Handel: The Great Oratorios
Compilation by George Frideric Handel
Released 1 July 2016
Tracklist
- CD 1: La Resurrezione - Parte prima
- 13:18
- 25:33
- 34:49
- 41:32
- 53:59
- 63:28
- 76:56
- 84:31
- 95:22
- 104:43
- 116:05
- 124:34
- 134:10
- 142:22
- CD 2: La Resurrezione - Parte seconda
- 12:25
- 25:13
- 32:34
- 41:46
- 52:28
- 61:22
- 75:34
- 85:36
- 93:04
- 102:51
- 114:04
- 125:42
- 134:10
- 141:28
- CD 3: Acis & Galatea - Act I
- 13:27
- 25:56
- 30:57
- 46:20
- 53:23
- 60:26
- 74:28
- 80:31
- 96:53
- 100:22
- 116:32
- 122:35
- CD 4: Acis & Galatea - Act II
- 1Acis and Galatea, HWV 49: Act Two. No. 10 Chorus: "Wretched lovers! Fate has passed this sad decree"5:06
- 21:24
- 33:08
- 41:06
- 55:39
- 65:43
- 70:27
- 85:26
- 96:34
- 100:32
- 112:31
- 121:05
- 133:16
- 143:56
- 150:24
- 164:09
- 173:12
- CD 5: Esther - Scenes 1-4
- 17:46
- 22:10
- 31:55
- 43:56
- 51:26
- 66:08
- 76:12
- 82:06
- 99:35
- 103:46
- 113:01
- 121:32
- CD 6: Esther - Scenes 5 & 6
- 11:08
- 22:35
- 37:39
- 43:54
- 52:34
- 66:59
- 72:11
- 85:12
- 94:16
- 1010:46
- CD 7: Athalia - Part I
- 15:23
- 24:48
- 3Athalia, HWV 52: Part One, Scene 1. No. 2 Chorus: "The rising world Jehovah crown'd" (Young Virgins)3:13
- 43:19
- 53:41
- 66:41
- 72:21
- 82:29
- 93:10
- 103:38
- 114:31
- 121:57
- 135:52
- 144:49
- CD 8: Athalia - Part II, Part III
- 1Athalia, HWV 52: Part Two, Scene 1. No. 17 Chorus: "The mighty pow'r" (Priests, Levites, Israelites)5:57
- 28:22
- 35:31
- 43:18
- 54:52
- 64:11
- 76:34
- 83:58
- 91:28
- 100:51
- 11Athalia, HWV 52: Part Three, Scene 1. No. 27a Accompagnato: "Let harmony breathe soft around" (Joad)4:15
- 120:56
- 132:20
- 142:39
- 151:52
- 162:43
- 171:05
- 182:35
- 192:10
- CD 9: Alexander's Feast - Part I
- 16:12
- 20:49
- 34:45
- 40:19
- 50:49
- 62:16
- 73:25
- 80:29
- 94:40
- 100:34
- 111:20
- 123:02
- 13Alexander's Feast, HWV 75: Part 1. No. 9 Accompagnato: "With downcast looks the joyless victor sate"0:53
- 143:06
- 150:28
- 163:00
- 175:19
- 183:56
- 196:05
- 204:03
- CD 10: Alexander's Feast - Concerto grosso in C major, Part II
- 13:32
- 21:50
- 33:25
- 44:10
- 52:20
- 65:05
- 71:46
- 82:07
- 95:27
- 102:47
- 113:08
- 120:31
- 132:28
- 140:19
- 153:46
- CD 11: Saul - Symfonia, Act I
- 14:05
- 21:52
- 32:47
- 43:20
- 52:45
- 62:32
- 71:50
- 82:20
- 93:06
- 100:45
- 115:15
- 122:27
- 134:05
- 142:31
- 153:22
- 162:46
- 171:09
- 181:20
- 190:39
- 202:34
- 212:35
- 220:13
- 235:09
- 242:17
- 253:37
- 261:23
