The Complete Erato Recordings: Baroque & Renaissance Eras

Compilation by Michel Corboz

Released 28 October 2022

Tracklist

  • CD 1: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
  • 1
    Missa a 4 voci da capella, SV 190: I. Kyrie
    Claudio Monteverdi
    4:17
  • 2
    Missa a 4 voci da capella, SV 190: II. Gloria
    Claudio Monteverdi
    4:24
  • 3
    Missa a 4 voci da capella, SV 190: III. Credo
    Claudio Monteverdi
    5:53
  • 4
    Missa a 4 voci da capella, SV 190: IV. Sanctus
    Claudio Monteverdi
    2:38
  • 5
    Missa a 4 voci da capella, SV 190: V. Benedictus
    Claudio Monteverdi
    1:35
  • 6
    Missa a 4 voci da capella, SV 190: VI. Agnus Dei
    Claudio Monteverdi
    3:03
  • 7
    Tenebrae factae sunt, motet
    Marco Antonio Ingegneri
    4:34
  • 8
    Three Lamentations of Jeremiah: De Lamentatione Jeremiae
    Marco Antonio Ingegneri
    3:08
  • 9
    Three Responses for the Matins of Holy Saturday: Sicut ovis
    Marco Antonio Ingegneri
    2:43
  • 10
    Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum
    Marco Antonio Ingegneri
    3:03
  • 11
    Three Responses for the Matins of Holy Saturday: Jerusalem surge
    Marco Antonio Ingegneri
    2:55
  • 12
    Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae
    Marco Antonio Ingegneri
    5:08
  • 13
    Three Responses for the Matins of Holy Saturday: Plange quasivirgo
    Marco Antonio Ingegneri
    2:42
  • CD 2: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
  • 1
    Intellige clamorem meum
    Alessandro Scarlatti
    4:05
  • 2
    Salvum fac populum tuum
    Alessandro Scarlatti
    3:34
  • 3
    Exaltabo te Domine quoniam
    Alessandro Scarlatti
    4:42
  • 4
    Domine vivifica me
    Alessandro Scarlatti
    2:17
  • 5
    Ad te Domine levavi
    Alessandro Scarlatti
    3:35
  • 6
    Exsultate Deo adjutori
    Alessandro Scarlatti
    2:43
  • 7
    Missa ad usum Capellae Pontificiae: I. Kyrie
    Alessandro Scarlatti
    5:13
  • 8
    Missa ad usum Capellae Pontificiae: II. Gloria
    Alessandro Scarlatti
    7:11
  • 9
    Missa ad usum Capellae Pontificiae: III. Credo
    Alessandro Scarlatti
    8:59
  • 10
    Missa ad usum Capellae Pontificiae: IV. Sanctus
    Alessandro Scarlatti
    2:01
  • 11
    Missa ad usum Capellae Pontificiae: V. Benedictus
    Alessandro Scarlatti
    1:43
  • 12
    Missa ad usum Capellae Pontificiae: VI. Agnus Dei
    Alessandro Scarlatti
    5:14
  • CD 3: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
  • 1
    Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
    Claudio Monteverdi
    2:09
  • 2
    Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
    Claudio Monteverdi
    9:54
  • 3
    Vespro della Beata Vergine, SV 206: III. Nigra sum (motetto ad una voce)
    Claudio Monteverdi
    4:40
  • 4
    Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)
    Claudio Monteverdi
    7:47
  • 5
    Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
    Claudio Monteverdi
    4:24
  • 6
    Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)
    Claudio Monteverdi
    8:08
  • 7
    Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
    Claudio Monteverdi
    6:51
  • 8
    Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)
    Claudio Monteverdi
    5:38
  • 9
    Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
    Claudio Monteverdi
    10:16
  • 10
    Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)
    Claudio Monteverdi
    6:08
  • CD 4: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
  • 1
    Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)
    Claudio Monteverdi
    7:03
  • 2
    Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)
    Claudio Monteverdi
    10:50
  • 3
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat
    Claudio Monteverdi
    0:52
  • 4
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)
    Claudio Monteverdi
    0:50
  • 5
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)
    Claudio Monteverdi
    1:42
  • 6
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)
    Claudio Monteverdi
    1:24
  • 7
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)
    Claudio Monteverdi
    2:30
  • 8
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)
    Claudio Monteverdi
    1:31
  • 9
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)
    Claudio Monteverdi
    0:59
  • 10
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)
    Claudio Monteverdi
    2:28
  • 11
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)
    Claudio Monteverdi
    2:55
  • 12
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)
