gioachino Rossini
5:34
16
Il viaggio a Reims: [Aria]: “Arpa gentil” (Corinna, coro)
Gioachino Rossini
6:08
17
Il viaggio a Reims: “Zitti” / “Non canta più” (conte di Libenskof, barone di Trombonok) / “Simbol di pace e gloria” (conte di Libenskof, Don Alvaro, Don Profondo, barone di Trombonok, Madama Cortese, marchesa Melibea)
Gioachino Rossini
3:39
18
Il viaggio a Reims: “Gelsomin non ritorna” (Madama Cortese)
Gioachino Rossini
0:36
19
Il viaggio a Reims: N. 4 Scena ed aria: “Ah! perché la conobbi?” … [Aria]: “Invan strappar dal core” (Lord Sidney, coro)
Gioachino Rossini
13:35
20
Il viaggio a Reims: “Milord, una parola” (Don Profondo, Lord Sidney, Corinna, Delia)
Gioachino Rossini
1:38
CD 182: Rossini: Il viaggio a Reims (cont.)
1
Il viaggio a Reims: N. 5 Recitativo e duetto: “Sola ritrovo alfin la bella Dea” (Cavalier Belfiore, Corinna)
Gioachino Rossini
2:59
2
Il viaggio a Reims: [Duetto]: “Nel suo divin sembiante” (Cavalier Belfiore, Corinna)
Gioachino Rossini
10:33
3
Il viaggio a Reims: “Bravo il signor Ganimede!” (Don Profondo)
Gioachino Rossini
0:20
4
Il viaggio a Reims: N. 6 Aria: “Io! Don Profondo … Medaglie incomparabili” (Don Profondo)
Gioachino Rossini
5:20
5
Il viaggio a Reims: “Vedeste il Cavaliere?” (contessa di Folleville, Don Profondo, Don Alvaro, conte di Libenskof, barone di Trombonok, Zefirino)
Gioachino Rossini
1:51
6
Il viaggio a Reims: N. 7 Gran pezzo concertato: “Ah! A tal colpo inaspettato” (contessa di Folleville, Corinna, marchesa Melibea, Delia, Modestina, conte di Libenskof, Zefirino, Cavalier Belfiore, barone di Trombonok, Don Alvaro, Lord Sidney, Don Profondo, Don Prudenzio, Madama Cortese)
Gioachino Rossini
2:20
7
Il viaggio a Reims: “Signor, ecco una lettera” (Madama Cortese, tutti gli altri)
Gioachino Rossini
6:38
8
Il viaggio a Reims: “Son qua, cosa comanda?” (Antonio, Madama Cortese, Gelsomino, contessa di Folleville, Cavalier Belfiore, barone di Trombonok, conte di Libenskof, marchesa Melibea)
Gioachino Rossini
1:29
9
Il viaggio a Reims: N. 8 Scena e duetto: “Di che son reo?” … “D'alma celeste, oh Dio!” (conte di Libenskof, marchesa Melibea)
Gioachino Rossini
9:47
10
Il viaggio a Reims: “Madama qui mi manda” (Maddalena, Antonio)
Gioachino Rossini
1:12
11
Il viaggio a Reims: N. 9 Finale. [Ritornello]
Gioachino Rossini
2:55
12
Il viaggio a Reims: N. 9 Finale. “Ora, secondo gli usi” / Inno tedesco: “Or che regna” (barone di Trombonok, tutti)
Gioachino Rossini
1:48
13
Il viaggio a Reims: N. 9 Finale. “Altro da dir avrei” (barone di Trombonok) / Polacca: “Ai prodi guerrieri” (marchesa Melibea, tutti)
Gioachino Rossini
1:10
14
Il viaggio a Reims: N. 9 Finale. “Libenskof, tocca a voi” (barone di Trombonok, conte di Libenskof) / Inno russo: “Onore, gloria ed alto omaggio” (conte di Libenskof)
Gioachino Rossini
1:32
15
Il viaggio a Reims: N. 9 Finale. “Don Alvaro, dal nord al mezzogiorno” (barone di Trombonok) / Canzone spagnola: “Omaggio all'Augusto Duce” (Don Alvaro, tutti)
Gioachino Rossini
1:11
16
Il viaggio a Reims: N. 9 Finale. “Milord, in tuon maggiore” (barone di Trombonok, Lord Sidney) / Inno inglese: “Dell'aurea pianta” (Lord Sidney, trutti, barone di Trombonok)
Gioachino Rossini
1:40
17
Il viaggio a Reims: N. 9 Finale. “Contessa, Cavaliere, a voi la scelta lascio” (barone di Trombonok) / Canzone francese: “Madre del nuovo Enrico” (Cavalier Belfiore, contessa di Folleville, tutti)
Gioachino Rossini
1:26
18
Il viaggio a Reims: N. 9 Finale. “Madama, Don Profondo, voi terminar dovete” (barone di Trombonok) / Tirolese: “Più vivace e più fecondo” (Madama Cortese, Don Profondo, tutti)
Gioachino Rossini
1:18
19
Il viaggio a Reims: N. 9 Finale. “Corinna, or tocca a voi” (barone di Trombonok, contessa di Folleville, Lord Sidney, Cavalier Belfiore, Corinna, Don Profondo, Madama Cortese, marchesa Melibea, conte di Libenskof, Don Alvaro, Don Prudenzio)
Gioachino Rossini
2:49
20
Il viaggio a Reims: N. 9 Finale. Improvivsio [Aria]: “All'ombra amena” (Corinna)
Gioachino Rossini
6:13
21
Il viaggio a Reims: N. 9 Finale. “Viva il diletto augusto Regnator” (tutti)
Gioachino Rossini
3:54
CD 183: Schoenberg: Gurre-Lieder (Part I)
1
Gurre-Lieder: Erster Teil. Orchestervorspiel
Arnold Schönberg
6:50
2
Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar)
Arnold Schönberg
4:00
3
Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove)
Arnold Schönberg
2:44
4
Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar)
Arnold Schönberg
3:34
5
Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove)
Arnold Schönberg
2:22
6
Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar)
Arnold Schönberg
2:24
7
Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove)
Arnold Schönberg
4:07
8
Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar)
Arnold Schönberg
6:09
9
Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove)
Arnold Schönberg
5:30
10
Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar)
Arnold Schönberg
4:21
11
Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
Arnold Schönberg
5:49
12
Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube)
Arnold Schönberg
11:54
CD 184: Schoenberg: Gurre-Lieder (Parts II & III)
1
Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar)
Arnold Schönberg
5:10
2
Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar)
Arnold Schönberg
2:52
3
Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer)
Arnold Schönberg
3:06
4
Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen)
Arnold Schönberg
5:47
5
Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar)
Arnold Schönberg
3:14
6
Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr)
Arnold Schönberg
6:44
7
Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar)
Arnold Schönberg
2:24
8
Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen)
Arnold Schönberg
4:13
9
Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel]
Arnold Schönberg
3:50
10
Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)
Arnold Schönberg
5:13
11
Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor)
Arnold Schönberg
4:31
CD 185: Schubert: Symphonies nos. 1 & 2
1
Symphony no. 1 in D major, D. 82: 1. Adagio - Allegro vivace
Franz Schubert
9:33
2
Symphony no. 1 in D major, D. 82: 2. Andante
Franz Schubert
7:41
3
Symphony no. 1 in D major, D. 82: 3. Menuetto. Allegretto - Trio
Franz Schubert
4:05
4
Symphony no. 1 in D major, D. 82: 4. Allegro vivace
Franz Schubert
6:20
5
Symphony no. 2 in B-flat major, D. 125: 1. Largo - Allegro vivace
Franz Schubert
10:29
6
Symphony no. 2 in B-flat major, D. 125: 2. Andante - Var. I-V
Franz Schubert
8:36
7
Symphony no. 2 in B-flat major, D. 125: 3. Menuetto. Allegro vivace - Trio
Franz Schubert
3:41
8
Symphony no. 2 in B-flat major, D. 125: 4. Presto vivace
Franz Schubert
8:10
CD 186: Schubert: Symphonies nos. 3 & 4 “Tragic”
1
Symphony no. 3 in D major, D. 200: 1. Adagio maestoso - Allegro con brio
Franz Schubert
9:16
2
Symphony no. 3 in D major, D. 200: 2. Allegretto
Franz Schubert
4:12
3
Symphony no. 3 in D major, D. 200: 3. Menuetto. Vivace - Trio
Franz Schubert
3:56
4
Symphony no. 3 in D major, D. 200: 4. Presto vivace
Franz Schubert
6:16
5
Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto - Allegro vivace
Franz Schubert
10:46
6
Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante
Franz Schubert
9:23
7
Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace - Trio
Franz Schubert
3:38
8
Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro
Franz Schubert
10:23
CD 187: Schubert: Symphonies nos. 5 & 6
1
Symphony no. 5 in B-flat major, D. 485: 1. Allegro
Franz Schubert
6:50
2
Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto
Franz Schubert
9:35
3
Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto - Trio
Franz Schubert
5:01
4
Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace
Franz Schubert
7:28
5
Symphony no. 6 in C major D. 589: 1. Adagio - Allegro
Franz Schubert
9:55
6
Symphony no. 6 in C major D. 589: 2. Andante
Franz Schubert
5:44
7
Symphony no. 6 in C major D. 589: 3. Scherzo. Presto - Più lento
Franz Schubert
5:53
8
Symphony no. 6 in C major D. 589: 4. Allegro moderato
Franz Schubert
10:12
CD 188: Schubert: Symphony no. 8 “Unfinished” / Grand Duo
1
Symphony no. 8 in B minor “Unfinished”, D. 759: 1. Allegro moderato
Franz Schubert
15:01
2
Symphony no. 8 in B minor “Unfinished”, D. 759: 2. Andante con moto
Franz Schubert
11:39
3
Grand Duo in C major, D. 812: 1. Allegro moderato
Franz Schubert
15:29
4
Grand Duo in C major, D. 812: 2. Andante
Franz Schubert
10:16
5
Grand Duo in C major, D. 812: 3. Scherzo - Trio
Franz Schubert
5:42
6
Grand Duo in C major, D. 812: 4. Finale. Allegro moderato
Franz Schubert
12:34
CD 189: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”
1
Symphony no. 9 in C major “Great”, D. 944: 1. Andante - Allegro ma non troppo
Franz Schubert
16:42
2
Symphony no. 9 in C major “Great”, D. 944: 2. Andante con moto
Franz Schubert
15:25
3
Symphony no. 9 in C major “Great”, D. 944: 3. Scherzo. Allegro vivace
Franz Schubert
13:59
4
Symphony no. 9 in C major “Great”, D. 944: 4. Allegro vivace - Trio
Franz Schubert
15:38
5
Rosamunde: Ouverture “Die Zauberharfe”, D. 644
Franz Schubert
10:10
CD 190: Schubert: Symphonies nos. 8 “Unfinished” & 5
1
Symphony no. 8 in B minor “Unfinished”, D. 759: 1. Allegro moderato
Franz Schubert
12:47
2
Symphony no. 8 in B minor “Unfinished”, D. 759: 2. Andante con moto
Franz Schubert
12:39
3
Symphony no. 5 in B-flat major, D. 485: 1. Allegro
Franz Schubert
7:19
4
Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto
Franz Schubert
11:02
5
Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto - Trio
Franz Schubert
5:27
6
Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace
Franz Schubert
5:58
CD 191: Schubert: Symphony no. 9 “Great”
1
Symphony no. 9 in C major “Great”, D. 944: 1. Andante – Allegro ma non troppo
Franz Schubert
16:28
2
Symphony no. 9 in C major “Great”, D. 944: 2. Andante con moto
Franz Schubert
15:28
3
Symphony no. 9 in C major “Great”, D. 944: 3. Scherzo. Allegro vivace
Franz Schubert
14:43
4
Symphony no. 9 in C major “Great”, D. 944: 4. Allegro vivace - Trio
Franz Schubert
16:05
CD 192: Schubert: Rosamunde, Prinzessin von Zypern
1
Rosamunde, Prinzessin von Zypern, D. 797: Overture “The Magic Harp”
Franz Schubert
10:17
2
Rosamunde, Prinzessin von Zypern, D. 797: 1. Entr'acte after Act I
Franz Schubert
8:02
3
Rosamunde, Prinzessin von Zypern, D. 797: 4. Chorus of Spirits: »In der Tiefe wohnt ein Licht«
Franz Schubert
3:13
4
Rosamunde, Prinzessin von Zypern, D. 797: 2. Ballet Music
Franz Schubert
8:14
5
Rosamunde, Prinzessin von Zypern, D. 797: 6. Shepherds' Melodies
Franz Schubert
1:27
6
Rosamunde, Prinzessin von Zypern, D. 797: 7. Shepherd's Chorus: »Hier auf den Fluren«
Franz Schubert
4:29
7
Rosamunde, Prinzessin von Zypern, D. 797: 5. Entr'acte after Act III
Franz Schubert
7:59
8
Rosamunde, Prinzessin von Zypern, D. 797: 3b. Romance: »Der Vollmond strahlt auf Bergeshöh'n«
Franz Schubert
3:24
9
Rosamunde, Prinzessin von Zypern, D. 797: 3a. Entr'acte after Act II
Franz Schubert
3:31
10
Rosamunde, Prinzessin von Zypern, D. 797: 8. Chorus of Huntsmen: »Wie lebt sich's so fröhlich im Grünen«
Franz Schubert
2:05
11
Rosamunde, Prinzessin von Zypern, D. 797: 9. Ballet Music
Franz Schubert
7:24
CD 193: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon
1
Mass no. 2 in G major, D. 167: Kyrie (chorus, soprano solo)
Franz Schubert
3:37
2
Mass no. 2 in G major, D. 167: Gloria (chorus, soprano solo, bass solo)
Franz Schubert
2:54
3
Mass no. 2 in G major, D. 167: Credo (chorus)
Franz Schubert
4:01
4
Mass no. 2 in G major, D. 167: Sanctus (chorus)
Franz Schubert
1:20
5
Mass no. 2 in G major, D. 167: Benedictus (soprano solo, tenor solo, bass solo, chorus)
Franz Schubert
4:35
6
Mass no. 2 in G major, D. 167: Agnus Dei (soprano solo, chorus, bass solo)
Franz Schubert
5:11
7
Tantum ergo in E-flat Major, D. 962
Franz Schubert
6:37
8
Psalm 23 in A-flat major, D. 706
Franz Schubert
5:14
9
Requiem für Mignon, op. 98b: 1. “Wen bringt ihr uns zur stillen Gesellschaft?” (chorus, soprano 1 & 2, altos 1 & 2)
Robert Schumann
2:21
10
Requiem für Mignon, op. 98b: 2. “Ach! wie ungern brachten wir ihn her!” (soprano 1, alto 1)
Robert Schumann
0:33
11
Requiem für Mignon, op. 98b: 3. “Seht die mächtigen Flügel doch an!” (chorus, sopranos 1 & 2)
Robert Schumann
2:44
12
Requiem für Mignon, op. 98b: 4. “In euch lebe die bildende Kraft” (chorus, sopranos 1 & 2, alto 1)
Robert Schumann
2:24
13
Requiem für Mignon, op. 98b: 5. “Kinder! kehret ins Leben zurück!” (bass, sopranos 1 & 2, altos 1 & 2, chorus)
Robert Schumann
0:54
14
Requiem für Mignon, op. 98b: 6. “Kinder! eilet ins Leben hinan!” (chorus, sopranos 1 & 2)
Robert Schumann
3:05
CD 194: Schubert: Mass no. 6
1
Mass no. 6 in E-flat major, D. 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison” (chorus)
Franz Schubert
6:21
2
Mass no. 6 in E-flat major, D. 950: Gloria. “Gloria in excelsis Deo” (chorus)
Franz Schubert
5:00
3
Mass no. 6 in E-flat major, D. 950: Gloria. “Domine Deus” (chorus)
Franz Schubert
4:22
4
Mass no. 6 in E-flat major, D. 950: Gloria. “Quoniam tu solus sanctus” (chorus)
Franz Schubert
1:03
5
Mass no. 6 in E-flat major, D. 950: Gloria. “Cum Sancto spiritu” (chorus)
Franz Schubert
4:14
6
Mass no. 6 in E-flat major, D. 950: Credo. “Credo in unum Deum” (soprano solo, tenor I/II solo, chorus)
Franz Schubert
2:57
7
Mass no. 6 in E-flat major, D. 950: Credo. “Et incarnatus est” (soprano solo, tenor I/II solo, chorus)
Franz Schubert
6:04
8
Mass no. 6 in E-flat major, D. 950: Credo. “Et resurrexit” (soprano solo, tenor I/II solo, chorus)
Franz Schubert
6:46
9
Mass no. 6 in E-flat major, D. 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (chorus)
Franz Schubert
2:09
10
Mass no. 6 in E-flat major, D. 950: Sanctus. “Osanna in excelsis” (chorus)
Franz Schubert
1:15
11
Mass no. 6 in E-flat major, D. 950: Benedictus. “Benedictus, qui venit” (soloists, chorus)
Franz Schubert
4:59
12
Mass no. 6 in E-flat major, D. 950: Benedictus. “Osanna in excelsis” (soloists, chorus)
Franz Schubert
1:12
13
Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus)
Franz Schubert
3:56
14
Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Dona nobis pacem” (soloists, chorus)
Franz Schubert
3:31
15
Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus)
Franz Schubert
0:54
16
Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Dona nobis pacem” (soloists, chorus)
Franz Schubert
2:07
CD 195: Schubert: Lieder with Orchestra
1
Rosamunde, D. 797 no. 3b: Romanze
Franz Schubert
3:18
2
Die Forelle, D. 550
Franz Schubert
2:19
3
Ellens Zweiter Gesang, D. 838
Franz Schubert
3:07
4
Gretchen am Spinnrade, D. 118
Franz Schubert
3:26
5
An Silvia, D. 891
Franz Schubert
2:59
6
Im Abendrot, D. 799
Franz Schubert
3:43
7
Nacht und Träume, D. 827
Franz Schubert
3:44
8
Gruppe aus dem Tartarus, D. 583
Franz Schubert
3:04
9
Erlkönig, D. 328
Franz Schubert
4:02
10
Die junge Nonne, D. 828
Franz Schubert
4:45
11
Die schöne Müllerin, D. 795 no. 10: Tränenregen
Franz Schubert
4:17
12
Winterreise, D. 911 no. 20: Der Wegweiser
Franz Schubert
3:56
13
Du bist die Ruh, D. 776
Franz Schubert
3:48
14
Schwanengesang, D. 957 no. 9: Ihr Bild
Franz Schubert
2:16
15
Prometheus, D. 674
Franz Schubert
5:17
16
Memnon, D. 541
Franz Schubert
3:51
17
An Schwager Kronos, D. 369
Franz Schubert
3:04
18
An die Musik, D. 547
Franz Schubert
2:24
19
Erlkönig, D. 328
Franz Schubert
3:59
20
Geheimes, D. 719
Franz Schubert
1:40
21
Schwanengesang, D. 957 no. 4: Ständchen
Franz Schubert
3:38
CD 196: Schubert: Fierrabras (Act I)
1
Fierrabras, D. 796: Ouvertüre
Franz Schubert
8:47
2
Fierrabras, D. 796: Erster Akt. Nr. 1 Introduktion: »Der runde Silberfaden« (Jungfrauen, Emma)
Franz Schubert
6:06
3
Fierrabras, D. 796: Erster Akt. Nr. 2 Duett: »O mög' auf froher Hoffnung Schwingen« (Eginhard, Emma)
Franz Schubert
4:15
4
Fierrabras, D. 796: Erster Akt. Nr. 3 Marsch und Chor. »Zu hohen Ruhmespforten« (Eginhard, Emma)
Franz Schubert
2:59
5
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. a) Rezitativ und Chor: »Die Beute lass, o Herr, die Krieger teilen« … »Des Siegers Lohn, der Feinde Zahl« (Ogier, Roland, Karl, Chor)
Franz Schubert
1:37
6
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. b) Arioso und Chor: »Des Krieges Los hat euch mir übergeben« … »Dem Fürsten Heil« (Karl, Chor)
Franz Schubert
2:44
7
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras)
Franz Schubert
3:27
8
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland)
Franz Schubert
4:17
9
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland)
Franz Schubert
3:57
10
Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. f) Marsch und Chor (Nr. 3 da capo): »Zu hohen Ruhmespforten«
Franz Schubert
2:51
11
Fierrabras, D. 796: Erster Akt. Nr. 5 Duett: »Lass uns mutvoll hoffen« (Fierrabras, Roland)
Franz Schubert
1:41
12
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. a) Romanze (Duett): »Der Abend sinkt auf stiller Flur« (Eginhard, Emma)
Franz Schubert
5:14
13
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. b) Rezitativ und Arie. »Was quälst du mich, o Missgeschick! … In tiefbeweegteer Brust« (Fierrabras)
Franz Schubert
5:22
14
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. c) Ensemble: »Doch horch! Was regt sich noch in stiller Nacht?« (Fierrabras, Männerchor, Emma, Eginhard)
Franz Schubert
2:03
15
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. d) Szene und Terzett: »Ha, hier waltet ein Verrat!« (Fierrabras, Eginhard, Emma)
Franz Schubert
3:13
16
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. e) Rezitativ: »Nun fasset Mut!« (Fierrabras, Emma)
Franz Schubert
1:45
17
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: »Ha!« / »Wie, Emma hier?« … »Das Blut fühl' ich erstarren« (Emma, Fierrabras, Karl)
Franz Schubert
2:44
18
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: Ensemble: »Dich rief ich, Eginhard« (Karl, Eginhard, Emma, Fierrabras)
Franz Schubert
2:37
19
Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. g) Quartett mit Chor. »Fort zum Siegesreigen« (Ritter, Emma, Eginhard, Fierrabras, Karl)
Franz Schubert
2:36
CD 197: Schubert: Fierrabras (Acts II & III)
1
Fierrabras, D. 796: Zweiter Akt. Nr. 7 Lied mit Chor: »Im jungen Morgenstrahle« (Eginhard, Roland, Ritter)
Franz Schubert
3:40
2
Fierrabras, D. 796: Zweiter Akt. Nr. 8a Rezitativ, Marsch (mit Melodram) und Ensemble: »Beschlossen ist's, ich löse meine Ketten!« (Eginhard) / »Verwegene! Was führt euch hierher?« (Eginhard, Brutamonte) / »Was mag der Ruf bedeuten?« (Brutamonte, Mauren, Eginhard)
Franz Schubert
5:26
3
Fierrabras, D. 796: Zweiter Akt. Nr. 8b Duett mit Chor: »Was ist ihm geschehn?« (Roland, Ogier, Ritter)
Franz Schubert
1:24
4
Fierrabras, D. 796: Zweiter Akt. Nr. 9 Duett: »Weit über Glanz und Erdenschimmer« (Florinda, Maragond)
Franz Schubert
6:12
5
Fierrabras, D. 796: Zweiter Akt. Nr. 10 Quintett: »Verderben denn und Fluch« (Boland, Florinda, Maragond, Eginhard, Brutamonte)
Franz Schubert
3:19
6
Fierrabras, D. 796: Zweiter Akt. Nr. 11 Chor: »Lasst Friede in die Hallen«
Franz Schubert
3:07
7
Fierrabras, D. 796: Zweiter Akt. Nr. 12 Terzett mit Chor: »Im Tode sollt ihr büßen« (Boland, Roland, Florinda, Ritter, Mauren)
Franz Schubert
3:01
8
Fierrabras, D. 796: Zweiter Akt. Nr. 12 Terzett mit Chor: »Sie sollen erblassen in heimlicher Not« (Boland, Mauren, Florinda, Roland, Ritter)
Franz Schubert
1:27
9
Fierrabras, D. 796: Zweiter Akt. Nr. 13 Arie: »Die Brust, gebeugt von Sorgen« (Florinda)
Franz Schubert
2:16
10
Fierrabras, D. 796: Zweiter Akt. Nr. 14 Chor a capella: »O teures Vaterland!« (Eginhard, Ogier, Roland, Ritter)
Franz Schubert
1:59
11
Fierrabras, D. 796: Zweiter Akt. Nr. 15 Melodram. a) Melodram, Rezitativ und Ensemble. »Ha! Was ist das?« … »Wo ist er?« (Ritter, Olivier, Ogier, Roland, Florinda)
Franz Schubert
3:24
12
Fierrabras, D. 796: Zweiter Akt. Nr. 15 Melodram. b) Duett mit Chor. »Selbst an des Grabes Rande« (Roland, Florinda, Ritter)
Franz Schubert
2:23
13
Fierrabras, D. 796: Zweiter Akt. Nr. 16 Chor und Melodrama: »Der Hoffnung Strahl, den du gegeben« … »Ha, neue Quall« (Ritter, Ogier, Roland, Florinda, Eginhard)
Franz Schubert
2:55
14
Fierrabras, D. 796: Zweiter Akt. Nr. 17 Finale II. a) Terzett und Chor: »Uns führt der Vorsicht weise Hand« (Eginhard, Roland, Florinda, Ritter)
Franz Schubert
1:38
15
Fierrabras, D. 796: Zweiter Akt. Nr. 17 Finale II. b) Melodram: »Schützt ihn, ihr ew'gen Mächte!« (Florinda, Ritter)
Franz Schubert
3:04
16
Fierrabras, D. 796: Dritter Akt. Nr. 18 Chor: »Bald tönet der Reigen« (Jungfrauen, Emma)
Franz Schubert
4:15
17
Fierrabras, D. 796: Dritter Akt. Nr. 19 Quartett und Szene: »Bald wird es klar« (Karl, Emma, Fierrabras)
Franz Schubert
3:30
18
Fierrabras, D. 796: Dritter Akt. Nr. 19 Quartett und Szene: »Wo ist mein königlicher Herr?« (Eginhard, Emma, Fierrabras, Karl)
Franz Schubert
2:14
19
Fierrabras, D. 796: Dritter Akt. Nr. 20 Terzett: »Wenn hoch im Wolkensitze« (Fierrabras, Eginhard, Emma)
Franz Schubert
3:00
20
Fierrabras, D. 796: Dritter Akt. Nr. 21. a) Arie mit Chor: »Des Jammers herbe Qualen« (Florinda, Ritter)
Franz Schubert
4:01
21
Fierrabras, D. 796: Dritter Akt. Nr. 21. b) Marcia funebre (mit Melodram) und Ensemble: »Welch neuer Schreck!« …»Ha! Erbarmen, haltet ein!« (Florinda, Olivier, Ritter)
Franz Schubert
2:05
22
Fierrabras, D. 796: Dritter Akt. Nr. 22 Chor und Ensemble: »Der Rache Opfer fallen« (Mauren)
Franz Schubert
1:30
23
Fierrabras, D. 796: Dritter Akt. Nr. 22 Chor und Ensemble: »Erbarmen fleht zu deinen Füßen« (Mauren, Florinda, Boland, Ritter, Roland)
Franz Schubert
2:53
24
Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. a) Rezitativ: »Er ist mein Vater, halte ein!« (Fierrabras, Florinda, Ritter)
Franz Schubert
0:33
25
Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. b) Ensemble: »Der Sieg begleitet meine tapfern Heere« (Karl, Boland, Eginhard, Emma, Fierrabras, Florinda, Roland, Chor) / c) Rezitativ und Schlussgesang: »Nun lasst des langersehnten Glücks uns freuen« (Karl)
Franz Schubert
3:29
26
Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. c) Rezitativ und Schlussgesang: »Vereint durch Bruderbande« (Karl, tutti)
Franz Schubert
2:28
CD 198: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva
1
Symphony no. 2 in C, op. 61: 1. Sostenuto assai - Allegro, ma non troppo
Robert Schumann
12:36
2
Symphony no. 2 in C, op. 61: 2. Scherzo. Allegro vivace
Robert Schumann
7:02
3
Symphony no. 2 in C, op. 61: 3. Adagio espressivo
Robert Schumann
10:14
4
Symphony no. 2 in C, op. 61: 4. Allegro molto vivace
Robert Schumann
8:51
5
Overture: Manfred, op. 115
Robert Schumann
12:15
6
Overture: Genoveva, op. 81
Robert Schumann
8:54
CD 199: Schumann: Piano Concerto / Piano Quintet
1
Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso
Robert Schumann
15:35
2
Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso
Robert Schumann
5:03
3
Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace
Robert Schumann
11:18
4
Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 1. Allegro brillante
Robert Schumann
8:59
5
Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 2. In modo d’una marcia. Un poco largamente
Robert Schumann
9:08
6
Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 3. Scherzo. Molto vivace
Robert Schumann
4:38
7
Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 4. Allegro, ma non troppo
Robert Schumann
7:21
CD 200: Schumann & Schoenberg: Piano Concertos
1
Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso
Robert Schumann
15:09
2
Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso
Robert Schumann
5:30
3
Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace
Robert Schumann
10:42
4
Concerto for Piano and Orchestra, op. 42: 1. Andante -
Arnold Schönberg
4:35
5
Concerto for Piano and Orchestra, op. 42: 2. Molto allegro [bar 176] -
Arnold Schönberg
2:31
6
Concerto for Piano and Orchestra, op. 42: 3. Adagio [bar 264] -
Arnold Schönberg
6:02
7
Concerto for Piano and Orchestra, op. 42: 4. Giocoso (moderato) - Stretto
Arnold Schönberg
6:02
CD 201: Schumann: Piano Concerto / Weber: Konzertstück
1
Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso
Robert Schumann
15:48
2
Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso
Robert Schumann
5:47
3
Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace
Robert Schumann
11:11
4
Konzertstück for Piano and Orchestra in F minor, op. 79: Larghetto affettuoso - Allegro passionato
Carl Maria von Weber
9:52
5
Konzertstück for Piano and Orchestra in F minor, op. 79: Adagio - Tempo di marcia - Più mosso - Presto gioioso
Carl Maria von Weber
7:32
CD 202: R. Strauss: Don Juan / Till Eulenspiegels lustig
1
Don Juan, op. 20
Richard Strauss
16:29
2
Till Eulenpiegels lustige Streiche, op. 28
Richard Strauss
14:55
3
Tod und Verklärung, op. 24: Largo - Allegro molto agitato - Meno mosso, ma sempre alla breve - Etwas breiter - Tempo I sehr breit - Allegro molto agitato - Moderato
Richard Strauss
26:18
CD 203: R. Strauss: Orchestral Songs
1
Gesang der Apollopriesterin, op. 33 no. 2
Richard Strauss
7:37
2
Freundliche Vision, op. 48 no. 1
Richard Strauss
2:52
3
Cäcilie, op. 27 no. 2
Richard Strauss
2:12
4
Verführung, op. 33 no. 1
Richard Strauss
7:48
5
Frühlingsfeier, op. 56 no. 5
Richard Strauss
3:06
6
Waldseligkeit, op. 49 no. 1
Richard Strauss
2:55
7
Vier letzte Lieder: Frühling
Richard Strauss
3:48
8
Vier letzte Lieder: September
Richard Strauss
4:48
9
Vier letzte Lieder: Beim Schlafengehen
Richard Strauss
5:31
10
Vier letzte Lieder: Im Abendrot
Richard Strauss
8:25
CD 204: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes
1
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Introduction
Igor Stravinsky
3:13
2
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes)
Igor Stravinsky
3:09
3
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeu du rapt
Igor Stravinsky
1:19
4
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Rondes printanières
Igor Stravinsky
3:40
5
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeux des cités rivales / Cortège du Sage - Adoration de la terre - Le Sage
Igor Stravinsky
2:56
6
Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Danse de la terre
Igor Stravinsky
1:14
7
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Introduction
Igor Stravinsky
4:17
8
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Cercles mystérieux des adolescentes
Igor Stravinsky
3:24
9
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Glorification de l'elue / Evocation des ancêtres
Igor Stravinsky
2:12
10
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Action rituelle des ancêtres
Igor Stravinsky
3:18
11
Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Danse sacrale (L'Élue)
Igor Stravinsky
4:40
12
L'Oiseau de feu (Concert suite 1919) : 1. Introduction - L'Oiseau de feu et sa danse
Igor Stravinsky
3:23
13
L'Oiseau de feu (Concert suite 1919) : 1. Variation de l'Oiseau de feu
Igor Stravinsky
1:19
14
L'Oiseau de feu (Concert suite 1919) : 2. Ronde des princesses
Igor Stravinsky
5:25
15
L'Oiseau de feu (Concert suite 1919) : 3. Danse infernale du roi Kachtcheï
Igor Stravinsky
4:44
16
L'Oiseau de feu (Concert suite 1919) : 4. Berceuse
Igor Stravinsky
4:02
17
L'Oiseau de feu (Concert suite 1919) : 5. Finale
Igor Stravinsky
3:10
18
Jeu de cartes : Première donne
Igor Stravinsky
5:23
19
Jeu de cartes : Deuxième donne
Igor Stravinsky
9:22
20
Jeu de cartes : Troisième donne
Igor Stravinsky
8:04
CD 205: Stravinsky: Pétrouchka / Pulcinella
1
Pétrouchka (Original version 1911): Premier Tableau. Fête populaire de la semaine grasse - Le tour de passe-passe
Igor Stravinsky
7:16
2
Pétrouchka (Original version 1911): Premier Tableau. Danse russe
Igor Stravinsky
2:46
3
Pétrouchka (Original version 1911): Deuxième Tableau. Chez Pétrouchka
Igor Stravinsky
4:19
4
Pétrouchka (Original version 1911): Troisième Tableau. Chez le Maure - Danse de la Ballerine
Igor Stravinsky
3:21
5
Pétrouchka (Original version 1911): Troisième Tableau. Valse : La Ballerine et le Maure
Igor Stravinsky
3:09
6
Pétrouchka (Original version 1911): Quatrième Tableau. Fête populaire de la semaine grasse (vers le soir)
Igor Stravinsky
1:01
7
Pétrouchka (Original version 1911): Quatrième Tableau. Danse de nounous
Igor Stravinsky
2:34
8
Pétrouchka (Original version 1911): Quatrième Tableau. L'Ours et un paysan
Igor Stravinsky
1:28
9
Pétrouchka (Original version 1911): Quatrième Tableau. Un marchand fêtard avec deux tziganes
Igor Stravinsky
1:08
10
Pétrouchka (Original version 1911): Quatrième Tableau. Danse de cochers et des palefreniers
Igor Stravinsky
2:06
11
Pétrouchka (Original version 1911): Quatrième Tableau. Les Déguisés
Igor Stravinsky
1:27
12
Pétrouchka (Original version 1911): Quatrième Tableau. La Rixe: Le Maure et Pétrouchka -
Igor Stravinsky
0:43
13
Pétrouchka (Original version 1911): Quatrième Tableau. Mort de Pétrushka
Igor Stravinsky
0:54
14
Pétrouchka (Original version 1911): Quatrième Tableau. La Police et le Charlatan
Igor Stravinsky
1:22
15
Pétrouchka (Original version 1911): Quatrième Tableau. Apparition du double de Pétrouchka
Igor Stravinsky
0:54
16
Pulcinella (Version 1947): Ouverture. Allegro moderato
Igor Stravinsky
1:57
17
Pulcinella (Version 1947): Serenata: “Mentre l'erbetta, pasce l'agnella” (tenor)
Igor Stravinsky
2:58
18
Pulcinella (Version 1947): Scherzino. Allegro
Igor Stravinsky
1:37
19
Pulcinella (Version 1947): Più vivo
Igor Stravinsky
0:11
20
Pulcinella (Version 1947): Allegro
Igor Stravinsky
1:00
21
Pulcinella (Version 1947): Andantino
Igor Stravinsky
1:12
22
Pulcinella (Version 1947): Allegro
Igor Stravinsky
1:39
23
Pulcinella (Version 1947): “Contento forse vivere” (soprano)
Igor Stravinsky
2:01
24
Pulcinella (Version 1947): Allegro assai
Igor Stravinsky
1:51
25
Pulcinella (Version 1947): “Con queste paroline” (bass)
Igor Stravinsky
2:14
26
Pulcinella (Version 1947): “Sento dire: non c'è pace” (soprano, tenor, bass) / “Chi disse ca la femmena” (tenor, soprano)
Igor Stravinsky
6:31
27
Pulcinella (Version 1947): Allegro (alla breve)
Igor Stravinsky
1:15
28
Pulcinella (Version 1947): Tarantella
Igor Stravinsky
1:13
29
Pulcinella (Version 1947): “Se tu m'ami”
Igor Stravinsky
2:15
30
Pulcinella (Version 1947): Allegro
Igor Stravinsky
0:56
31
Pulcinella (Version 1947): Gavotta con due variazioni. Allegro moderato
Igor Stravinsky
4:08
32
Pulcinella (Version 1947): Vivo
Igor Stravinsky
1:29
33
Pulcinella (Version 1947): “Pupillette, fiammette d'amore” (bass, tenor, soprano)
Igor Stravinsky
2:19
34
Pulcinella (Version 1947): Allegro assai
Igor Stravinsky
2:02
CD 206: Tchaikovsky: Symphony no. 2 “Little Russian”
1
Symphony no. 2 in C minor “Little Russian”, op. 17: 1. Andante sostenuto - Allegro vivo
Pyotr Ilyich Tchaikovsky
10:39
2
Symphony no. 2 in C minor “Little Russian”, op. 17: 2. Andantino marziale, quasi moderato
Pyotr Ilyich Tchaikovsky
7:11
3
Symphony no. 2 in C minor “Little Russian”, op. 17: 3. Scherzo. Allegro molto vivace - Trio, L'istesso temnpo
Pyotr Ilyich Tchaikovsky
5:15
4
Symphony no. 2 in C minor “Little Russian”, op. 17: 4. Moderato assai - Allegro vivo - Presto
Pyotr Ilyich Tchaikovsky
10:34
CD 207: Tchaikovsky: Symphony no. 4
1
Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo
Pyotr Ilyich Tchaikovsky
18:15
2
Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone
Pyotr Ilyich Tchaikovsky
9:06
3
Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro
Pyotr Ilyich Tchaikovsky
5:41
4
Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco
Pyotr Ilyich Tchaikovsky
8:34
CD 208: Tchaikovsky: Symphony no. 5
1
Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima
Pyotr Ilyich Tchaikovsky
15:01
2
Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I
Pyotr Ilyich Tchaikovsky
12:33
3
Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato
Pyotr Ilyich Tchaikovsky
5:56
4
Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
Pyotr Ilyich Tchaikovsky
12:14
CD 209: Tchaikovsky: Symphony no. 6 “Pathétique”
1
Symphony no. 6 in B minor “Pathétique”, op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
Pyotr Ilyich Tchaikovsky
17:54
2
Symphony no. 6 in B minor “Pathétique”, op. 74: 2. Allegro con grazia
Pyotr Ilyich Tchaikovsky
8:09
3
Symphony no. 6 in B minor “Pathétique”, op. 74: 3. Allegro molto vivace
Pyotr Ilyich Tchaikovsky
9:14
4
Symphony no. 6 in B minor “Pathétique”, op. 74: 4. Finale. Adagio lamentoso - Andante
Pyotr Ilyich Tchaikovsky
9:43
CD 210: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”
1
The Tempest, op. 18 (Symphonic Fantasia after Shakespeare)
Pyotr Ilyich Tchaikovsky
23:15
2
Slavonic March, op. 31
Pyotr Ilyich Tchaikovsky
10:39
3
Romeo and Juliet (Fantasy Overture after Shakespeare)
Pyotr Ilyich Tchaikovsky
20:09
4
Ouverture solennelle “1812”, op. 49
Pyotr Ilyich Tchaikovsky
14:40
CD 211: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase
1
Romeo and Juliet (Fantasy Overture after Shakespeare)
Alexander Scriabin
20:30
2
Le Poème de L'extase, op. 54
Alexander Scriabin
19:32
CD 212: Tchaikovsky: Piano Concerto no. 1 (Argerich)
1
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
Pyotr Ilyich Tchaikovsky
19:12
2
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
Pyotr Ilyich Tchaikovsky
6:30
3
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
Pyotr Ilyich Tchaikovsky
6:19
CD 213: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)
1
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
Pyotr Ilyich Tchaikovsky
23:20
2
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
Pyotr Ilyich Tchaikovsky
7:44
3
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
Pyotr Ilyich Tchaikovsky
6:39
CD 214: Tchaikovsky & Mendelssohn: Violin Concertos
1
Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato
Pyotr Ilyich Tchaikovsky
17:04
2
Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante
Pyotr Ilyich Tchaikovsky
6:14
3
Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo
Pyotr Ilyich Tchaikovsky
9:05
4
Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato
Felix Mendelssohn
11:29
5
Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante
Felix Mendelssohn
7:48
6
Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace
Felix Mendelssohn
6:26
CD 215: Verdi: Overtures and Preludes
1
La forza del destino: Sinfonia
Giuseppe Verdi
7:21
2
Luisa Miller: Sinfonia
Giuseppe Verdi
5:45
3
Nabucco: Sinfonia
Giuseppe Verdi
7:30
4
Aida: Preludio
Giuseppe Verdi
4:21
5
La traviata: Preludio to Act I
Giuseppe Verdi
4:02
6
Macbeth: Ballabile
Giuseppe Verdi
9:22
7
La traviata: Preludio to Act III
Giuseppe Verdi
3:46
8
Don Carlos: Preludio to Act II
Giuseppe Verdi
2:46
9
Les Vêpres siciliennes: Ouverture
Giuseppe Verdi
9:27
CD 216: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)
1
Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)
Giuseppe Verdi
8:56
2
Messa da Requiem: Dies Irae. “Dies irae” (chorus)
Giuseppe Verdi
2:20
3
Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)
Giuseppe Verdi
3:09
4
Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)
Giuseppe Verdi
5:11
5
Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)
Giuseppe Verdi
3:45
6
Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)
Giuseppe Verdi
3:52
7
Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)
Giuseppe Verdi
4:04
8
Messa da Requiem: Dies Irae. “Ingemisco” (tenor)
Giuseppe Verdi
3:34
9
Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)
Giuseppe Verdi
5:26
10
Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)
Giuseppe Verdi
6:14
11
Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)
Giuseppe Verdi
10:55
CD 217: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)
1
Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)
Giuseppe Verdi
2:44
2
Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)
Giuseppe Verdi
5:05
3
Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)
Giuseppe Verdi
6:21
4
Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)
Giuseppe Verdi
14:20
5
Quattro pezzi sacri: Ave Maria
Giuseppe Verdi
5:28
6
Quattro pezzi sacri: Stabat Mater
Giuseppe Verdi
13:29
7
Quattro pezzi sacri: Laudi alla Vergine Maria
Giuseppe Verdi
5:38
8
Quattro pezzi sacri: Te Deum
Giuseppe Verdi
16:06
CD 218: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)
1
Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)
Giuseppe Verdi
9:17
2
Messa da Requiem: Dies Irae. “Dies irae” (chorus)
Giuseppe Verdi
2:25
3
Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)
Giuseppe Verdi
3:27
4
Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)
Giuseppe Verdi
5:19
5
Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)
Giuseppe Verdi
4:08
6
Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)
Giuseppe Verdi
3:43
7
Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)
Giuseppe Verdi
4:25
8
Messa da Requiem: Dies Irae. “Ingemisco” (tenor)
Giuseppe Verdi
3:53
9
Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)
Giuseppe Verdi
5:43
10
Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)
Giuseppe Verdi
6:30
CD 219: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)
1
Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)
Giuseppe Verdi
11:26
2
Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)
Giuseppe Verdi
2:41
3
Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)
Giuseppe Verdi
5:27
4
Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)
Giuseppe Verdi
6:57
5
Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)
Giuseppe Verdi
13:48
CD 220: Verdi: Macbeth (Acts I & II)
1
Macbeth: Preludio
Giuseppe Verdi
3:16
2
Macbeth: Atto primo. Introduzione e coro di streghe: “Che faceste? dite su!” / Scena e duetto: “Giorno non vidi mai” (Macbeth, Banco, coro)
Giuseppe Verdi
7:46
3
Macbeth: Atto primo. “Due vaticini compiuti or sono” (Macbeth, Banco, coro)
Giuseppe Verdi
3:22
4
Macbeth: Atto primo. Coro di streghe - Stretta dell'introduzione: “S'allontanarono!” / Scena e cavatina: “Nel di della vittoria” (Lady Macbeth)
Giuseppe Verdi
4:16
5
Macbeth: Atto primo. “Vieni! t'affretta!” … “Or tutti sorgete” (Lady Macbeth, servo)
Giuseppe Verdi
7:32
6
Macbeth: Atto primo. Scena e marcia: “O donna mia!” (Macbeth, Lady Macbeth)
Giuseppe Verdi
3:32
7
Macbeth: Atto primo. Gran scena e duetto: “Sappia la sposa mia” … “Fatal mia donna!” (Macbeth, Lady Macbeth)
Giuseppe Verdi
11:32
8
Macbeth: Atto primo. Scena e sestetto (Finale I): “Di destarlo per tempo il re m'impose” (Macduff, Banco, Macbeth, Lady Macbeth, dama, Malcolm, coro) / “Schiudi, inferno, la bocca” (tutti)
Giuseppe Verdi
7:52
9
Macbeth: Atto secondo. Scena ed aria: “Perché mi sfuggi” (Lady Macbeth, Macbeth)
Giuseppe Verdi
2:50
10
Macbeth: Atto secondo. Scena ed aria: “La luce langue” (Lady Macbeth)
Giuseppe Verdi
4:24
11
Macbeth: Atto secondo. Coro de sicari: “Chi osò mandarvi a noi?”
Giuseppe Verdi
3:08
12
Macbeth: Atto secondo. Gran scena: “Studia il passo … Come dal ciel precipita” (Banco)
Giuseppe Verdi
5:14
13
Macbeth: Atto secondo. Finale II: “Salve o re!” (coro, Macbeth, Lady Macbeth, dama, Macduff)
Giuseppe Verdi
1:52
14
Macbeth: Atto secondo. Finale II: “Si colmi il calice” (Lady Macbeth, tutti, Macbeth, sicario)
Giuseppe Verdi
6:26
15
Macbeth: Atto secondo. Finale II: “Va', spirto d'abisso!” (Macbeth, tutti, Lady Macbeth, Macduff)
Giuseppe Verdi
6:47
CD 221: Verdi: Macbeth (Acts III & IV)
1
Macbeth: Atto terzo. Coro d'introduzione - Incantesimo “Tre volte miagola” (coro)
Giuseppe Verdi
3:49
2
Macbeth: Atto terzo. Ballo. Allegro vivicissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco più mosso
Giuseppe Verdi
9:53
3
Macbeth: Atto terzo. Gran scena delle apparizioni: “Finché appeli” (Macbeth, coro, tre apparizioni)
Giuseppe Verdi
6:59
4
Macbeth: Atto terzo. Gran scena delle apparizioni: “Fuggi, regal fantasima” (Macbeth, coro)
Giuseppe Verdi
4:33
5
Macbeth: Atto terzo. Coro di streghe e ballabile: “Ondine e Silfidi”
Giuseppe Verdi
4:03
6
Macbeth: Atto terzo. Scena e duetto (Finale III): “Ove son io?” … “Ora di morte” (Macbeth, araldo, Lady Macbeth)
Giuseppe Verdi
3:21
7
Macbeth: Atto quarto. Coro di profughi scozzesi: “Patria oppressa!”
Giuseppe Verdi
6:22
8
Macbeth: Atto quarto. Scena ed aria: “O figli, o figli miei … Ah, la paterna mano” (Macduff)
Giuseppe Verdi
3:41
9
Macbeth: Atto quarto. Scena ed aria: “Dove siam? che bosco è quello?” (Malcolm, coro, Macduff)
Giuseppe Verdi
2:54
10
Macbeth: Atto quarto. Gran scena del sonnambulismo: “Vegliammo invan due notti” (medico, dama)
Giuseppe Verdi
5:19
11
Macbeth: Atto quarto. Gran scena del sonnambulismo: “Una macchia è qui tuttora” (Lady Macbeth, medico, dama)
Giuseppe Verdi
7:54
12
Macbeth: Atto quarto. Scena ed aria: “Perfidi! All'anglo contro me v'unite!” (Macbeth)
Giuseppe Verdi
1:46
13
Macbeth: Atto quarto. Scena ed aria: “Pietà, rispetto, amore” (Macbeth)
Giuseppe Verdi
3:35
14
Macbeth: Atto quarto. Scena e battaglia: “Ella è morta!” (coro, Macbeth, dama, Macduff)
Giuseppe Verdi
3:44
15
Macbeth: Atto quarto. Morte di Macbeth: “Mal per me m'affidai” (Macbeth)
Giuseppe Verdi
2:31
16
Macbeth: Atto quarto. Inno di vittoria (Finale): “Vittoria!” (coro, Malcolm, Macduff)
Giuseppe Verdi
3:32
CD 222: Verdi: Simon Boccanegra (Prologue & Act I)
1
Simon Boccanegra: Prologo. Introduzione … “Che dicesti?” (Paolo, Pietro, Simon, coro)
Giuseppe Verdi
7:08
2
Simon Boccanegra: Prologo. “L'atra magion vedete?” (Paolo, coro, Pietro)
Giuseppe Verdi
3:01
3
Simon Boccanegra: Prologo. “A te l'estremo addio … Il lacerato spirito” (Fiesco, coro)
Giuseppe Verdi
5:38
4
Simon Boccanegra: Prologo. “Suona ogni labbro il mio nome” (Simon, Fiesco)
Giuseppe Verdi
6:21
5
Simon Boccanegra: Prologo. “Oh, de'Fieschi implacata, orrida razza” (Simon, Fiesco, coro, Paolo, Pietro)
Giuseppe Verdi
3:56
6
Simon Boccanegra: Atto primo, Quadro primo. Introduzione: L'aurora
Giuseppe Verdi
2:13
7
Simon Boccanegra: Atto primo, Quadro primo. “Come in quest'ora bruna” (Amelia)
Giuseppe Verdi
4:07
8
Simon Boccanegra: Atto primo, Quadro primo. “Cielo di stelle orbato” … “Vieni a mirar la cerula marina tremolante” (Gabriele, Amelia, ancella, Pietro)
Giuseppe Verdi
7:26
9
Simon Boccanegra: Atto primo, Quadro primo. “Propizio ei giunge!” (Gabriele, Fiesco)
Giuseppe Verdi
4:36
10
Simon Boccanegra: Atto primo, Quadro primo. “Il doge vien” (Gabriele, Fiesco, doge, Paolo, Amelia)
Giuseppe Verdi
3:50
11
Simon Boccanegra: Atto primo, Quadro primo. “Orfanella il tetto umile” … “Figlia! a tal nome io palpito” (Amelia, doge)
Giuseppe Verdi
9:39
12
Simon Boccanegra: Atto primo, Quadro primo. “Che rispose?” (Paolo, doge, Pietro)
Giuseppe Verdi
1:11
13
Simon Boccanegra: Atto primo, Quadro secondo. “Messeri, il re di Tartaria vi porge” (doge, Paolo, Pietro, Gabriele, coro)
Giuseppe Verdi
7:00
14
Simon Boccanegra: Atto primo, Quadro secondo. “Ferischi!” / “Amelia!” (Amelia, Gabriele, doge, Fiesco, coro)
Giuseppe Verdi
0:56
15
Simon Boccanegra: Atto primo, Quadro secondo. “Amelia, di come fosti rapita” (Boccanegra, Amelia, Gabriele, Paolo, Pietro, Fiesco, coro)
Giuseppe Verdi
2:33
16
Simon Boccanegra: Atto primo, Quadro secondo. “Plebe! Patrizi! Popolo … Piango su voi” (doge, Amelia, Fiesco, Gabriele, Pietro, Paolo, coro)
Giuseppe Verdi
5:02
17
Simon Boccanegra: Atto primo, Quadro secondo. “Ecco la spada” … “Sia maledetto!” (Gabriele, doge, Paolo, Amelia, Fiesco, Pietro, coro)
Giuseppe Verdi
4:31
CD 223: Verdi: Simon Boccanegra (Acts II & III)
1
Simon Boccanegra: Atto secondo. “Quei due vedesti?” (Paolo, Pietro)
Giuseppe Verdi
2:38
2
Simon Boccanegra: Atto secondo. “Prigioneri in qual loco m'adduci?” (Fiesco, Paolo)
Giuseppe Verdi
1:51
3
Simon Boccanegra: Atto secondo. “Udisti?” / “Vil disegno!” … “Sento avvampar nell'anima … Cielo pietoso” (Paolo, Gabriele)
Giuseppe Verdi
5:48
4
Simon Boccanegra: Atto secondo. “Tu qui?” / “Amelia!” (Amelia, Gabriele)
Giuseppe Verdi
4:31
5
Simon Boccanegra: Atto secondo. “Figlia!” / “Sì afflitto, o padre mio?” (doge, Amelia)
Giuseppe Verdi
5:56
6
Simon Boccanegra: Atto secondo. “Oh! Amelia, ami un nemico” … “Perdono, Amelia” (doge, Gabriele, Amelia)
Giuseppe Verdi
6:56
7
Simon Boccanegra: Atto secondo. “All'armi, all'armi, o Liguri” (coro, Amelia, Gabriele, doge)
Giuseppe Verdi
1:28
8
Simon Boccanegra: Atto terzo. “Evviva il doge!” (coro, capitano, Fiesco, Paolo)
Giuseppe Verdi
6:54
9
Simon Boccanegra: Atto terzo. “M'ardon le tempia” … “Come un fantasima Fiesco t'appar” (doge, Fiesco)
Giuseppe Verdi
7:13
10
Simon Boccanegra: Atto terzo. “Piango, perché mi parla in te” (Fiesco, doge)
Giuseppe Verdi
3:48
11
Simon Boccanegra: Atto terzo. “Chi veggo! Tu qui?” (Amelia, doge, Gabriele, Fiesco)
Giuseppe Verdi
2:43
12
Simon Boccanegra: Atto terzo. “Gran Dio, li benedici” (doge, Amelia, Gabriele, Fiesco, coro)
Giuseppe Verdi
7:26
CD 224: Verdi: Un ballo in maschera (Act I)
1
Un ballo in maschera: Preludio
Giuseppe Verdi
4:30
2
Un ballo in maschera: Atto primo. “Posa in pace” (coro, Samuel, Tom)
Giuseppe Verdi
1:54
3
Un ballo in maschera: Atto primo. “S’avanza il conte” (Oscar, Riccardo, coro, Samuel, Tom, Renato)
Giuseppe Verdi
5:56
4
Un ballo in maschera: Atto primo. Aria: “Alla vita che t’arride” (Renato, Oscar, giudice, Riccardo)
Giuseppe Verdi
3:54
5
Un ballo in maschera: Atto primo. Ballata: “Volta la terrea fronte alle stelle” (Oscar, Riccardo, giudice)
Giuseppe Verdi
1:51
6
Un ballo in maschera: Atto primo. “Signori, oggi d’Ulrica” (Riccardo, Renato, Oscar, Samuel, Tom, coro)
Giuseppe Verdi
2:57
7
Un ballo in maschera: Atto primo. Invocazione: “Zitti, L’incanto non dessi turbare” (coro, Ulrica, Riccardo, Silvano, servo)
Giuseppe Verdi
9:38
8
Un ballo in maschera: Atto primo. Terzetto: “Che v’agita così?” (Ulrica, Amelia, Riccardo, coro) / Canzone: “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Oscar, Samuel, Tom, coro, Ulrica)
Giuseppe Verdi
4:39
9
Un ballo in maschera: Atto primo. “Su profetessa” – “Di’ tu se fedele il flutto m’aspetta” (Samuel, Tom, Aderenti, Oscar, Riccardo, Ulrica)
Giuseppe Verdi
4:46
10
Un ballo in maschera: Atto primo. “È la destra d’un grande” (Ulrica, Oscar, Riccardo, Samuel, Tom, coro) / Quintetto: “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, coro)
Giuseppe Verdi
5:05
11
Un ballo in maschera: Atto primo. Scena ed inno (Finale I): “Finisci il vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, coro, Silvano, Oscar)
Giuseppe Verdi
4:12
CD 225: Verdi: Un ballo in maschera (Acts II & III)
1
Un ballo in maschera: Atto secondo. Preludio
Giuseppe Verdi
2:25
2
Un ballo in maschera: Atto secondo. Scena ed aria: “Ecco l’orrido campo … Ma dall’arido stelo divulsa” (Amelia)
Giuseppe Verdi
6:42
3
Un ballo in maschera: Atto secondo. Duetto: “Teco io sto” (Riccardo, Amelia)
Giuseppe Verdi
9:21
4
Un ballo in maschera: Atto secondo. Terzetto: “Ahimè! S’appressa alcun!” (Amelia, Riccardo, Renato)
Giuseppe Verdi
4:45
5
Un ballo in maschera: Atto secondo. Scena, coro e quartetto (Finale II): “Seguitemi” (Renato, Amelia, Samuel, Tom, coro)
Giuseppe Verdi
7:15
6
Un ballo in maschera: Atto terzo. “A tal colpa è nulla il pianto” (Renato, Amelia)
Giuseppe Verdi
2:07
7
Un ballo in maschera: Atto terzo. Aria: “Morrò, ma prima in grazia” (Amelia, Renato)
Giuseppe Verdi
6:25
8
Un ballo in maschera: Atto terzo. Aria: “Eri tu che macchiavi quell’anima” (Renato)
Giuseppe Verdi
3:56
9
Un ballo in maschera: Atto terzo. Congiura: “Siam soli. Udite” (Renato, Tom, Samuel, Amelia, Oscar)
Giuseppe Verdi
8:20
10
Un ballo in maschera: Atto terzo. Scena e quintetto: “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom)
Giuseppe Verdi
4:01
11
Un ballo in maschera: Atto terzo. Finale III. Scena e romanza: “Forse la soglia attinse … Ma se m’è forza perderti” (Riccardo)
Giuseppe Verdi
5:15
12
Un ballo in maschera: Atto terzo. Finale III. Festa da ballo e coro: “Ah, dessa è là” (Riccardo, Oscar, coro, Samuel, Renato, Tom)
Giuseppe Verdi
3:13
13
Un ballo in maschera: Atto terzo. Finale III. Canzone: “Saper vorreste di che si veste” (Oscar, coro, Renato)
Giuseppe Verdi
3:42
14
Un ballo in maschera: Atto terzo. Finale III. Scena e duettino: “Ah! perché qui! Fuggite” (Amelia, Riccardo, Renato, Oscar, coro)
Giuseppe Verdi
5:05
15
Un ballo in maschera: Atto terzo. Finale III. Scena finale: “Ella è pura” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom)
Giuseppe Verdi
5:17
CD 226: Verdi: Don Carlos (Acts I & II beg.)