- 271:34
- 281:35
- 292:51
- 300:25
- CD 12: Saul - Act II
- 12:49
- 20:33
- 32:08
- 40:47
- 54:17
- 60:45
- 72:10
- 81:18
- 92:13
- 100:31
- 111:25
- 120:28
- 134:05
- 144:07
- 150:33
- 161:15
- 170:30
- 181:27
- 190:49
- 203:11
- 211:14
- 221:33
- 235:37
- CD 13: Saul - Act III
- 13:45
- 22:13
- 33:02
- 40:35
- 52:39
- 63:06
- 73:25
- 82:06
- 92:53
- 102:24
- 110:21
- 124:28
- 134:40
- 140:27
- 155:17
- 160:28
- CD 14: Israel in Egypt - Part I
- 11:56
- 23:50
- 32:32
- 42:15
- 52:04
- 62:06
- 72:46
- 82:18
- 94:00
- 103:03
- 112:58
- 123:57
- CD 15: Israel in Egypt - Part II / Coronation Anthems
- 13:20
- 24:20
- 33:07
- 45:39
- 52:07
- 63:34
- 72:49
- 82:19
- 92:09
- 102:26
- 114:32
- 127:37
- 133:51
- 145:14
- 155:49
- 1610:36
- CD 16: Messiah - Part I, Part II (beginning)
- 13:23
- 23:25
- 33:31
- 42:51
- 51:35
- 64:45
- 72:25
- 80:29
- 95:30
- 103:03
- 113:55
- 124:04
- 131:10
- 141:34
- 151:59
- 164:48
- 170:21
- 186:09
- 192:21
- 203:17
- 2113:15
- CD 17: Messiah - Part II (conclusion), Part III
- 12:27
- 21:52
- 33:54
- 40:46
- 52:33
- 61:49
- 71:59
- 80:14
- 92:08
- 103:04
- 110:12
- 121:29
- 133:10
- 141:05
- 152:37
- 161:22
- 172:56
- 181:48
- 190:10
- 202:05
- 213:58
- 226:42
- 232:20
- 240:31
- 258:59
- 260:16
- 271:03
- 282:12
- 294:41
- 307:30
- CD 18: Samson - Act I
- 17:46
- 20:32
- 31:54
- 43:51
- 50:29
- 63:07
- 72:34
- 80:28
- 90:52
- 103:56
- 110:56
- 122:44
- 132:36
- 143:28
- 151:12
- 163:34
- 171:59
- 180:33
- 19Samson, HWV 57: Act One, Scene 3. No. 11 Accompagnato: "O miserable change! is this the man" (Manoa)0:44
- 200:15
- 213:00
- 221:04
- 234:35
- 241:35
- 250:54
- 264:34
- 270:21
- 282:19
- 292:56
- 305:26
- 31Samson, HWV 57: Act One, Scene 3. No. 21 Chorus of Philistines: "Then round about the starry throne"2:09
- CD 19: Samson - Act II
- 11:25
- 23:26
- 30:46
- 48:38
- 53:15
- 67:06
- 70:54
- 83:36
- 90:30
- 106:14
- 114:53
- 121:27
- 131:57
- 144:12
- 150:22
- 162:31
- 171:38
- 185:40
- 190:10
- 202:53
- 210:41
- 222:16
- 230:46
- 243:14
- 250:13
- 264:04
- 271:57
- 283:03
- CD 20: Samson - Act III
- 11:23
- 23:01
- 30:50
- 42:55
- 52:23
- 63:54
- 70:25
- 82:22
- 90:26
- 104:28
- 110:47
- 123:36
- 131:57
- 140:40
- 153:49
- 163:20
- 170:46
- 183:06
- 191:10
- 205:12
- 211:02
- 226:25
- CD 21: Semele - Act I
- 19:04
- 21:26
- 33:08
- 40:58
- 52:44
- 67:05
- 70:18
- 84:38
- 90:48
- 102:45
- 112:00
- 120:39
- 130:17
- 140:36
- 150:30
- 168:26
- 170:25
- 184:56
- 190:47