    Claudio Monteverdi
    2:34
  • 13
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)
    Claudio Monteverdi
    1:23
  • 14
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)
    Claudio Monteverdi
    2:02
  • 15
    Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio
    Claudio Monteverdi
    2:04
  • 16
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat
    Claudio Monteverdi
    0:33
  • 17
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)
    Claudio Monteverdi
    0:17
  • 18
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)
    Claudio Monteverdi
    1:39
  • 19
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)
    Claudio Monteverdi
    2:18
  • 20
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)
    Claudio Monteverdi
    1:24
  • 21
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)
    Claudio Monteverdi
    2:45
  • 22
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)
    Claudio Monteverdi
    1:13
  • 23
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)
    Claudio Monteverdi
    1:07
  • 24
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)
    Claudio Monteverdi
    1:23
  • 25
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)
    Claudio Monteverdi
    2:22
  • 26
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)
    Claudio Monteverdi
    1:27
  • 27
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)
    Claudio Monteverdi
    1:06
  • 28
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)
    Claudio Monteverdi
    3:24
  • 29
    Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)
    Claudio Monteverdi
    3:06
  • CD 5: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
  • 1
    Laetatus sum, SV 198 (a 5 strumenti e 6 voci)
    Claudio Monteverdi
    7:53
  • 2
    Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)
    Claudio Monteverdi
    7:16
  • 3
    Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)
    Claudio Monteverdi
    7:26
  • 4
    Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)
    Claudio Monteverdi
    13:29
  • 5
    Currite populi, SV 297 (a voce sola e B.C. - baritono)
    Claudio Monteverdi
    5:03
  • 6
    O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)
    Claudio Monteverdi
    5:27
  • 7
    Gloria, SV 258 (a 7 voci concertate con strumenti)
    Claudio Monteverdi
    14:51
  • 8
    Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)
    Claudio Monteverdi
    5:36
  • CD 6: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
  • 1
    Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)
    Claudio Monteverdi
    5:24
  • 2
    Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)
    Claudio Monteverdi
    6:57
  • 3
    Magnificat, SV 282 (a 4 voci in genere da capella)
    Claudio Monteverdi
    15:08
  • 4
    Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)
    Claudio Monteverdi
    8:02
  • 5
    O ciechi il tanto affaticar, SV 252 (coro e orchestra)
    Claudio Monteverdi
    3:52
  • 6
    Voi ch'ascoltate, SV 253 (soli e orchestra)
    Claudio Monteverdi
    4:44
  • 7
    E questa vita un lampo, SV 254 (coro e 5 voci)
    Claudio Monteverdi
    2:21
  • 8
    Et iterum, SV 261 (2 tenori e baritono)
    Claudio Monteverdi
    1:42
  • 9
    Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)
    Claudio Monteverdi
    2:01
  • 10
    Laudate Dominum omnes gentes, SV 272 (voce sola)
    Claudio Monteverdi
    4:46
  • 11
    Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)
    Claudio Monteverdi
    12:51
  • CD 7: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
  • 1
    Fuge, fuge, anima mea, SV 305 (2 voci e violino)
    Claudio Monteverdi
    5:05
  • 2
    Adoramus, SV 289 (coro a 6 voci)
    Claudio Monteverdi
    2:41
  • 3
    Ego dormio, SV 300 (tenor e basso)
    Claudio Monteverdi
    3:16
  • 4
    Venite, venite silientes, SV 335 (soprano e alto)
    Claudio Monteverdi
    3:55
  • 5
    Confitebor, SV 267 (coro e soprano)
    Claudio Monteverdi
    6:43
  • 6
    Spontava il di, SV 255 (alto, tenore, baritono)
    Claudio Monteverdi
    6:44
  • 7
    Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)
    Claudio Monteverdi
    3:01
  • 8
    Sanctorum meritis, SV 277 (voce sola e 2 violini)
    Claudio Monteverdi
    2:47
  • 9
    Beatus vir, SV 269 (coro a 5 voci)
    Claudio Monteverdi
    5:40
  • 10
    Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)
    Claudio Monteverdi
    8:06
  • 11
    Jubilet tota civitas, SV 286 (soprano)
    Claudio Monteverdi
    4:24
  • 12
    Memento, SV 276 (coro a 8 voci)
    Claudio Monteverdi
    6:54
  • 13
    Ab aeterno, SV 262 (basso)
