Gilbert and Sullivan Edition
Compilation by D'Oyly Carte Opera Company
Released 1 May 2011
Tracklist
- CD 1: The Gondoliers (Version with dialogue)
- 1Overture
- 2List and learn
- 3Good morrow, pretty maids
- 4For the merriest fellows are we
- 5See, see at last they come to make their choice
- 6Buon' giorno, signorine!
- 7We're called gondolieri, but that's a vagary
- 8And now to choose our brides!
- 9Are you peeping?
- 10Thank you gallant gondolieri
- 11From the sunny Spanish shore
- 12In enterprise of martial kind
- 13O rapture, when alone together
- 14There was a time, a time for ever gone
- 15I stole the Prince
- 16But, bless my heart, consider my position!
- 17Try we life-long we can never
- 18Bride-groom and bride!
- 19When a merry maiden marries
- 20Kind sir, you cannot have the heart, our lives to part
- 21Do not give way to this uncalled-for grief
- 22Then one of us will be a Queen
- CD 2: The Gondoliers (Version with dialogue) (continued)
- 1Now pray, what us the cause of this
- 2Replying, we sing as one individual
- 3For ev'ryone who feels inclined
- 4Come let's away - our island crown awaits me
- 5Now, Marco dear, my wishes hear
- 6Then away they go to an island fair
- 7Of happiness the very pith
- 8Rising early in the morning
- 9Take a pair of sparkling eyes
- 10Here we are, at the risk of our lives
- 11After sailing to this land
- 12Dance a cachucha, fandango, bolero
- 13There lived a king, as I've been told
- 14In a contemplative fashion
- 15With ducal pomp and ducal pride
- 16This polite attention
- 17On the day when I was wedded
- 18To help unhappy commoners
- 19Small titles and orders for mayors and recorders
- 20I am a courtier grave and serious
- 21Here is a case unprecedented!
- 22Now let the loyal lieges gather round
- 23Speak woman speak, we're all attention!
- 24The royal prince was by the king entrusted
- 25Luiz! Casilda!
- 26One more, gondolieri
- CD 3: The Grand Duke
- 1Overture
- 2Won't it be a pretty wedding?
- 3Pretty Lisa, fair and tasty
- 4By the mystic regulation
- 5Were I a king in very truth
- 6How would I play this part
- 7My goodness me! What shall I do?
- 8Ten minutes since I met a chap
- 9About a century since
- 10Strange the views some people hold
- 11Now take a card, and gaily sing
- 12The good Grand Duke of Pfennig Halbpfennig
- 13A pattern to professors of monarchical autonomy
- 14As o'er out penny roll we sing
- 15When you find you're a broken-down critter
- 16Come hither, all you people
- CD 4: The Grand Duke (Continued)
- 1As before you we defile
- 2Your loyalty our... At the outset I may mention
- 3Yes, Ludwig and his Julia are mated!
- 4Take care of him - he's much too good to live!
- 5Now Julia, come, consider it from this dainty point of
- 6Your Highness, there's a party at the door
- 7Now away to the wedding we go
- 8So ends my dream...Broken ev'ry promise plighted
- 9If the light of love's lingering ember
- 10Come, bumpers-aye, ever-so-many
- 11Why, who is this approaching?
- 12The Prince of Monte-Carlo
- 13His Highness we know not
- 14We're rigged out in magnificent array
- 15Dance
- 16Take my advice - when deep in debt
- 17Hurrah! Now away to the wedding
- 18Well, you're a pretty kind of fellow
- 19Happy couples, lightly treading
- 20Overture di Ballo
- 21Allegro moderato alla Marcia
- 22Allegretto grazioso
- CD 5: H.M.S. Pinafore (Act One)
- 1Overture
- 2We shall sail the ocean blue
- 3Hail! Men o'war's men..I'm called little buttercup
- 4The nightingale sighed
- 5A maiden fair to see
- 6My gallant crew...I am the Captain of the Pinafore
- 7Sir, you are sad
- 8Sorry her lot who loves too well
- 9Over the bright blue sea
- 10Sir Joseph's barge is seen
- 11Now give three cheers...I am the monarch of the sea
- 12When I was a lad
- 13A British tar
- 14Refrain, audacious tar
- 15Can I survive this overbearing
- CD 6: H.M.S. Pinafore (Act Two)
- 1Entracte
- 2Fair moon to thee I sing
- 3Things are seldom what they seem
- 4The hours creep on apace
- 5Never mind the why and wherefore
- 6Kind Captain, I've important information
- 7Carefully on tip-toe...He is an Englishman
- 8Farewell, my own
- 9A many years ago
- 10A joy! Oh rapture unforseen
- CD 7: Iolanthe or The Peer and The Peri (Version with dialogue) (Act One)
- 1Overture
- 2Tripping hither, tripping thither
- 3Iolanthe! From thy dark exile
- 4Good morrow, good mother, Good mother, good morrow
- 5Fare thee well, attractive stranger
- 6Good morrow, good lover! Good lover, good morrow!