- 202:29
- 212:07
- 221:34
- 234:30
- CD 22: Semele - Act II
- 11:31
- 20:46
- 33:27
- 41:55
- 53:23
- 63:10
- 70:16
- 83:02
- 90:23
- 102:54
- 113:06
- 121:23
- 133:44
- 142:21
- 151:18
- 164:53
- 170:46
- 182:14
- 192:02
- 202:43
- CD 23: Semele - Act III
- 11:22
- 20:31
- 33:07
- 40:40
- 52:14
- 61:23
- 71:53
- 82:53
- 91:14
- 102:40
- 110:19
- 126:39
- 130:37
- 141:28
- 152:13
- 160:32
- 172:58
- 181:42
- 190:15
- 200:27
- 210:34
- 221:11
- 235:14
- 243:01
- 252:22
- 263:44
- 270:21
- 283:56
- 291:00
- 305:03
- 310:17
- 321:29
- 330:57
- 342:56
- CD 24: Hercules - Act I
- 14:32
- 22:03
- 32:02
- 45:45
- 50:50
- 64:31
- 71:25
- 81:33
- 90:58
- 103:21
- 110:27
- 121:53
- 135:18
- 140:31
- 153:27
- 160:55
- 171:21
- 182:26
- 191:49
- 201:27
- 215:56
- 220:26
- 232:24
- 240:27
- 255:55
- 262:28
- CD 25: Hercules - Act II
- 11:11
- 20:18
- 35:57
- 40:38
- 52:48
- 61:10
- 75:52
- 80:19
- 90:16
- 105:18
- 111:45
- 122:17
- 130:10
- 145:37
- 152:04
- 160:45
- 174:47
- 180:30
- 194:55
- 201:29
- 213:50
- 221:26
- 233:54
- 241:16
- 252:33
- 260:18
- 273:55
- CD 26: Hercules - Act III
- 13:54
- 21:26
- 33:07
- 44:15
- 52:24
- 62:09
- 74:03
- 86:14
- 91:17
- 106:49
- 111:46
- 121:50
- 131:07
- 143:26
- 150:17
- 162:36
- CD 27: Belshazzar - Act I (beginning)
- 14:38
- 25:06
- 34:00
- 41:15
- 54:55
- 62:49
- 71:19
- 83:33
- 92:13
- 102:35
- 111:14
- 123:16
- 130:16
- 143:49
- 150:41
- 163:15
- 175:14
- 183:00
- 194:11
- CD 28: Belshazzar - Act I (conclusion), Act II (beginning)
- 15:03
- 20:53
- 37:33
- 41:23
- 53:53
- 61:22
- 77:15
- 84:22
- 96:27
- 100:45
- 114:23
- 120:34
- 132:58
- 142:38
- 152:41
- 160:25
- CD 29: Belshazzar - Act II (conclusion), Act III
- 11:43
- 21:05
- 31:49
- 41:39
- 51:30
- 63:13
- 76:57
- 84:37
- 91:02
- 104:52
- 114:28
- 120:23
- 132:26
- 141:51
- 151:30
- 161:37
- 170:39
- 182:44
- 192:54
- 203:58
- 210:55
- 221:37
- 232:21
- 24Belshazzar, HWV 61: Act Two, Scene 3. No. 50 Soli and Chorus: "I will magnify thee, oh God my king!"5:28
- CD 30: Judas Maccabaeus - Act I
- 17:55
- 25:37
- 31:23
- 42:54
- 53:35
- 61:10
- 73:47
- 82:27
- 91:04
- 103:06
- 111:06
- 120:50
- 132:15
- 140:31
- 152:41
- 163:20
- 170:15
- 182:57
- 191:19
- 200:50
- 211:38
- 222:13
- 230:22
- 242:27
- 250:12
- 263:43
- CD 31: Judas Maccabaeus - Act II
- 13:25
- 20:46
- 34:26
- 40:21
- 56:46
- 60:32
- 78:13
- 82:16
- 90:49
- 105:57
- 110:48
- 126:29
- 130:44
- 143:05
- 150:27
- 164:44
- 170:49
- 182:38
- 191:18
- 205:58