    Claudio Monteverdi
    7:33
  • CD 8: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
  • 1
    Nisi Dominus, SV 201 (coro a 6)
    Claudio Monteverdi
    8:32
  • 2
    Confitebor, SV 296 (soprano e orchestra)
    Claudio Monteverdi
    8:04
  • 3
    Dixit Dominus, SV 192 (doppio coro)
    Claudio Monteverdi
    7:12
  • 4
    Laudate Dominum, SV 197 (voce sola)
    Claudio Monteverdi
    3:22
  • 5
    Cantate Domino, SV 292 (a 2 voci)
    Claudio Monteverdi
    6:26
  • 6
    Christe adoramus te, SV 294 (coro a 5 voci)
    Claudio Monteverdi
    2:35
  • 7
    Salve Regina, SV 327 (voce sola)
    Claudio Monteverdi
    5:13
  • 8
    Domine, ne in furore, SV 298 (coro a 6 voci)
    Claudio Monteverdi
    2:43
  • 9
    Sancta Maria, SV 328 (soprano e alto)
    Claudio Monteverdi
    2:53
  • 10
    Lauda Jerusalem, SV 203 (coro a 5 voci)
    Claudio Monteverdi
    6:35
  • 11
    Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)
    Claudio Monteverdi
    10:40
  • 12
    Salve Regina, SV 285 (alto, tenore e basso)
    Claudio Monteverdi
    6:00
  • CD 9: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
  • 1
    Iste confessor, SV 279 (a 2 soprani e 2 violini)
    Claudio Monteverdi
    3:34
  • 2
    Beatus vir, SV 268 (coro e orchestra)
    Claudio Monteverdi
    7:44
  • 3
    Confitebor, SV 265 (contro-tenore, tenore, basso, coro)
    Claudio Monteverdi
    9:29
  • 4
    Salve Regina, SV 283 (2 tenori e 2 violini)
    Claudio Monteverdi
    11:25
  • 5
    Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)
    Claudio Monteverdi
    3:43
  • 6
    Et resurrexit, SV 260 (2 soprani e 2 violini)
    Claudio Monteverdi
    1:40
  • 7
    Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)
    Claudio Monteverdi
    9:43
  • 8
    Salve Regina, SV 326 (voce sola - soprano)
    Claudio Monteverdi
    5:45
  • 9
    Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)
    Claudio Monteverdi
    8:45
  • 10
    Dixit Dominus, SV 191 (a 8 voci, coro e soli)
    Claudio Monteverdi
    9:16
  • CD 10: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
  • 1
    O bone Jesu, SV 313 (a 2 voci - soprano, alto)
    Claudio Monteverdi
    3:21
  • 2
    O quam pulchra, SV 317 (voce sola - tenore)
    Claudio Monteverdi
    5:31
  • 3
    En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)
    Claudio Monteverdi
    2:07
  • 4
    Laetatus sum, SV 199 (coro a 5 voci)
    Claudio Monteverdi
    8:04
  • 5
    Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)
    Claudio Monteverdi
    8:03
  • 6
    Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)
    Claudio Monteverdi
    9:19
  • 7
    Crucifixus, SV 259 (coro a 4 voci)
    Claudio Monteverdi
    2:48
  • 8
    Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore)
    Claudio Monteverdi
    2:40
  • 9
    Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)
    Claudio Monteverdi
    5:23
  • 10
    Cantate Domino, SV 293 (coro a 6 voci)
    Claudio Monteverdi
    2:12
  • 11
    Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)
    Claudio Monteverdi
    8:56
  • 12
    Ecce sacrum paratum, SV 299 (voce sola - tenore)
    Claudio Monteverdi
    5:48
  • 13
    Ego flos campi, SV 301 (voce sola - alto)
    Claudio Monteverdi
    3:45
  • 14
    Credidi procter, SV 275 (doppio coro)
    Claudio Monteverdi
    4:52
  • CD 11: Monteverdi: Orfeo (beginning)
  • 1
    Orfeo: Toccata
    Claudio Monteverdi
    1:40
  • 2
    Orfeo: Prologo: Ritornello (La Musica)
    Claudio Monteverdi
    6:08
  • 3
    Orfeo: Atto Primo. “In questo lieto e fortunato giorno”
    Claudio Monteverdi
    1:51
  • 4
    Orfeo: Atto Primo. “Vieni Imeneo”
    Claudio Monteverdi
    1:03
  • 5
    Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    1:01
  • 6
    Orfeo: Atto Primo. “Lasciate i monti”
    Claudio Monteverdi
    2:12
  • 7
    Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)
    Claudio Monteverdi
    4:49
  • 8
    Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    1:02
  • 9
    Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello
    Claudio Monteverdi
    1:45
  • 10
    Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    4:38
  • 11
    Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”
    Claudio Monteverdi
    1:33
  • 12
    Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    2:03
  • 13
    Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
    Claudio Monteverdi
    2:45
  • 14
    Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)
    Claudio Monteverdi
    11:05
  • 15
    Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”
    Claudio Monteverdi