1
Don Carlos : Premier Acte. Introduction : « Le cerf s’enfuit sous la ramure » (chœur)
Giuseppe Verdi
1:22
2
Don Carlos : Premier Acte. Récit et romance : « Fontainebleau ! Forêt immense et solitaire ! » (Don Carlos)
Giuseppe Verdi
1:47
3
Don Carlos : Premier Acte. Récit et romance : « Je l’ai vue » (Don Carlos)
Giuseppe Verdi
2:20
4
Don Carlos : Premier Acte. Scène et duo : « Le bruit du cor s’éteint sous l'ombre épaisse » (Don Carlos, Thibault, Elisabeth)
Giuseppe Verdi
2:40
5
Don Carlos : Premier Acte. Scène et duo : « Que faites-vous donc ? … De quels transports » (Elisabeth, Don Carlos)
Giuseppe Verdi
8:15
6
Don Carlos : Premier Acte. Scène et final : « À celui qui vous vient » … « L’heure fatale est sonnée ! » (Thibault, Elisabeth, Don Carlos)
Giuseppe Verdi
2:03
7
Don Carlos : Premier Acte. Scène et final : « Ô chants de fête » (chœur, Elisabeth, Don Carlos, Lerme)
Giuseppe Verdi
6:44
8
Don Carlos : Deuxième Acte, Premier Tableau. Scène et prière : « Charles-Quint, l'auguste Empereur » (chœur, moine)
Giuseppe Verdi
5:52
9
Don Carlos : Deuxième Acte, Premier Tableau. Scène et prière : « Au couvent de Saint-Just » (Don Carlos, moine)
Giuseppe Verdi
1:47
10
Don Carlos : Deuxième Acte, Premier Tableau. Scène et duo : « Le voilà ! C’est l’enfant ! » … « Dieu, tu semas dans nos âmes » (Rodrigue, Don Carlos, chœur, moine)
Giuseppe Verdi
7:54
11
Don Carlos : Deuxième Acte, Deuxième Tableau. Chœur et scène : « Sous ces bois au feuillage immense » (chœur, Thibault, Eboli)
Giuseppe Verdi
3:33
12
Don Carlos : Deuxième Acte, Deuxième Tableau. Chanson du voile : « Au palais des fées » (Eboli, Thibault, chœur)
Giuseppe Verdi
4:00
13
Don Carlos : Deuxième Acte, Deuxième Tableau. Scène, terzettino, dialogué et romance : « La Reine ! » … « L’infant Carlos, notre espérance » (chœur, Eboli, Elisabeth, Thibault, Rodrigue)
Giuseppe Verdi
8:24
CD 227: Verdi: Don Carlos (Acts II cont. & III)
1
Don Carlos : Deuxième Acte, Deuxième Tableau. Grande scène et duo : « Je viens solliciter de la Reine une grâce … Ô bien perdu … Par quelle douce voix » (Don Carlos, Elisabeth)
Giuseppe Verdi
9:36
2
Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et romance : « Le roi ! » (Thibault, Philippe, chœur)
Giuseppe Verdi
1:10
3
Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et romance : « O ma chère compagne » (Elisabeth, chœur, Rodrigue, Philippe)
Giuseppe Verdi
4:18
4
Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et duo : « Restez ! » … « Ô roi ! J’arrive de Flandre » (Philippe, Rodrigue)
Giuseppe Verdi
10:50
5
Don Carlos : Troisième Acte. Prélude
Giuseppe Verdi
2:35
6
Don Carlos : Troisième Acte, Premier Tableau. Scène, duo et trio : « À minuit, aux jardins de la Reine » (Don Carlos)
Giuseppe Verdi
0:36
7
Don Carlos : Troisième Acte, Premier Tableau. « C’est vous ! » (Don Carlos, Eboli)
Giuseppe Verdi
4:03
8
Don Carlos : Troisième Acte, Premier Tableau. « Que dit-il ? » (Rodrigue, Eboli, Don Carlos)
Giuseppe Verdi
7:05
9
Don Carlos : Troisième Acte, Deuxième Tableau. Grand final : « Ce jour heureux est plein d’allégresse ! » (chœur, héraut)
Giuseppe Verdi
9:00
10
Don Carlos : Troisième Acte, Deuxième Tableau. « En plaçant sur mon front, peuple, cette couronne » … « Sire, la dernière heure a-t-elle donc sonné » (Philippe, chœur, Elisabeth, Rodrigue, Don Carlos, députés flamands, Thibault, voix d'en haut)
Giuseppe Verdi
10:29
CD 228: Verdi: Don Carlos (Act IV)
1
Don Carlos : Quatrième Acte, Premier Tableau. Scène et cantabile : « Elle ne m’aime pas ! » (Philippe)
Giuseppe Verdi
9:26
2
Don Carlos : Quatrième Acte, Premier Tableau. Scène : « Le Grand Inquisiteur ! » … « Dans ce beau pays » (Lerme, Inquisiteur, Philippe)
Giuseppe Verdi
9:06
3
Don Carlos : Quatrième Acte, Premier Tableau. Scène et quatuor : « Justice ! Sire ! » … « Maudit soit le soupçon infâme » (Elisabeth, Philippe, Eboli, Rodrigue)
Giuseppe Verdi
8:31
4
Don Carlos : Quatrième Acte, Premier Tableau. Scène et air « Pitié ! Pardon pour la femme coupable ! » (Eboli, Elisabeth)
Giuseppe Verdi
3:05
5
Don Carlos : Quatrième Acte, Premier Tableau. « Ah ! Je ne verrai plus la Reine ! Ô don fatal et détesté » (Eboli)
Giuseppe Verdi
4:16
6
Don Carlos : Quatrième Acte, Deuxième Tableau. Mort de Rodrigue : « C’est moi, Carlos » (Rodrigue, Don Carlos)
Giuseppe Verdi
3:02
7
Don Carlos : Quatrième Acte, Deuxième Tableau. « C’est mon jour suprême » (Rodrigue)
Giuseppe Verdi
2:45
8
Don Carlos : Quatrième Acte, Deuxième Tableau. « Que parles-tu de mort ? » (Don Carlos, Rodrigue)
Giuseppe Verdi
1:38
9
Don Carlos : Quatrième Acte, Deuxième Tableau. « Carlos, écoute … Ah ! Je meurs l’âme joyeuse » (Rodrigue)
Giuseppe Verdi
3:41
10
Don Carlos : Quatrième Acte, Deuxième Tableau. Émeute : « Mon fils, reprenez votre épée » … « Ciel ! Le tocsin ! » (Philippe, Don Carlos, chœur, Lerme, Eboli, Inquisiteur)
Giuseppe Verdi
3:12
CD 229: Verdi: Don Carlos (Act V & Appendix)
1
Don Carlos : Cinquième Acte. Scène et air : « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth)
Giuseppe Verdi
10:36
2
Don Carlos : Cinquième Acte. Scène et duo d’adieu (Scène finale) : « C'est elle ! … J’avais fait un beau rêve ! » … « Au revoir dans un monde où la vie est meilleure » (Don Carlos, Elisabeth)
Giuseppe Verdi
9:44
3
Don Carlos : Cinquième Acte. Scène finale « Oui, pour toujours ! » (Philippe, Inquisiteur, Elisabeth, Don Carlos, moine, chœur)
Giuseppe Verdi
1:39
4
Don Carlos : Appendice. 1. Prélude et introduction : « L’hiver est long » (chœur, bûcheron, Elisabeth)
Giuseppe Verdi
9:38
5
Don Carlos : Appendice. 2. Introduction et chœur : « Que de fleurs » … « Pour une nuit me voilà Reine » (chœur, Elisabeth, Eboli)
Giuseppe Verdi
4:46
6
Don Carlos : Appendice. 3. Le Ballet de la Reine
Giuseppe Verdi
15:14
7
Don Carlos : Appendice. 4. Scène : « J'ai tout compris » (Elisabeth, Eboli)
Giuseppe Verdi
4:47
8
Don Carlos : Appendice. 5. Final : « Mon fils, reprenez votre épée … Qui me rendra ce mort ? » (Philippe, Don Carlos, chœur)
Giuseppe Verdi
7:23
9
Don Carlos : Appendice. 6. Final : « Oui pour toujours ! … Ah ! Sois maudit, artisan d’une œuvre détestée ! » (Philippe, Inquisiteur, Elisabeth, Don Carlos, chœur, moine)
Giuseppe Verdi
4:11
CD 230: Verdi: Aida (Acts I & II)
1
Aida: Preludio
Giuseppe Verdi
3:36
2
Aida: Atto primo. Introduzione e scena: “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
Giuseppe Verdi
1:35
3
Aida: Atto primo. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès)
Giuseppe Verdi
4:32
4
Aida: Atto primo. Duetto: “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)
Giuseppe Verdi
3:11
5
Aida: Atto primo. Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
Giuseppe Verdi
2:40
6
Aida: Atto primo. Scena e pezzo d'assieme: “Alta cagion v'aduna” (re, messaggero, Radamès, Ramfis, coro, Aida, Amneris)
Giuseppe Verdi
3:09
7
Aida: Atto primo. “Su! del Nilo al sacro lido” (re, Ramfis, coro, Aida, Radamès, Amneris)
Giuseppe Verdi
2:54
8
Aida: Atto primo. Scena: “Ritorna vincitor!” (Aida)
Giuseppe Verdi
5:30
9
Aida: Atto primo. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis)
Giuseppe Verdi
3:16
10
Aida: Atto primo. Danza sacra delle sacerdotesse - “Immenso Fthà” … “Mortal, diletto ai Numi” (sacerdotessa, coro, Ramfis)
Giuseppe Verdi
3:18
11
Aida: Atto primo. Finale I: “Nume, custode e vindice” (Ramfis, Radamès, coro, sacerdotessa)
Giuseppe Verdi
4:16
12
Aida: Atto secondo. Introduzione - Scena e coro di donne: “Chi mai fra gl'inni e i plausi” (coro, Amneris)
Giuseppe Verdi
2:58
13
Aida: Atto secondo. Danza di piccoli schiavi mori - “Vieni: sul crin ti piovano” (coro, Amneris)
Giuseppe Verdi
2:56
14
Aida: Atto secondo. Scena e duetto: “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida)
Giuseppe Verdi
5:06
15
Aida: Atto secondo. “Pietà ti prenda del mio dolor” … “Su! del Nilo al sacro lido” … “Numi, Pietà” (Aida, Amneris, coro)
Giuseppe Verdi
4:06
16
Aida: Atto secondo. Gran finale II: “Gloria all'Egitto, ad Iside” (coro, Ramfis)
Giuseppe Verdi
3:26
17
Aida: Atto secondo. Marcia trionfale
Giuseppe Verdi
1:35
18
Aida: Atto secondo. Ballabile
Giuseppe Verdi
4:22
19
Aida: Atto secondo. “Vieni, o guerriero vindice” (coro)
Giuseppe Verdi
2:23
20
Aida: Atto secondo. “Salvator della patria” (re, Radamès, Ramfis, coro)
Giuseppe Verdi
2:18
21
Aida: Atto secondo. “Che veggo! Egli? Mio padre!” … “Anch'io pugnai” … “Ma tu, re, tu signore possente” (Aida, Amneris, Amonasro, re, Ramfis, coro)
Giuseppe Verdi
3:26
22
Aida: Atto secondo. “Il dolor che in quel volto favella” … “Ma tu, o re” (Radamès, Amneris, Amonasro, re, Aida, coro, Ramfis)
Giuseppe Verdi
2:13
23
Aida: Atto secondo. “O re: pei sacri Numi!” … “Gloria all'Egitto” (Radamès, re, Amneris, coro, Ramfis, Aida, Amonasro)
Giuseppe Verdi
5:28
CD 231: Verdi: Aida (Acts III & IV)
1
Aida: Atto terzo. Introduzione e preghiera: “O tu che sei d'Osiride” … “Vieni d'Iside al tempio” (coro, Ramfis, Amneris)
Giuseppe Verdi
4:11
2
Aida: Atto terzo. Romanza: “Qui Radamès verrà! … O patria mia” (Aida)
Giuseppe Verdi
6:34
3
Aida: Atto terzo. Duetto: “Ciel, mio padre!” … “Rivedrai le foreste imbalsamate” (Aida, Amonasro)
Giuseppe Verdi
7:37
4
Aida: Atto terzo. Duetto: “Pur ti riveggo, mia dolce Aida” … “Nel fiero anelito” (Radamès, Aida)
Giuseppe Verdi
3:14
5
Aida: Atto terzo. “Fuggiam gli ardori inospiti … Là, tra foreste vergini” (Aida, Radamès)
Giuseppe Verdi
6:08
6
Aida: Atto terzo. Finale III: “Ma dimmi, per qual via” (Aida, Radamès, Amonasro, Amneris, Ramfis)
Giuseppe Verdi
3:21
7
Aida: Atto quarto. Scena: “L'aborrita rivale a me sfuggia” (Amneris)
Giuseppe Verdi
3:04
8
Aida: Atto quarto. Duetto: “Già i sacerdoti adunansi” (Amneris, Radamès)
Giuseppe Verdi
6:32
9
Aida: Atto quarto. Scena del giudizio: “Ohimè! morir mi sento” … “Spirto del Nume” (Amneris, Ramfis, coro)
Giuseppe Verdi
7:56
10
Aida: Atto quarto. “A lui vivo la tomba … Sacerdoti, compiste un delitto!” (Amneris, Ramfis, coro)
Giuseppe Verdi
3:12
11
Aida: Atto quarto. Scena e duetto: “La fatal pietra sovra me si chiuse” (Radamès, Aida)
Giuseppe Verdi
5:22
12
Aida: Atto quarto. Finale ultimo: “Immenso Fthà” … “O terra, addio” (coro, Aida, Radamès, Amneris)
Giuseppe Verdi
5:20
CD 232: Verdi: Falstaff (Acts I & II beg.)
1
Falstaff: Atto primo, prima parte. “Falstaff!” / “Olà!” / “Sir John Falstaff!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
Giuseppe Verdi
4:59
2
Falstaff: Atto primo, prima parte. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)
Giuseppe Verdi
2:36
3
Falstaff: Atto primo, prima parte. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Bardolfo, Pistola)
Giuseppe Verdi
3:46
4
Falstaff: Atto primo, prima parte. “L'onore! Ladri!” (Falstaff)
Giuseppe Verdi
4:07
5
Falstaff: Atto primo, seconda parte. “Alice” / “Meg” / “Nannetta” (Meg, Alice, Quickly, Nannetta)
Giuseppe Verdi
1:17
6
Falstaff: Atto primo, seconda parte. “Fulgida Alice! amor t'offro” … “Quell'otre! quel tino!” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Fenton, Pistola, Ford)
Giuseppe Verdi
3:41
7
Falstaff: Atto primo, seconda parte. “In due parole” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
Giuseppe Verdi
1:22
8
Falstaff: Atto primo, seconda parte. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)
Giuseppe Verdi
5:09
9
Falstaff: Atto primo, seconda parte. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Nannetta, Meg, Quickly, Fenton)
Giuseppe Verdi
3:04
10
Falstaff: Atto secondo, prima parte. “Siam pentiti e contriti” / “Reverenza!” (Bardolfo, Pistola, Falstaff, Quickly)
Giuseppe Verdi
5:45
11
Falstaff: Atto secondo, prima parte. “Alice è mia! Va', vecchio John” (Falstaff, Bardolfo)
Giuseppe Verdi
1:49
12
Falstaff: Atto secondo, prima parte. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
Giuseppe Verdi
2:33
13
Falstaff: Atto secondo, prima parte. “C'è a Windsor una dama” (Ford, Falstaff)
Giuseppe Verdi
6:27
14
Falstaff: Atto secondo, prima parte. “È sogno? o realtà?” (Ford, Falstaff)
Giuseppe Verdi
5:37
CD 233: Verdi: Falstaff (Acts II cont. & III)
1
Falstaff: Atto secondo, seconda parte. “Presenteremo un bill” … “Giunta all'albergo della Giarrettiera” (Alice, Quickly, Meg, Nannetta)
Giuseppe Verdi
3:54
2
Falstaff: Atto secondo, seconda parte. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
Giuseppe Verdi
1:36
3
Falstaff: Atto secondo, seconda parte. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)
Giuseppe Verdi
3:17
4
Falstaff: Atto secondo, seconda parte. “Quand'ero paggio” (Falstaff, Alice, Quickly)
Giuseppe Verdi
1:01
5
Falstaff: Atto secondo, seconda parte. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola)
Giuseppe Verdi
2:41
6
Falstaff: Atto secondo, seconda parte. “Vien qua” / “Che chiasso!” (Nannetta, Fenton, Dr. Cajus, Ford, Pistola, Bardolfo)
Giuseppe Verdi
1:37
7
Falstaff: Atto secondo, seconda parte. “C'è” / “C'è” / “Se t'agguanto!” … “Se ti piglio!” (Ford, Dr. Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, coro, Alice)
Giuseppe Verdi
5:00
8
Falstaff: Atto terzo, prima parte 1. “Ehi! Taverniere! Mondo ladro” (Falstaff)
Giuseppe Verdi
5:44
9
Falstaff: Atto terzo, prima parte 1. “Reverenza. La bella Alice” … “Quando il rintocco della mezzanotte” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus)
Giuseppe Verdi
5:04
10
Falstaff: Atto terzo, prima parte 1. “Brava. Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
Giuseppe Verdi
4:36
11
Falstaff: Atto terzo, seconda parte. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
Giuseppe Verdi
5:19
12
Falstaff: Atto terzo, seconda parte. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
Giuseppe Verdi
3:16
13
Falstaff: Atto terzo, seconda parte. “Ninfe! Elfi! Silfi!” … “Sul fil d'un soffio etesio” (Nannetta, coro, Falstaff, Alice)
Giuseppe Verdi
5:29
14
Falstaff: Atto terzo, seconda parte. “Alto là” / “Chi va là” … “Pizzica, pizzica” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, coro, Ford, Dr. Cajus)
Giuseppe Verdi
6:01
15
Falstaff: Atto terzo, seconda parte. “Ogni sorta di gente dozzinale” (Falstaff, Alice, Meg, Quickly, coro, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus)
Giuseppe Verdi
3:20
16
Falstaff: Atto terzo, seconda parte. “Facciamo il parentado” … “Tutto nel mondo è burla” (Ford, Bardolfo, Pistola, Alice, Nannetta, Fenton, Quickly, Meg, Falstaff, Dr. Cajus, coro)
Giuseppe Verdi
3:22
CD 234: Verdi: Choruses
1
Nabucco: “Gli arredi festivi”
Giuseppe Verdi
5:14
2
Nabucco: “Va', pensiero, sull'ali dorate”
Giuseppe Verdi
4:22
3.0 ★
3
Il trovatore: “Vedi! le fosche notturne spoglie”
Giuseppe Verdi
3:56
4
Otello: “Fuoco di gioia”
Giuseppe Verdi
2:45
5
Ernani: “Si ridesti il Leon di Castiglia”
Giuseppe Verdi
1:28
6
Aida: “Gloria all'Egitto”
Giuseppe Verdi
7:19
7
Aida: “O tu che sei d'Osiride” (coro, Ramfis, Amneris)
Giuseppe Verdi
4:21
8
Macbeth (1865 version): “Che faceste? dite su!”
Giuseppe Verdi
3:29
9
Macbeth (1865 version): “S'allontanarono!”
Giuseppe Verdi
2:07
10
Macbeth (1865 version): “Patria oppressa!”
Giuseppe Verdi
6:15
11
I lombardi alla prima crociata: “Gerusalem!”
Giuseppe Verdi
5:17
12
I lombardi alla prima crociata: “O Signore, dal tetto natio”
Giuseppe Verdi
3:59
13
Don Carlo (Modena version, 1886): “Spuntato ecco il di d'esultanza”
Giuseppe Verdi
6:29
14
Un ballo in maschera: “Posa in pace” (coro, Samuel, Tom)
Giuseppe Verdi
2:00
15
Simon Boccanegra: “Maria! Maria!” … “Viva Simon” (coro, Simone, Fiesco, Paolo, Pietro)
Giuseppe Verdi
2:17
16
Messa da Requiem: “Dies irae”
Giuseppe Verdi
2:23
17
Messa da Requiem: “Tuba mirum” (coro, bass)
Giuseppe Verdi
1:55
18
Messa da Requiem: “Sanctus, Sanctus, Sanctus Dominus”
Giuseppe Verdi
2:44
19
Don Carlos (Paris version, 1867): “Ce jour heureux est plein d'allégresse!”
Giuseppe Verdi
7:10
20
Aida: “Vieni, o guerriero vindice” (coro, Ramfis)
Giuseppe Verdi
2:30
CD 235: Verdi: Arias
1
Luisa Miller: “Oh! Fede negar potessi” (Rodolfo)
Giuseppe Verdi
1:39
2
Luisa Miller: “Quando le sere al placido” (Rodolfo)
Giuseppe Verdi
4:10
3
I lombardi alla prima crociata: “La mia letizia infondere” (Oronte)
Giuseppe Verdi
2:22
4
Aida: “Se quel guerrier io fossi” (Radamès)
Giuseppe Verdi
0:55
5
Aida: “Celeste Aida” (Radamès)
Giuseppe Verdi
3:32
6
Ernani: “Mercé, diletti amici” (Ernani)
Giuseppe Verdi
1:02
7
Ernani: “Come rugiada al cespite” (Ernani)
Giuseppe Verdi
2:31
8
Ernani: “Dell'esilio nel dolore … O tu che l'alma adora” (Ernani, chorus)
Giuseppe Verdi
3:11
9
Un ballo in maschera: “Forse la soglia attinse” (Riccardo)
Giuseppe Verdi
2:30
10
Un ballo in maschera: “Ma se m'è forza perderti” (Riccardo)
Giuseppe Verdi
3:02
11
Otello: “Dio, mi potevi scagliar” (Otello)
Giuseppe Verdi
2:21
12
Otello: “Ma, o pianto, o duol!” (Otello)
Giuseppe Verdi
2:36
13
Otello: “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
Giuseppe Verdi
6:12
14
La forza del destino: Introduzione
Giuseppe Verdi
3:58
15
La forza del destino: “La vita è inferno” (Alvaro)
Giuseppe Verdi
2:58
16
La forza del destino: “O tu che in seno agli angeli” (Alvaro)
Giuseppe Verdi
3:49
17
Macbeth: “O figli” (Macduff)
Giuseppe Verdi
1:13
18
Macbeth: “Ah, la paterna mano” (Macduff)
Giuseppe Verdi
2:53
19
Jérusalem: « L'Émir auprès de lui m'appelle » (Gaston)
Giuseppe Verdi
2:52
20
Jérusalem: « Je veux encore entendre ta voix » (Gaston)
Giuseppe Verdi
3:27
21
Il trovatore: “Ah sì, ben mio” (Manrico)
Giuseppe Verdi
3:19
22
Il trovatore: “Di quella pira” (Manrico, Leonora, chorus)
Giuseppe Verdi
3:26
CD 236: Verdi: Arias & Scenes
1
Nabucco: “Gli arredi festivi” … “Sperate, o figli” (coro, Zaccaria, Ismaele)
Giuseppe Verdi
13:09
2
Nabucco: “Va, pensiero, sull'ali dorate” … “Oh, chi piange?” (coro, Zaccaria)
Giuseppe Verdi
9:15
3
Macbeth: “Chi v'impose unirvi a noi?” … “Come dal ciel precipita” (coro, Banco)
Giuseppe Verdi
8:10
4
I vespri siciliani: “O patria … O tu, Palermo” (Procida)
Giuseppe Verdi
8:16
5
Simon Boccanegra: “A te l'estremo addio … Il lacerato spirito” (Fiesco)
Giuseppe Verdi
6:16
CD 237: Vivaldi: Le quattro stagioni / Concerto “Per l'orchestra di Dresda”, RV 577
1
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro
Antonio Vivaldi
3:23
2
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 2. Largo
Antonio Vivaldi
3:00
3
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 3. Allegro. Danza pastorale
Antonio Vivaldi
4:07
4
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 1. Allegro non molto
Antonio Vivaldi
4:47
5
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 2. Adagio - Presto
Antonio Vivaldi
1:47
6
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 3. Presto
Antonio Vivaldi
2:51
7
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 1. Allegro
Antonio Vivaldi
4:40
8
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 2. Adagio molto
Antonio Vivaldi
2:18
9
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 3. Allegro
Antonio Vivaldi
3:13
10
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 1. Allegro non molto
Antonio Vivaldi
3:20
11
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 2. Largo
Antonio Vivaldi
2:05
12
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 3. Allegro
Antonio Vivaldi
3:05
13
Concerto for VIolin, 2 Oboes, Bassoon, Strings and Continuo in G minor “Per l'orchestra di Dresda”, RV 577: 1. (Allegro)
Antonio Vivaldi
3:52
14
Concerto for VIolin, 2 Oboes, Bassoon, Strings and Continuo in G minor “Per l'orchestra di Dresda”, RV 577: 2. Largo non molto
Antonio Vivaldi
2:26
15
Concerto for VIolin, 2 Oboes, Bassoon, Strings and Continuo in G minor “Per l'orchestra di Dresda”, RV 577: 3. Allegro
Antonio Vivaldi
3:38
CD 238: Vivaldi: Le quattro stagioni
1
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro
Antonio Vivaldi
3:05
2
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 2. Largo
Antonio Vivaldi
2:15
3
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 3. Allegro. Danza pastorale
Antonio Vivaldi
3:51
4
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 1. Allegro non molto
Antonio Vivaldi
4:45
5
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 2. Adagio - Presto
Antonio Vivaldi
2:01
6
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 2 in G minor “L'estate”, RV 315: 3. Presto
Antonio Vivaldi
2:50
7
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 1. Allegro
Antonio Vivaldi
4:28
8
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 2. Adagio molto
Antonio Vivaldi
3:32
9
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 3 in F major “L'autunno”, RV 293: 3. Allegro
Antonio Vivaldi
3:06
10
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 1. Allegro non molto
Antonio Vivaldi
3:41
11
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 2. Largo
Antonio Vivaldi
1:29
12
Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 4 in F minor “L'inverno”, RV 297: 3. Allegro
Antonio Vivaldi
3:26
CD 239: Wagner: Orchestral Music
1
Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre
Richard Wagner
14:28
2
Parsifal: Vorspiel zum Ersten Aufzug
Richard Wagner
12:35
3
Parsifal: Suite aus dem Dritten Aufzug: Feierlich bewegt
Richard Wagner
3:11
4
Parsifal: Suite aus dem Dritten Aufzug: Karfreitagszauber. Sehr ruhig, ohne Dehnung
Richard Wagner
6:28
5
Parsifal: Suite aus dem Dritten Aufzug: Verwandlungsmusik und Ritterzug / Langsam (Glockengeläute) - »Geleiten wir im bergenden Schrein den Gral zum heiligen Amte« (Ritter)
Richard Wagner
9:05
6
Parsifal: Suite aus dem Dritten Aufzug: Breit - »Höchsten Heiles Wunder! Erlösung dem Erlöser!« (Knaben, Jünglinge, Ritter)
Richard Wagner
7:14
7
Tristan und Isolde: Vorspiel zum Ersten Aufzug
Richard Wagner
10:14
8
Tristan und Isolde: Isoldes Liebestod
Richard Wagner
6:43
CD 240: Wagner: Opera Arias
1
Der fliegende Holländer: Ouvertüre
Richard Wagner
10:37
2
Der fliegende Holländer: »Die Frist ist um« (Holländer)
Richard Wagner
10:56
3
Die Meistersinger von Nürnberg: »Wahn! Wahn! Überall Wahn!« (Sachs)
Richard Wagner
7:15
4
Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)
Richard Wagner
6:49
5
Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande … O du mein holder Abendstern« (Wolfram)
Richard Wagner
5:40
6
Parsifal: »Nein! Lasst ihn unenthüllt!« (Amfortas)
Richard Wagner
8:05
7
Parsifal: »Ja, Wehe! Wehe! Weh' über mich!« (Amfortas)
Richard Wagner
6:26
8
Die Walküre: »Leb wohl, du kühnes, herrliches Kind!« (Wotan)
Richard Wagner
16:09
CD 241: Wagner Gala 1993
1
Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre
Richard Wagner
14:25
2
Tannhäuser und der Sängerkrieg auf Wartburg: »Dich, teure Halle, grüß ich wieder« (Elisabeth)
Richard Wagner
3:25
3
Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande … O du mein holder Abendstern« (Wolfram)
Richard Wagner
5:48
4
Lohengrin: »In ferner Einsamkeit des Waldes« … »Um Gott, was klagest du mich an?« (Ortrud, Elsa)
Richard Wagner
14:20
5
Die Meistersinger von Nürnberg: Vorspiel zum Ersten Aufzug
Richard Wagner
10:22
6
Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)
Richard Wagner
6:35
7
Die Walküre: »Dich selige Frau« … »Winterstürme wichen dem Wonnemonde« … »Du bist der Lenz, nach dem ich verlangte« (Siegmund, Sieglinde)
Richard Wagner
16:34
8
Die Walküre: Walkürenritt
Richard Wagner
4:58
3.0 ★
CD 242: Wagner: Lohengrin (Acts I & II beg.)
1
Lohengrin: Vorspiel
Richard Wagner
8:24
2
Lohengrin: Erster Aufzug. »Hört! Grafen, Edle, Freie von Brabant!« (Der Heerrufer, Männerchor, König)
Richard Wagner
4:31
3
Lohengrin: Erster Aufzug. »Dank, König, dir, dass du zu richten kamst!« (Friedrich, Männerchor, König, Heerrufer)
Richard Wagner
6:25
4
Lohengrin: Erster Aufzug. »Seht hin! Sie naht, die hart Beklagte!« (Männerchor, König, Elsa)
Richard Wagner
3:37
5
Lohengrin: Erster Aufzug. »Einsam in trüben Tagen« (Elsa, Männerchor, König, Friedrich)
Richard Wagner
7:07
6
Lohengrin: Erster Aufzug. »Des Ritters will ich wahren« (Elsa, Männerchor, König, Heerrufer)
Richard Wagner
2:42
7
Lohengrin: Erster Aufzug. »Ohn' Antwort ist der Ruf verhallt!« (Männerchor, Friedrich, Elsa, König, Heerrufer, Frauenchor)
Richard Wagner
4:39
8
Lohengrin: Erster Aufzug. »Nun sei bedankt, mein lieber Schwan!« (Lohengrin, Chor, König, Elsa)
Richard Wagner
5:22
9
Lohengrin: Erster Aufzug. »Wenn ich im Kampfe für dich siege« (Lohengrin, Elsa)
Richard Wagner
4:03
10
Lohengrin: Erster Aufzug. »Welch holde Wunder muss ich sehen?« (Chor, Lohengrin, Friedrich, König)
Richard Wagner
3:46
11
Lohengrin: Erster Aufzug. »Nun höret mich und achtet wohl« (Heerrufer, Chor, Lohengrin, Friedrich, König, Elsa, Ortrud)
Richard Wagner
7:20
12
Lohengrin: Erster Aufzug. »Durch Gottes Sieg ist jetzt dein Leben mein« (Lohengrin, Chor, König, Elsa, Ortrud, Friedrich)
Richard Wagner
4:02
13
Lohengrin: Zweiter Aufzug. Einleitung
Richard Wagner
4:19
14
Lohengrin: Zweiter Aufzug. »Erhebe dich, Genossin meiner Schmach!« (Friedrich, Ortrud)
Richard Wagner
3:37
15
Lohengrin: Zweiter Aufzug. »Was macht dich in so wilder Klage doch vergehn?« (Ortrud, Friedrich)
Richard Wagner
4:02
CD 243: Wagner: Lohengrin (Act II cont.)