- 216:54
- CD 32: Judas Maccabaeus - Act III
- 17:08
- 20:47
- 30:32
- 44:32
- 51:25
- 62:50
- 71:46
- 82:54
- 91:17
- 103:20
- 110:50
- 122:28
- 130:56
- 148:10
- 151:51
- 161:41
- CD 33: Solomon - Act I
- 16:41
- 23:16
- 35:06
- 44:24
- 53:19
- 60:39
- 74:11
- 83:32
- 90:31
- 106:29
- 110:46
- 124:20
- 130:41
- 143:16
- 150:41
- 163:38
- 170:11
- 182:47
- 190:18
- 202:10
- 210:21
- 224:21
- CD 34: Solomon - Act II
- 15:01
- 21:14
- 34:05
- 40:21
- 53:09
- 61:55
- 75:27
- 81:22
- 91:48
- 10Solomon, HWV 67: Act Two, Scene 3. Recitative: "Withhold, withhold the executing hand!" (1st Harlot)0:13
- 114:38
- 121:55
- 133:39
- 142:33
- 150:23
- 164:52
- 170:22
- 185:02
- 192:57
- CD 35: Solomon - Act III
- 12:54
- 21:19
- 34:15
- 40:18
- 53:48
- 61:42
- 70:44
- 83:01
- 90:17
- 103:19
- 111:08
- 122:41
- 130:50
- 143:09
- 154:16
- 160:29
- 171:56
- 180:53
- 196:20
- 200:16
- 212:30
- 222:24
- CD 36: Theodora - Part I
- 13:03
- 21:48
- 31:44
- 40:33
- 51:50
- 62:06
- 70:55
- 83:20
- 91:37
- 100:30
- 118:18
- 120:44
- 137:13
- 140:28
- 154:18
- 160:27
- 175:06
- 182:35
- 191:01
- 206:48
- 212:15
- 220:21
- 232:43
- 241:21
- 253:36
- 261:11
- 275:04
- 280:23
- 294:51
- CD 37: Theodora - Part II (& alternative scene 2)
- 10:36
- 20:50
- 32:22
- 40:36
- 51:20
- 61:02
- 70:39
- 83:55
- 91:22
- 100:21
- 113:13
- 121:21
- 133:57
- 140:35
- 156:59
- 160:38
- 175:00
- 180:33
- 192:32
- 201:18
- 212:43
- 221:54
- 234:38
- 240:47
- 255:18
- 260:39
- 271:40
- 280:21
- 293:14
- CD 38: Theodora - Part III
- 15:11
- 20:37
- 33:54
- 43:27
- 51:30
- 61:09
- 70:40
- 84:34
- 91:54
- 106:34
- 111:02
- 120:53
- 133:22
- 140:31
- 151:07
- 160:55
- 176:04
- 180:21
- 193:02
- CD 39: Jephtha - Act I
- 15:13
- 21:23
- 32:51
- 42:54
- 50:52
- 64:06
- 74:58
- 83:50
- 94:14
- 107:28
- 111:57
- 124:35
- 134:57
- 140:52
- 153:32
- 16Jephtha, HWV 70: Act One. Recitative: "Such, Jephtha, was the haughty king's reply" (Zebul, Jephtha)0:26
- 174:38
- CD 40: Jephtha - Act II
- 11:14
- 23:12
- 34:14
- 44:42
- 56:28
- 62:32
- 71:30
- 83:52
- 94:59
- 100:57
- 112:19
- 121:48
- 133:13
- 141:21
- 153:32
- 163:27
- 178:04
- CD 41: Jephtha - Act III
- 13:02
- 24:30
- 36:27
- 43:49
- 52:44
- 61:00
- 73:59
- 81:28
- 93:23
- 102:21
- 112:15
- 123:37
- 132:59
- 140:18
More by George Frideric Handel
Release credits
- performing orchestra [6.1-10, 1.1-14, 5.1-12, 7.1-14, 8.1-19, 2.1-14]
- choir vocals [6.5, 6.10, 5.3, 5.5, 5.8, 5.12]