    1:27
  • 16
    Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    3:07
  • 17
    Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    7:15
  • CD 12: Monteverdi: Orfeo (conclusion)
  • 1
    Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)
    Claudio Monteverdi
    2:21
  • 2
    Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
    Claudio Monteverdi
    4:10
  • 3
    Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
    Claudio Monteverdi
    3:04
  • 4
    Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
    Claudio Monteverdi
    7:45
  • 5
    Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)
    Claudio Monteverdi
    4:00
  • 6
    Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
    Claudio Monteverdi
    2:37
  • 7
    Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)
    Claudio Monteverdi
    4:13
  • 8
    Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)
    Claudio Monteverdi
    2:27
  • 9
    Orfeo: Atto Quarto. “Benchè severo ed”
    Claudio Monteverdi
    2:15
  • 10
    Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)
    Claudio Monteverdi
    3:42
  • 11
    Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)
    Claudio Monteverdi
    3:46
  • 12
    Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)
    Claudio Monteverdi
    3:22
  • 13
    Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)
    Claudio Monteverdi
    3:12
  • 14
    Orfeo: Atto Quinto. Ritornello
    Claudio Monteverdi
    1:31
  • 15
    Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
    Claudio Monteverdi
    7:27
  • 16
    Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
    Claudio Monteverdi
    3:55
  • 17
    Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
    Claudio Monteverdi
    1:26
  • 18
    Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)
    Claudio Monteverdi
    2:40
  • CD 13: La Chanson et la danse – Paris, vers 1540
  • 1
    Il estoit une fillette: Chanson à quatre (1540)
    Clément Janequin
    1:11
  • 2
    Il estoit une fillette: Ronde (1551)
    Tielman Susato
    1:01
  • 3
    Il estoit une fillette: Chanson accompagnée
    Clément Janequin
    1:17
  • 4
    Mari je songeois l'aultre jour: Chanson à quatre (1532)
    Jacotin
    0:54
  • 5
    Mari je songeois l'aultre jour: Branle gay (1547)
    Pierre Attaingnant
    0:48
  • 6
    Mari je songeois l'aultre jour: Branle gay (1564)
    Adrian Le Roy
    0:54
  • 7
    Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)
    Passereau
    1:35
  • 8
    Pourquoi donc ne fringuerons-nous: Rondo (1551)
    Tielman Susato
    1:18
  • 9
    C'est grand plaisir: Chanson à trois (1529)
    [anonymous]
    1:19
  • 10
    C'est grand plaisir: Chanson transcrite pour clavier (1531)
    Pierre Attaingnant
    1:27
  • 11
    C'est grand plaisir: Tourdion (1547)
    Pierre Attaingnant
    1:00
  • 12
    Mille regretz: Chanson à quatre (1520)
    Josquin Desprez
    1:48
  • 13
    Mille regretz: Pavane (1551)
    Tielman Susato
    1:42
  • 14
    C'est à grand tort: Chanson à quatre (1520)
    Claudin de Sermisy
    1:18
  • 15
    C'est à grand tort: Chanson transcrite pour clavier (1531)
    Pierre Attaingnant
    1:13
  • 16
    C'est à grand tort: Chanson transcrite pour deux instruments (1552)
    Adrian Petit Coclico
    1:15
  • 17
    La Volonté: Basse danse (1547)
    Pierre Attaingnant
    1:32
  • 18
    La Volonté: Chanson à quatre (1543)
    Pierre Sandrin
    2:25
  • 19
    Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)
    Pierre Sandrin
    2:01
  • 20
    Celle qui m'a le nom d'amy donné: Basse danse (1547)
    Pierre Attaingnant
    1:34
  • 21
    Ramonez-moi ma cheminée: Chanson à quatre (1539)
    Nicolle des Celliers d'Hesdin
    1:23
  • 22
    Jectez-moi sur l'herbette: Chanson à quatre (1533)
    Jean Leleu (Johannes Lupi)
    1:18
  • 23
    Suite de danseries, tirée du « Second livre » (1547): Pavane 47
    Pierre Attaingnant
    1:54
  • 24
    Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49
    Pierre Attaingnant
    0:35
  • 25
    Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)
    Pierre Attaingnant
    0:38
  • 26
    Suite de danseries, tirée du « Second livre » (1547): Basse danse 19
    Pierre Attaingnant
    1:12
  • 27
    Suite de danseries, tirée du « Second livre » (1547): Branle simple 21
    Pierre Attaingnant
    0:47
  • 28
    Suite de danseries, tirée du « Second livre » (1547): Branle simple 35
    Pierre Attaingnant
    1:11
  • 29
    Suite de danseries, tirée du « Second livre » (1547): Tourdion 9
    Pierre Attaingnant
    0:43
  • 30