1
Lohengrin: Zweiter Aufzug. »Du wilde Seherin, wie willst du doch« (Friedrich, Ortrud)
Richard Wagner
7:54
2
Lohengrin: Zweiter Aufzug. »Euch Lüften, die mein Klagen« (Elsa, Ortrud, Friedrich)
Richard Wagner
3:25
3
Lohengrin: Zweiter Aufzug. »Elsa!« / »Wer ruft?« (Ortrud, Elsa)
Richard Wagner
5:47
4
Lohengrin: Zweiter Aufzug. »Ortrud, wo bist du?« (Elsa, Ortrud, Friedrich)
Richard Wagner
10:55
5
Lohengrin: Zweiter Aufzug. »In Früh'n versammelt uns der Ruf« (Chor)
Richard Wagner
4:48
6
Lohengrin: Zweiter Aufzug. »Des Königs Wort und Will' tu' ich euch kund« (Heerrufer, Männerchor)
Richard Wagner
6:03
7
Lohengrin: Zweiter Aufzug. »Nun hört, dem Lande will er uns entführen!« (Die vier Edlen, Friedrich, vier Edelknaben)
Richard Wagner
2:06
8
Lohengrin: Zweiter Aufzug. »Gesegnet soll sie schreiten« (Chor)
Richard Wagner
5:32
9
Lohengrin: Zweiter Aufzug. »Zurück, Elsa! Nicht länger will ich dulden« (Ortrud, Chor, Elsa) / »Heil! Heil dem König!« (Chor, König, Elsa, Lohengrin)
Richard Wagner
8:52
10
Lohengrin: Zweiter Aufzug. »O König! Trugbetörte Fürsten! Haltet ein!« (Friedrich, König, Chor, Lohengrin)
Richard Wagner
5:35
11
Lohengrin: Zweiter Aufzug. »Welch ein Geheimnis muss der Held bewahren?« (König, Chor, Ortrud, Friedrich, Lohengrin, Elsa)
Richard Wagner
4:41
12
Lohengrin: Zweiter Aufzug. »Mein Held, entgegne kühn dem Ungetreuen!« (König, Chor, Lohengrin, Friedrich, Elsa)
Richard Wagner
6:29
CD 244: Wagner: Lohengrin (Act III)
1
Lohengrin: Dritter Aufzug. Vorspiel
Richard Wagner
3:22
2
Lohengrin: Dritter Aufzug. »Treulich geführt ziehet dahin« (Chor, Kammerfrauen) / Brautlied
Richard Wagner
5:14
3
Lohengrin: Dritter Aufzug. »Das süße Lied verhallt; wir sind allein« (Lohengrin, Elsa)
Richard Wagner
3:51
4
Lohengrin: Dritter Aufzug. »Wie hehr erkenn' ich unsrer Liebe Wesen!« (Lohengrin, Elsa)
Richard Wagner
7:50
5
Lohengrin: Dritter Aufzug. »Höchstes Vertraun hast du mir schon zu danken« (Lohengrin, Elsa)
Richard Wagner
5:49
6
Lohengrin: Dritter Aufzug. »Ach nein! Doch dort - der Schwan!« (Elsa, Lohengrin)
Richard Wagner
7:09
7
Lohengrin: Dritter Aufzug. »Heil König Heinrich!« (Männerchor, König)
Richard Wagner
4:53
8
Lohengrin: Dritter Aufzug. »Was bringen die? Was tun sie kund?« (Chor, König, die vier Edlen, Lohengrin)
Richard Wagner
7:48
9
Lohengrin: Dritter Aufzug. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)
Richard Wagner
5:32
10
Lohengrin: Dritter Aufzug. »Mir schwankt der Boden!« (Elsa, Lohengrin, Chor, König)
Richard Wagner
5:18
11
Lohengrin: Dritter Aufzug. »Mein lieber Schwan!« (Lohengrin, König, Chor, Ortrud, Elsa)
Richard Wagner
8:15
CD 245: Berlin Gala 1997: A Salute to Carmen
1
Carmen: Prélude
Georges Bizet
2:09
2
Carmen: Havanaise (Habanera): « L'amour est un oiseau rebelle » (Carmen, chorus)
Georges Bizet
4:30
3
Carmen: Couplet (Air du Toréador): « Votre toast… je peux vous le rendre » (Escamillo, chorus, Frasquita, Mercédès, Carmen)
Georges Bizet
5:07
4
Carmen: Chanson (Gypsy Song): « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
Georges Bizet
4:45
5
Carmen: Air de la Fleur (Flower Song): « La fleur que tu m'avais jetée » (Don José)
Georges Bizet
4:13
6
Carmen: Chœur: « Les voici ! Voici la quadrille » (chorus)
Georges Bizet
4:11
7
Rapsodie espagnole, M. 54: Prélude à la nuit. Très modéré
Maurice Ravel
4:32
8
Rapsodie espagnole, M. 54: Malagueña. Assez vif
Maurice Ravel
2:11
9
Rapsodie espagnole, M. 54: Habanera. Assez lent et d'un rythme las
Maurice Ravel
2:39
10
Rapsodie espagnole, M. 54: Feria. Assez animé
Maurice Ravel
6:31
11
Concert Fantasy on “Carmen”, op. 25
Pablo de Sarasate
11:16
12
Rhapsody on a Theme of Paganini, op. 43
Sergei Rachmaninov
23:23
13
Hungarian Dance no. 5 in G minor
Johannes Brahms
2:57
CD 246: Berlin Gala 1998
1
Le nozze di Figaro: Sinfonia
Wolfgang Amadeus Mozart
4:27
2
Le nozze di Figaro: “Giunse alfin il momento … Deh vieni, non tardar, o gioia bella” (Susanna)
Wolfgang Amadeus Mozart
3:51
3
Don Giovanni: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
Wolfgang Amadeus Mozart
1:58
4
Die Zauberflöte: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno)
Wolfgang Amadeus Mozart
2:54
5
Don Giovanni: “Fin ch'han dal vino” (Don Giovanni)
Wolfgang Amadeus Mozart
1:26
6
Don Giovanni: “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart
3:02
7
Deutsche Tanz »Die Schlittenfahrt«, K. 605/3
Wolfgang Amadeus Mozart
2:38
8
L'Arlésienne: Suite no. 1: Carillon & Suite no. 2: Farandole
Georges Bizet
7:40
9
La forza del destino: Sinfonia
Giuseppe Verdi
7:40
10
Rigoletto: “È il sol dell'anima” … “Forse mio padre” … “Addio, speranza ed anima” (duca, Gilda)
Giuseppe Verdi
4:46
11
Rigoletto: “Caro nome che il mio cor” (Gilda)
Giuseppe Verdi
4:38
12
Rigoletto: “La donna è mobile” (duca)
Giuseppe Verdi
2:13
13
Un ballo in maschera: “Eri tu che macchiavi quell'anima” (Renato)
Giuseppe Verdi
4:35
14
Eugene Onegin: Letter Scene “Puskay pogibnu ya, no prežde” (Tatyana)
Pyotr Ilyich Tchaikovsky
13:33
15
Eugene Onegin: Act III. Polonaise
Pyotr Ilyich Tchaikovsky
4:37
16
La traviata: “Libiamo ne' lieti calici” (Alfredo, Violetta, tutti)
Giuseppe Verdi
3:31
17
Concert Overture “La Carnaval romain”, op. 9
Hector Berlioz
8:28
CD 247: Jonas Kaufmann - Sehnsucht
1
Lohengrin: »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Choir)
Richard Wagner
5:51
2
Lohengrin: »Mein lieber Schwan!« (Lohengrin, König)
Richard Wagner
5:04
3
Die Zauberflöte: »Dies Bildnis ist bezaubernd schön« (Tamino)
Wolfgang Amadeus Mozart
3:56
4
Die Zauberflöte: »Die Weisheitslehre dieser Knaben … Wie stark ist nicht dein Zauberton« (Tamino, Choir, Sprecher)
Wolfgang Amadeus Mozart
10:28
5
Fierrabras: »Was quälst du mich, o Missgeschick! … In tiefbewegter Brust« (Fierrabras)
Franz Schubert
5:57
6
Alfonso und Estrella: »Schon, wenn es beginnt zu tragen« (Alfonso)
Franz Schubert
4:40
7
Fidelio: »Gott! Welch dunkel hier! … In des Lebens Frühlingstagen« (Florestan)
Ludwig van Beethoven
10:42
8
Die Walküre: »Winterstürme wichen dem Wonnemond« (Siegmund)
Richard Wagner
3:51
9
Parsifal: »Amfortas! Die Wunde!« (Parsifal, Kundry)
Richard Wagner
9:11
10
Parsifal: »Nur eine Waffe taugt« (Parsifal, Chor)
Richard Wagner
9:41
CD 248: Schoenberg: Chamber Symphony no. 1 / Sciarrino: Autoritratto nella notte / Ligeti: Six Bagatelles / Double Concerto
1
Chamber Symphony no. 1, op. 9: 1. Langsam - Sehr rasch - Viel langsamer -
Arnold Schoenberg
5:25
2
Chamber Symphony no. 1, op. 9: 2. Sehr rasch [fig. 38] -
Arnold Schoenberg
1:59
3
Chamber Symphony no. 1, op. 9: 3. Viel langsamer, aber doch fließend [fig. 60] -
Arnold Schoenberg
2:45
4
Chamber Symphony no. 1, op. 9: 4. Viel langsamer [fig. 77] -
Arnold Schoenberg
3:42
5
Chamber Symphony no. 1, op. 9: 5. Etwas bewegter [fig. 86]
Arnold Schoenberg
6:28
6
Autoritratto nella notte: Lento e animato
Salvatore Sciarrino
7:28
7
Six Bagatelles for Wind Quintet: 1. Allegro con spirito
György Ligeti
1:14
8
Six Bagatelles for Wind Quintet: 2. Rubato. Lamento
György Ligeti
3:04
9
Six Bagatelles for Wind Quintet: 3. Allegro grazioso - attacca subito
György Ligeti
2:42
10
Six Bagatelles for Wind Quintet: 4. Presto ruvido
György Ligeti
0:58
11
Six Bagatelles for Wind Quintet: 5. Adagio. Mesto (Béla Bartók in memoriam)
György Ligeti
2:27
12
Six Bagatelles for Wind Quintet: 6. Molto vivace. Capriccioso
György Ligeti
1:30
13
Double Concerto for Flute and Oboe and Orchestra: 1. Calmo, con tenerezza
György Ligeti
8:09
14
Double Concerto for Flute and Oboe and Orchestra: 2. Allegro corrente
György Ligeti
7:51
CD 249: Anna Netrebko - Sempre libera
1
La traviata: “È strano! è strano! … Ah, fors'è lui … Follie! Deliro vano è questo!”
Giuseppe Verdi
4:55
2
La traviata: “Sempre libera” (Violetta, Alfredo)
Giuseppe Verdi
3:39
3
La sonnambula: “Ah! Se una volta sola rivederlo potessi”
Vincenzo Bellini
5:38
4
La sonnambula: “Ah! Non credea mirarti”
Vincenzo Bellini
4:47
5
La sonnambula: “Ah! non giunge uman pensiero” (Amina, Elvino, coro)
Vincenzo Bellini
2:41
6
I puritani: “O rendetemi la speme” … “Qui la voce sua soave”
Vincenzo Bellini
4:36
7
I puritani: “Ah! Tu sorridi e asciughi il pianto!”
Vincenzo Bellini
4:02
8
I puritani: “Vien, diletto, è in ciel la luna” (Elvira, Giorgio, Riccardo)
Vincenzo Bellini
2:55
9
I Capuleti e i Montecchi: “Eccomi in lieta veste … Oh, quante volte” (Giuletta)
Vincenzo Bellini
9:21
10
Lucia di Lammermoor: “Oh giusto cielo!” … “Il dolce suono”
Gaetano Donizetti
3:18
11
Lucia di Lammermoor: “Ohimè! sorge il tremendo fantasma”
Gaetano Donizetti
3:15
12
Lucia di Lammermoor: “Ardon gli incensi”
Gaetano Donizetti
5:00
13
Lucia di Lammermoor: “Spargi d'amaro pianto” (coro, Lucia, Raimondo, Enrico)
Gaetano Donizetti
3:37
14
Otello: “Era più calmo?” … “Mia madre aveva una povera ancella”
Giuseppe Verdi
4:59
15
Otello: “Piangea cantando nell'erma landa”
Giuseppe Verdi
7:03
16
Otello: “Ave Maria” (Emilia, Desdemona)
Giuseppe Verdi
5:36
17
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Giacomo Puccini
2:51
3.0 ★
CD 250: New Year's Concert 1988
1
“Donna Diana”: Overture
Emil Nikolaus von Reznicek
4:02
2
Brennende Liebe, op. 129 (Polka mazur)
Josef Strauss
4:28
3
Auf Ferienreisen, op. 133 (Polka schnell)
Josef Strauss
2:28
4
Auf der Jagd, op. 373 (Polka schnell)
Johann Strauss
2:26
5
Wo die Zitronen blüh'n, op. 364 (Walzer)
Johann Strauss
9:03
6
Die Fledermaus: Overture
Johann Strauss
8:16
7
Neue Pizzicato-Polka, op. 449
Johann Strauss
3:39
8
Freut euch des Lebens, op. 340 (Walzer)
Johann Strauss
8:19
9
Un ballo in maschera, op. 272: No. 1 Le Pantalon / No. 3 La Poule / No. 4 La Trénis / No. 6 Finale
Johann Strauss
4:34
10
Tritsch-Tratsch-Polka, op. 214
Johann Strauss
2:59
11
Leichtes Blut, op. 319 (Polka schnell)
Johann Strauss
2:43
12
Seid umschlungen, Millionen, op. 443 (Walzer)
Johann Strauss
9:37
13
Perpetuum mobile, op. 257 (Walzer)
Johann Strauss
2:57
14
Im Fluge, op. 230 (Polka schnell)
Josef Strauss
2:00
15
Banditen-Galopp, op. 378 (Polka schnell)
Johann Strauss
2:43
16
An der schönen blauen Donau, op. 314 (Walzer)
Johann Strauss
9:42
17
Radetzky-Marsch, op. 228
Johann Strauss
3:23
CD 251: New Year's Concert 1991
1
»Waldmeister«: Overture
Johann Strauss
9:26
2
Kontretanz in C major, K 609/1
Wolfgang Amadeus Mozart
0:57
3
Kontretanz in D major, K 609/3
Wolfgang Amadeus Mozart
1:18
4
Deutscher Tanz »Die Schlittenfahrt« K. 605/3
Wolfgang Amadeus Mozart
2:39
5
Die tanzende Muse, op. 266 (Polka mazur)
Johann Strauss
4:05
6
Galopp, D 735: Polka
Franz Schubert
1:39
7
Ecossaise no. 1, D 735: Galopp
Franz Schubert
1:32
8
Die Werber, op. 103 (Walzer)
Josef Lanner
7:20
9
Seufzer-Galopp, op. 9
Johann Strauss
1:51
10
Aquarellen, op. 258 (Walzer)
Josef Strauss
7:51
11
Freikugeln, op. 326 (Polka schnell)
Johann Strauss
2:29
12
Carmen-Quadrille, op. 134
Eduard Strauss
4:58
13
Kaiser-Walzer, op. 437
Johann Strauss
10:44
14
Furioso-Polka, op. 260 (Polka quasi Galopp)
Johann Strauss
2:14
15
Stürmisch in Lieb' und Tanz, op. 393 (Polka schnell)
Johann Strauss
2:08
16
An der schönen blauen Donau, op. 314 (Walzer)
Johann Strauss
9:29
17
Radetzky-Marsch, op. 228
Johann Strauss
3:24
CD 252: Schoenberg: A Survivor from Warsaw / Bach/Webern: Fuga (Ricercata no. 2) / Webern: Passacaglia
1
A Survivor from Warsaw, op. 46
Arnold Schoenberg
6:59
2
Musikalisches Opfer, BWV 1079: Fuga (Ricercata no. 2) a 6 voci. Sehr mäßig
Johann Sebastian Bach
8:09
3
Passacaglia, op. 1: Sehr mäßig, Tempo I - Mäßig bewegt, Tempo II - Sehr lebhaft, Tempo III
Anton Webern
10:01
4
Six Pieces for Orchestra, op. 6: 1. Etwas bewegte Achtel
Anton Webern
1:07
5
Six Pieces for Orchestra, op. 6: 2. Bewegt
Anton Webern
1:20
6
Six Pieces for Orchestra, op. 6: 3. Zart bewegt
Anton Webern
0:52
7
Six Pieces for Orchestra, op. 6: 4. Langsam. Marcia funebre
Anton Webern
5:10
8
Six Pieces for Orchestra, op. 6: 5. Sehr langsam
Anton Webern
2:33
9
Six Pieces for Orchestra, op. 6: 6. Zart bewegt
Anton Webern
1:54
10
Five Pieces for Orchestra, op. 10: 1. Sehr ruhig und zart
Anton Webern
0:43
11
Five Pieces for Orchestra, op. 10: 2. Lebhaft und zart bewegt
Anton Webern
0:34
12
Five Pieces for Orchestra, op. 10: 3. Sehr langsam und äußerst ruhig
Anton Webern
1:31
13
Five Pieces for Orchestra, op. 10: 4. Fließend, äußerst zart
Anton Webern
0:31
14
Five Pieces for Orchestra, op. 10: 5. Sehr fließend
Anton Webern
1:05
15
Variations for Orchestra, op. 30
Anton Webern
7:01
CD 253: Wien Modern I
1
Départ (1988): « Assez vu. La vision s'est rencontrée »
Wolfgang Rihm
8:55
2
Atmosphères (1961)
György Ligeti
9:05
3
Lontano (1967)
György Ligeti
12:51
4
Liebeslied (1954): »Erde bist Du Feuer Himmel«
Luigi Nono
5:07
5
Notations (1945/1978): 1. Modéré - Fantasque
Pierre Boulez
2:45
6
Notations (1945/1978): 4. Rythmique
Pierre Boulez
1:21
7
Notations (1945/1978): 3. Très modéré
Pierre Boulez
3:32
8
Notations (1945/1978): 2. Très vif - Strident
Pierre Boulez
2:19
CD 254: Wien Modern II
1
“No hay caminos, hay que caminar … Andrej Tarkovskij”
Luigi Nono
17:00
2
Samuel Beckett - What is the Word, op. 30b
György Kurtág
12:10
3
Face de la chaleur: Part 1
Beat Furrer
9:18
4
bildlos / weglos
Wolfgang Rihm
12:42
CD 255: Wien Modern III
1
Piccola musica notturna: Molto tranquillo, ma senza trascinare
Luigi Dallapiccola
6:49
2
Keqrops
Iannis Xenakis
17:01
3
Primavera dell'anima
Paolo Perezzani
11:15
4
Boulevard Solitude, Sinfonische Intermezzi: 1. ♩ = 48 (Nr. 7)
Hans Werner Henze
4:19
5
Boulevard Solitude, Sinfonische Intermezzi: 2. ♩ = 40 (Nr. 11)
Hans Werner Henze
2:42
6
Boulevard Solitude, Sinfonische Intermezzi: 3. Andante con moto (Nr. 17)
Hans Werner Henze
4:43
7
Boulevard Solitude, Sinfonische Intermezzi: 4. Vivace (Nr. 22)
Hans Werner Henze
2:27
8
Die Bassariden: Mänadenjagd: Vivace
Hans Werner Henze
3:29
CD 256: Janáček: From the House of the Dead (Acts I & II)
1
From the House of the Dead: Introduction
Leoš Janáček
5:15
2
From the House of the Dead: Act I. Moderato
Leoš Janáček
1:38
3
From the House of the Dead: Act I. “Přivedou dnes pána!” - “Jak tĕ nazývaji?” (Prisoners' Chorus, Luka, Tall Prisoner, Short Prisoner, Commandant, Gorjančikov, Šiškov, Old Prisoner)
Leoš Janáček
6:41
4
From the House of the Dead: Act I. “Neuvidi oko již tĕch krajů” (Prisoners' Chorus, Skuratov, Luka)
Leoš Janáček
5:01
5
From the House of the Dead: Act I. “Aljeja, podávej nitku” (Luka, Aljeja, Prisoners' Chorus, Old Prisoner)
Leoš Janáček
6:50
6
From the House of the Dead: Act II. “A… a…” (A Voice)
Leoš Janáček
1:30
7
From the House of the Dead: Act II. “Mil'y, mil'y, Aljeja” (A Voice, Gorjančikov, Aljeja, Prisoners' Chorus, the Cook, the Priest, Skuratov, Čekunov, Drunken Prisoner)
Leoš Janáček
5:40
8
From the House of the Dead: Act II. “Poslali mne v Jurjea” (Skuratov, Drunken Prisoner, Prisoners' Chorus, Šapkin, Blacksmith, Luka, Kedril)
Leoš Janáček
7:06
9
From the House of the Dead: Act II. Opera: “Kedril and Don Juan”: “Dnes bude můj posledni den!” (Don Juan, Prisoners' Chorus, Kedril)
Leoš Janáček
4:31
10
From the House of the Dead: Act II. Pantomime: “The Miller's Fair Wife” - “Proklet' bud'! Proklet' bud'!” (Don Juan)
Leoš Janáček
4:13
11
From the House of the Dead: Act II. “Pĕknĕ hráli, co?” (Aljeja, Young Prisoner, Prostitute, Prisoners' Chorus, Šapkin, Old Prisoner, Luka, Short Prisoner, Gorjančikov, Tall Prisoner, Čekunov)
Leoš Janáček
5:04
CD 257: Janáček: From the House of the Dead (Act III)
1
From the House of the Dead: Act III. Moderato
Leoš Janáček
1:20
2
From the House of the Dead: Act III. “Isaj, prorok boži” (Aljeja, Gorjančikov, Čekunov, Luka, Old Prisoner, Šapkin, Prisoners' Chorus, Tall Prisoner, Skuratov)
Leoš Janáček
5:32
3
From the House of the Dead: Act III. “Má dĕtátka milá” (Old Prisoner, Šiškov, Čerevin, Luka, Gorjančikov, Prisoners' Chorus)
Leoš Janáček
19:20
4
From the House of the Dead: Act III. “Hou, Hou” - “Petroviči!” (Prisoners' Chorus, Commandant, Gorjančikov, Aljeja, Čerevin)
Leoš Janáček
5:38
CD 258: Mozart: Piano Concerto no. 16
1
Concerto for Piano and Orchestra no. 16 in D major, K. 451: 1. Allegro assai
Wolfgang Amadeus Mozart
10:44
2
Concerto for Piano and Orchestra no. 16 in D major, K. 451: 2. Andante
Wolfgang Amadeus Mozart
6:59
3
Concerto for Piano and Orchestra no. 16 in D major, K. 451: 3. Rondeau. Allegro di molto
Wolfgang Amadeus Mozart
6:48
DVD 259: A Russian Night
1
Opening Credits
[no artist]
1:09
2
The Tempest, op. 18
Pyotr Ilyich Tchaikovsky
24:32
3
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 1. Moderato
Sergei Rachmaninoff
11:26
4
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 2. Adagio sostenuto
Sergei Rachmaninoff
11:34
5
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 3. Allegro scherzando
Sergei Rachmaninoff
14:03
6
L'Oiseau de feu, Concert Suite 1919: 1. Introduction
Igor Stravinsky
3:03
7
L'Oiseau de feu, Concert Suite 1919: 1. L'Oiseau de feu et sa danse
Igor Stravinsky
0:16
8
L'Oiseau de feu, Concert Suite 1919: 1. Variation de l'Oiseau de feu
Igor Stravinsky
1:17
9
L'Oiseau de feu, Concert Suite 1919: 2. Ronde des princesses
Igor Stravinsky
4:48
10
L'Oiseau de feu, Concert Suite 1919: 3. Danse infernale du roi Kastcheï
Igor Stravinsky
4:41
11
L'Oiseau de feu, Concert Suite 1919: 4. Berceuse
Igor Stravinsky
3:31
12
L'Oiseau de feu, Concert Suite 1919: 5. Finale
Igor Stravinsky
7:13
13
Interview with Hélène Grimaud
5:40
DVD 260: Claudio Abbado in Concert: Mozart & Schubert
1
Opening Credits
[no artist]
1:21
2
Kyrie in D minor, K. 341 (368a)
Wolfgang Amadeus Mozart
8:05
3
Grabmusik, K. 42 (35a): Aria »Betracht dies Herz und frage mich«
Wolfgang Amadeus Mozart
4:16
4
Vesperae solennes de confessore, K. 339: No. 5 Laudate Dominum
Wolfgang Amadeus Mozart
4:40
5
Opening Credits
[no artist]
0:31
6
Mass no. 6 in E-flat major, D 950: Kyrie (chorus)
Franz Schubert
6:26
7
Mass no. 6 in E-flat major, D 950: Gloria (chorus)
Franz Schubert
14:37
8
Mass no. 6 in E-flat major, D 950: Credo (soprano solo, tenor I/II solo, chorus)
Franz Schubert
15:54
9
Mass no. 6 in E-flat major, D 950: Sanctus (chorus)
Franz Schubert
3:37
10
Mass no. 6 in E-flat major, D 950: Benedictus (soloists, chorus)
Franz Schubert
6:23
11
Mass no. 6 in E-flat major, D 950: Agnus Dei (soloists, chorus)
Franz Schubert
12:21
DVD 261: Claudio Abbado in Concert: Brahms & Rossini
1
Opening Credits
[no artist]
0:24
2
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
Johannes Brahms
17:07
3
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
Johannes Brahms
8:57
4
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
Johannes Brahms
12:45
5
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
Johannes Brahms
9:25
6
Opening Credits
[no artist]
0:37
7
Il barbiere di Siviglia: Overture
Gioachino Rossini
7:10
8
La Cenerentola: Overture
Gioachino Rossini
7:52
DVD 262: Neujahrskonzert 1991
1
Opening Credits
[no artist]
0:46
2
La gazza ladra: Overture
Gioachino Rossini
9:08
3
Die tanzende Muse, op. 266
Josef Strauss
4:14
4
Galopp, D 735: Polka
Franz Schubert
1:37
5
Ecossaise no. 1, D 735: Galopp
Franz Schubert
1:53
6
Die Werber, op. 103 (Walzer)
Joseph Lanner
7:34
7
Seufzer-Galopp, op. 9
Johann Strauss I
2:09
8
Waldmeister: Overture
Johann Strauss II
10:00
9
Kontretanz, K. 609 no. 1
Wolfgang Amadeus Mozart
0:59
10
Kontretanz, K. 609 no. 3
Wolfgang Amadeus Mozart
1:15
11
Deutscher Tanz »Die Schlittenfahrt«, K. 605 no. 3
Wolfgang Amadeus Mozart
2:57
12
Aquarellen, op. 258 (Walzer)
Josef Strauss
8:08
13
Freikugeln, op. 326 (Polka schnell)
Johann Strauss II
3:02
14
Carmen-Quadrille, op. 134
Eduard Strauss
5:07
15
Kaiser-Walzer, op. 437
Johann Strauss II
11:17
16
Piefke and Pufke-Polka, op. 235
Johann Strauss I
2:18
17
Furioso-Polka, op. 260 (Polka quasi Galopp)
Johann Strauss II
2:30
18
Stürmisch in Lieb' und Tanz, op. 393 (Polka schnell)
Johann Strauss II
3:24
19
An der schönen blauen Donau, op. 314 (Walzer)
Johann Strauss II
10:03
20
Radetzky-Marsch, op. 238
Johann Strauss I
6:07
DVD 263: Peter and the Wolf: A Prokofiev Fantasy
1
Opening Credits
[no artist]
0:31
2
March in B-flat major, op. 99
Sergei Prokofiev
2:32
3
Peter and the Wolf, op. 67: “Let me tell you a story”
Sergei Prokofiev
2:44
4
Peter and the Wolf, op. 67: “Early one morning Peter opened the gate”
Sergei Prokofiev
0:57
5
Peter and the Wolf, op. 67: “On a branch of a big tree sat a little bird” (The Bird • Der Vogel)