- bass vocals [11.10, 11.15, 11.17-18, 11.24, 13.1, 13.3, 12.6, 12.8, 12.10-11, 12.22]
- harpsichord [9.1-20, 10.1-15]
- editor [9.1-20, 10.1-15]
- soprano vocals [6]
- violin [1-4]
- soprano vocals [6-7, 10-11, 13, 17-18]
- double bass [10.5-15, 9.1-20]
- choir vocals [21.3, 21.11, 21.14, 21.22-23, 23.28, 23.34, 22.11, 22.14, 22.20]
- countertenor vocals [35.2, 35.4-7, 35.9-10, 35.16-17, 35.20-21, 33.5, 33.9-11, 33.13-14, 33.17-18, 34.2-3, 34.6-8, 34.12-13]
- tenor vocals [1, 7]
- tenor vocals [14]
- cello [10.1-15, 9.1-20]
- tenor vocals [36.19, 38.5]
- contralto vocals [17.29, 16.8-9, 16.17-18, 16.21], mezzo-soprano vocals [26.8-9, 26.11, 26.13, 40.11, 40.13, 25.4-6, 25.8-9, 25.16, 25.18-22, 25.24-26, 39.7, 39.13, 41.11-12, 24.5-7, 24.9-10, 24.15-16]
- tenor vocals [28.1-2, 28.4, 28.6-7, 28.14-16, 3.2, 3.5, 3.8-9, 3.12, 4.1, 4.7-8, 4.11-14, 4.17, 6.1-4, 6.6, 6.8, 8.12, 8.16, 7.10, 29.2, 29.4, 29.16]
- executive [26.1-16, 25.1-27, 24.1-26], producer [24.1-26, 25.1-27, 26.1-16]
- soprano vocals [16.14, 16.16, 16.18, 17.8-9, 17.15, 17.22, 27.2-4, 28.2-4, 28.6-7, 29.4, 29.7, 29.11-12, 29.14, 29.20, 29.24]
- alto vocals [4], countertenor vocals [9.15-16, 10.12-13]
- contralto vocals [2.8, 2.10-13, 9.11-13, 1.7-11, 10.6]
- mezzo-soprano vocals [27.7, 27.9-11, 27.13-15, 29.8-9, 29.19-21, 29.23, 28.10-11]
- alto vocals [19.3-5, 19.13-14, 19.17, 19.23, 20.1, 20.3, 20.5, 20.7-9, 20.11, 20.13-16, 20.19, 20.21, 18.11-13, 18.15, 18.17-18, 18.27, 18.30]
- conductor [30.1-26, 32.1-16, 31.1-21]
- executive [16.1, 16.3-4, 16.6-7, 16.9, 16.13, 16.16, 17.1-3, 17.6-7, 17.12, 17.14, 17.17, 17.20-22, 17.29-30, 27.1-19, 29.1-24, 28.1-16]
- choir vocals [8.1, 8.8, 8.10, 8.12, 8.14, 8.19, 7.1, 7.3-4, 7.8-9, 7.12]
- producer [33.1-22, 34.1-19, 35.1-22, 36.1-29, 37.1-29, 38.1-19]
- conductor [7.1-14, 8.1-19, 5.1-12, 1.1-14, 2.1-14, 6.1-10]
- bass vocals [11]
- bass vocals [4]
- choir vocals [26.4, 26.16, 24.13, 24.18, 24.26, 25.10, 25.15, 25.27]
- contralto vocals [32.1-2, 32.14, 30.3-4, 30.6-7, 30.17, 30.19, 30.25, 31.2-5, 31.8, 31.19, 31.21]
- alto vocals [25.8-9, 25.22-23, 24.3-4, 24.7, 24.14, 24.16-17, 26.2-3, 26.12]
- bass vocals [6.7, 6.9, 8.3, 8.15, 7.5, 2.4-7, 1.3-6, 5.1-2]
- baritone vocals [29.18, 27.7-8, 27.11-12]
- alto vocals [13.5, 13.10, 13.13, 12.4-5, 12.11, 12.13, 12.15-16, 11.10-11, 11.23]
- soprano vocals [9.5, 9.7, 9.19, 12.19-20, 11.12, 11.15, 11.25, 13.9, 10.9, 10.13]
- soprano vocals [14]