    Suite de danseries, tirée du « Second livre » (1547): Tourdion 10
    Pierre Attaingnant
    0:44
  • 31
    Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”
    Pierre Attaingnant
    1:06
  • 32
    Suite de danseries, tirée du « Second livre » (1547): Branle gay 23
    Pierre Attaingnant
    0:54
  • 33
    J'ay le rebours: Chanson à quatre (1562)
    Pierre Certon
    1:30
  • 34
    J'ay le rebours: Pavane (1571)
    Pierre Phalèse
    1:45
  • 35
    J'ay le rebours: Gaillarde (1571)
    Pierre Phalèse
    1:15
  • 36
    Dont viens cela: Chanson à quatre (1530)
    Claudin de Sermisy
    2:14
  • 37
    Dont viens cela: Basse danse (1551)
    Tielman Susato
    1:08
  • 38
    Auprès de vous: Chanson à quatre (1530)
    Claudin de Sermisy
    2:12
  • 39
    Auprès de vous: Basse danse (1547)
    Pierre Attaingnant
    1:35
  • 40
    Auprès de vous: Chanson transcrite pour clavier (1531)
    Pierre Attaingnant
    2:01
  • 41
    Fricassée: Chanson à quatre, accompagnée (1531)
    [anonymous]
    1:32
  • CD 14: La Chanson de Lausanne
  • 1
    La Chère Maison
    Émile Jaques-Dalcroze
    2:49
  • 2
    Les Bonnes Dames de Saint‐Gervais
    Émile Jaques-Dalcroze
    2:17
  • 3
    J’ai descendu au verger
    Émile Jaques-Dalcroze
    1:37
  • 4
    Heureux celui qui revoit sa patrie
    Gustave Doret
    2:35
  • 5
    Oh ! que la vie est douce chose
    Charles Mayor
    1:47
  • 6
    La Jardinière du roy
    Trad. Suisse Romande
    1:55
  • 7
    La Moisson
    Louis Broquet
    1:55
  • 8
    Nous n’avons chez nous
    Carlo Hemmerling
    1:47
  • 9
    Nouthra Dona di Maortsé
    Joseph Bovet
    2:12
  • 10
    Trois jeunes tambours
    Trad. France
    2:19
  • 11
    C’est le joly mois de may
    Trad. France
    1:28
  • 12
    Gentil coqu’licot
    Trad. France
    1:09
  • 13
    Mon père tôt m’a mariée
    Trad. France
    2:02
  • 14
    La Marion
    Trad. Canada
    1:52
  • 15
    J’ai vu le loup, le renard, le lièvre
    [traditional]
    1:04
  • 16
    Rossignolet du bois
    Trad. Auvergne & Languedoc
    1:41
  • 17
    Le Vira do minho
    Trad. Portugal
    1:22
  • 18
    Les Yeux de la Marianita
    Trad. Portugal
    1:30
  • 19
    Berceuse polonaise
    Trad. Poland
    2:21
  • 20
    Le jour est là
    Trad. Slovakia
    1:26
  • 21
    Chanson dans le vent “Pisnicka”
    Trad. Czechia
    1:04
  • CD 15: Goudimel: Mass “La Bien que j’ay” / Six Psalms
  • 1
    “Or sus tous humains”
    Claude Goudimel
    6:29
  • 2
    “Que Dieu se montre seulement”
    Claude Goudimel
    2:40
  • 3
    “Laisse-moi désormais”
    Claude Goudimel
    1:37
  • 4
    “Mon cœur rempli”
    Claude Goudimel
    2:36
  • 5
    “O Seigneur”
    Claude Goudimel
    1:20
  • 6
    “Du fond de ma pensée”
    Claude Goudimel
    2:11
  • 7
    Mass “La Bien que j'ay”: I. Introit
    Claude Goudimel
    3:40
  • 8
    Mass “La Bien que j'ay”: II. Kyrie
    Claude Goudimel
    1:59
  • 9
    Mass “La Bien que j'ay”: III. Gloria
    Claude Goudimel
    3:02
  • 10
    Mass “La Bien que j'ay”: IV. Alleluia
    Claude Goudimel
    4:35
  • 11
    Mass “La Bien que j'ay”: V. Credo
    Claude Goudimel
    5:24
  • 12
    Mass “La Bien que j'ay”: VI. Offertoire
    Claude Goudimel
    1:23
  • 13
    Mass “La Bien que j'ay”: VII. Sanctus
    Claude Goudimel
    2:28
  • 14
    Mass “La Bien que j'ay”: VIII. Benedictus
    Claude Goudimel
    2:47
  • 15
    Mass “La Bien que j'ay”: IX. Communion
    Claude Goudimel
    1:22
  • 16
    Mass “La Bien que j'ay”: X. Agnus Dei
    Claude Goudimel
    4:21
  • CD 16: De Lalande: De profundis / Regina cœli
  • 1
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”
    Michel‐Richard de Lalande
    8:43
  • 2
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”
    Michel‐Richard de Lalande
    1:42
  • 3
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”
    Michel‐Richard de Lalande
    2:40
  • 4
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”
    Michel‐Richard de Lalande
    2:11
  • 5
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”
    Michel‐Richard de Lalande
    3:26
  • 6
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”
    Michel‐Richard de Lalande
    2:49
  • 7
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”
    Michel‐Richard de Lalande
    2:21
  • 8
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”
    Michel‐Richard de Lalande
    3:22
  • 9
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”
    Michel‐Richard de Lalande
    3:11
  • 10
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”
    Michel‐Richard de Lalande
    5:39
  • 11
    De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”