- 7None shall part us from each other
- 8Loudly let the trumpet bray
- 9Entrance of the Lord Chancellor tha's
- 10The law is the embodiment
- 11My well-beloved Lord
- 12Nay, tempt me not
- 13Spurn not the nobly born
- 14Lords, it may not be
- 15Said I to myself, said I
- 16When darkly looms the day
- CD 8: Iolanthe or The Peer and The Peri (Version with dialogue) (Act Two)
- 1When all night long a chap remains
- 2Strephon's a member of Parliament
- 3When Britain really ruled the waves
- 4In vain to us you plead
- 5Oh, foolish fay
- 6Though p'r'aps I may incur your blame
- 7Love unrequited
- 8If you go in you're sure to win
- 9If you're weak enough to tarry
- 10My Lord, a suppliant at your feet
- 11It may not be
- 12Soon as we may, off and away
- CD 9: The Mikado or The Town of Titipu (Version without dialogue) (Act One)
- 1Overture
- 2If you want to know who we are
- 3Gentlemen, I pray you tell me maiden...
- 4A wand'ring minstrel I
- 5Our great Mikado, virtuous man
- 6Young man, despair
- 7And I have journey'd for a month
- 8Behold the Lord High Executioner
- 9As someday it may happen that a victim...
- 10Comes a train of little ladies
- 11Three little maids from school are we
- 12So please you, Sir, we much regret
- 13Were you not to Ko-Ko plighted
- 14I am so proud, If I allowed
- 15With aspect stern and gloomy stride
- 16The threaten'd cloud has pass'd away
- 17Your revels cease! Assist me, all of you!
- 18Oh fool, that flee-est My hallow'd joys!
- 19For he's going to marry Yum-Yum
- 20The hour of gladness is dead and gone
- 21Ye torrents roar! Ye tempests howl!
- CD 10: The Mikado or The Town of Titipu (Version without dialogue) (Act Two)
- 1Braid the raven hair, Weave the supple tresses
- 2The sun whose rays are all ablaze
- 3Brightly dawns our wedding day
- 4Here's a how-de-do!
- 5Miya sama, miya sama, o n'mma no maye ni
- 6From ev'ry kind of man Obedience I expect
- 7A more humane Mikado never did in Japan exist
- 8The criminal cried as he dropp'd him down
- 9See how the fates their gifts allot
- 10The flowers that bloom in the spring, tra la
- 11Alone and yet alive
- 12Hearts do not break! They sting and ache
- 13On a tree by a river a little tom tit
- 14There is beauty in the bellow of the blast
- 15Fanfare
- 16For he's gone and married Yum-Yum
- CD 11: Patience (Version with dialogue) (Act One)
- 1Overture
- 2Twenty love-sick maidens we
- 3Still brooding on their mad infatuation!
- 4I cannot tell what this love may be
- 5Twenty love-sick maidens we
- 6The soldiers of our Queen
- 7If you want a receipt for that popular mystery
- 8In a doleful train two and two we walk all day
- 9Twenty love-sick maidens we
- 10When I first put this uniform on
- 11Am I alone and unobserved?
- 12If you're anxious for to shine in the high aesthetic..