Sergei Prokofiev
1:24
6
Peter and the Wolf, op. 67: “Just then a duck came waddling round” (The Duck • Die Ente)
Sergei Prokofiev
2:05
7
Peter and the Wolf, op. 67: “Something caught Peter's attention” (The Cat • Die Katze)
Sergei Prokofiev
1:50
8
Peter and the Wolf, op. 67: “Grandfather came out” (The Grandfather • Der Großvater)
Sergei Prokofiev
2:11
9
Peter and the Wolf, op. 67: “No sooner had Peter gone” (The Wolf • Der Wolf)
Sergei Prokofiev
4:12
10
Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate”
Sergei Prokofiev
4:03
11
Peter and the Wolf, op. 67: “Out of the woods came the hunters” (The Hunters • Die Jäger)
Sergei Prokofiev
6:39
12
Overture on Hebrew Themes, op. 34b
Sergei Prokofiev
7:52
13
Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro
Sergei Prokofiev
4:18
14
Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto
Sergei Prokofiev
3:46
15
Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro
Sergei Prokofiev
1:23
16
Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace
Sergei Prokofiev
3:47
17
Closing Credits (March in B-flat, op. 99)
[no artist]
1:56
18
Italian introduction by Roberto Benigni
Roberto Benigni
5:15
DVD 264: La Cenerentola
1
La Cenerentola: Sinfonia (Ouverture)
Gioachino Rossini
7:43
2
La Cenerentola: Atto primo. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe)
Gioachino Rossini
1:45
3
La Cenerentola: Atto primo. “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro)
Gioachino Rossini
4:42
4
La Cenerentola: Atto primo. “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro)
Gioachino Rossini
4:07
5
La Cenerentola: Atto primo. Recitativo e cavatina: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola)
Gioachino Rossini
0:50
6
La Cenerentola: Atto primo. “Miei rampolli femminini” (Magnifico)
Gioachino Rossini
5:04
7
La Cenerentola: Atto primo. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico)
Gioachino Rossini
1:24
8
La Cenerentola: Atto primo. Scena e duetto: “Tutto è deserto” (Ramiro, Cenerentola)
Gioachino Rossini
3:29
9
La Cenerentola: Atto primo. “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe)
Gioachino Rossini
6:54
10
La Cenerentola: Atto primo. Recitativo: “Non so che dir” (Ramiro, Magnifico)
Gioachino Rossini
1:28
11
La Cenerentola: Atto primo. Coro e cavatina: “Scegli la sposa” (coro)
Gioachino Rossini
1:03
12
La Cenerentola: Atto primo. “Come un'ape ne' giorni d'aprile” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)
Gioachino Rossini
5:23
13
La Cenerentola: Atto primo. Recitativo e quintetto: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola)
Gioachino Rossini
2:42
14
La Cenerentola: Atto primo. “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro)
Gioachino Rossini
10:49
15
La Cenerentola: Atto primo. Recitativo ed aria: “Sì, tutto cangerà” (Alidoro, Cenerentola)
Gioachino Rossini
2:06
16
La Cenerentola: Atto primo. “Là del ciel nell'arcano profondo” (Alidoro)
Gioachino Rossini
5:37
17
La Cenerentola: Atto primo. Recitativo: “Ma bravo, bravo, bravo!” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)
Gioachino Rossini
3:18
18
La Cenerentola: Atto primo. Coro ed aria: “Conciossiacosacché” … “Intendente? Direttor?” (coro, Magnifico)
Gioachino Rossini
4:54
19
La Cenerentola: Atto primo. Duetto e finale I: “Zitto zitto, piano, piano” (Ramiro, Dandini)
Gioachino Rossini
2:54
20
La Cenerentola: Atto primo. “Principino, dove siete?” (Clorinda, Tisbe, Dandini, Ramiro, Alidoro, coro)
Gioachino Rossini
4:31
21
La Cenerentola: Atto primo. “Ah! se velata ancor” (coro)
Gioachino Rossini
1:10
22
La Cenerentola: Atto primo. “Sprezzo quei don” (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)
Gioachino Rossini
6:05
23
La Cenerentola: Atto primo. “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini)
Gioachino Rossini
4:33
24
La Cenerentola: Atto secondo. Recitativo ed aria: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda)
Gioachino Rossini
2:33
25
La Cenerentola: Atto secondo. “Sia qualunque delle figlie” (Magnifico)
Gioachino Rossini
4:47
26
La Cenerentola: Atto secondo. Recitativo, scena ed aria: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro)
Gioachino Rossini
3:20
27
La Cenerentola: Atto secondo. “Sì, ritrovarla io giuro” (Ramiro, coro)
Gioachino Rossini
6:03
28
La Cenerentola: Atto secondo. Recitativo e duetto: “Ma dunque io sono un ex” (Dandini, Magnifico)
Gioachino Rossini
2:29
29
La Cenerentola: Atto secondo. “Un segreto d'importanza” (Dandini, Magnifico)
Gioachino Rossini
4:58
30
La Cenerentola: Atto secondo. Canzone: “Una volta c'era un re” (Cenerentola)
Gioachino Rossini
1:40
31
La Cenerentola: Atto secondo. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe)
Gioachino Rossini
2:10
32
La Cenerentola: Atto secondo. Temporale
Gioachino Rossini
2:24
33
La Cenerentola: Atto secondo. Recitativo e sestetto: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola)
Gioachino Rossini
1:49
34
La Cenerentola: Atto secondo. “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico)
Gioachino Rossini
4:30
35
La Cenerentola: Atto secondo. “Donna sciocca, alma di fango!” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola)
Gioachino Rossini
8:25
36
La Cenerentola: Atto secondo. Recitativo: “Dunque noi siam burlate?” (Tisbe, Clorinda, Alidoro)
Gioachino Rossini
2:42
37
La Cenerentola: Atto secondo. Coro, scena e rondò finale: “Della fortuna instabile” (coro)
Gioachino Rossini
1:40
38
La Cenerentola: Atto secondo. “Sposa…” - “Signor, perdona” (Ramiro, Cenerentola, Magnifico)
Gioachino Rossini
1:35
39
La Cenerentola: Atto secondo. “Nacqui all'affanno” (Cenerentola e tutti gli altri)
Gioachino Rossini
7:18
DVD 265: Rossini: Il barbiere di Siviglia
1
Il barbiere di Siviglia: Opening Credits/Cast
[no artist]
1:02
2
Il barbiere di Siviglia: Sinfonia
Gioachino Rossini
6:58
3
Il barbiere di Siviglia: Atto primo. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, Conte)
Gioachino Rossini
2:50
4
Il barbiere di Siviglia: Atto primo. Cavatina: “Ecco, ridente in cielo” (Conte, Fiorello, coro)
Gioachino Rossini
6:48
5
Il barbiere di Siviglia: Atto primo. Recitativo: “Gente indiscreta!” (Conte, Fiorello)
Gioachino Rossini
0:41
6
Il barbiere di Siviglia: Atto primo. N. 2 Cavatina: “Tra la la… Largo al factotum” (Figaro)
Gioachino Rossini
4:37
7
Il barbiere di Siviglia: Atto primo. Recitativo: “Ah, ah! Che bella vita!” (Figaro, Conte)
Gioachino Rossini
2:28
8
Il barbiere di Siviglia: Atto primo. Recitativo: “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro)
Gioachino Rossini
4:21
9
Il barbiere di Siviglia: Atto primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) / Recitativo: “Oh, cielo!” (Conte, Figaro)
Gioachino Rossini
3:33
10
Il barbiere di Siviglia: Atto primo. N. 4 Duetto: “All'idea di quel metallo” (Figaro, Conte)
Gioachino Rossini
7:40
11
Il barbiere di Siviglia: Atto primo. Recitativo: “Evviva il mio padrone!” (Fiorello)
Gioachino Rossini
0:36
12
Il barbiere di Siviglia: Atto primo. N. 5 Cavatina: “Una voce poco fa” (Rosina)
Gioachino Rossini
5:33
13
Il barbiere di Siviglia: Atto primo. Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro)
Gioachino Rossini
1:20
14
Il barbiere di Siviglia: Atto primo. Recitativo: “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio)
Gioachino Rossini
1:33
15
Il barbiere di Siviglia: Atto primo. N. 6 Aria: “Ah, barbiere d'inferno” (Bartolo, Basilio)
Gioachino Rossini
2:10
16
Il barbiere di Siviglia: Atto primo. Recitativo: “La calunnia è un venticello” (Basilio)
Gioachino Rossini
4:26
17
Il barbiere di Siviglia: Atto primo. Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina)
Gioachino Rossini
3:30
18
Il barbiere di Siviglia: Atto primo. N. 7 Duetto: “Dunque io son… Tu non m'inganni?” (Rosina, Figaro)
Gioachino Rossini
4:41
19
Il barbiere di Siviglia: Atto primo. Recitativo: “Ora mi sento meglio” (Rosina, Bartolo)
Gioachino Rossini
1:49
20
Il barbiere di Siviglia: Atto primo. N. 8 Aria: “A un dottor sella mia sorte” (Bartolo)
Gioachino Rossini
6:04
21
Il barbiere di Siviglia: Atto primo. Recitativo: “Finora in questa camera” (Berta, Conte)
Gioachino Rossini
0:46
22
Il barbiere di Siviglia: Atto primo. N. 9 Finale I: “Ehi, di casa! Buona gente!” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, un ufficiale, coro)
Gioachino Rossini
20:27
23
Il barbiere di Siviglia: Atto secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo)
Gioachino Rossini
0:51
24
Il barbiere di Siviglia: Atto secondo. N. 10 Duetto: “Pace e gioia sia con voi” (Conte, Bartolo)
Gioachino Rossini
2:45
25
Il barbiere di Siviglia: Atto secondo. Recitativo: “Pace! Gioia!” - “Insomma, mio signore” (Conte, Bartolo, Rosina)
Gioachino Rossini
3:39
26
Il barbiere di Siviglia: Atto secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, Conte)
Gioachino Rossini
4:43
27
Il barbiere di Siviglia: Atto secondo. Recitativo: “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)
Gioachino Rossini
0:31
28
Il barbiere di Siviglia: Atto secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Conte)
Gioachino Rossini
3:58
29
Il barbiere di Siviglia: Atto secondo. N. 13 Quintetto: “Don Basilio!” - “Cosa veggo!” (Rosina, Conte, Figaro, Bartolo, Basilio)
Gioachino Rossini
9:37
30
Il barbiere di Siviglia: Atto secondo. Recitativo: “Ah, disgraziato me!” (Bartolo, Berta)
Gioachino Rossini
0:45
31
Il barbiere di Siviglia: Atto secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta)
Gioachino Rossini
3:18
32
Il barbiere di Siviglia: Atto secondo. Recitativo: “Dunque voi Don Alonso non conoscete affatto?” (Bartolo, Basilio, Rosina)
Gioachino Rossini
1:16
33
Il barbiere di Siviglia: Atto secondo. N. 15 Temporale
Gioachino Rossini
2:59
34
Il barbiere di Siviglia: Atto secondo. Recitativo: “Alfine, eccoci qua” (Figaro, Conte, Rosina)
Gioachino Rossini
1:12
35
Il barbiere di Siviglia: Atto secondo. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, Conte)
Gioachino Rossini
5:46
36
Il barbiere di Siviglia: Atto secondo. Recitativo: “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, un notaio, Bartolo, un ufficiale, coro)
Gioachino Rossini
2:57
37
Il barbiere di Siviglia: Atto secondo. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, Conte, tutti gli altri)
Gioachino Rossini
2:21
DVD 266: Janáček: From the House of the Dead
1
Opening
[no artist]
2:07
2
From the House of the Dead: Introduction
Leoš Janáček
5:15
3
From the House of the Dead: Act I. Moderato
Leoš Janáček
1:43
4
From the House of the Dead: Act I. “Přivedou dnes pána!” - “Jak tĕ nazývaji?” (Prisoners' Chorus, Luka, Tall Prisoner, Short Prisoner, Commandant, Gorjančikov, Šiškov, Old Prisoner)
Leoš Janáček
7:03
5
From the House of the Dead: Act I. “Neuvidi oko již tĕch krajů” (Prisoners' Chorus, Skuratov, Luka)
Leoš Janáček
4:33
6
From the House of the Dead: Act I. “Aljeja, podávej nitku” (Luka, Aljeja, Prisoners' Chorus, Old Prisoner)
Leoš Janáček
6:52
7
From the House of the Dead: Act II. “A… a…” (A Voice)
Leoš Janáček
1:46
8
From the House of the Dead: Act II. “Mil'y, mil'y, Aljejo” (A Voice, Gorjančikov, Aljeja, Prisoners' Chorus, the Cook, the Priest, Skuratov, Čekunov, Drunken Prisoner)
Leoš Janáček
5:25
9
From the House of the Dead: Act II. “Poslali mne v Jurjea” (Skuratov, Drunken Prisoner, Prisoners' Chorus, Šapkin, Blacksmith, Luka, Kedril)
Leoš Janáček
7:04
10
From the House of the Dead: Act II. Opera: “Kedril and Don Juan”: “Dnes bude můj posledni den!” (Don Juan, Prisoners' Chorus, Kedril)
Leoš Janáček
4:33
11
From the House of the Dead: Act II. Pantomime: “The Miller's Fair Wife” - “Proklet' bud'! Proklet' bud'!” (Don Juan)
Leoš Janáček
4:13
12
From the House of the Dead: Act II. “Pĕknĕ hráli, co?” (Aljeja, Young Prisoner, Prostitute, Prisoners' Chorus, Šapkin, Old Prisoner, Luka, Short Prisoner, Gorjančikov, Tall Prisoner, Čekunov)
Leoš Janáček
5:01
13
From the House of the Dead: Act III. Moderato
Leoš Janáček
1:20
14
From the House of the Dead: Act III. “Isaj, prorok boži” (Aljeja, Gorjančikov, Čekunov, Luka, Old Prisoner, Šapkin, Prisoners' Chorus, Tall Prisoner, Skuratov)
Leoš Janáček
6:08
15
From the House of the Dead: Act III. “Má dĕtátka milá” (Old Prisoner, Šiškov, Čerevin, Luka, Gorjančikov, Prisoners' Chorus)
Leoš Janáček
18:36
16
From the House of the Dead: Act III. “Hou, Hou” - “Petroviči!” (Prisoners' Chorus, Commandant, Gorjančikov, Aljeja, Čerevin)
Leoš Janáček
5:13
17
Applause
[no artist]
6:25

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Scenes from Goethe's "Faust"

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Lucerne Festival Orchestra, Claudio Abbado, Mahler – Symphony No. 3

Lucerne Festival Orchestra, Claudio Abbado, Mahler – Symphony No. 3 2009

Kammermusik 1-7 / Der Schwanendreher

Kammermusik 1-7 / Der Schwanendreher 2007

Conciertos para piano nº 21 y 27 / Sonatas para piano

Conciertos para piano nº 21 y 27 / Sonatas para piano 2005

The Four Seasons

The Four Seasons 2005

Release credits

Aage Haugland
bass vocals [150.3-6, 150.15, 151.1, 151.3, 31.2, 31.10, 149.6, 149.9-10, 30.4]
Adolph Herseth
solo [134.10-12, 159.5-9], trumpet [159.5-9, 134.10, 134.10-11, 134.11-12, 134.12]
Adrianne Pieczonka
soprano vocals [232.5-9, 232.11, 233.1-5, 233.7, 233.9-16]
Albert Kos
editor [1-15]
Albrecht Mayer
arranger [1, 5-8], oboe [134.13, 135.1-4, 135.6-11], oboe d'amore [5]
Aldo Bramante
bass vocals [10]
Alessandro Carbonare
clarinet [131.1-3, 133.1-3]
Alessandro Corbelli
baritone vocals [174.1-2, 174.13-14, 174.22, 229.4, 173.2-3, 173.7-8, 173.12, 173.15-16]
Alessio Allegrini
horn [131.1-3, 132.1-11]
Alexander Lischke
soprano vocals [145.13, 146.8, 146.18, 146.20]
Alexander Lonquich
piano [4-6]
Alexander Maly
baritone vocals [4]
Alexander Oliver
tenor vocals [256.8-9, 266.9-10]
Alfons Wassmuth
task [2-20]
Alfred Brendel
piano [201.1-5, 48.1-3, 49.1-4]
Alfred Šramek
bass vocals [4]
Alfredo Giacomotti
bass vocals [3]
Alfredo Grandini
baritone vocals [23]
Alfredo Mariotti
baritone vocals [14]
Alfredo Pinardi
choir vocals [3]
Alicia Nafé
mezzo-soprano vocals [35.21-26, 36.5, 36.7, 36.9, 36.11, 36.13, 36.20, 36.22], spoken vocals [12]
Alison Ames
executive [7-9]
Alois Posch
violone [1-3]
Ambrosian Singers
choir vocals [177.2-3, 178.2-3, 178.10-11, 236.1-3, 3.12, 35.2-4, 35.6, 35.8-11, 35.16-17, 35.23-24, 36.4-5, 36.7, 36.13, 36.17-18, 36.20-23, 56.1-8], vocal [1-3]
Amy-Linda Domaracki
soprano vocals [7]
Andrea Concetti
bass vocals [6-8, 12-13]
Andrea Rost
mezzo-soprano vocals [6-7], soprano vocals [141.1-2, 141.4, 90.6-9, 90.14-15, 140.15, 140.25], spoken vocals [7-8]
Andreas Bauer
baritone vocals [146.15, 145.13, 145.21]
Andreas Esders
tenor vocals [12-13]
Andreas Schmidt
baritone vocals [243.6, 242.2, 242.2-3, 242.3, 242.6, 242.6-7, 242.7, 242.11, 55.3, 55.6], bass vocals [2, 5-7, 13], solo [2, 5-6]
Andrew Busher
tenor vocals [13]
Angela Gheorghiu
soprano vocals [22]
Angelika Meissner
executive [1-6]
Ann Murray
mezzo-soprano vocals [226.4, 226.6, 226.11, 226.11-12, 226.12-13, 226.13, 227.2, 227.10]
Anna Caterina Antonacci
soprano vocals [140.9, 140.18-20, 141.2-3, 141.9, 139.8, 139.10-11]
Anna Gonda
alto vocals [30.3, 31.9], soprano vocals [173.2, 173.14, 173.16, 174.1-2, 174.9, 174.22]
Anna Larsson
alto vocals [84.10, 84.12, 82.4-5], solo [84.10, 84.12, 82.4-5]
Anne Sofie von Otter
alto vocals [90.6-9, 90.12, 90.16, 89.2-3, 89.5-8], contralto vocals [7], mezzo-soprano vocals [29.8, 192.8, 245.2-4, 104.2, 104.4, 104.6, 104.8, 104.11, 104.13], soprano vocals [1-10, 20]
Anne-Carolyn Schlüter
soprano vocals [146.1, 146.21, 145.2, 145.4, 145.6, 145.8]
Annet Zaire
solo [4], soprano vocals [2, 4]
Anthony Mee
tenor vocals [232.1-3, 232.6-7, 232.9-12, 233.5-7, 233.14-16]
Anthony Sellors
producer [84.1-19, 83.1-8]
Anton Webern
orchestrator [11]
Antonella Balducci
soprano vocals [23]
Antonella Bandelli
soprano vocals [182.6-7, 181.20]
Antonio Savastano
tenor vocals [220.8, 221.9, 221.16, 223.8, 224.4-5, 227.9, 234.19]
Arend Prohmann
producer [75.1-5, 51.1-4, 128.1-9, 130.1-3, 138.1-11, 248.1-6, 248.13-14, 76.5-8, 129.1-9, 123.1-6, 153.1-20, 77.1-10, 24.1-17, 147.1-20], task [2]
Arleen Augér
soprano vocals [10]
Armando Vivani
choir vocals [3]
Arnold Schoenberg Chor
choir vocals [146.12, 146.19, 146.21, 25.13, 25.18, 25.22, 93.17-20, 197.1, 197.3, 197.6-8, 197.10, 197.12-14, 197.16, 197.20, 197.22-23, 197.25, 26.8, 196.4-6, 196.8-10, 196.14, 196.19, 145.13, 145.15-16, 145.19, 184.3-4, 184.8, 184.11, 254.2, 254.4]
Arthur Oldham
chorus master [180.1-2, 180.8, 180.18, 179.4, 179.11, 179.17]
August Bendel
task [2-4, 6-11]
Augustin Dumay
violin [4-7]
Axel de Roche
task [2-5]
Aγνή Mπάλτσα
mezzo-soprano vocals [174.3, 174.9-10, 174.12, 174.18, 174.20-22, 173.7-10, 173.15-16]
Barbara Bonney
solo [1-2, 5-6], soprano vocals [1-2, 5-14]
Barbara Sukowa
spoken vocals [10]
Barna Kováts
guitar [3]
Barry McCauley
tenor vocals [256.3-5, 256.8, 256.11, 257.2-3, 266.4-6, 266.9, 266.12, 266.14-15]
Behran Rassekhi
viola [5-7]
Ben Pateman
executive [26.1-8, 25.1-22]
Benoît Grenet
cello [5-7]
Berliner Philharmoniker
performing orchestra [50.1-3, 20.1-6, 49.1-4, 48.1-3, 87.1-5, 6.1-8, 72.1-5, 160.1-20, 5.1-8, 212.1-3, 91.1-4, 23.1-12, 162.1-6, 147.1-20, 39.1-6, 83.1-8, 45.1-11, 240.1-8, 67.1-8, 165.1-6, 77.1-10, 81.1-4, 40.1-6, 80.1-5, 241.1-8, 86.1-5, 161.1-6, 235.1, 235.1-2, 235.2-3, 235.3-4, 235.4-5, 235.5-6, 235.6-7, 235.7-8, 235.8-9, 235.9-10, 235.10-11, 235.11-12, 235.12-13, 235.13-14, 235.14-15, 235.15-16, 235.16-17, 235.17-18, 235.18-19, 235.19-20, 235.20-21, 235.21-22, 235.22, 53.1-3, 89.1-8, 7.1-9, 138.1-11, 88.1-5, 215.1-9, 19.1-6, 232.1-14, 137.1-16, 52.1-4, 79.1-27, 200.1-7, 42.1-5, 55.1-7, 38.1-5, 104.1-13, 85.1-11, 210.1-4, 54.1-6, 233.1-16, 245.1-13, 203.1-10, 239.1-8, 8.1-8, 90.1-16, 24.1, 24.1-2, 24.2-3, 24.3-4, 24.4-5, 24.5-6, 24.6-7, 24.7-8, 24.8-9, 24.9-10, 24.10-11, 24.11-12, 24.12-13, 24.13-14, 24.14-17, 21.1-3, 246.1-17, 84.1-18, 9.1-5, 51.1-4, 37.1-5]
Bernadette Manca di Nissa
mezzo-soprano vocals [182.6-7, 182.21, 181.4]
Bo Skovhus
baritone vocals [139.14-16, 139.18, 139.20, 139.28-31, 140.1-10, 140.12-14, 140.18-19, 140.21, 140.25-26, 140.28-29, 141.14, 141.16-17]
Bojidar Nikolov
tenor vocals [266.4, 266.12, 266.14, 151.1, 151.7, 256.3, 256.11, 257.2, 243.7, 244.8]
Boston Symphony Orchestra
performing orchestra [211.1-2, 68.1-5]
Brian Large
video director [266.1-17, 262.2-20]
Brigitte Balleys
alto vocals [9-11], mezzo-soprano vocals [69.2, 69.4, 197.4-5]
Brigitte Pinter
mezzo-soprano vocals [197.16, 196.2, 196.8]
Brigitte Poschner
soprano vocals [150.8-9, 193.8-9, 193.11-14]
Bruno Ganz
performer [11], spoken vocals [24.8, 24.16, 23.3, 23.5, 23.7-8]
Bruno Grella
baritone vocals [10]
Bruno Nellesen
editor [5]
Bruno Weinmeister
task [1-10]
Bryn Terfel
baritone vocals [90.4, 90.16, 24.3, 24.9, 24.9-10, 24.10, 232.2, 245.3, 89.2-3, 89.5-8], bass vocals [144.3-4, 144.9-12, 142.2-3, 142.6-9, 142.12, 143.1, 143.8-13, 143.19-20, 143.22], bass-baritone vocals [232.1-4, 232.10-14, 233.3-5, 233.7-9, 233.12-16, 240.2-8, 240.8, 241.3, 241.6, 137.4, 137.6, 137.9, 137.12]
Buhnenorchester der Osterreichischen Bundestheater
performing orchestra [151.1-10, 149.1-10, 150.1-15]
Cadigia Bove
additional [9]
Camille Capasso
mezzo-soprano vocals [12]
Carlo Vincenzo Allemano
tenor vocals [139.14-16, 139.20, 140.9, 141.4-5, 141.17]
Carlo Zardo
bass vocals [10-11]
Carlos Chausson
baritone vocals [2-3, 6]
Carmela Remigio
soprano vocals [144.5-7, 144.12, 142.2, 142.4-5, 142.18-19, 142.21-22, 143.8-9, 143.20]
Carol Neblett
solo [15-17], soprano vocals [15-17]
Caroline Stein
soprano vocals [146.1, 146.21, 145.2, 145.4, 145.6, 145.8]
Cecilia Bartoli
mezzo-soprano vocals [141.12-14, 139.12-13, 139.13-14, 139.16, 139.20, 139.24-26, 139.28, 139.32, 140.15, 140.25]
Cecilia Gasdia
soprano vocals [182.1-2, 182.6-7, 182.19-21, 181.16-17, 181.20]
Cees Heijkoop
recording [1-4]
Chamber Orchestra of Europe
performing orchestra [258.1-3, 74.1-7, 75.1-9, 158.1-16, 196.1-19, 76.1-8, 176.1-14, 175.1-12, 195.1-21, 197.1-26, 199.1-3, 143.1-24, 192.1-11, 237.1-15, 123.1-6, 263.2-17, 188.1-6, 182.1-21, 144.1-12, 193.1-14, 248.1-6, 248.13-14, 186.1-8, 172.1-7, 187.1-8, 73.1-8, 130.1-6, 185.1-8, 189.1-5, 142.1-24, 181.1-20]
Charlotte Sprenkels
harp [181.1-20, 182.1-21]
Cheryl Studer