    Michel‐Richard de Lalande
    1:22
  • 12
    Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”
    Michel‐Richard de Lalande
    3:30
  • 13
    Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”
    Michel‐Richard de Lalande
    2:45
  • 14
    Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”
    Michel‐Richard de Lalande
    3:52
  • CD 17: I Dolci Frutti: Venice before Monteverdi (I)
  • 1
    Ricercare per sonar (in 8 parts: brass instruments)
    Andrea Gabrieli
    3:33
  • 2
    Risonanza di echo (8 solo voices)
    Andrea Gabrieli
    3:19
  • 3
    L'Olica, canzon per sonar (in 4 parts: violas)
    Claudio Merulo da Correggio
    2:59
  • 4
    Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)
    Girolamo Parabosco
    2:43
  • 5
    Padre del ciel (in 5 parts: organ)
    Annibale Padovano
    3:17
  • 6
    Boscareccia pastorale (12 voices triple chorus)
    Orazio Vecchi
    3:28
  • 7
    Hor che nel suo bel seno (8 voices double chorus)
    Andrea Gabrieli
    3:06
  • 8
    Canone a l'unissono (in 8 parts: brass instruments and organ)
    Claudio Veggio
    3:12
  • 9
    Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)
    Claudio Merulo da Correggio
    4:30
  • 10
    Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)
    Vincenzo Bellavere
    1:55
  • 11
    Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)
    Annibale Padovano
    2:47
  • 12
    Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)
    Giovanni Gabrieli
    3:15
  • 13
    Io mi sento morire (in 8 parts: brass instruments)
    Andrea Gabrieli
    3:41
  • CD 18: I Dolci Frutti: Venice before Monteverdi (II)
  • 1
    Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)
    Giovanni Gabrieli
    3:36
  • 2
    Niuna sconsolata (soprano and violas da gamba)
    Girolamo Parabosco
    3:56
  • 3
    Canzon seconda (in 4 parts: organ)
    Giovanni Gabrieli
    3:27
  • 4
    Poi ch'il mio largo pianto (5 solo voices)
    D'Incerto
    2:32
  • 5
    Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord)
    Baldassare Donato
    1:37
  • 6
    Echo Vinegia bella (12 voices chorus)
    Andrea Gabrieli
    3:19
  • 7
    Canzon per sonar (in 4 parts: brass instruments)
    Claudio Merulo da Correggio
    2:08
  • 8
    Battaglia (8 voices, first and second part)
    Andrea Gabrieli
    4:00
  • 9
    Gravi pene in amor (in 5 parts: brass instruments)
    Gioseffo Guami
    1:22
  • 10
    Amor è gratiosa e dolce voglia (5 solo voices)
    Annibale Padovano
    3:06
  • 11
    Canzon per sonar (in 4 parts: violas)
    Gioseffo Guami
    3:12
  • 12
    Non rumor di tamburi (7 solo voices)
    Vincenzo Bellavere
    1:29
  • 13
    Canzone (in 5 parts: recorder, violas da gamba and harpsichord)
    Gioseffo Zarlino
    2:59
  • 14
    A le guancie di rose (8 solo voices dialog)
    Andrea Gabrieli
    2:20
  • 15
    Canzone quarta (in 4 parts: organ)
    Giovanni Gabrieli
    2:58
  • CD 19: Gabrieli: Sacrae Symphoniae vol. 1
  • 1
    Plaudite omnis terra
    Giovanni Gabrieli
    3:16
  • 2
    Miserere mei, Deus
    Giovanni Gabrieli
    5:38
  • 3
    Domine exaudi orationem meam
    Giovanni Gabrieli
    2:31
  • 4
    Cantate Domino
    Giovanni Gabrieli
    2:25
  • 5
    Canzon noni toni
    Giovanni Gabrieli
    2:58
  • 6
    Diligam te Domine
    Giovanni Gabrieli
    3:11
  • 7
    Jubilate Deo
    Giovanni Gabrieli
    3:51
  • 8
    Missa: Kyrie
    Giovanni Gabrieli
    4:42
  • 9
    Missa: Gloria
    Giovanni Gabrieli
    3:48
  • 10
    Missa: Sanctus
    Giovanni Gabrieli
    2:46
  • 11
    Canzon primi toni
    Giovanni Gabrieli
    4:15
  • 12
    Ego rogabo patrem
    Giovanni Gabrieli
    1:45
  • 13
    Virtute magna
    Giovanni Gabrieli
    3:52
  • 14
    Magnificat
    Giovanni Gabrieli
    4:19
  • CD 20: Gabrieli: Sacrae Symphoniae vol. 2
  • 1
    Magnificat
    Giovanni Gabrieli
    5:40
  • 2
    O Domine Jesu Christe
    Giovanni Gabrieli
    3:47
  • 3
    Hodie Christus natus est
    Giovanni Gabrieli
    3:39
  • 4
    Hoc tegitur
    Giovanni Gabrieli
    3:39
  • 5
    Sancta et immaculata Virginatas
    Giovanni Gabrieli
    2:56
  • 6
    Angelus Domini descendit
    Giovanni Gabrieli
    2:57
  • 7
    Nunc dimittis
    Giovanni Gabrieli
    3:37
  • 8
    Jam non dicam vos servos
    Giovanni Gabrieli
    2:40
  • 9
    Misericordias Domini
    Giovanni Gabrieli
    3:24
  • 10
    Jubilate Deo
    Giovanni Gabrieli
    3:54
  • 11
    O Jesu mi dulcissime
    Giovanni Gabrieli
    4:14
  • 12
    Regina coeli
    Giovanni Gabrieli
    1:59
  • 13
    Ego sum qui sum
    Giovanni Gabrieli
    2:50
  • CD 21: Bach: Magnificat / Cantata BWV 187