- 13Long years ago - fourteen, maybe
- 14Prithee, pretty maiden - Prithee
- 15Though to marry you
- 16Let the merry cymbals sound
- 17Now tell us, we pray you
- 18Heart broken at my Patience's barbarity
- 19Stay, we implore you, before our hopes are blighted
- 20Your maiden hearts, ah, do steel
- CD 12: Patience (Version with dialogue) (Act One continued, Act Two)
- 1Come, walk up, and purchase with avidity
- 2We've been thrown over, we're aware
- 3And are you going a ticket to buy?
- 4Hold! Stay your hand!
- 5True love must single hearted be
- 6I hear the soft note of the echoing voice
- 7But who is this, whose god-like grace...
- 8List Reginald, whilst I confess a love that's all...
- 9On such eyes as maidens cherish
- 10Sad is a woman's lot who, year by year
- 11Silvered is the raven hair
- 12Turn, oh turn in this direction
- 13A magnet hung in a hardware shop
- 14Love is a plaintive song
- 15So go to him and say to him, with compliment ironical
- 16It's clear that the mediaeval art alone retains...
- 17If Saphir I choose to marry, I shall be fixed...
- 18When I go out of the door
- 19I'm a Waterloo House young man
- 20After much debate internal, I on Lady Jane decide
- CD 13: The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One)
- 1Overture
- 2Pour, oh pour the pirate sherry
- 3When Fred'ric was a little lad
- 4Oh, better far to live and die
- 5Oh, false one, you have deceived me
- 6Climbing over rocky mountain
- 7Stop! ladies, pray! A man!
- 8Oh, is there not one maiden breast
- 9Oh, sisters, deaf to pity's name, For shame!
- 10Poor wand'ring one!
- 11What ought we to do, Gentle sisters say?
- 12How beautifully blue the sky
- 13Stay, we must not lose our senses
- 14Hold, Monsters!
- 15I am the very model of a modern Major-General
- CD 14: The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One continued, Act Two)
- 1Oh, men of dark and dismal fate
- 2Hail Poetry, thou heav'n born maid!
- 3You may go, for you're at liberty
- 4Pray observe the magnanimity
- 5Oh, dry the glist'ning tear
- 6Then Frederic
- 7When the foeman bares his steel
- 8Now for the pirates lair!
- 9When you had left our pirate fold
- 10Away, away, my heart's on fire
- 11All is prepared
- 12Stay, Fred'ric stay!
- 13Ah, leave me not to pine alone and desolate
- 14Oh, here is love and here is truth
- 15No, I'll be brave
- 16Sergeant approach (Dialogue)
- 17When a felon's not engaged in his employment
- 18A rollicking band of pirates we
- 19With cat-like tread
- 20Hush! Hush! Not a word
- 21Sighing softly to the river
- 22Now what is this, and what is that
- 23We triumph now
- 24Away with them, and place them at the bar
- 25Poor wand'ring ones, though ye have surely straye
- CD 15: Princess Ida or Castle Adamant (Version without dialogue) (Act One and Two)
- 1Overture
- 2I Search throughout the panorama
- 3Now hearken to my strict command
- 4Today we meet...Ida was a twelve-month old
- 5From the distant panorama...We are warriors three
- 6If you give me your attention
- 7P'raps if you address the lady most politely
- 8Towards the empyrean heights
- 9Mighty maiden with a mission
- 10Minerva...Oh, goddess wise
- 11Gently, gently, evidently
- 12I am a maiden, cold and stately
- 13The world is but a broken toy
- 14A lady fair, of lineage high
- 15The woman of the wisest wit
- 16Now would you like to rule the roost
- 17Merrily ring the luncheon bell
- 18Would you know the kind of maid
- 19Oh, joy! Our chief is sav'd
- 20We may remark, tho' nothing can dismay us
- CD 16: Princess Ida or Castle Adamant (Version without dialogue) (Act Three), Pineapple Poll (arr. Mackerras)
- 1Death to the invader
- 2I built upon a rock
- 3Whene'er I spoke sarcastic joke
- 4When anger spreads his wing
- 5This helmet I suppose
- 6This is our duty plain
- 7With joy abiding
- 8Opening Dance
- 9Poll's solo and Pas de deux
- 10Belaye's solo
- 11Pas de trois
- 12Finale
- 13Poll's solo - Jasper's solo (Intermezzo)
- 14Belayes's solo and Sailors' Drill
- 15Poll's solo
- 16Entry of Belaye with Blanche as Bride
- 17Reconciliation
- 18Grand Finale
- CD 17: Ruddigore or The Witch's Curse (Without dialogue)
- 1Overture
- 2Fair is rose as bright as May day
- 3Sir Rupert Murgatroyd, his leisure and his riches
- 4If somebody there chanced to be
- 5I know a youth who loves a little maid
- 6From the briny sea...I shipp'd, d'ye see
- 7Hornpipe
- 8My boy, you may take it from me
- 9The battle's roar is over
- 10In sailing o'er life's ocean wide
- 11Cheerily carols the lark...To a garden full ... fposies
- 12Welcome, gentry
- 13Oh why am I moody and sad?