- executive [16.1, 16.3-4, 16.6-7, 16.9, 16.13, 16.16, 17.1-3, 17.6-7, 17.12, 17.14, 17.17, 17.20-22, 17.29-30, 27.1-19, 29.1-24, 28.1-16]
- producer [32.1-16, 30.1-26, 16.1-21, 17.1-30, 31.1-21]
- producer [21.1-23, 18.2, 18.19, 23.1-34, 22.1-20]
- alto vocals [5.7, 5.9, 6.6, 6.10]
- soprano vocals [2, 9]
- soprano vocals [7.2, 7.4, 7.13, 8.2, 8.6-7, 8.13, 8.18, 1.2, 1.4-5, 1.13-14, 5.6, 2.3-6, 2.8-9]
- performing orchestra [11.1-29, 12.1-23, 14.1-12, 10.1-15, 39.1-17, 41.1-14, 13.1-15, 3.1-12, 9.1-20, 15.1-16, 4.1-17, 40.1-17]
- performing orchestra [21.1-23, 31.1-21, 23.1-34, 30.1-26, 32.1-16, 18.2, 18.19, 22.1-20]
- executive [39.1-17, 40.1-17, 41.1-14]
- soprano vocals [30.3-4, 30.14-16, 30.19, 31.5-8, 31.12, 31.19-21, 32.3-4, 32.13-14]
- choir vocals [34.1, 34.14, 34.19, 35.5-6, 35.8, 35.10, 35.15, 35.22, 33.2, 33.4, 33.8, 33.22], performing orchestra [36.1-29, 37.1-29, 35.1, 38.1-19]
- performing orchestra [34.1-19, 35.1-22, 33.1-22]
- bass vocals [24.20, 24.22-23, 25.16-17, 25.20, 26.5-6]
- balance [25.1-27, 26.1-16, 24.1-26]
- recording [24.1-26, 25.1-27, 26.1-16]
- balance [28.1-16, 29.1-24, 27.1-19], sound [16.1, 16.3-4, 16.6-7, 16.9, 16.13, 16.16, 17.1-3, 17.6-7, 17.12, 17.14, 17.17, 17.20-22, 17.29-30]
- conductor [20.1-22, 18.1, 18.3-18, 18.20-31, 19.1-28]
- recording [41.1-14, 40.1-17, 39.1-17]
- balance [32.1-16, 31.1-21, 30.1-26]
- balance [21.1-23, 18.2, 18.19, 22.1-20, 23.1-34]
- tenor vocals [16.2-3, 17.4, 17.6-7, 17.11, 17.19-20, 17.27]
- tenor vocals [2.1-2, 2.4, 2.8, 2.11-13, 6.10, 1.9-12, 5.10]
- soprano vocals [12-14, 19-20]
- alto vocals [7.6, 7.14, 8.6-7, 8.9, 8.11, 8.13], countertenor vocals [29.5-6, 29.12-13, 29.21, 29.24, 27.4-5, 27.17-18]
- recording [31.1-21, 30.1-26, 32.1-16]
- soprano vocals [7.7, 7.11, 8.3, 8.5, 8.13, 8.17]
- tenor vocals [22.8-9, 22.12-13, 22.15-16, 23.3, 23.17-22, 23.24]
- recording [1.1-14, 2.1-14]
- conductor [39.1-17, 41.1-14, 40.1-17, 9.1-20, 11.1-29, 12.1-23, 14.1-12, 15.1-16, 4.1-17, 10.1-15, 13.1-15, 3.1-12]
- tenor vocals [11.11, 11.13, 11.19, 11.24, 11.26-27, 12.2-4, 12.6-7, 12.9-10, 12.22]
- conductor [21.1-23, 23.1-34, 22.1-20, 18.2, 18.19]
- recording [8.1-3, 8.5-19, 5.1-12, 7.1-14, 6.1-10]
- bass vocals [31.13-14, 31.17-18, 32.5, 32.15, 30.9-10]
- bass vocals [16.5, 16.10-11, 17.17, 17.24-25]
- bass vocals [20.1-2, 20.5, 19.17-18, 19.21-22, 19.25]
- alto vocals [11]
- solo [22], soprano vocals [22]
- bass vocals [4]
