Handel: Samson

Tracklist

• CD 1
• 1
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 1. Overture. Andante - Adagio - Allegro - Menuetto

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  7:46
• 2
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 2. Recitative. This day, a solemn feast to Dagon held,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:32
• 3
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 3. Chorus. Awake the trumpet's lofty sound!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:54
• 4
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 4. Air. Ye men of Gaza, hither bring

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:51
• 5
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awake the trumpet's lofty sound!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:29
• 6
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 6. Air. Loud as the thunder's awful voice,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:07
• 7
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 7. Air. Then free from sorrow, free from thrall,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:34
• 8
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awak the trumpet's lofty sound!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:28
• 9
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 8. Recitative. Why by an angel was my birth foretold,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:52
• 10
  Samson, oratorio, HWV 57: Act 1. Scene 1. No. 9. Air. Torments alas! are not confin'd

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:56
• 11
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 10. Recitative. O charge beyond report, thought, or belief!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:56
• 12
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 11. Air. O mirror of our fickle state!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:44
• 13
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 12. Recitative. Whom have I to complain of but myself,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:36
• 14
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13A. Air. Total eclipse! No sun, no moon,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:28
• 15
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13B. Recitative. Since light so necessary is to life,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:12
• 16
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 14. Chorus. Oh first created beam! And thou great word

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:34
• 17
  Samson, oratorio, HWV 57: Act 1. Scene 2. No. 15. Recitative. Ye see, my friends, how woes enclose me round

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:59
• 18
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 16. Recitative. Brethren and men of Dan, say, where is my son,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:33
• 19
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 17. Recitative. Oh miserable change! Is this the man,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:44
• 20
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 18. Recitative. Oh ever failing trust in mortal strength!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:15
• 21
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 19. Air. God of our fathers, what is man?

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:00
• 22
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 20. Recitative. The good we wish for, often proves our bane,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:04
• 23
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 21. Air. Thy glorious deed inspir'd my tongue

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:35
• 24
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 22. Recitative. Justly these evils have befall'n thy son;

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:35
• 25
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 23. Recitative. My griefs for this

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:54
• 26
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 24. Air. Why does the God of Israel sleep?

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:34
• 27
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 25. Recitative. There lies our hope! True prophet may'st thou be,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:21
• 28
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 26. Chorus. Then shall they know, that he whose name

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:19
• 29
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 27. Recitative. For thee, my dearest son, must thou meanwhile / No. 28. Recitat

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:56
• 30
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 29. Air. Then long eternity shall greet your bliss

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  5:26
• 31
  Samson, oratorio, HWV 57: Act 1. Scene 3. No. 30. Chorus. Then round about the starry throne

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:09
• CD 2
• 1
  Samson, oratorio, HWV 57- Act 2. Scene 1. No. 31. Recitative. Despair not thus! You once were God's delight,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:25
• 2
  Samson, oratorio, HWV 57- Act 2. Scene 1. No. 32. Air. Just are the ways of God to man,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:26
• 3
  Samson, oratorio, HWV 57- Act 2. Scene 1. No. 33. Recitative. My evils hopeless are! One pray'r remains-

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:46
• 4
  Samson, oratorio, HWV 57- Act 2. Scene 1. No. 34. Air. Return, oh God of hosts! Behold - No. 35. Chorus. To dust his glory th

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  8:38
• 5
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 36. Recitative. But who is this, that so bedeck'd and gay

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:15
• 6
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 37. Air. With plaintive notes and am'rous moan,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  7:06
• 7
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 38. Recitative. Alas! Th'event was worse than I foresaw;

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:54
• 8
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 39. Air. Your charms to ruin led the way,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:36
• 9
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 40. Recitative. Forgive what's done, nor think of what's past cure

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:30
• 10
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 41. Duet. My faith and truth, oh Samson, prove, - No. 42. Chorus. Her faith and

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  6:14
• 11
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 43. Air. To fleeting pleasures make your court, - No. 42. Chorus. Her faith and

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:53
• 12
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 44. Recitative. Ne'er think of that! I know thy warbling charms

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:27
• 13
  Samson, oratorio, HWV 57- Act 2. Scene 2. No. 45. Duet. Traitor to love! I'll sue no more - Scene 3. No. 46. Recitative. She'

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:57
• 14
  Samson, oratorio, HWV 57- Act 2. Scene 3. No. 47. Air. It is not virtue, valour, wit,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:12
• 15
  Samson, oratorio, HWV 57- Act 2. Scene 3. No. 48. Recitative. Favour'd of Heaven is he, who finds one true,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:22
• 16
  Samson, oratorio, HWV 57- Act 2. Scene 3. No. 49. Chorus. To man God's universal law

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:31
• 17
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 50. Recitative. No words of peace, no voice enchanting fear,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:38
• 18
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 51. Air. Honour and arms scorn such a foe

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  5:40
• 19
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 52. Recitative. Put on your arms,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:10
• 20
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 53. Air. My strength is from the living God

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:53
• 21
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 54. Recitative. With thee! A man condemn'd, a slave enroll'd,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:41
• 22
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 55. Duet. Go, baffled coward, go,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:16
• 23
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 56. Recitative. Here lie the proff- if Dagon be thy God,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:46
• 24
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 57. Chorus. Hear, Jacob's God, Jehovah, hear!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:14
• 25
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 58. Recitative. Dagon, arise! Attend thy sacred feast!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:13
• 26
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59A. Air. To song and dance we give the day,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:04
• 27
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59B. Chorus. To song and dance we give the day,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:57
• 28
  Samson, oratorio, HWV 57- Act 2. Scene 4. No. 60. Chorus. Fix'd in his everlasting seat,

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:03
• CD 3
• 1
  Act 3 - More trouble is behind: for Harapha

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:23
• 2
  Presuming slave, to move their wrath

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:01
• 3
  Reflect then, Samson

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:50
• 4
  With thunder arm'd, great God, arise!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:55
• 5
  Be of good courage

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:23
• 6
  Thus when the sun from's wat'ry bed

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:54
• 7
  With might endued above the sons of men

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:25
• 8
  The Holy One of Israel be thy guide

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  2:22
• 9
  Old Manoa with youthful steps

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:26
• 10
  Great Dagon has subdued our foe

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  4:28
• 11
  What noise of joy was that?

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:47
• 12
  How willing my paternal love

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:36
• 13
  Your hopes of his deliv'ry seem not vain

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:57
• 14
  Noise call you this?

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:40
• 15
  Where shall I run?

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:49
• 16
  Ye sons of Israel, now lament

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:20
• 17
  Proceed we hence

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  0:46
• 18
  A Dead March

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  3:06
• 19
  The body comes

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:10
• 20
  Glorious hero, may the grave

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  5:12
• 21
  Come, come!

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  1:02
• 22
  Let the bright Seraphim in burning row

  George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers
  6:25

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Issues

• 

  H
  Handel: Samson

  3x CD
  2002