- 14You understand? I think I do
- 15Hail the bride of seventeen summers
- 16Hold, bride and bridegroom
- CD 18: Ruddigore or The Witch's Curse (Without dialogue)
- 1Overture, Original version
- 2I once was as meek as a newborn lamb
- 3Happily coupled are we
- 4In bygone days I had thy love
- 5Painted emblems of a race
- 6When the night wind howls
- 7He yields! He yields!
- 8I once was a very abandon'd person
- 9My eyes are fully open to my awful situation
- 10There grew a little flower
- 11Oh, happy the lily when kiss'd by the bee
- 12Overture
- 13We sounded the trumpet
- 14Stay, Bouncer, stay!
- 15Hush'd is the bacon on the grid
- 16My master is punctual always in business
- 17Who are you, sir?
- 18The buttercup dwells on the lowly mead
- 19Not long ago...Finale
- CD 19: The Sorcerer (Version without dialogue)
- 1Overture
- 2Ring forth, ye bells
- 3Constance, my daughter
- 4When he is here, I sigh with pleasure
- 5The air is charged with amatory numbers
- 6Time was, when love and I were well acquainted
- 7Sir Marmaduke...Minuet
- 8With heart and voice
- 9My kindly friends...Oh, happy young heart
- 10My child, I join in these congratulations
- 11With heart and with voice
- 12Welcome joy! adieu to sadness!
- 13All is prepar'd for sealing and for sighing
- 14Love feeds on many kinds of food
- 15My name is John Wellington Wells
- 16Sprites of earth and air
- 17Now to the banquet we press
- CD 20: The Sorcerer (Version without dialogue) (Act Two)
- 1'Tis twelve, I think
- 2Dear friends, take pity on my lot
- 3Thou hast the pow'r....It is not love
- 4I rejoice that it's decided
- 5Oh, I have wrought much evil with my spells...
- 6Alexis! Doubt me not...The fearful deed is done
- 7Oh, my voice is sad and low
- 8Oh, joyous boon
- 9Prepare for sad surprises
- 10Or he or I must die
- 11Introduction
- 12The British Public here - you see
- 13I loved her fondly
- 14And now let's go back to where we were...Ah maiden fair
- 15Where is he?
- 16Once more the face I loved so well
- 17Help! Ah Help!
- 18Ho-guards! Minions!
- 19Ladies and Gentlemen!
- 20We gather from what you have said
- 21Where is my daughter?
- 22I'm a simple little child
- 23My Father!
- 24Finale: What do I see in this disguise
- CD 21: Utopia Limited (Comic opera in two acts) (Act One)
- 1Imperial March
- 2Introduction
- 3In lazy langour (Phylla, Chorus)
- 4O make way for the Wise Men ! (Chorus)
- 5In every mental lore (Scaphio, Phantis, Chorus)
- 6Let all your doubts take wing (Scaphio, Phantis)
- 7Quaff the nectar (Chorus)
- 8A king of autocratic power we (King, Chorus)
- 9Altho' of native maids the cream (Nekaya, Kalyba)
- 10Bold-fac'd ranger (Lady Sophy, King)
- 11First you're born (King, Scaphio, Phantis)
- 12Subjected to your heavenly gaze
- 13Oh maiden rich in Girton lore (Chorus, Zara... Cpt...
- 14Ah! gallant solduer, brave and true
- 15It's understood, I think (Captain, Zara, Saphio...