  • 1
    Magnificat in D major, BWV 243: I. Magnificat (chorus)
    Johann Sebastian Bach
    3:07
  • 2
    Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
    Johann Sebastian Bach
    2:24
  • 3
    Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
    Johann Sebastian Bach
    3:15
  • 4
    Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
    Johann Sebastian Bach
    1:24
  • 5
    Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
    Johann Sebastian Bach
    2:16
  • 6
    Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)
    Johann Sebastian Bach
    3:19
  • 7
    Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
    Johann Sebastian Bach
    1:55
  • 8
    Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)
    Johann Sebastian Bach
    2:04
  • 9
    Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
    Johann Sebastian Bach
    2:52
  • 10
    Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
    Johann Sebastian Bach
    2:20
  • 11
    Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
    Johann Sebastian Bach
    2:08
  • 12
    Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
    Johann Sebastian Bach
    2:11
  • 13
    Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”
    Johann Sebastian Bach
    5:18
  • 14
    Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)
    Johann Sebastian Bach
    1:20
  • 15
    Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)
    Johann Sebastian Bach
    4:39
  • 16
    Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)
    Johann Sebastian Bach
    3:40
  • 17
    Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)
    Johann Sebastian Bach
    4:47
  • 18
    Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)
    Johann Sebastian Bach
    1:09
  • 19
    Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)
    Johann Sebastian Bach
    2:40
  • CD 22: Bach: Mass in B minor, BWV 232 (beginning)
  • 1
    Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
    Johann Sebastian Bach
    11:47
  • 2
    Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
    Johann Sebastian Bach
    5:16
  • 3
    Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
    Johann Sebastian Bach
    4:24
  • 4
    Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)
    Johann Sebastian Bach
    1:54
  • 5
    Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
    Johann Sebastian Bach
    4:49
  • 6
    Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
    Johann Sebastian Bach
    4:57
  • 7
    Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
    Johann Sebastian Bach
    3:30
  • 8
    Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
    Johann Sebastian Bach
    5:30
  • 9
    Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
    Johann Sebastian Bach
    3:47
  • 10
    Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
    Johann Sebastian Bach
    5:10
  • 11
    Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
    Johann Sebastian Bach
    5:36
  • 12
    Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    4:08
  • CD 23: Bach: Mass in B minor, BWV 232 (conclusion)
  • 1
    Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
    Johann Sebastian Bach
    1:51
  • 2
    Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
    Johann Sebastian Bach
    2:11
  • 3
    Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)
    Johann Sebastian Bach
    5:01
  • 4
    Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
    Johann Sebastian Bach
    3:47
  • 5
    Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
    Johann Sebastian Bach
    4:32
  • 6
    Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
    Johann Sebastian Bach
    4:15
  • 7
    Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
    Johann Sebastian Bach
    6:17
  • 8
    Mass in B minor, BWV 232: Credo. XIX. Confiteor
    Johann Sebastian Bach
    5:14
  • 9
    Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
    Johann Sebastian Bach
    2:26
  • 10
    Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
    Johann Sebastian Bach
    4:43
  • 11
    Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
    Johann Sebastian Bach
    2:54
  • 12
    Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
    Johann Sebastian Bach
    4:52
  • 13
    Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
    Johann Sebastian Bach
    2:57
  • 14
    Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
    Johann Sebastian Bach
    5:23
  • 15
    Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
    Johann Sebastian Bach