solo [216.1, 216.5-7, 216.10-11, 93.17, 93.19-20, 90.11, 217.2, 217.4, 217.8], soprano vocals [244.3, 244.3-4, 244.4-5, 244.5-6, 244.6, 244.10, 244.10-11, 244.11, 55.5, 216.1, 216.5-7, 216.10-11, 89.2-3, 89.5-8, 139.22-24, 139.26, 139.28-31, 141.9, 141.12-14, 141.17, 217.2, 217.4, 217.8, 243.2, 243.2-3, 243.3-4, 243.4, 243.9, 243.11, 243.11-12, 243.12, 140.1-10, 140.16-17, 140.21-23, 140.25-26, 90.11, 90.13-14, 90.16, 93.17-20, 242.4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8-9, 242.9, 242.11, 242.11-12, 242.12, 23.2, 23.4, 23.10, 23.12, 197.4-5, 197.7-9, 197.11-15, 197.20-21, 197.23-25, 241.2, 241.4]
Chicago Symphony Chorus
choir vocals [15, 17]
Chicago Symphony Orchestra
performing orchestra [4.1-6, 103.1-4, 103.6-21, 101.1, 101.1-2, 101.2-3, 101.3, 164.1-6, 32.1-8, 66.1-4, 98.1-4, 110.1-6, 100.1-5, 99.1-17, 102.1, 102.1-6, 159.1-9, 134.1-12]
Choirboys Of High Wycombe Parish Church
choir vocals [1-6]
Chor der Wiener Staatsoper
choir vocals [256.3-5, 256.7-9, 256.11, 95.3, 173.2, 173.7, 173.15-16, 216.1-4, 216.6, 216.9-10, 266.4-6, 266.8-10, 266.12, 266.14-16, 140.24, 140.27, 140.29, 15.4, 139.17, 139.19, 260.2, 260.4, 260.6-11, 71.1-21, 70.1-19, 136.1-23, 141.17, 150.4, 150.7, 150.12, 150.14-15, 217.1-2, 217.4-8, 242.2, 242.2-3, 242.3-4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8, 242.10, 242.10-11, 242.11-12, 242.12, 243.5, 243.5-6, 243.6, 243.8, 243.8-9, 243.9-10, 243.10-11, 243.11-12, 243.12, 257.2-4, 31.4, 31.4-5, 31.9, 151.1, 151.4, 151.7-8, 151.10, 194.1-16, 252.1, 149.3-6, 149.8-10, 13.1-2, 13.12-13, 174.1, 174.6, 174.8, 174.18, 174.20-22, 184.3-4, 184.8, 184.11, 244.2, 244.7, 244.7-8, 244.8-9, 244.9-10, 244.10-11, 244.11]
Christa Ludwig
mezzo-soprano vocals [4-5, 7-8]
Christian Gansch
executive [1-6], producer [1-3]
Christian Leins
executive [1-29]
Christiane Young
mezzo-soprano vocals [266.12, 256.11]
Christine Schäfer
soprano vocals [138.1-11, 246.2, 246.4, 246.6, 246.10-11]
Christof Fischesser
bass vocals [25.5, 25.5-6, 25.6-7, 25.7-8, 25.8-9, 25.9-10, 25.10, 25.12, 25.14, 25.14-15, 25.15, 25.19, 25.19-20, 25.20-21, 25.21, 26.2, 26.2-3, 26.3-4, 26.4-5, 26.5-6, 26.6, 26.8]
Christoph Böllinger
assistant [264.1-39, 261.8]
Christoph Marks
cello [1-15]
Christoph Strehl
tenor vocals [144.16, 26.8, 25.2, 25.6, 25.17, 25.20, 25.22]
Christopher Adler
executive [5-8]
Christopher Alder
editor [115.4-6, 33.1-6, 120.1-3, 46.18, 98.1-4], executive [130.1-9, 60.1-4, 184.1-11, 123.1-6, 140.1-29, 143.1-24, 142.1-24, 16.1-5, 183.1-12, 195.1-21, 243.1-12, 61.1-3, 255.1-8, 200.1-3, 77.1-10, 17.2-4, 84.1-19, 24.1-17, 240.1-8, 54.1-6, 28.1-13, 83.1-8, 248.1-14, 141.1-19, 144.1-12, 51.1-4, 196.1-19, 212.1-3, 192.2-3, 192.6, 192.8-10, 244.1-11, 75.1-9, 22.4-6, 80.1-5, 89.1-8, 197.1-26, 199.1-3, 242.1-15, 29.1-11, 90.1-16, 138.1-11, 139.1-33, 158.1-12, 147.1-20], producer [215.1-9, 259.1-12, 193.1-14, 37.1-5, 149.1-10, 81.1-4, 241.1-8, 28.1-13, 108.9, 107.6-7, 187.1-8, 203.1-10, 91.1-5, 59.1-4, 189.1-5, 196.1-19, 82.1-5, 92.6-10, 19.1, 19.3-6, 22.1-3, 144.1-16, 21.1-3, 170.4-8, 252.1-15, 150.1-15, 151.1-10, 240.1-8, 71.1-21, 173.1-16, 87.1-5, 5.1-8, 86.1-5, 160.1-20, 52.1-4, 146.1-21, 192.1-11, 210.1-4, 232.1-14, 38.1-5, 55.1-7, 195.1-21, 73.1-8, 50.1-3, 246.1-17, 105.8, 216.1-11, 251.1-17, 141.1-19, 175.1-12, 165.1-6, 118.1-3, 174.1-22, 258.1-3, 158.1-16, 134.13, 67.1-8, 72.1-5, 75.6-9, 29.8-11, 7.1-9, 97.1-31, 58.1-4, 104.1-13, 243.1-12, 39.1-6, 140.1-29, 54.4-6, 89.1-8, 79.1-23, 79.25-27, 142.1-24, 194.1-16, 245.1-13, 130.4-6, 254.1-4, 8.1-8, 9.1-5, 176.1-14, 200.1-7, 90.1-16, 217.1-8, 93.1-20, 247.1-10, 137.1-16, 20.1, 20.3-6, 23.1-12, 242.1-15, 61.1-3, 40.1-6, 168.1-32, 68.6-8, 161.1-6, 70.1-19, 69.1-8, 135.1-11, 197.1-26, 122.1-6, 244.1-11, 249.1-17, 172.1-7, 188.1-6, 57.1-4, 74.1-7, 88.1-6, 186.1-8, 239.1-8, 253.1-8, 139.1-24, 139.26-33, 36.2, 60.1-4, 145.1-21, 6.1-8, 143.1-24, 185.1-8, 85.1-12, 233.1-16, 169.1-9, 76.1-4, 250.1-17], recording [25], task [1, 3-5]
Christopher Swann
executive [1-18], video director [1-18]
City of Birmingham Symphony Youth Chorus
choir vocals [12]
Claudia Hamann
co [149.1-10, 150.1-15, 173.1-16, 174.1-22, 151.1-10], task [234.19, 226.1-13, 228.1-10, 229.1-9, 227.1-10]
Claudio Abbado
conductor [186.1-8, 7.1-9, 264.1, 264.1-2, 264.2-3, 264.3-4, 264.4-5, 264.5-6, 264.6-7, 264.7-8, 264.8-9, 264.9-10, 264.10-11, 264.11-12, 264.12-13, 264.13-14, 264.14-15, 264.15-16, 264.16-17, 264.17-18, 264.18-19, 264.19-20, 264.20-21, 264.21-22, 264.22-23, 264.23-24, 264.24-25, 264.25-26, 264.26-27, 264.27-28, 264.28-29, 264.29-30, 264.30-31, 264.31-32, 264.32-33, 264.33-34, 264.34-35, 264.35-36, 264.36-37, 264.37-38, 264.38-39, 264.39, 45.1-11, 26.1, 26.1-2, 26.2-3, 26.3-4, 26.4-5, 26.5-6, 26.6-7, 26.7-8, 26.8, 201.1-5, 246.1-17, 263.2-17, 10.1-8, 244.1, 244.1-2, 244.2-3, 244.3-4, 244.4-5, 244.5-6, 244.6-7, 244.7-8, 244.8-9, 244.9-10, 244.10-11, 244.11, 221.1-16, 229.1, 229.1-2, 229.2-3, 229.3-4, 229.4-5, 229.5-6, 229.6-7, 229.7-8, 229.8-9, 229.9, 134.1-13, 136.1-23, 137.1-16, 33.1-6, 107.1-7, 119.1-6, 59.1-4, 129.1-9, 62.1-4, 68.1-8, 72.1-5, 61.1-3, 116.1-6, 97.1-31, 160.1-20, 9.1-5, 161.1-6, 157.1-17, 12.1-8, 167.1-13, 20.1-6, 127.1-6, 208.1-4, 35.1, 35.1-26, 251.1-17, 100.1-5, 39.1-6, 79.1-27, 190.1-6, 117.1-6, 181.1-20, 125.1-6, 108.1-9, 19.1-6, 64.1-3, 81.1-4, 171.1-6, 50.1-3, 122.1-6, 147.1-20, 207.1-4, 113.1-8, 153.1-20, 40.1-6, 75.1-9, 57.1-4, 54.1-6, 58.1-4, 166.1-29, 141.1-19, 99.1-17, 224.1-11, 146.1-21, 118.1-6, 47.1-4, 173.1-16, 199.1-3, 223.1-12, 209.1-4, 231.1-12, 37.1-5, 103.1-21, 25.1, 25.1-2, 25.2-3, 25.3-4, 25.4-5, 25.5-6, 25.6-7, 25.7-8, 25.8-9, 25.9-10, 25.10-11, 25.11-12, 25.12-13, 25.13-14, 25.14-15, 25.15-16, 25.16-17, 25.17-18, 25.18-19, 25.19-20, 25.20-21, 25.21-22, 25.22, 163.1-7, 133.1-9, 245.1-13, 155.1-24, 225.1-15, 235.1, 235.1-2, 235.2-3, 235.3-4, 235.4-5, 235.5-6, 235.6-7, 235.7-8, 235.8-9, 235.9-10, 235.10-11, 235.11-12, 235.12-13, 235.13-14, 235.14-15, 235.15-16, 235.16-17, 235.17-18, 235.18-19, 235.19-20, 235.20-21, 235.21-22, 235.22, 135.1-11, 29.1-11, 194.1-16, 15.1-4, 230.1-23, 159.1-9, 237.1-15, 184.1-11, 218.1-10, 162.1-6, 188.1-6, 67.1-8, 204.1-20, 212.1-3, 38.1-5, 14.1-8, 13.1-13, 158.1-16, 220.1-15, 191.1-4, 248.1-6, 248.13-14, 83.1-8, 95.1-9, 76.1-8, 252.1-15, 156.1-12, 30.1-5, 109.1-8, 249.1-17, 88.1-5, 2.1-9, 259.2-12, 44.1-5, 52.1-4, 261.2-5, 261.7, 261.7-8, 261.8, 253.1-8, 60.1-4, 70.1-19, 177.1-10, 227.1, 227.1-2, 227.2-3, 227.3-4, 227.4-5, 227.5-6, 227.6-7, 227.7-8, 227.8-9, 227.9-10, 227.10, 21.1-6, 96.1-4, 240.1-8, 78.1-18, 77.1-10, 145.1-21, 24.1, 24.1-2, 24.2-3, 24.3-4, 24.4-5, 24.5-6, 24.6-7, 24.7-8, 24.8-9, 24.9-10, 24.10-11, 24.11-12, 24.12-13, 24.13-14, 24.14-17, 262.2-20, 233.1-16, 84.1-18, 206.1-4, 92.1-10, 11.1-4, 200.1-7, 210.1-4, 8.1-8, 94.1-15, 255.1-8, 256.1-11, 193.1-14, 31.1-11, 228.1, 228.1-2, 228.2-3, 228.3-4, 228.4-5, 228.5-6, 228.6-7, 228.7-8, 228.8-9, 228.9-10, 228.10, 222.1-17, 102.1, 102.1-6, 152.1-7, 42.1-5, 41.1-4, 104.1-13, 254.1-4, 3.1-16, 106.1-14, 140.1-19, 140.19-29, 195.1-21, 91.1-4, 93.1-20, 36.1-11, 36.13, 36.15, 36.15-23, 238.1-12, 138.1-11, 151.1-10, 28.1-13, 115.1-6, 197.1-26, 265.1, 265.1-2, 265.2-3, 265.3-4, 265.4-5, 265.5-6, 265.6-7, 265.7-8, 265.8-9, 265.9-10, 265.10-11, 265.11-12, 265.12-13, 265.13-14, 265.14-15, 265.15-16, 265.16-17, 265.17-18, 265.18-19, 265.19-20, 265.20-21, 265.21-22, 265.22-23, 265.23-24, 265.24-25, 265.25-26, 265.26-27, 265.27-28, 265.28-29, 265.29-30, 265.30-31, 265.31-32, 265.32-33, 265.33-34, 265.34-35, 265.35-36, 265.36-37, 265.37, 211.1-2, 187.1-8, 51.1-4, 180.1-20, 214.1-6, 126.1-6, 66.1-4, 53.1-3, 49.1-4, 55.1-7, 87.1-5, 185.1-8, 215.1-9, 198.1-6, 170.1-8, 176.1-14, 258.1-3, 213.1-3, 86.1-5, 242.1, 242.1-2, 242.2-3, 242.3-4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8-9, 242.9-10, 242.10-11, 242.11-12, 242.12-13, 242.13-14, 242.14-15, 242.15, 236.1-5, 105.1-8, 112.1-7, 202.1-3, 239.1-8, 46.1-21, 203.1-10, 63.1-4, 148.1-14, 1.1-10, 120.1-6, 27.1-13, 260.2-4, 260.6-11, 56.1-8, 243.1, 243.1-2, 243.2-3, 243.3-4, 243.4-5, 243.5-6, 243.6-7, 243.7-8, 243.8-9, 243.9-10, 243.10-11, 243.11-12, 243.12, 172.1-7, 250.1-17, 175.1-12, 257.1-4, 23.1-12, 196.1-19, 183.1-12, 189.1-5, 241.1-8, 32.1-8, 131.1-6, 5.1-8, 80.1-5, 132.1-11, 123.1-6, 16.1-7, 168.1-32, 179.1-17, 18.1-9, 216.1-11, 130.1-6, 69.1-8, 169.1-10, 217.1-8, 150.1-15, 205.1-17, 205.17-18, 205.18-19, 205.19-20, 205.20-21, 205.21-22, 205.22-23, 205.23-24, 205.24-25, 205.25-26, 205.26-27, 205.27-28, 205.28-29, 205.29-30, 205.30-31, 205.31-32, 205.32-33, 205.33-34, 205.34, 154.1-26, 22.1-6, 174.1-22, 266.2-16, 85.1-11, 192.1-11, 74.1-7, 124.1-6, 17.1-4, 226.1, 226.1-2, 226.2-3, 226.3-4, 226.4-5, 226.5-6, 226.6-7, 226.7-8, 226.8-9, 226.9-10, 226.10-11, 226.11-12, 226.12-13, 226.13, 149.1-10, 65.1-6, 48.1-3, 232.1-14, 234.1-19, 234.19-20, 110.1-6, 89.1-8, 219.1-5, 98.1-4, 43.1-14, 144.1-13, 144.13-16, 247.1-10, 178.1-11, 128.1-9, 165.1-6, 71.1-21, 139.1-33, 164.1-6, 182.1-21, 101.1, 101.1-2, 101.2-3, 101.3, 114.1-8, 143.1-24, 111.1-12, 121.1-6, 6.1-8, 90.1-16, 34.1, 34.1-2, 34.2-3, 34.3-4, 34.4-5, 34.5-6, 34.6-7, 34.7-8, 34.8-12, 82.1-5, 4.1-6, 73.1-8, 142.1-24]
Claudio Desderi
baritone vocals [12, 12-13, 13-14, 14, 17, 19, 19-20, 20, 22, 22-23, 23, 26, 28, 28-29, 29, 33, 33-34, 34-35, 35, 39]
Claudio Otelli
bass vocals [244.8, 243.7]
Claus Kühbacher
bass vocals [197.1, 197.3, 197.7-8, 197.10-15, 197.20-21, 197.23-24, 196.9, 196.19]
Colin Moorfoot
balance [18.6-9, 63.1-4], producer [6-9]
Cord Garben
executive [173.1-16, 174.1-22]
Coro Sinfonico di Milano Giuseppe Verdi
choir vocals [3-5, 10, 12-13]
Coro da camera della RAI
choir vocals [9]
Coro del Teatro La Fenice
choir vocals [176.2-3, 176.11, 176.13-14, 175.2-3]
Coro del Teatro Regio di Parma
choir vocals [1, 4, 10]
Coro del Teatro alla Scala di Milano
choir vocals [231.1, 231.9-10, 231.12, 225.5, 225.12, 225.14, 234.1-19, 234.19-20, 220.2-4, 220.8, 220.11, 220.13-14, 230.6-7, 230.9-13, 230.15-16, 230.18-23, 223.7-8, 223.12, 228.10, 219.2-3, 219.5, 264.4, 264.11, 264.11-12, 264.12, 264.18, 264.20, 264.20-21, 264.21, 264.27, 264.37, 264.39, 224.2-3, 224.6-8, 224.10-11, 221.1, 221.3-5, 221.7, 221.9, 221.14-16, 227.2, 227.2-3, 227.3, 227.9, 227.9-10, 227.10, 222.1-3, 222.5, 222.13-17, 218.2-4, 218.6, 218.9-10, 229.2-3, 229.3-4, 229.4-5, 229.5, 229.8, 229.8-9, 229.9, 226.1, 226.7, 226.7-8, 226.8, 226.10, 226.10-11, 226.11-12, 226.12-13, 226.13, 265.3, 265.3-4, 265.4, 265.22, 265.36, 265.36-37, 265.37]
Coro della Radiotelevisione Svizzera
choir vocals [155.1-2, 155.4, 155.6-7, 155.9, 155.18, 155.20, 155.22-24, 154.1-4, 154.6, 154.8-10, 154.12, 154.20, 154.22-24, 154.26]
Coro di Ferrara Musica
choir vocals [143.6, 144.11]
Dagmar Birwe
recording [1, 3-8, 10-17]
Dale Clevenger
horn [1-3]
Dalia Schaechter
alto vocals [7-10, 12-13]
Daniel Brech
piano [1-6]
Daniel Kemper
assistant [1-29]
Daniil Shtoda
tenor vocals [232.6-9, 233.6-7, 233.10-11, 233.15-16]
Danilo Formaggia
tenor vocals [145.13, 145.18, 145.20-21, 146.2, 146.7, 146.15, 146.19]
Danusha Waskiewicz
viola [129.7-9, 1.5-7, 2.1-3]
David Garrett
violin [1-9]
David Groves
producer [1-22]
David Harvey
producer [18.6-9, 78.1-9]
David Watkin
task [261.8, 264.1-27, 264.29-39], video director [28]
Desborough School Choir
choir vocals [1-6]
Diego Fasolis
chorus master [155.18, 155.20, 155.22-24, 154.1-4, 154.6, 154.8-10, 154.12, 154.20, 154.22-24, 154.26]
Dietmar Graf
task [261.7, 265.1-37]
Dietrich D. Gerpheide
chorus master [140.1-29, 141.1-19, 184.3-4, 184.8, 184.11, 139.1-33]
Dietrich Knothe
chorus master [37.5, 89.1-3, 89.6-8, 90.3, 90.6-7, 90.9-11, 90.15-16, 40.2, 24.2, 24.4, 24.6, 24.6-7, 24.7, 24.10, 24.10-11, 24.11-12, 24.12]
Dorothea Röschmann
soprano vocals [145.10-12, 145.15-16, 233.1-2, 233.6-7, 233.9-11, 233.13-16, 146.3, 146.5, 146.9-10, 146.13-14, 146.18, 146.18-20, 232.5-9]
Douglas Boyd
oboe [248.7-14, 74.5-7, 237.13-15]
Douglas Cummings
cello [1-12], solo [1-12]
Dr. Peter Czornyj
associate [4-6]
Dr. Steven Paul
executive [1-6], producer [1-4]
Edita Gruberová
soprano vocals [225.9-10, 225.12-15, 224.3-6, 224.8-11]
Eduard Giménez
tenor vocals [1-2, 6-8, 17, 19, 21]
Edwin Hausl
sound [2-4, 6-11]
Elena Vicini
additional [9]
Elfride Foroni
producer [4-6]
Elisabeth Mach
alto vocals [13.12-13, 243.7]
Elizabeth Connell
soprano vocals [5, 9, 13]
Elżbieta Szmytka
soprano vocals [257.2, 257.4, 266.6, 266.8, 266.12, 266.14, 266.16, 256.5, 256.7, 256.11]
Emmanuel Pahud
flute [1], solo [1]
Enrico Bronzi
cello [2.1-3, 1.5-7]
Enrico Facini
tenor vocals [233.6-7, 233.9-10, 233.14-16, 232.1, 232.6-7, 232.9]
Enzo Dara
baritone vocals [173.7-10, 173.15-16, 174.5, 174.7-8, 174.10-12, 174.15-17, 174.19-22], bass vocals [177.4, 177.7-10, 178.1-8, 178.10-11, 181.6-7, 181.10-11, 181.13, 181.15, 181.17, 265.8, 265.14, 265.14-15, 265.15, 265.17, 265.19, 265.19-20, 265.20, 265.22, 265.22-23, 265.23-24, 265.24-25, 265.25, 265.28, 265.28-29, 265.29-30, 265.30, 265.32, 265.36, 265.36-37, 265.37, 182.5-8, 182.12-19, 182.21]
Erdo Groot
balance [12]
Eric Ericsons Kammarkör
choir vocals [9.5, 55.1-7]
Erik Hawlik
task [2-20]
Erika Miklósa
soprano vocals [146.3-4, 146.21, 145.7]
Ernesto Gavazzi
tenor vocals [5-8, 21]
Ernesto Molinari
clarinet [3]
Ernst Erich Buder
performer [11], spoken vocals [10]
Ernst Neuspiel
executive [2-20]
Ernst Senff
chorus master [38.1, 192.3, 192.6, 192.10, 39.2]
Ernst Wild
task [265.1-37, 261.7]
Ernst‐Senff‐Chor
choir vocals [38.1, 39.2, 192.3, 192.6, 192.10]
Eros Sartori
choir vocals [3]
Erwin Hekelmoser
task [2-20]
Erwin Ortner
chorus master [184.3-4, 184.8, 184.11, 93.17-20, 197.1, 197.3, 197.6-8, 197.10, 197.12-14, 197.16, 197.20, 197.22-23, 197.25, 25.13, 25.22, 145.13, 145.15-16, 145.19, 254.2, 193.1-6, 193.9, 193.11-14, 146.12, 146.19, 146.21, 196.4-6, 196.8-10, 196.14, 196.19, 26.8]
Eteri Gvazava
solo [5], soprano vocals [5]
European Union Youth Orchestra
performing orchestra [1-6]
Eva Sartorius
task [2-20]
Ewald Faiss
balance [1-8]
Ewald Markl
associate [184.1-11, 244.1-11, 29.9-11, 57.1-4, 93.1-20, 139.1-33, 140.1-29, 243.1-12, 59.1-4, 183.1-12, 242.1-15, 92.6-10, 141.1-19], executive [60.1-4, 61.1-3, 28.1-13]
Falk Struckmann
bass-baritone vocals [25.12, 25.12-13, 25.13-14, 25.14-15, 25.15, 25.21, 25.21-22, 25.22, 26.5, 26.5-6, 26.6, 26.8]
Fausto Nardi
task [145.1-21, 146.1-21]
Ferdinando Meret
choir vocals [3]
Florian B. Schmidt
recording [1-5]
Frances Peters
producer [1-18]
Francisco Araiza
tenor vocals [33.5, 264.3, 264.8, 264.8-9, 264.9-10, 264.10, 264.12, 264.12-13, 264.13-14, 264.14, 264.17, 264.19, 264.19-20, 264.20, 264.22, 264.22-23, 264.23, 264.26, 264.26-27, 264.27, 264.33, 264.33-34, 264.34-35, 264.35, 264.38, 264.38-39, 264.39, 181.13-15, 181.17, 182.6-9, 182.14, 182.19, 182.21]
Franco Lizzio
concertmaster [228.1, 228.1-2, 228.2-3, 228.3-4, 228.4-5, 228.5-6, 228.6-7, 228.7-8, 228.8-9, 228.9-10, 228.10, 226.1, 226.1-2, 226.2-3, 226.3-4, 226.4-5, 226.5-6, 226.6-7, 226.7-8, 226.8-9, 226.9-10, 226.10-11, 226.11-12, 226.12-13, 226.13, 229.1, 229.1-2, 229.2-3, 229.3-4, 229.4-5, 229.5-6, 229.6-7, 229.7-8, 229.8-9, 229.9, 234.19, 227.1, 227.1-2, 227.2-3, 227.3-4, 227.4-5, 227.5-6, 227.6-7, 227.7-8, 227.8-9, 227.9-10, 227.10]
Frank Lopardo
tenor vocals [174.3-4, 174.9-12, 174.15-17, 174.20-22, 175.2-3, 175.5-6, 175.11-12, 176.1-7, 176.10-14, 173.4-6, 173.11, 173.14, 173.16]
Franz Bartolomey
cello [139.1-33, 140.1-29, 141.1-19]
Franz Grundheber
baritone vocals [30.1-4, 31.1-5, 31.8-10]
Franz Hofer
task [265.1-37, 261.2-5, 261.7]
Franz Kabelka
executive [256.1-11, 257.1-4], producer [1-17], video director [2-4, 6-11]
Franz Kasemann
tenor vocals [244.8, 243.7]
Franz Wimmer
baritone vocals [256.7, 266.8]
Franziska Polanski
assistant [264.1-39, 261.8]
François Le Roux
baritone vocals [70.5, 70.7-10, 70.15-19, 71.1, 71.5, 71.11-14]
Freddy Cooper
task [261.8, 264.1-39]
Frederic Jost
alto vocals [145.13, 146.8, 146.18, 146.20]
Frederica von Stade
alto vocals [1-23], mezzo-soprano vocals [3, 3-4, 4-5, 5, 8, 8-9, 9, 13, 13-14, 14-15, 15, 22, 22-23, 23, 26, 30, 30-31, 31, 33, 33-34, 34-35, 35, 38, 38-39, 39], soprano vocals [4]
Friedrich Goldmann
conductor [2]
Friedrich Gulda
piano [127.1-6, 126.1-6]
Friedrich Molsberger
bass vocals [12]
Friedrich Wilhelm Rödding
editor [1-7]
Fritz Beckhoff
task [261.8, 264.1-39]
Fritz Buttenstedt
executive [265.1-37, 261.2-5, 261.7]
Gabriela Beňačková
soprano vocals [4]
Gabriele Bellini
concertmaster [234.20, 231.1, 231.3-12, 225.1-15, 224.1-11, 230.1-23]
Gabriele Lechner
soprano vocals [12-13]
Gabriele Sima
mezzo-soprano vocals [175.11, 176.1-3, 176.7-8, 176.14]
Gaspare Cerri
choir vocals [3]
Gela-Marina Runne
editor [265.1-37, 261.7]
Geoffrey Pogson
spoken vocals [12], tenor vocals [35.24-26, 36.4-5, 36.7-8, 36.18]
Georg Obermayer
balance [82.1-5, 68.6-8], editor [1-3], producer [2.1-9, 82.1-5, 62.1-4, 1.1-10, 64.1-3]
Georg Zeppenfeld
spoken vocals [145.13, 145.18, 145.20, 146.2, 146.7, 146.15, 146.17]
George Main
spoken vocals [22-24]
George Watson’s College Boys’ Chorus
choir vocals [35.2-4, 35.6, 35.8-11, 35.16-17, 35.23-24, 36.4-5, 36.7, 36.13, 36.17-18, 36.20-23]
Gerd Seifert
horn [3], solo [3]
Gerhard Eder
bass vocals [12-13]
Gerhard Lang
producer [2-20]
Gerhard Preininger
task [2-20]
Gerhard Schmidt‐Gaden
chorus master [89.6-8, 90.6, 90.9, 90.14-16]
Gernot Westhäuser
sound [264.1-39, 261.8]
Gernot von Schultzendorff
balance [165.1-6, 210.2, 210.4, 241.1-8, 75.6-9, 86.1-5, 161.1-6, 21.1-3, 77.1-10, 80.1-5, 172.1-7, 55.1-7, 147.1-20, 192.2-3, 192.6, 192.8-10, 212.1-3, 24.1-17, 51.1-4, 19.1, 19.3-6, 20.1, 20.3-6, 23.1-12], engineer [1-3], mix [1-5], recording [175.1-12, 176.1-14]
Gertraud Vala
task [2-20]
Gianfranco Manganotti
tenor vocals [7]
Gidon Kremer
violin [1-12]
Gil Shaham
violin [54.1-6, 245.11]
Giordano Olivo
choir vocals [3]
Giordano Tunioli
chorus master [144.11, 143.6]
Giorgio Surian
bass vocals [182.6-7, 182.19, 182.21, 181.2-3, 181.6-7]
Giovanni Foiani
bass vocals [220.5, 223.1, 222.1-2, 222.5, 222.8, 222.12-13, 222.15-17, 224.2-3, 224.6, 224.8-11, 225.5, 225.9-10, 225.12, 225.15]
Giuliano Carmignola
soprano violin [2.7-9, 1.1-4], violin [153.13-15, 128.1-9, 129.1-9, 1.5-10, 2.4-6]
Giulio Bertola
chorus master [234.19, 228.10, 226.1, 226.7, 226.7-8, 226.8, 226.10, 226.10-11, 226.11-12, 226.12-13, 226.13, 227.2, 227.2-3, 227.3, 227.9, 227.9-10, 227.10, 229.3, 229.3-4, 229.4-5, 229.5, 229.8, 229.8-9, 229.9]
Giuseppe Morresi
bass vocals [10]
Goran Simić
bass vocals [176.2, 176.11, 149.2]
Gordon Parry
balance [18.1-5, 78.1-4], engineer [1-5], recording [1-8]
Gordon Sandison
baritone vocals [36.4-5, 36.7-8, 36.13, 36.17-18, 35.24-26], spoken vocals [12]
Gottfried Hornik
spoken vocals [1]
Gregor Zeilinsky
editor [105.1-4, 106.1-14, 108.1-8, 107.1-4]
Gregor Zielinsky
balance [73.5-8, 258.1-3, 158.1, 158.12, 188.1-6, 253.1-8, 192.1, 192.4-5, 192.7, 192.11, 186.1-8, 185.1-4, 172.1-7, 252.1, 189.1-5], recording [196.1-19, 197.1-26]
Gretchen Eder
soprano vocals [244.2, 13.12-13]
Gretel Brugger
chorus master [6]
Gudrun Mockert-Keyser
editor [261.8, 264.1-39]
Guido Gualandi
oboe [1-4]
Guilhaume Santana
bassoon [133.7-9, 131.1-3]
Gundula Janowitz
soprano vocals [1-23]
Gustav Mahler Jugendorchester
performing orchestra [1-8]
Gáti István
baritone vocals [141.17, 140.7-8, 140.21, 140.25]
Gérard Caussé
viola [4-7]
Gösta Winbergh
tenor vocals [4]
Günter Hermanns
balance [252.2-14, 12.1-4, 10.1-4, 211.1-2, 207.1-4, 44.1-4, 222.1-17, 220.1-15, 234.1-6, 234.8-13, 234.15, 27.1-13, 38.1-5, 39.1-6, 51.1-4, 41.1-4, 126.1-6, 136.1-23, 251.1-17, 42.1-5, 68.1-5, 221.1-16, 45.7-11, 127.1-6, 204.1-11, 208.1-4, 96.1-4, 209.1-4, 223.1-12, 200.1-7, 214.1-6]
Günther Breest
executive [107.6-7, 186.1-8, 30.1-5, 16.7, 79.1-23, 79.25-27, 15.1-4, 187.1-8, 188.1-6, 12.1-8, 97.1-31, 196.1-19, 31.1-11, 169.1-9, 13.1-13, 108.9, 250.1-17, 38.1-5, 158.13-16, 170.4-8, 194.1-16, 105.8, 200.4-7, 185.1-8, 197.1-26, 69.1-8, 192.1, 192.4-5, 192.7, 192.11, 10.1-8, 74.1-7, 14.1-8, 118.1-3, 17.1, 189.1-5], producer [188.1-2, 107.7, 52.1-4, 189.1-4]
Günther Theuring
chorus master [1, 4]
Hanna Schwarz
alto vocals [2-6], contralto vocals [2]
Hanno Müller‐Brachmann
baritone vocals [145.3-4, 145.8, 145.10-12, 145.15, 145.20, 146.1-2, 146.7, 146.9, 146.11, 146.15-17, 146.20]
Hanno Rinke