- soprano vocals [21.5-6, 21.9-10, 21.13, 21.23, 22.6-7, 22.10, 22.12, 22.15, 22.17, 22.19, 23.8-9, 23.11-12, 23.15-16, 23.18-19, 23.21, 23.23, 23.26]
- instrument [19], performing orchestra [25.1-27, 26.1-16, 24.1-26]
- soprano vocals [5-7, 9-13]
- soprano vocals [12.12-13, 12.16-18, 20.20, 20.22, 18.4, 18.7, 19.10, 13.12, 25.2-4, 25.6-7, 25.11-12, 25.24-25, 11.9, 11.15-16, 11.19-20, 40.4, 40.7-8, 40.14-15, 41.3, 41.12, 24.20-21, 24.24-25, 26.9-10, 26.13-14, 39.9-10, 39.14-15]
- conductor [25.1-27, 26.1-16, 24.1-26]
- bass vocals [11, 13, 15]
- mezzo-soprano vocals [22.2, 22.4-5, 22.17-19, 23.2, 23.4, 23.6-7, 23.9-10, 23.13-14, 23.16, 23.25, 23.27, 23.29, 21.9-10, 21.16, 21.19-21]
- tenor vocals [20.10, 19.26, 18.6, 18.20-21]
- bass vocals [2]
- tenor vocals [3.2, 3.6-7, 4.1, 4.6, 4.9, 4.13-14, 4.17]
- tenor vocals [15]
- violin [1-4]
- alto vocals [16.6, 17.13, 17.26-27, 15.13], countertenor vocals [41.12, 18.2, 21.4, 21.7-10, 21.13, 21.15, 21.17-21, 39.8, 39.10, 40.1, 40.3, 40.12-13, 23.29-30]
- bass vocals [18.18, 18.22-24, 18.29, 19.1-2, 20.9, 20.11-15, 20.17, 20.19-21]
- editor [25.1-27, 24.1-26, 26.1-16], producer [26.1-16, 25.1-27, 24.1-26]
- engineer [21.12, 21.15, 18.1-31, 19.1-28, 20.1-22]
- choir vocals [14.2-12, 11.5-8, 11.16-17, 11.29, 15.1, 15.3, 15.5-7, 15.10, 15.12, 15.14-16, 12.1, 12.13, 12.23, 13.7, 13.11, 13.13, 13.15, 39.4, 39.12, 39.17, 41.4, 41.9, 41.13, 9.3, 9.6, 9.9, 9.14, 9.18, 9.20, 10.5, 10.9-11, 10.15, 40.2, 40.6, 40.8, 40.17]
- bass vocals [38.9, 38.11, 38.14-15, 36.4-5, 36.7-8, 37.1, 37.3-4]
- tenor vocals [13.8, 13.14, 11.14, 11.21, 11.28, 23.33]
- solo [22], tenor vocals [29.2, 29.14, 29.22, 14.2]
- tenor vocals [39.5-6, 39.11, 39.16, 40.5, 40.9-10, 40.13, 40.16, 10.5, 10.7-8, 10.10, 10.14, 41.1-2, 41.2, 41.8, 41.12, 9.2-4, 9.8, 9.10, 9.17]
- alto vocals [2, 22], solo [22]
- soprano vocals [3.2-4, 3.10-12, 4.1, 4.4, 4.10-11, 4.13-17]
- balance [40.1-17, 39.1-17, 11.1-30, 13.1-16, 12.1-23, 10.1-15, 14.1-12, 41.1-14, 9.1-20, 15.1-16]
- performing orchestra [20.1-22, 19.1-28, 18.1, 18.3-18, 18.20-31]
- alto vocals [2]
- soprano vocals [6.2-3, 6.8, 6.10, 2.4, 2.7-10, 2.12-13, 5.9, 5.11, 1.7-13]
- tenor vocals [35.13-14, 34.15-16, 36.12-13, 36.22-24, 37.12-14, 38.9-10, 38.16, 33.6-7, 33.15-16, 33.21]
- tenor vocals [5.4, 3.2, 4.1, 4.13-14, 4.17]
- countertenor vocals [31.11, 32.5]
- conductor [36.1-29, 37.1-29, 38.1-19, 35.1-22, 33.1-22, 34.1-19]
- tenor vocals [14]
- baritone vocals [34.4-5, 33.3, 35.12]
- producer [5.1-12, 8.1-3, 8.5-19, 6.1-10, 2.1-14, 7.1-14, 1.1-14]