- 16Oh admirable art! (Zara, Captain Fitzbattleaxe)
- 17Altho' your royal summons to appear (Finale, A. 1)
- 18A Company Promoter this, with special education
- CD 22: Utopia Limited (Comic opera in two acts) (Act Two)
- 1Oh, Zara... A tenor, all singers above (Cpt.)
- 2Words of love too loudly spoken (Zara, Cpt.)
- 3Society has quite forsaken all (King, Chorus)
- 4Entrance of Court
- 5Drawing room music
- 6This ceremonial...Eagle high... (King, Chorus)
- 7With fury deep we burn (Scaphio, Phantis)
- 8If you think that when...(King, Scaphio, Phantis)
- 9With wily brain.... (Tarara, Phantis, Scaphio)
- 10A wonderful joy our eyes to bless (Goldbury)
- 11Then I may sing and play?
- 12Oh, would some demon power... When a maid (Sophy)
- 13Ah, Lady Sophy (King, Lady Sophy)
- 14Oh rapture unrestrained (King, Lady Sophy)
- 15Tarantella...Upon our sea-girt land (Chorus)
- 16There's a little group of isles beyond the wave
- 17Overture Macbeth
- 18Victoria and Merrie England
- 19Overture: Marmion
- CD 23: The Yeomen of the Guard (Version without dialogue) (Act One)
- 1Overture
- 2"When maiden loves"
- 3"Tower warders under orders"
- 4When our gallant Norman foes
- 5"Alas! I waver to and fro"
- 6"Is life a boon?"
- 7"Here's a man of jollity"
- 8I have a song to sing, oh!
- 9"How say you, maiden"
- 10"I've jibe and joke"
- 11"'Tis done! I am a bride!"
- 12"Were I thy bride"
- 13"Oh, Sergeant Meryll" - "Ye Tower Warders", "Leonard Meryll!", "Forbear, my friends", "Didst thou not", "Leonard!", "As escort for the prisoner"
- CD 24: The Yeomen of the Guard (Version without dialogue) (Act Two)
- 1"Night has spread her pall once more"
- 2"Oh! a private buffoon"
- 3"Hereupon we're both agreed"
- 4"Free from his fetters grim"
- 5"Strange adventure!"
- 6"Hark! What was that, sir?"-"Who fired that shot?"-"Like a ghost his vigil keeping..."-"The river must be dragged"
- 7"A man who would woo a fair maid"
- 8"When a wooer goes a-wooing"
- 9"Rapture, rapture!"
- 10"Comes the pretty young bride"- "'Tis said to you"-"Hold, pretty one!"
- 11Hark the Hour of Ten is Sounding
- 12When First my Old, Old Love I Knew
- 13When I good friends was called to the Bar
- 14Where is the Plaintiff?
- 15May it please you my Lud!
- 16Oh, Gentlemen Listen I Pray
- 17A nice dilemma
- 18I Love him
- CD 25: Songs And Snatched (First International CD Release)
- 1From The Sunny Spanish Shore
- 2There Was A Time, A Time For Ever Gone
- 3To Help Unhappy Commoners
- 4Then One Of Us Will Be A Queen
- 5Love Unrequited (Nightmare Song)
- 6None Shall Part Us From Each Other
- 7If You Go In You're Sure To Win
- 8When I Went To The Bar (Said I To Myself, Said I)
- 9Though P'r'aps I May Incur Your Blame
- 10My Boy, You May Take It From Me
- 11I Know A Youth Who Loves A Little Maid
- 12There Grew A Little Flower
- 13The Battle's Roar Is Over