executive [118.1-3, 213.1-3, 66.1-4], producer [1-4]
Hans Bernhard Bätzing
producer [1-17]
Hans Gansch
post horn [7-9]
Hans Georg Havlik
task [2-20]
Hans Kraemmer
bass vocals [14, 37]
Hans Peter Blochwitz
tenor vocals [6-7, 10, 13]
Hans Stamminger
task [2-4, 6-11]
Hans Viktor Keppler
task [2-20]
Hans Weber
producer [202.2-3, 204.18-20, 183.1-12, 101.1-3, 102.1, 184.1-11]
Hans-Michael Kissing
editor [1-4]
Hans-Wilhelm Nagel
balance [1-3]
Hans‐Peter Schweigmann
balance [114.1-8, 178.1-11, 179.1-17, 225.1-15, 171.1-6, 130.1-9, 177.1-10, 180.1-20, 204.18-20, 224.1-11, 43.1-14, 234.14, 44.1-4, 238.1-12]
Hans‐Rudolf Müller
editor [105.1-6, 106.1-14, 107.1-5, 108.1-8], engineer [106.1-14, 105.7, 59.1-4], producer [1-3], recording [5-6, 8]
Hans‐Ulrich Bastin
balance [128.1-9, 129.1-9, 146.1-21, 145.1-21], editor [4-6], mix [1-6], producer [4-6], recording [154.1-26, 155.1-24, 131.1-6, 133.7-9, 153.1-20]
Harry Peeters
baritone vocals [4, 16], bass vocals [256.3, 257.4]
Hartmut Tscharke
sound [264.1-39, 261.8]
Hartmut Welker
baritone vocals [243.1, 243.1-2, 243.2, 243.4, 243.7, 243.10, 243.10-11, 243.11-12, 243.12, 184.3, 197.2, 197.5, 242.3, 242.5, 242.7, 242.10, 242.10-11, 242.11-12, 242.12, 242.14, 242.14-15, 242.15]
Heidi Zehnder
mezzo-soprano vocals [145.2, 145.4, 145.6, 145.8, 146.1, 146.21]
Heinz Wildhagen
balance [99.1-17, 162.1-6, 204.12-17, 206.1-4, 65.1-6]
Heinz Zednik
tenor vocals [266.9, 266.12, 266.14, 31.2, 31.10, 30.1, 150.8-9, 150.14, 256.8, 256.11, 149.2-5, 257.2]
Helmut Bauer
task [2-5]
Helmut Burk
balance [4-7], producer [199.1-7, 130.7-9]
Helmut Fibich
task [2-20]
Helmuth Froschauer
chorus master [71.1-21, 174.1-22, 151.1-10, 30.1-5, 150.1-15, 149.1-10, 173.1-16, 31.1-11, 70.1-19]
Herbert Puchegger
task [2-20]
Hermann Ansorge
sound [2-20]
Hermann Prey
baritone vocals [15.4, 177.4-9, 178.2-3, 178.6-7, 178.9-11, 265.6, 265.6-7, 265.7-8, 265.8-9, 265.9-10, 265.10, 265.13, 265.17, 265.17-18, 265.18, 265.22, 265.28, 265.28-29, 265.29, 265.34, 265.34-35, 265.35-36, 265.36-37, 265.37]
Hermann Scherchen
conductor [9]
Hildegard Behrens
soprano vocals [31.1, 31.3-4, 31.6-8, 30.3, 30.5]
Hiroshi Oshima
tenor vocals [12]
Horant H. Hohlfeld
executive [261.8, 264.1-39, 260.2-4, 260.6-11], task [265.1-37, 261.7]
Hugo Käch
video director [2-5]
Hélène Grimaud
piano [3-5], spoken vocals [13]
Ildebrando d’Arcangelo
bass vocals [140.9, 140.18-20, 142.11-13, 143.3, 143.5-7, 143.9, 143.15, 143.17, 143.20-21, 143.23, 141.4, 144.12, 139.8-9]
Ileana Cotrubaș
soprano vocals [35.3, 35.12-15, 36.15, 36.15-16, 36.18], spoken vocals [14]
Ilya Gringolts
violin [4-6]
Ingmar Haas
editor [1-13], engineer [4-6]
Ingo Petry
editor [2]
Ingrid Ahrer
assistant [2-20]
Ingrid Sieghart
soprano vocals [7]
Ion Marin
misc [10], task [197.1-26, 196.1-9, 196.11-19]
Itamar Golan
piano [7-9]
Ivo Pogorelich
piano [213.1-3, 66.1-4]
Jacques Loussier
arranger [8-10]
Jacques Zoon
flute [248.7-14, 133.4-6, 131.4-6], transverse flute [8-10]
James King
tenor vocals [1-3, 5-6]
James Lock
balance [1-2, 4-5], sound [3]
James Mallinson
producer [1-8]
James Sommerville
horn [7-12]
Jan Burnett
executive [4-7]
Jan Rozehnal
chorus master [3-4, 8, 11]
Jan‐Hendrik Rootering
bass vocals [89.2-3, 89.5-8, 90.5, 90.16]
Jean Lainé
spoken vocals [14], tenor vocals [35.22-23, 36.20]
Jean-Philippe Courtis
bass vocals [71.6-8, 71.10, 71.15-16, 71.19-21, 70.5]
Jean-Pierre Ponnelle
video director [265.2, 264.1, 261.7-8]
Jerry Hadley
solo [6-8, 11-16], tenor vocals [194.6-8, 194.11-16, 260.8, 260.10-11]
Jessye Norman
contralto vocals [3], solo [1-3], soprano vocals [1-2]
Joachim Niss
editor [36.1-23, 68.1-4, 32.1-8, 35.1-26, 120.4-6, 211.2], engineer [107.1-4, 108.6-8], producer [120.4-6, 121.1-6, 115.1-3, 119.1-6]
Joanna Beresford
producer [1-18]
Joanna Borowska-Isser
soprano vocals [7-9]
Jobst Eberhardt
balance [1-6], editor [106.1-14, 108.1-8, 107.1-4, 105.1-4, 160.1-20], engineer [107.6-7, 61.1-3, 105.8, 108.9, 89.1-8, 90.1-16], producer [1-3], sound [1-4]
John Aler
tenor vocals [12]
John Alley
chorus master [4-5, 9, 11-12, 14]
John Fisher
executive [142.1-24, 143.1-24, 144.1-12]
John McCarthy
chorus master [56.1-8, 178.2-3, 178.10-11, 177.2-3, 3.12, 35.2-4, 35.6, 35.8-11, 35.16-17, 35.23-24, 36.4-5, 36.7, 36.13, 36.17-18, 36.20-23, 236.1-3], conductor [21]
John Mordler
producer [109.1-8, 56.1-8, 63.1-4]
John Shirley‐Quirk
bass vocals [25, 25-26, 26, 33]
Jonas Kaufmann
tenor vocals [247.1-10, 26.1, 26.3, 26.3-4, 26.4, 26.6, 26.6-7, 26.7-8, 26.8]
Jonathan Stokes
recording [26.1-8, 25.1-22]
Jorge Pita
solo [193.5, 194.6-8, 194.11-16], tenor vocals [193.5, 193.7, 13.12-13, 194.6-8, 194.11-16, 260.8, 260.10-11]
Josef Böck
organ [2-4, 6-11]
Josef Protschka
tenor vocals [196.7-9, 196.13-19, 197.17-19, 197.24-25]
Josef Stangl
baritone vocals [256.8, 266.9]
Josef Veverka
tenor vocals [257.2-3, 266.4, 266.6, 266.12, 266.14-15, 256.3, 256.5, 256.11]
José Antonio Sainz Alfaro
chorus master [245.2-3, 245.6, 82.5]
José Carreras
solo [217.3, 216.1, 216.6, 216.8, 216.10-11], tenor vocals [222.8-10, 222.13-17, 216.1, 216.6, 216.8, 216.10-11, 223.3-4, 223.6-7, 223.11-12, 217.3]
José van Dam
baritone vocals [222.1-2, 222.5, 222.10, 222.12-13, 222.15-17, 223.1-3, 223.8], bass vocals [71.1, 71.3-4, 71.7-8, 71.15-21, 70.1-3, 70.12-13, 70.18-19]
Juan Sebastián Acosta
tenor vocals [18]
Julia Kleiter
soprano vocals [153.16-20, 155.2-3, 155.7, 155.14-17, 146.20]
Juliane Banse
soprano vocals [1-5, 11, 13]
Jörg Ritter
editor [5-8]
Jörg Schluckebier
spoken vocals [11, 21]
Jürgen Bulgrin
balance [1-21], editor [107.1-4, 105.1-4, 106.1-14, 108.1-8], engineer [1-3], recording [160.1-20, 86.1-5, 212.1-3, 165.1-6, 80.1-5]
Jürgen Jürges
task [261.7, 265.1-37]
Jürgen Ruck
guitar [1]
Karin Prett
assistant [260.2-4, 260.6-11, 262.2-20]
Karita Mattila
solo [6-8, 11-16], soprano vocals [106.9, 137.1, 137.4, 137.6, 137.9, 137.12, 137.14, 260.3-4, 260.8, 260.10-11, 194.6-8, 194.11-16, 196.2-4, 196.8-9, 196.12, 196.14-19, 197.16-19, 197.25, 203.1-10, 9.5]
Karl Faust
executive [65.1-6, 179.1-17, 178.1-11, 171.1-6, 180.1-20, 27.1-13, 208.1-4, 177.1-10, 68.1-5, 211.1-2, 42.1-5], producer [162.1-3, 177.7, 177.9, 68.1-3, 178.5]
Karl Kamper
chorus master [252.1, 151.1-10, 149.1-10, 150.1-15]
Karl-August Naegler
balance [34.9-12, 17.1-4, 33.1-6, 164.1-6, 103.1-4, 103.6-21, 107.5, 108.1-4, 74.1-7, 66.1-4, 97.1-31, 187.1-4, 102.1-6, 12.5-8, 11.1-4, 10.5-8, 14.1-8, 95.1-9, 105.1-6, 15.1-4, 117.4-6, 101.1-3, 36.1-23, 92.1-5, 185.5-8, 98.1-4, 158.2-11, 158.13-16, 250.1-17, 94.1-15, 35.1-26, 16.1-7, 32.1-8], producer [1-7], recording [134.1-12, 158.2-11, 181.1-20, 182.1-21]
Karoline Eichhorn
spoken vocals [14]
Kathleen Battle
soprano vocals [175.5, 175.7, 175.9, 175.12, 176.1-11, 176.14]
Katia Ricciarelli
solo [218.1, 218.5, 218.7, 218.10, 219.1, 219.3, 219.5], soprano vocals [226.4, 226.4-5, 226.5-6, 226.6-7, 226.7, 226.13, 181.3-4, 181.14-15, 181.17-18, 227.1, 227.3, 227.10, 231.2-6, 231.11-12, 228.3, 228.3-4, 228.4, 225.2-7, 225.9-10, 225.14-15, 219.1, 219.3, 219.5, 229.1, 229.1-2, 229.2-4, 229.4-5, 229.5, 229.7, 229.7-8, 229.8-9, 229.9, 218.1, 218.5, 218.7, 218.10, 182.6-7, 182.7-8, 182.18-19, 182.21, 224.8, 230.5-8, 230.14-15, 230.21-23]
Kay Johannsen
additional [2], organ [138.2, 137.1-16]
Keiichiro Mori
balance [1-3]
Kenneth Wilkinson
balance [109.1-8, 236.1-5, 78.5-18, 157.1-17]
Klaus Behrens
balance [1-3], editor [121.1-3, 200.1-3], producer [115.4-6, 116.1-6, 120.1-3], sound [1-4]
Klaus Hiemann
balance [47.1-4, 54.1-3, 72.1-5, 58.1-4, 148.1-11, 148.13-14, 187.5-8, 233.1-16, 30.1-5, 46.1-21, 31.1-11, 37.1-5, 106.1-14, 174.1-22, 81.1-4, 159.1-9, 160.1-20, 150.1-15, 137.1-16, 234.7, 234.16-20, 24.1-17, 3.1-16, 69.1-8, 89.1-8, 108.1-9, 100.1-5, 79.1-23, 79.25-27, 232.1-14, 219.1-5, 115.1-6, 116.1-6, 167.1-13, 242.1-15, 226.1-13, 67.1-4, 9.1-5, 210.3, 227.1-10, 243.1-12, 70.1-19, 152.1-7, 120.1-6, 4.1-6, 151.1-10, 119.1-6, 173.1-16, 218.1-10, 90.1-16, 244.1-11, 156.1-12, 40.1-6, 231.1-12, 34.1-8, 45.1-6, 105.7-8, 215.1-9, 229.1-9, 121.1-6, 71.1-21, 205.1-34, 117.1-3, 228.1-10, 170.1-8, 118.1-6, 107.1-4, 107.7, 169.1-10, 230.1-23, 110.1-6, 163.1-7, 213.1-3, 202.1-3, 149.1-10, 168.1-32, 194.1-16], engineer [90.1-16, 89.1-8], producer [1-3], sound [261.2-5, 261.8, 264.1-39]
Klaus Scheibe
balance [234.16-18, 219.1-5, 218.1-10]
Klaus-Peter Gross
balance [84.1-19, 87.1-5, 88.1-6, 91.1-5, 83.1-8, 85.1-12], editor [1-5], engineer [1-19]
Konzertvereinigung Wiener Volksopernchor
choir vocals [1-7, 9, 11-14]
Kristina Clemenz
soprano vocals [12]
Krystian Adam
tenor vocals [23]
Kurt Azesberger
tenor vocals [145.9-10, 145.15-16, 146.2-3, 146.5, 146.21]
Kurt Brückner
task [261.2-5, 261.7, 265.1-37]
Kurt Kindl
balance [1-3], sound [2-20]
Kurt Moll
bass vocals [242.2, 242.2-3, 242.3-4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8, 242.10, 242.10-11, 242.11-12, 242.12, 136.1-23, 244.7, 244.7-8, 244.8-9, 244.9-10, 244.10-11, 244.11, 243.9, 243.9-10, 243.10-11, 243.11-12, 243.12]
Kurt Zöhrer
editor [2-4, 6-11]
LIbero Bullo
choir vocals [3]
Laura Antonaz
soprano vocals [23]
Laura Zannini
mezzo-soprano vocals [180.1-4, 180.12, 180.15-16, 180.20, 179.2-5, 179.7, 179.9, 179.11-12, 179.16], soprano vocals [2, 2-3, 3-4, 4-5, 5, 7, 9, 12, 12-13, 13, 17, 20, 22, 22-23, 23-24, 24, 31, 34, 34-35, 35-36, 36, 39]
Lavinia Bertotti
soprano vocals [23]
Lella Cuberli
soprano vocals [181.4-5, 181.7-9, 182.5-8, 182.17, 182.19, 182.21]
Leo Nucci
baritone vocals [181.12-15, 181.17, 227.3, 227.3-4, 227.4, 227.8, 227.10, 230.21-23, 228.3, 228.6, 228.6-7, 228.7-8, 228.8-9, 228.9, 231.3, 231.6, 182.5-7, 182.15, 182.19, 182.21, 226.10, 226.13]
Leslie Fyson
baritone vocals [36.20, 236.1-2]
Leslie Howard
piano [1-15]
Leslie Pearson
harpsichord [1-12], organ [238.1-12, 156.1-12]
Letizia Belmondo
harp [4-6]
Levente Páll
bass vocals [18]
Liliana Poli
soprano vocals [9]
Lilya Zilberstein
piano [1-6]
London Philharmonic Choir
choir vocals [1-6]
London Symphony Chorus
choir vocals [106.4-5, 106.8-9, 106.11-12, 106.14, 163.2-5, 163.7, 168.1, 168.3, 168.9, 168.14-16, 168.20, 168.24, 69.2, 69.4, 33.1-6, 84.12]
London Symphony Orchestra
performing orchestra [148.1-14, 157.1-17, 163.1-7, 170.1-8, 177.1-10, 238.1-12, 34.1, 34.1-2, 34.2-3, 34.3-4, 34.4-5, 34.5-6, 34.6-7, 34.7-8, 34.8-12, 115.1-6, 36.1-11, 36.13, 36.15, 36.15-23, 108.1-8, 169.1-10, 213.1-3, 107.1-7, 106.1-14, 118.1-6, 78.1-18, 117.1-6, 114.1-8, 201.1-5, 236.1-5, 178.1-11, 65.1-6, 105.1-8, 171.1-6, 3.1-16, 205.1-17, 205.17-18, 205.18-19, 205.19-20, 205.20-21, 205.21-22, 205.22-23, 205.23-24, 205.24-25, 205.25-26, 205.26-27, 205.27-28, 205.28-29, 205.29-30, 205.30-31, 205.31-32, 205.32-33, 205.33-34, 205.34, 119.1-6, 168.1-32, 204.1-20, 44.1-5, 121.1-6, 120.1-6, 69.1-8, 180.1-20, 179.1-17, 109.1-8, 156.1-12, 35.1, 35.1-26, 208.1-4, 202.1-3, 167.1-13, 116.1-6, 27.1-13], wind instruments [9]
London Voices
choir vocals [8, 22]
Lorenza Borrani
violin [5-7]
Lorna Cooke deVaron
chorus master [3-4]
Lubomír Mátl
chorus master [1-2, 9, 16, 19]
Lucas Macías Navarro
oboe [1.1-4, 131.1-3, 2.7-9]
Lucerne Festival Orchestra
performing orchestra [25.1, 25.1-2, 25.2-3, 25.3-4, 25.4-5, 25.5-6, 25.6-7, 25.7-8, 25.8-9, 25.9-10, 25.10-11, 25.11-12, 25.12-13, 25.13-14, 25.14-15, 25.15-16, 25.16-17, 25.17-18, 25.18-19, 25.19-20, 25.20-21, 25.21-22, 25.22, 64.1-3, 259.2-12, 62.1-4, 26.1, 26.1-2, 26.2-3, 26.3-4, 26.4-5, 26.5-6, 26.6-7, 26.7-8, 26.8, 68.6-8, 82.1-5]
Lucia Valentini Terrani
alto vocals [1, 3-5, 7-12], mezzo-soprano vocals [226.11, 226.11-12, 226.12-13, 226.13, 228.3, 228.3-4, 228.4-5, 228.5, 228.10, 227.7, 227.7-8, 227.8, 182.6-9, 182.13, 182.19, 182.21, 181.12-15, 181.17, 230.9-11, 229.5, 229.8, 231.12]
Lucio Gallo
baritone vocals [176.1-8, 176.11-14, 175.10, 175.12, 140.5-9, 140.12, 140.18-20, 140.25-26, 140.28, 141.2, 141.4, 141.6-9, 141.12, 141.14-17, 139.2-7, 139.18, 139.20-21, 139.23], bass-baritone vocals [23]
Luigi Alva
tenor vocals [177.2-6, 180.1-3, 180.6-8, 180.14-16, 180.19, 179.8-13, 179.16, 265.3, 265.3-4, 265.4-5, 265.5, 265.7, 265.7-8, 265.8-9, 265.9-10, 265.10, 265.21, 265.21-22, 265.22, 265.24, 265.24-25, 265.25-26, 265.26-27, 265.27-28, 265.28-29, 265.29, 265.34, 265.34-35, 265.35-36, 265.36-37, 265.37, 178.1-7, 178.9-11]
Luigi De Corato
baritone vocals [182.8, 182.10, 182.21, 224.7, 224.11, 181.2-3, 181.10]
Luigi Nono
sound [8], task [9]
Luigi Roni
bass vocals [178.2-3, 178.10, 265.22, 265.36, 265.36-37, 265.37]
László Polgár
baritone vocals [5, 7-8, 23, 25]
Mahler Chamber Orchestra
performing orchestra [166.1-29, 22.1-6, 146.1-21, 249.1-17, 247.1-10, 25.1, 25.1-2, 25.2-3, 25.3-4, 25.4-5, 25.5-6, 25.6-7, 25.7-8, 25.8-9, 25.9-10, 25.10-11, 25.11-12, 25.12-13, 25.13-14, 25.14-15, 25.15-16, 25.16-17, 25.17-18, 25.18-19, 25.19-20, 25.20-21, 25.21-22, 25.22, 135.1-11, 26.1, 26.1-2, 26.2-3, 26.3-4, 26.4-5, 26.5-6, 26.6-7, 26.7-8, 26.8, 134.13, 145.1-21]
Manuel Fischer
sound [1-4]
Marcelo Álvarez
tenor vocals [10, 12, 16]
Marco Finucci
chorus master [1, 4, 10]
Marco Gali
sound [4-6]
Marco Ghiglione
chorus master [175.2-3, 176.2-3, 176.11, 176.13-14]
Marcus Creed
chorus master [23.12, 79.9-10], conductor [2]
Margaret Hillis
chorus master [15, 17]
Margaret Marshall
soprano vocals [1-3, 5-6, 8-9, 11-12]
Margaret Price
soprano vocals [27.1-13, 169.8, 170.6-8]
Margareta Hintermeier
alto vocals [8-9, 13]
Margarete Joswig
mezzo-soprano vocals [9]
Margarete Stummer
task [2-4, 6-11]
Margherita Guglielmi
soprano vocals [180.1-4, 180.12, 180.14-16, 180.20, 179.2-5, 179.7, 179.9, 179.11-12, 179.16, 264.2, 264.2-3, 264.3-4, 264.4-5, 264.5, 264.7, 264.9, 264.12, 264.12-13, 264.13, 264.17, 264.20, 264.22, 264.22-23, 264.23-24, 264.24, 264.31, 264.33, 264.33-34, 264.34-35, 264.35-36, 264.36, 264.39]
Maria Ewing
soprano vocals [71.5-8, 71.11-14, 71.16-19, 70.2, 70.7-10, 70.12-13, 70.15-17, 69.3]
Maria Fausta Gallamini
soprano vocals [3], vocal [8]
Maria João Pires
piano [123.1-6, 138.4, 124.1-6, 199.1-7, 122.1-6]
Maria Stodtmeier
assistant [1.1-10, 2.1-9]
Maria Wieslander
chorus master [1-3, 5, 7-14, 16]
Marianne Sattmann
alto vocals [2]
Marieke Blankestijn
violin [237.13-15, 74.5-7]
Marie‐Pierre Langlamet
harp [13]
Marilyn Horne
mezzo-soprano vocals [6, 16-17], solo [6, 16-17]
Mario Brunello
cello [21.4-6, 1.5-7]
Mario Zuccherini
balance [9], sound [8]
Marion Thiem
associate [1-13], executive [195.1-21, 138.1-11]
Marisa Mazzoni
additional [9]
Marita Prohmann
executive [128.1-9, 153.1-20, 129.1-9]
Marjana Lipovšek
alto vocals [260.10-11, 194.11-16, 38.1, 15.4], contralto vocals [12], mezzo-soprano vocals [217.2-3, 216.1, 216.4-7, 216.10-11], solo [216.1, 216.4-7, 216.10-11, 194.11-16, 217.2-3], soprano vocals [150.1-2, 150.5, 150.8-9, 151.5-10, 149.7-8, 149.10]
Mark Buecker
assistant [128.1-9, 129.1-9, 124.1-6], editor [1-3], recording [155.1-24, 154.1-26]
Mark Bücker
assistant [1-4]
Martha Argerich
piano [212.1-3, 162.1, 162.1-6, 22.1-6, 170.1-3, 65.1-6, 125.1-6]
Martin Feil
assistant [1-12]
Martin Gatt
bassoon [5], solo [5]
Martin Haselböck
organ [1-6]
Martin Olbertz
spoken vocals [9, 15]
Martin T:son Engstroem
associate [1-3]
Massimo Bortolotti
soprano vocals [3]
Matthew Wilkie
bassoon [248.7-12, 74.5-7, 237.13-15]
Matthias Bernhold
spoken vocals [9, 15]
Matthias Schwab
editor [1-13]
Matthias Spindler
associate [131.1-6, 1.1-10, 153.1-20, 154.1-26, 166.1-29, 155.1-24, 132.1-11, 133.1-9, 2.1-9], executive [1-6]
Matti Salminen
bass vocals [142.2, 144.3-4, 144.11]
Maurizio Pollini
grand piano [1-4], piano [47.1-4, 21.1-3, 261.2-5, 152.1-8, 13.8-13, 20.1-6, 19.1-6, 200.1-7, 50.1-3, 4.1-6]
Michael Beyer
video director [1-12]
Michael Davis
concertmaster [1-12], solo [6-12], violin [6-12]
Michael G. Gormley
chorus master [3]
Michael Gray
balance [204.12-17, 44.5]
Michael Horwath
executive [225.1-15, 224.1-11]
Michael Schade
tenor vocals [4, 6, 9, 12]
Michael Seberich
balance [132.1-11, 112.1-7, 111.1-12], producer [111.1-12, 112.1-7, 133.1-6, 132.1-11], recording [132.1-11, 133.1-6]
Michael Weber
other vocals [196.9, 196.19, 197.1, 197.3, 197.7-8, 197.10-15, 197.20-21, 197.23-24]
Michala Petri
recorder [4-9]
Michel Béroff
piano [4]
Mike Connor
task [261.8, 264.1-39]
Mirella Freni
soprano vocals [222.7-11, 222.14-17, 246.14, 246.16, 223.4-7, 223.11-12]
Miroslav Kopp
tenor vocals [257.3-4, 266.15-16]
Miroslav Svoboda
producer [257.1-4, 260.2-4, 260.6-11, 262.2-20, 266.1-17, 256.1-11]
Monika Bergmann
editor [261.8, 264.1-39]
Monte Pederson
baritone vocals [257.3, 256.3, 266.4, 266.15]
Monyók Ildikó
spoken vocals [2]
Naozumi Maeda
producer [1-3]
Nathan Milstein
violin [1-6]
Neil Hutchinson
assistant [26.1-8, 25.1-22]
New England Conservatory Chorus
choir vocals [3-4]
Nicola Ulivieri
bass-baritone vocals [6-8, 13]
Nicolaï Ghiaurov
baritone vocals [257.2-4, 256.3, 256.7, 256.11], bass vocals [266.3-4, 266.8, 266.12, 266.14-16, 228.2, 228.10, 222.3-5, 222.9-10, 222.14-17, 231.1, 231.6, 231.9-10, 230.2, 230.6-7, 230.9-10, 230.16, 230.20-23, 219.1, 219.4, 218.1, 218.3, 218.9-10, 220.2-3, 220.8, 220.12, 223.2, 223.8-12, 236.1-5, 229.3, 229.9], solo [218.1, 218.3, 218.9-10, 219.1, 219.4], vocal [2-3]
Niklas Mallmann
mezzo-soprano vocals [146.8, 146.18, 146.20, 145.13]
Nikola Tarasov
recorder [4-6]
Nina Stemme
soprano vocals [25.5, 25.5-6, 25.6, 25.10, 25.16, 25.19, 25.19-20, 25.20, 25.22, 26.2, 26.2-3, 26.3-4, 26.4, 26.6, 26.6-7, 26.7-8, 26.8]
Nino Antonellini
chorus master [9]
Noel Mann
bass vocals [13]
Norbert Balatsch
chorus master [216.1-4, 216.6, 216.9-10, 95.3, 217.1-2, 217.4-8, 136.1-2, 136.4-5, 136.7, 136.9, 136.11-12, 136.14-15, 136.17-19, 136.21-23]
Oliver Rieger
producer [1-12]
Oliver Rogalla
balance [1-21]
Onno Scholtze
balance [1-15], engineer [12]
Orchester der Wiener Staatsoper
performing orchestra [262.9-10, 149.1-10, 150.1-15, 151.1-10]
Orchestra Mozart
performing orchestra [113.1-8, 129.1-9, 154.1-26, 124.1-6, 132.1-11, 198.1-6, 111.1-12, 128.1-9, 133.1-9, 153.1-20, 2.1-9, 125.1-6, 191.1-4, 131.1-6, 155.1-24, 144.13, 144.13-16, 1.1-10, 112.1-7]
Orchestra del Teatro alla Scala di Milano
performing orchestra [226.1, 226.1-2, 226.2-3, 226.3-4, 226.4-5, 226.5-6, 226.6-7, 226.7-8, 226.8-9, 226.9-10, 226.10-11, 226.11-12, 226.12-13, 226.13, 234.1-19, 234.19-20, 222.1-17, 219.1-5, 220.1-15, 229.1, 229.1-2, 229.2-3, 229.3-4, 229.4-5, 229.5-6, 229.6-7, 229.7-8, 229.8-9, 229.9, 265.1, 265.1-2, 265.2-3, 265.3-4, 265.4-5, 265.5-6, 265.6-7, 265.7-8, 265.8-9, 265.9-10, 265.10-11, 265.11-12, 265.12-13, 265.13-14, 265.14-15, 265.15-16, 265.16-17, 265.17-18, 265.18-19, 265.19-20, 265.20-21, 265.21-22, 265.22-23, 265.23-24, 265.24-25, 265.25-26, 265.26-27, 265.27-28, 265.28-29, 265.29-30, 265.30-31, 265.31-32, 265.32-33, 265.33-34, 265.34-35, 265.35-36, 265.36-37, 265.37, 227.1, 227.1-2, 227.2-3, 227.3-4, 227.4-5, 227.5-6, 227.6-7, 227.7-8, 227.8-9, 227.9-10, 227.10, 221.1-16, 218.1-10, 225.1-15, 228.1, 228.1-2, 228.2-3, 228.3-4, 228.4-5, 228.5-6, 228.6-7, 228.7-8, 228.8-9, 228.9-10, 228.10, 264.1, 264.1-2, 264.2-3, 264.3-4, 264.4-5, 264.5-6, 264.6-7, 264.7-8, 264.8-9, 264.9-10, 264.10-11, 264.11-12, 264.12-13, 264.13-14, 264.14-15, 264.15-16, 264.16-17, 264.17-18, 264.18-19, 264.19-20, 264.20-21, 264.21-22, 264.22-23, 264.23-24, 264.24-25, 264.25-26, 264.26-27, 264.27-28, 264.28-29, 264.29-30, 264.30-31, 264.31-32, 264.32-33, 264.33-34, 264.34-35, 264.35-36, 264.36-37, 264.37-38, 264.38-39, 264.39, 223.1-12, 230.1-23, 224.1-11, 261.7, 261.7-8, 261.8, 231.1-12]
Orfeón Donostiarra
choir vocals [82.5, 245.2-3, 245.6]
Orquesta Sinfónica Simón Bolívar
performing orchestra [4-6]
Orquesta de Cámara Anton Webern
performing orchestra [1-4]
Oslavio Di Credico
tenor vocals [181.5-7, 182.21]
Oswald Pascher
misc [7], task [2-4, 6, 8-11]
Ottavio Dantone
harpsichord [2.1-3, 1.8-10]
Otto Gerdes
executive [1-6]
Paata Burchuladze
bass vocals [149.9-10, 150.3-6, 150.9, 151.5, 151.8-10]
Paolo Mazzotta
tenor vocals [10]
Paolo Montarsolo
bass vocals [179.6-7, 179.10-13, 179.16-17, 178.1-3, 178.7-8, 178.10-11, 265.15, 265.15-16, 265.16-17, 265.17, 265.22, 265.29, 265.32, 265.36, 265.36-37, 265.37, 177.7-8, 264.6, 264.6-7, 264.7, 264.10, 264.12, 264.12-13, 264.13-14, 264.14, 264.17, 264.17-18, 264.18, 264.23, 264.23-24, 264.24-25, 264.25, 264.28, 264.28-29, 264.29, 264.31, 264.33, 264.33-34, 264.34-35, 264.35, 264.38, 264.38-39, 264.39, 180.3-5, 180.9-10, 180.12, 180.14-16, 180.19-20]