- tenor vocals [13.1-2, 14.3, 15.8, 15.11]
- tenor vocals [11.10, 11.22, 13.5]
- recording [33.1-22, 35.1-22, 34.1-19]
- editor [30.1-26, 31.1-21, 32.1-16]
- tenor vocals [24.7-9, 24.11-12, 24.16, 25.11, 25.13-14, 26.6-7, 26.13-14]
- bass vocals [2, 14]
- countertenor vocals [37.12, 37.14-15, 37.18-20, 37.22-23, 36.7, 36.10-11, 36.26-27, 38.9, 38.12, 38.14, 38.16-17]
- soprano vocals [11.6-7, 15.2, 41.6-7]
- tenor vocals [31.9, 31.15-16, 32.9-10, 30.12-13, 30.21, 30.23-24]
- bass vocals [21.4, 21.10, 21.12, 21.21, 18.19, 23.3, 23.5-7, 23.31]
- bass vocals [17]
- editor [40.1-17, 41.1-14, 39.1-17], recording [40.1-17, 11.1-30, 13.1-16, 15.1-16, 39.1-17, 14.1-12, 41.1-14, 12.1-23]
- baritone vocals [40.10, 40.13, 39.2-3, 39.5, 39.16, 41.10, 41.12], bass vocals [9.9, 10.6, 10.14]
- contralto vocals [7-9], mezzo-soprano vocals [36.16-17, 36.19-20, 36.26, 36.28, 37.16-17, 37.24, 38.1-2, 38.5, 38.7-8, 38.18]
- soprano vocals [35.2-3, 35.11, 35.18-19, 35.21, 36.14-15, 36.24-25, 37.7-8, 37.10-11, 37.20-21, 37.26, 37.28-29, 38.5, 38.9, 38.12, 38.14, 38.16-17], vocal [25]
- soprano vocals [22.2-4, 23.4]
- performing orchestra [16.1-21, 17.1-30, 27.1-19, 28.1-16, 29.1-24]
- choir vocals [27.6, 27.16, 27.19, 28.5, 28.8-9, 28.12-13, 28.15, 16.4, 16.7, 16.9, 16.12, 16.15, 16.19-20, 29.3, 29.10, 29.15, 29.22, 29.24, 17.1-3, 17.5, 17.10, 17.12, 17.14, 17.16, 17.18, 17.21, 17.23, 17.28, 17.30]
- choir vocals [19.4, 19.10-11, 19.16, 19.24, 19.27-28, 20.4, 20.10, 20.13, 20.16, 20.20, 20.22, 18.3, 18.5, 18.8, 18.16, 18.28, 18.31]
- tenor vocals [20.1, 20.3, 20.5-6, 19.1, 19.3, 19.5, 19.7-8, 19.12-13, 19.15, 19.17, 19.19-21, 18.9-10, 18.13-14, 18.17, 18.24-26, 18.29]
- editor [39.1-17, 40.1-17, 41.1-14]
- conductor [16.1-21, 28.1-16, 27.1-19, 17.1-30, 29.1-24]
- balance [33.1-22, 35.1-22, 34.1-19], editor [16.1, 16.3-4, 16.6-7, 16.9, 16.13, 16.16, 17.1-3, 17.6-7, 17.12, 17.14, 17.17, 17.20-22, 17.29-30]
- executive [41.1-14, 39.1-17, 40.1-17]
- choir vocals [31.1, 31.5, 31.8, 31.12, 31.16, 31.21, 32.6, 32.8, 32.12, 32.15-16, 30.2, 30.5, 30.8, 30.11, 30.20, 30.22, 30.26]
- choir vocals [5.3, 5.5, 5.8, 5.12, 6.5, 6.10]
- producer [10.1-15, 14.1-12, 15.1-16, 12.1-23, 40.1-17, 41.1-14, 11.1-30, 9.1-20, 39.1-17, 13.1-16]
- bass vocals [3.2, 4.1-5, 4.11, 4.13-14, 4.17]
- recording [9.1-20, 10.1-15]
- editor [25.1-27, 26.1-16, 24.1-26], recording [24.1-26, 25.1-27, 26.1-16]
Issues
H1 July 2016