- 14In Sailing O'er Life's Ocean Wide
- 15Hereupon We're Both Agreed
- 16I've Jibe And Joke
- 17When A Wooer Goes A-Wooing
- 18A Man Who Would Woo A Fair Maid
More by D'Oyly Carte Opera Company
Release credits
- vocal [20]
- vocal [16.7, 15.8, 15.14-15, 15.19]
- vocal [15.5, 15.19-20, 16.5, 16.7]
- task [13.1-15, 14.1-25]
- conductor [8-18]
- contralto vocals [13.3, 13.5, 14.8-10, 14.24], vocal [16.7, 15.16-17, 15.19-20]
- engineer [8-18]
- vocal [9.3-4, 9.13, 9.17, 9.20-21, 10.3-4, 10.10]
- vocal [15.7, 15.11-15, 15.17-20, 16.7]
- bass-baritone vocals [14.3, 14.8-10, 14.20, 14.22-23, 13.4], vocal [16.5, 16.7, 15.5, 15.19-20]
- choir vocals [15.2-3, 15.5-10, 15.17, 15.19-20, 2.1-3, 2.6-7, 2.10-12, 2.15-17, 2.22-23, 2.25-26, 10.10, 9.12, 1.2-6, 1.8-10, 1.17-19, 16.1, 16.3-6, 21.3-5, 21.7-8, 21.10, 22.3, 22.15], performer [9.1-11, 9.13-21, 10.1-9, 10.11-12, 10.14-16], vocal [21.13-14, 22.6, 25.1]
- soprano vocals [15.10, 15.13, 15.19-20, 16.2, 16.7]
- baritone vocals [13.2, 13.14, 14.3, 14.19], vocal [15.5, 15.19-20, 16.5, 16.7]
- conductor [25.1, 6.1-10, 8.1-12, 5.1-15, 19.2-17, 2.1-26, 13.1-15, 14.1-25, 12.1-20, 7.1-16, 1.1-22, 17.1-16, 18.1-19, 20.1-10, 11.1-20]
- vocal [11]
- producer [8-18]
- mezzo-soprano vocals [13.6-7, 13.11, 14.7, 14.22]
- vocal [15.2, 15.7, 15.11-15, 15.19-20, 16.7]
- vocal [10.6-7, 21.5-6, 21.11, 21.15, 22.7-9]
- baritone vocals [13.14-15, 14.1, 14.3, 14.6, 14.20-21, 14.24], vocal [16.3, 16.7, 21.5-6, 21.11, 21.15, 22.7-9, 9.8-9, 9.14-15, 10.4, 10.8-10, 10.13-14, 10.16, 15.6-7]
- vocal [9]
- vocal [22.11, 21.9]
- vocal [21.9, 22.11]
- vocal [21.8, 21.11-12, 22.3, 22.6, 22.8, 22.13-14, 15.3, 15.7, 15.19-20, 16.7, 10.10, 9.6-7, 9.12, 9.16]
- vocal [21.10, 21.12, 22.12-14, 10.11-12]
- vocal [22.1-2, 21.13-16]
- vocal [22.10-11, 9.5]
- performing orchestra [25.1, 5.1-15, 6.1-10, 8.1-12, 11.1-20, 1.1-22, 7.1-16, 12.1-20, 2.1-26]
- performing orchestra [24.1-18, 18.1-19, 17.1-16]
- bass vocals [7, 15, 17-18, 23]
- vocal [21.13-16, 22.2]
- mezzo-soprano vocals [14.22, 13.6-7, 13.11], vocal [12]
- vocal [9.12, 9.18-19, 10.1, 10.10]
- performing orchestra [8-18]
- tenor vocals [14.6, 14.8-13, 14.20, 13.5, 13.7-8, 13.12-13], vocal [15.4, 15.7, 15.11-15, 15.19-20, 16.7]
- performing orchestra [1]
- vocal [3]
- performing orchestra [4.1-22, 3.1-16]
- performing orchestra [9.1-21, 13.1-15, 22.1-16, 23.1-13, 20.1-24, 21.1-18, 16.1-7, 10.1-16, 14.1-25, 15.1-20, 19.2-17]
- conductor [22.1-16, 4.1-22, 3.1-16, 21.1-18, 9.1-21, 10.1-16, 20.11-24]
- conductor [15.1-20, 16.1-7, 19.1, 23.1-13]
- vocal [11.1-20, 25.1, 8.1-12, 13.9-13, 13.15, 12.1-20, 24.1-18, 4.1-22, 3.1-16, 14.2, 14.4-5, 14.14-25, 7.1-16, 23.2-13]
- soprano vocals [10.10, 13.8-10, 13.12, 13.14, 14.5, 14.7, 14.11-13, 14.15, 14.22], vocal [9.11-12, 10.2, 10.4, 15.8, 15.15-16, 15.19-20, 16.1, 16.7]
Issues
- G1 May 2011