Pater Gavac
task [2-4, 6-11]
Patrick Criswell
chorus master [35.2-4, 35.6, 35.8-11, 35.16-17, 35.23-24, 36.4-5, 36.7, 36.13, 36.17-18, 36.20-23], conductor [21]
Patrizia Pace
soprano vocals [71.3-4, 71.10, 143.3-7, 143.9, 143.17-18, 143.20-21, 143.23, 142.11, 142.14-16, 174.1-2, 174.9, 174.12, 174.22, 144.12, 173.2, 173.12, 173.14, 173.16]
Paul Edmund-Davies
flute [170.6-8, 168.22], solo [168.22, 170.6-8]
Paul Plishka
bass vocals [3, 3-4, 4, 14, 14-15, 15-16, 16, 20, 22, 26, 36, 39]
Paul Smaczny
executive [6.1-8, 62.1-4, 7.1-9, 8.1-8, 82.1-5, 5.1-8, 68.6-8], producer [2.1-9, 259.1-12, 1.1-10]
Pavel Kamas
bass vocals [266.8, 266.12, 266.14, 256.7, 256.11, 257.2]
Pavel Kühn
chorus master [147.2-5, 89.1-3, 89.6-8, 90.3, 90.6, 90.8, 90.10-11, 90.14-16]
Pedro Alcalde
task [183.1-12, 184.1-11]
Peter Burian
chorus master [266.4-6, 266.8-10, 266.12, 266.14-16, 243.5, 243.5-6, 243.6, 243.8, 243.8-9, 243.9-10, 243.10-11, 243.11-12, 243.12, 244.2, 244.7, 244.7-8, 244.8-9, 244.9-10, 244.10-11, 244.11, 242.2, 242.2-3, 242.3-4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8, 242.10, 242.10-11, 242.11-12, 242.12]
Peter Jasicek
task [2-4, 6-11]
Peter Jelosits
tenor vocals [140.18-19, 31.4]
Peter Kellerhals
sound [261.8, 264.1-39]
Peter Lloyd
flute [5], solo [5]
Peter Marschik
chorus master [10-11]
Peter Mattei
baritone vocals [8]
Peter Parth
task [2-4, 6-11]
Peter Seiffert
tenor vocals [89.2-3, 89.5, 89.5-8, 90.8-10, 90.15-16]
Peter Skwara
task [265.1-37, 261.7]
Peter Svensson
tenor vocals [197.3, 197.10-11, 197.13, 196.5, 196.9]
Philharmonia Orchestra
performing orchestra [206.1-4, 56.1-8]
Philip Langridge
tenor vocals [30.2, 79.1-9, 79.11-12, 79.14-22, 31.4-5, 257.2, 266.5, 266.8-9, 266.14, 256.4, 256.7-8, 184.6]
Philip Siney
balance [1-10]
Piero Cappuccilli
baritone vocals [221.3-4, 221.6, 221.12-15, 223.5-7, 223.9-12, 222.1, 222.4-5, 222.10-14, 222.16-17, 220.2-3, 220.6-9, 220.13-15], vocal [8]
Piero de Palma
tenor vocals [6-7]
Piotr Furmanczyk
assistant [4, 6]
Plácido Domingo
solo [218.1, 218.5, 218.8, 218.10, 219.1, 219.4], spoken vocals [35.5, 36.12], tenor vocals [228.6, 228.8, 228.8-10, 228.10, 225.3-4, 225.11-12, 225.14-15, 176.2-3, 176.6-7, 176.10-11, 176.13-14, 220.8, 220.13-15, 226.2, 226.2-3, 226.3-4, 226.4-5, 226.5-6, 226.6-7, 226.7, 226.9, 226.9-10, 226.10, 175.4-6, 175.9, 218.1, 218.5, 218.8, 218.10, 219.1, 219.4, 221.8-9, 221.14-16, 224.3-11, 230.2-7, 230.11, 230.20, 230.22-23, 231.4-6, 231.8, 231.11-12, 35.7, 35.11-15, 35.17-19, 35.26, 227.1, 227.6, 227.6-7, 227.7-8, 227.8, 227.10, 229.2, 229.2-3, 229.3, 229.9, 36.1-4, 36.7-8, 36.16-18, 36.23], vocal [8]
Pražský filharmonický sbor
choir vocals [89.1-3, 89.6-8, 147.2-5, 181.1-3, 181.19, 90.3, 90.6, 90.8, 90.10-11, 90.14-16]
Pål Christian Moe
associate [29.1-8, 92.6-10, 93.1-20, 183.1-12, 241.1-8, 184.1-11], co [175.1-12, 176.1-14], executive [90.1-16, 140.1-29, 139.1-33, 242.1-15, 243.1-12, 141.1-19, 244.1-11, 24.1-17, 89.1-8], producer [4]
Péter Köves
bass vocals [244.8, 243.7], tenor vocals [2], vocal [1, 5]
RIAS Kammerchor
choir vocals [79.9-10, 23.12]
Rachel Harnisch
soprano vocals [154.20, 154.22-26, 137.15-16, 153.1-3, 153.5-6, 153.8-9, 153.11-12, 25.2, 25.2-3, 25.3-4, 25.4, 25.6, 25.10, 25.20, 25.22, 26.8, 155.8-13, 155.19, 155.21]
Radiokören
choir vocals [239.5-6, 9.5, 137.1-3, 137.5, 137.7-14, 137.16, 55.1-7]
Rainer Brandstetter
bass vocals [196.9, 196.19, 197.1, 197.3, 197.7-8, 197.10-15, 197.20-21, 197.23-24]
Rainer Brock
executive [225.1-15, 234.20, 98.1-4, 66.1-4, 116.1-6, 214.1-6, 120.1-6, 202.1-3, 115.1-6, 117.1-6, 213.1-3, 231.1-12, 107.1-5, 121.1-6, 102.1-6, 230.1-23, 101.1-3, 204.1-20, 134.1-12, 170.1-3, 106.1-14, 108.1-8, 205.1-34, 224.1-11, 118.4-6, 119.1-6, 105.1-7, 164.1-6, 16.6], producer [229.1-9, 231.1-12, 66.1-4, 46.1-21, 204.1-17, 103.1-4, 103.6-21, 65.1-6, 169.10, 41.1-4, 127.1-6, 214.1-6, 33.1-6, 179.1-17, 94.1-15, 238.1-12, 227.1-10, 100.1-5, 4.1-6, 156.1-12, 45.1-11, 47.1-4, 224.1-11, 225.1-15, 32.1-8, 92.1-5, 208.1-4, 42.1-5, 116.1-6, 107.1-5, 228.1-10, 264.1-39, 159.1-9, 205.1-15, 105.1-7, 202.1, 36.1-23, 118.4-6, 68.1-5, 120.1-3, 162.1-6, 95.1-9, 115.4-6, 148.1-11, 148.13-14, 182.1-21, 119.1-6, 108.1-8, 134.4-12, 207.1-4, 11.1-4, 220.1-15, 234.1-20, 99.1-17, 110.1-6, 261.2-5, 261.8, 218.1-10, 219.1-5, 178.1-11, 226.1-13, 136.1-23, 181.1-20, 209.1-4, 177.1-10, 213.1-3, 163.1-7, 34.1-12, 171.1-6, 106.1-14, 126.1-6, 152.1-8, 206.1-4, 27.1-13, 43.1-14, 114.1-8, 170.1-3, 221.1-16, 96.1-4, 35.1-26, 167.1-13, 44.1-5, 180.1-20, 121.1-6, 164.1-6, 3.1-16, 211.1-2, 117.1-6, 230.1-23], samples from artist [222.1-17, 223.1-12]
Rainer Höpfner
editor [106.1-14, 105.1-4, 107.1-4, 108.1-8], engineer [107.5, 108.1, 105.1-6], producer [4-6], recording [1-3]
Rainer Maillard
balance [248.7-12, 242.1-15, 203.1-10, 141.1-19, 249.1-17, 29.1-7, 90.1-16, 140.1-29, 75.1-5, 217.1-4, 243.1-12, 123.1-6, 244.1-11, 89.1-8, 54.4-6, 144.13-16, 139.1-33, 67.5-8, 216.1-11], editor [108.9, 107.6-7, 69.1-8, 105.8], engineer [89.1-8, 90.1-16], recording [134.13, 135.1-11]
Rainer Mockert
task [264.1-39, 261.8]
Rainer Zipperling
viola da gamba [1-3]
Ralf Hossfeld
conductor [149.1-10, 150.1-15, 151.1-10]
Raphael Christ
violin [5-7]
Raquel Pierotti
mezzo-soprano vocals [182.10, 182.21, 181.1, 181.3, 181.6]
Ray Minshull
producer [236.1-5, 18.1-5, 78.10-18, 157.9-17]
Ray Still
oboe [7, 7-8, 8-9, 9], solo [7-9]
Reinhard Lagemann
balance [4-6], editor [39.2, 212.1-3], engineer [61.1-3, 54.1-6], recording [212.1-3, 104.1-13, 80.1-5]
Reinhild Schmidt
editor [105.1-4, 107.1-4, 104.1-13, 106.1-14, 108.1-8, 120.4-6], recording [1-3]
Reinhold Friedrich
trumpet [7-9]
Renate Hasler
soprano vocals [2]
Renate Kupfer
producer [234.20, 230.1-23, 231.1-12]
Renato Bruson
baritone vocals [225.4-10, 225.12-15, 224.3-4, 224.6, 224.11]
Renato Capecchi
baritone vocals [179.11-13, 179.16, 180.1-3, 180.6, 180.9-10, 180.14-16, 180.20]
Renato Cesari
baritone vocals [177.2-3, 265.3, 265.3-4, 265.4-5, 265.5, 265.11, 265.37]
Renaud Capuçon
violin [4-7]
René Pape
bass vocals [145.16, 145.18-19, 146.5-6, 146.6, 146.13-14, 146.21]
Renée Fleming
solo [4], soprano vocals [4-11]
Richard Amner
baritone vocals [36.20, 35.17]
Richard Fallas
bass vocals [13]
Richard Haan
baritone vocals [10-11]
Richard Hickox
chorus master [33.1-6, 163.2-5, 163.7, 168.1, 168.3, 168.9, 168.14-16, 168.20, 168.24]
Richard Hosford
clarinet [7-12]
Richard Kritzer
task [2-20]
Richard Lester
cello [142.1-24, 143.1-24, 144.1-12]
Richard Novák
baritone vocals [3, 11], bass vocals [4, 12]
Robert Aldwinckle
harpsichord [1-15]
Robert Gambill
tenor vocals [196.3-4, 196.9, 196.12, 196.14-15, 196.18-19, 197.1-2, 197.5, 197.10, 197.13-14, 197.18-19, 197.25]
Robert Hofer
task [2-5]
Robert Hoffer
task [2-4, 6-11]
Robert Holl
bass vocals [194.11-16, 196.5-9, 196.17-19, 197.17-18, 197.25-26, 260.10-11], solo [11-16]
Robert Lloyd
bass vocals [36.4, 36.20, 35.4, 35.6-7, 35.15-17, 35.19, 35.22-24], spoken vocals [5]
Robert Pavlecka
balance [1-6]
Robert Scheiwein
cello [140.1-29, 139.1-33, 47.3, 141.1-19], solo [3]
Robert Svoboda
task [2-20]
Roberto Alagna
tenor vocals [245.5, 235.1, 235.1-2, 235.2-3, 235.3-4, 235.4-5, 235.5-6, 235.6-7, 235.7-8, 235.8-9, 235.9-10, 235.10-11, 235.11, 235.11-12, 235.12-13, 235.13, 235.15, 235.15-16, 235.16-17, 235.17-18, 235.18-19, 235.19-20, 235.20-21, 235.21-22, 235.22]
Roberto Benigni
spoken vocals [3-11, 18]
Robin Gritton
chorus master [4]
Roger Law
executive [1-18], video director [1-18]
Roger Woodward
piano [2]
Roger Wright
associate [1-6]
Rolf Peter Schröder
sound [261.2-5, 261.7, 265.1-37]
Romano Gandolfi
chorus master [222.1-3, 222.5, 222.13-17, 227.2, 227.2-3, 227.3, 227.9, 227.9-10, 227.10, 224.2-3, 224.6-8, 224.10-11, 225.5, 225.12, 225.14, 229.3, 229.3-4, 229.4-5, 229.5, 229.8, 229.8-9, 229.9, 228.10, 231.1, 231.9-10, 231.12, 234.8, 234.13, 234.19, 234.19-20, 221.1, 221.3-5, 221.7, 221.9, 221.14-16, 226.1, 226.7, 226.7-8, 226.8, 226.10, 226.10-11, 226.11-12, 226.12-13, 226.13, 230.6-7, 230.9-13, 230.15-16, 230.18-23, 223.7-8, 223.12, 264.4, 264.11, 264.11-12, 264.12, 264.18, 264.20, 264.20-21, 264.21, 264.27, 264.37, 264.39, 249.3-5, 249.10, 249.12-13, 219.2-3, 219.5, 218.1-4, 218.6, 218.9-10, 220.2-4, 220.8, 220.11, 220.13-14]
Ronald Schneider
harpsichord [143.1-24, 144.1-12, 175.1-12, 176.1-14, 140.1-29, 139.1-33, 142.1-24, 141.1-19], task [176.1-14, 143.1-24, 142.1-24, 144.1-12, 175.1-12]
Rosa Bove
alto vocals [5]
Rosa Dominguez
mezzo-soprano vocals [23]
Rosemarie Lang
alto vocals [89.2-3, 89.5-8, 90.12, 90.16], contralto vocals [7]
Rudolf Fischer
task [2-20]
Rudolf Grahsl
task [2-20]
Rudolf Mayer
task [2-4, 6-11]
Rudolf Mazzola
bass vocals [15-16, 20-21]
Rudolf Scholz
organ [1-23]
Rudolf Serkin
grand piano [6], piano [258.1-3, 117.1-6, 118.1-6, 116.1-6, 119.1-6, 121.1-6, 115.1-6, 120.1-6]
Ruggero Raimondi
bass vocals [228.1, 228.1-2, 228.2-3, 228.3, 228.10, 174.2, 174.5, 174.7, 174.10-12, 174.15-16, 174.19-22, 181.12-13, 181.15, 181.17, 181.20, 182.3-7, 182.18-19, 182.21, 216.1, 216.3, 216.6, 216.9-11, 229.3, 229.8, 229.8-9, 229.9, 175.8, 217.3, 227.2, 227.2-3, 227.3-4, 227.4, 227.10, 176.1-3, 176.7-8, 176.11-14, 224.2-3, 224.6, 224.8-11, 173.2-3, 173.5-6, 173.11-13, 173.15-16, 225.5, 225.9-10, 225.12, 225.15], bass-baritone vocals [230.6-7, 230.20-23, 229.2], solo [216.1, 216.3, 216.6, 216.9-11, 217.3]
Rundfunkchor Berlin
choir vocals [67.4, 89.1-3, 89.6-8, 90.3, 90.6-7, 90.9-11, 90.15-16, 40.2, 233.7, 233.13-16, 24.2, 24.4, 24.6, 24.6-7, 24.7, 24.10, 24.10-11, 24.11-12, 24.12, 37.5]
Rupert Fäustle
artists and repertoire [1-3]
Ryland Davies
tenor vocals [17, 26, 33]
Sabina Colonna-Preti
viola da gamba [1-3]
Saimir Pirgu
tenor vocals [2-5]
Salvatore Accardo
violin [5]
Samuel Ramey
bass vocals [182.6-7, 182.16, 182.19, 182.21, 181.19-20]
Sara Mingardo
alto vocals [153.1, 153.3-5, 153.7-12, 154.7, 154.13-17], mezzo-soprano vocals [137.4, 137.6, 137.9, 137.12, 249.14-15]
Sascha Borris
bass vocals [19]
Sascha Reckert
glass harmonica [14]
Scottish Opera Chorus
choir vocals [179.4-5, 179.11, 179.17, 180.1-2, 180.8, 180.18]
Sebastiano Gernone
choir vocals [3]
Senta Fischer
contralto vocals [7]
Serge Fontaine
other vocals [10]
Sergio Fontana
bass vocals [6]
Sergio Zigiotti
mandolin [142.1-24, 144.1-12, 143.1-24]
Sharon Sweet
soprano vocals [3, 5, 7, 9]
Sherrill Milnes
baritone vocals [35.24, 36.16-18, 36.22]
Shirley Minty
contralto vocals [20]
Shirley Verrett
mezzo-soprano vocals [218.1, 218.4-5, 218.7, 218.10, 221.6, 221.11, 219.1, 219.3-4, 220.4-10, 220.13-15], solo [218.1, 218.4-5, 218.7, 218.10, 219.1, 219.3-4]
Shlomo Mintz
violin [164.1-6, 52.1-3, 110.1-6, 3.15-16]
Sid McLauchlan
executive [132.1-11, 133.1-9, 2.1-9, 240.1-8, 1.1-10, 113.1-8], producer [113.1-8, 26.1-8, 154.1-26, 198.1-6, 248.7-12, 25.1-22, 1.1-10, 166.1-29, 124.1-6, 133.7-9, 155.1-24, 125.1-6, 131.1-6, 2.1-9, 191.1-4]
Siegfried Jerusalem
tenor vocals [183.2, 183.4, 183.6, 183.8, 183.10, 242.8, 242.8-9, 242.9-10, 242.10-11, 242.11-12, 242.12, 243.9, 243.9-10, 243.10-11, 243.11-12, 243.12, 244.3, 244.3-4, 244.4-5, 244.5-6, 244.6, 244.8, 244.8-9, 244.9-10, 244.10-11, 244.11, 241.7, 184.1-2, 184.2, 184.5, 184.7]
Silvestro Sammaritano
baritone vocals [10]
Simon Halsey
chorus master [232.1-14, 233.1-16, 239.5-6, 84.12]
Simon Joly
chorus master [2, 4]
Simon Keenlyside
baritone vocals [142.2-3, 142.6-8, 142.12, 142.14-16, 142.18-20, 144.3-4, 144.9-11, 143.1-2, 143.2, 143.5-17, 246.3-6, 246.13]
Simon Rhodes
balance [1-22]
Simone Jandl
viola [2.1-3, 1.5-7]
Slavka Taskova
soprano vocals [2-3, 5]
Slovenský filharmonický zbor
choir vocals [149.3-6, 149.8-10, 150.4, 150.7, 150.12, 150.14-15, 151.1, 151.4, 151.7-8, 151.10, 184.3-4, 184.8, 184.11]
Soile Isokoski
soprano vocals [144.1-2, 144.10, 144.12, 143.8-9, 143.12-13, 143.19-21, 143.23, 142.7-8, 142.10, 142.16-19]
Sonja Frisell
assistant [261.7, 265.1-37]
Southend Boys’ Choir
choir vocals [1-6]
St. Albans School Choir
choir vocals [1-6]
Staatskapelle Dresden
performing orchestra [1-4, 6, 8-14]
Stefan Vladar
piano [263.12, 158.12]
Stefania Malagú
mezzo-soprano vocals [220.8, 220.13-15, 178.1-3, 178.7-8, 178.11, 221.10-11, 221.14, 265.14, 265.21, 265.21-22, 265.22, 265.30, 265.30-31, 265.31, 265.37]
Steffen Hermann
editor [1-12]
Steffen Herrmann
editor [1.1-10, 2.1-9]
Stella Doufexis
mezzo-soprano vocals [232.5-9, 233.1-2, 233.5, 233.7, 233.9-12, 233.14-16, 245.3-4]
Stephan Flock
balance [1.8-10, 166.1-29, 138.7-11, 191.1-4, 198.1-6, 124.1-6], editor [217.1-4, 216.1-11], engineer [59.1-4, 2.1-9, 89.1-8, 90.1-16, 1.1-10], recording [1-6]
Stephen Westrop
chorus master [12]
Steve Bendelack
video director [1-18]
Sting
spoken vocals [158.2, 158.2-3, 158.3-4, 158.4-5, 158.5-6, 158.6-7, 158.7-8, 158.8-9, 158.9-10, 158.10-11, 158.11, 263.3-11]
Stuart Harling
baritone vocals [35.2-3, 36.20], spoken vocals [5]
Sylvia McNair
solo [6], soprano vocals [141.9-11, 141.14-19, 90.12, 90.16, 140.3-12, 140.19-23, 140.25-26, 89.2-3, 89.5-8, 139.2-5, 139.10-12, 139.14-16, 139.18, 139.20, 139.23-24, 139.26-28, 139.30, 139.32-33, 24.3, 24.6, 24.13]
Symphonieorchester des Bayerischen Rundfunks
performing orchestra [1-7]
Südtiroler Kinderchor
choir vocals [6]
Teresa Berganza
mezzo-soprano vocals [265.8, 265.8-9, 265.9, 265.12, 265.12-13, 265.13-14, 265.14, 265.17, 265.17-18, 265.18-19, 265.19, 265.22, 265.25, 265.25-26, 265.26-27, 265.27-28, 265.28-29, 265.29, 265.32, 265.34, 265.34-35, 265.35-37, 265.37, 180.2-3, 180.6, 180.11-12, 180.14-16, 180.19-20, 35.10, 35.17-19, 35.21-26, 205.23, 205.26, 205.33, 36.1, 36.3-4, 36.7-11, 36.13, 36.17-18, 36.22-23, 178.1-11, 177.4-5, 177.7-9, 179.3-5, 179.8-9, 179.12-14], solo [26], spoken vocals [12]
Teresa Romano
mezzo-soprano vocals [21]
Terry Edwards
chorus master [8, 22]
The Choir Of Forest School, Winnersh
choir vocals [1-6]
The Haberdasher’s Aske’s Hatcham College Choir
choir vocals [1-6]
Theodor Guschlbauer
harpsichord [171.2, 179.1-17, 177.3, 177.5, 177.7-9, 178.1, 178.4-10, 180.1-20], task [171.2, 179.1-17, 180.1-20]
Thomas Hampson
baritone vocals [197.1, 197.3, 197.7-8, 197.10-14, 197.23, 197.25, 232.6-7, 232.9, 232.12-14, 233.5-7, 233.9-10, 233.14-16, 196.5, 196.7-9, 196.11]
Thomas Larcher
piano [3]
Thomas Moser
tenor vocals [5]
Thomas Quasthoff
baritone vocals [104.1, 104.3, 104.5, 104.7, 104.9-10, 104.12, 195.21], bass vocals [5], bass-baritone vocals [11-19]
Tibère Raffalli
tenor vocals [226.7, 228.2, 228.10]
Titus Maderlechner
recording [1-5]
Tobias Beyer
spoken vocals [9, 15], tenor vocals [145.13, 145.18, 146.15]
Toine Mertens
balance [5.1-8, 259.1-12, 2.1-9, 6.1-8, 7.1-9, 64.1-3, 82.1-5, 1.1-10, 8.1-8], sound [1-4]
Tryggvi Tryggvason
recording [1-8]
Tõnu Kaljuste
chorus master [5]
Tölzer Knabenchor
choir vocals [90.6, 90.9, 90.14-16, 89.6-8]
Ueli Würth
recording [1-6]
Ugo Trama
bass vocals [179.3-4, 179.13-15, 180.1-2, 180.6-7, 180.17]
Ulfried Feuerstein
task [262.2-20, 260.2-4, 260.6-11]
Ulrich Grossrubatscher
tenor vocals [266.8-9, 256.7-8]
Ulrich Vette
balance [92.6-10, 93.1-20, 245.1-13, 248.1-6, 248.13-14, 22.1-3, 193.1-14, 29.8-11, 36.2, 184.1-11, 57.1-4, 199.1, 199.3, 217.1-8, 130.1-9, 254.1-4, 73.1-8, 59.1-4, 76.1-8, 183.1-12, 138.1-6, 240.1-8, 60.1-4, 61.1-3, 28.1-13, 239.1-8, 216.1-11, 252.15, 104.1-13, 77.1-10], editor [4-6], engineer [1], piano [2], recording [1-17]
Ulrike Erfurt
alto vocals [2]
Umberto Troni
additional [9]
Urs Dürr
balance [1-3]
Ute Fesquet
executive [1-6]
Utz Carniel
task [2-5]
Uwe Heilmann
tenor vocals [143.8-9, 143.20-21, 143.23, 144.5, 144.8, 144.12, 142.4-5, 142.18-19, 142.21, 142.23-24]
Valdis Jansons
baritone vocals [2]
Valeriano Battisti
balance [4-6]
Valérie Groß
executive [1-10]
Veronica Cangemi
soprano vocals [5, 7, 11, 18-19]
Victor Aviat
oboe [1-4]
Viktoria Lehner
soprano vocals [11]
Vincenzo Scalera
harpsichord [2, 2-3, 3-4, 4-5, 5-6, 6-7, 7-8, 8-9, 9-10, 10-11, 11-12, 12-13, 13-14, 14-15, 15-16, 16-17, 17-18, 18-19, 19-20, 20-21, 21-22, 22-23, 23-24, 24-25, 25-26, 26-27, 27-28, 28-29, 29-30, 30-31, 31-32, 32-33, 33-34, 34-35, 35-36, 36-37, 37-38, 38-39, 39]
Violeta Urmana
mezzo-soprano vocals [5], soprano vocals [4]
Vittorio Sarzano
choir vocals [3]
Vittorio Sicuri
chorus master [224.2-3, 224.6-8, 224.10-11, 225.5, 225.12-14]
Vladimir Popov
tenor vocals [1-5]
Volker Martin
producer [4-6], recording [1-4]
Volker Straus
balance [49.1-4, 201.1-5], producer [49.1-4, 201.1-5]
Véronique Gens
soprano vocals [3-4]
Walter Alfred Wettler
sound [265.1-37, 261.7]
Walter Hagen-Groll
chorus master [15.4, 13.1-2, 13.12-13, 260.2, 260.4, 260.6-11, 194.1-16]
Walter Kellerhals
sound [264.1-39, 261.8]
Walter Raffeiner
tenor vocals [30.5, 31.4-5]
Walter Rektorik
task [2-20]
Walter Zeh
baritone vocals [7], bass vocals [8]
Waltraud Meier
contralto vocals [9, 19-20], mezzo-soprano vocals [242.11, 242.11-12, 242.12, 242.14, 242.14-15, 242.15, 241.4, 241.7, 243.1, 243.1-2, 243.2-3, 243.3-4, 243.4, 243.9, 243.11, 244.11], solo [9, 19-20]
Werner Kamenik
tenor vocals [4-5]
Werner Mayer
producer [14.1-8, 16.1-7, 30.1-5, 12.1-8, 10.1-8, 15.1-4, 13.1-13, 31.1-11, 17.1-4]
Werner Roth
recording [1-3]
Wiener Jeunesse-Chor
choir vocals [1, 4]
Wiener Philharmoniker
performing orchestra [260.2-4, 260.6-11, 60.1-4, 16.1-7, 250.1-17, 63.1-4, 242.1, 242.1-2, 242.2-3, 242.3-4, 242.4-5, 242.5-6, 242.6-7, 242.7-8, 242.8-9, 242.9-10, 242.10-11, 242.11-12, 242.12-13, 242.13-14, 242.14-15, 242.15, 243.1, 243.1-2, 243.2-3, 243.3-4, 243.4-5, 243.5-6, 243.6-7, 243.7-8, 243.8-9, 243.9-10, 243.10-11, 243.11-12, 243.12, 70.1-19, 61.1-3, 11.1-4, 18.1-9, 122.1-6, 15.1-4, 173.1-16, 93.1-20, 126.1-6, 47.1-4, 266.2-16, 17.1-4, 251.1-17, 31.1-11, 96.1-4, 29.1-11, 190.1-6, 46.1-21, 41.1-4, 184.1-11, 194.1-16, 57.1-4, 207.1-4, 209.1-4, 127.1-6, 95.1-9, 214.1-6, 10.1-8, 261.2-5, 58.1-4, 71.1-21, 97.1-31, 140.1-19, 140.19-29, 217.1-8, 183.1-12, 13.1-13, 28.1-13, 252.1-15, 92.1-10, 244.1, 244.1-2, 244.2-3, 244.3-4, 244.4-5, 244.5-6, 244.6-7, 244.7-8, 244.8-9, 244.9-10, 244.10-11, 244.11, 253.1-8, 136.1-23, 14.1-8, 141.1-19, 139.1-33, 30.1-5, 174.1-22, 59.1-4, 94.1-15, 12.1-8, 216.1-3, 216.5-11, 257.1-4, 256.1-11]
Wiener Staatsballett
performing orchestra [2-8, 11-20]
Wiener Sängerknaben
choir vocals [250.10-11, 151.1, 151.4, 151.7-8, 151.10, 149.3-6, 149.8-10, 150.4, 150.7, 150.12, 150.14-15, 31.11, 95.3]
Wiesław Ochman
tenor vocals [1-23]
Wilfried Gahmlich
tenor vocals [150.12-14, 149.2]
Wilhelm Buchmüller
sound [2-20]
Wilhelm Fitzhum
task [2-20]
Wilhelm Hellweg
balance [1-15], producer [1-15]
Willard Somers Elliot
bassoon [4-6]
Willem van Leeuwen
recording [1-4]
William Conway
cello [5-7]
William Matteuzzi
tenor vocals [8]
Wissam Boustany
flute [182.1-21, 254.3, 181.1-20]
Wolfgang Hirschl
task [2-20]
Wolfgang Mitlehner
balance [13.1-13, 210.1, 52.1-4], recording [143.1-24, 142.1-24, 144.1-12]
Wolfgang Scheidl
task [2-20]
Wolfgang Stengel
producer [134.1-3, 102.2-6, 205.16-34, 212.1-3, 98.1-4]
Wolfgang Sturm
producer [1-8]
Wolf‐Dieter Karwatky
assistant [1-3], editor [108.1-8, 105.1-4, 107.1-4, 106.1-14], engineer [146.4, 146.6, 144.13], recording [245.1-13, 249.1, 249.3-8, 249.10-17]
Wooburn Singers
choir vocals [1-6]
Yvonne Kenny
soprano vocals [35.21-22, 35.24-26, 36.5, 36.7, 36.9, 36.11, 36.13, 36.20, 36.22], spoken vocals [12]
Štefan Margita
tenor vocals [266.12, 256.11]
Анатолій Іванович Кочерга
bass vocals [232.1-3, 232.6-7, 232.9-10, 232.12, 149.3-4, 151.3, 233.5-7, 233.14-16, 150.6, 150.10-11]
Анна Нетребко
soprano vocals [249.1-17, 249.17, 144.13, 144.13-16]
Виктория Муллова
violin [237.1-15, 53.1-3]
Владимир Атлантов
tenor vocals [151.6-7, 151.9-10, 149.7-9]
Евгений Кисин
piano [23.12, 161.1-6]
Елена Заремба
mezzo-soprano vocals [5]
Елена Образцова
mezzo-soprano vocals [163.6, 231.1, 231.6-10, 231.12, 224.7-11, 230.4-7, 230.12-15, 230.21-23]
Лариса Дядькова
contralto vocals [233.1-2, 233.4-5, 233.7, 233.9-11, 233.14-16, 232.5-10]
Михаил Плетнёв
piano [12]
Никита Леонидович Сторожев
bass vocals [226.8, 226.8-9, 226.9-10, 226.10, 229.3, 229.9]
גיא בראונשטיין
solo [2], violin [2]
安永徹
violin [83.1-8, 84.1-18]
王健
cello [199.4-7, 54.4-6]
王羽佳
piano [1-29]

Issues

T
The Complete Recordings on Deutsche Grammophon & Decca
258x CD, 8x DVD
17 February 2023