    3:37
  • CD 24: Carissimi: Jephté et Trois motets
  • 1
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)
    Giacomo Carissimi
    3:27
  • 2
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)
    Giacomo Carissimi
    1:18
  • 3
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)
    Giacomo Carissimi
    2:22
  • 4
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)
    Giacomo Carissimi
    2:02
  • 5
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)
    Giacomo Carissimi
    3:42
  • 6
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)
    Giacomo Carissimi
    2:11
  • 7
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)
    Giacomo Carissimi
    1:11
  • 8
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)
    Giacomo Carissimi
    5:52
  • 9
    Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
    Giacomo Carissimi
    3:53
  • 10
    Motet “O qual pulchra es”, for soprano, strings and continuo
    Giacomo Carissimi
    12:53
  • 11
    Motet “O vulnera dolorim”, for bass and organ
    Giacomo Carissimi
    5:54
  • 12
    Motet “Salve, salve puellule”, for tenor, strings and continuo
    Giacomo Carissimi
    8:06
  • CD 25: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
  • 1
    Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)
    Giacomo Carissimi
    2:03
  • 2
    Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)
    Giacomo Carissimi
    1:46
  • 3
    Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)
    Giacomo Carissimi
    7:18
  • 4
    Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)
    Giacomo Carissimi
    4:41
  • 5
    Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)
    Giacomo Carissimi
    3:33
  • 6
    Tolle Sponsa for soprano, bass, chorus and continuo
    Giacomo Carissimi
    7:42
  • 7
    Messa a otto voci, IGC 27: Kyrie
    Giacomo Carissimi
    1:56
  • 8
    Messa a otto voci, IGC 27: Gloria
    Giacomo Carissimi
    3:47
  • 9
    Messa a otto voci, IGC 27: Credo
    Giacomo Carissimi
    6:26
  • 10
    Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)
    Giacomo Carissimi
    2:12
  • 11
    Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)
    Giacomo Carissimi
    3:35
  • 12
    Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)
    Giacomo Carissimi
    2:41
  • 13
    Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)
    Giacomo Carissimi
    3:35
  • 14
    Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)
    Giacomo Carissimi
    2:54
  • CD 26: Charpentier: Messe pour les trépassés (1)
  • 1
    Messe pour les trépassés, H. 2: Symphonie - Kyrie
    Marc‐Antoine Charpentier
    8:18
  • 2
    Messe pour les trépassés, H. 2: Dies irae (H. 12)
    Marc‐Antoine Charpentier
    5:56
  • 3
    Messe pour les trépassés, H. 2: Liber scriptus
    Marc‐Antoine Charpentier
    8:22
  • 4
    Messe pour les trépassés, H. 2: Juste judex
    Marc‐Antoine Charpentier
    5:52
  • 5
    Messe pour les trépassés, H. 2: Oro supplex
    Marc‐Antoine Charpentier
    9:06
  • 6
    Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
    Marc‐Antoine Charpentier
    4:00
  • 7
    Motet pour les trépassés, H. 311: Hei, hei mihi, Domine
    Marc‐Antoine Charpentier
    4:10
  • 8
    Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis
    Marc‐Antoine Charpentier
    2:52
  • CD 27: Charpentier: Messe pour les trépassés (2)
  • 1
    Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
    Marc‐Antoine Charpentier
    4:09
  • 2
    Messe pour les trépassés, H. 2: Symphonie - Sanctus
    Marc‐Antoine Charpentier
    2:48
  • 3
    Messe pour les trépassés, H. 2: Pie Jesu
    Marc‐Antoine Charpentier
    2:19
  • 4
    Messe pour les trépassés, H. 2: Benedictus
    Marc‐Antoine Charpentier
    1:13
  • 5
    Messe pour les trépassés, H. 2: Symphonie - Agnus Dei
    Marc‐Antoine Charpentier
    5:28
  • 6
    Miserere des Jésuites, H. 193: Prélude
    Marc‐Antoine Charpentier
    1:39
  • 7
    Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)
    Marc‐Antoine Charpentier
    5:50
  • 8
    Miserere des Jésuites, H. 193: Amplius lava me (soli)
    Marc‐Antoine Charpentier
    3:46
  • 9
    Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)
    Marc‐Antoine Charpentier
    2:31
  • 10
    Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)
    Marc‐Antoine Charpentier
    1:56
  • 11
    Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)
    Marc‐Antoine Charpentier
    1:36
  • 12
    Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)
    Marc‐Antoine Charpentier
    2:21
  • 13
    Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)
    Marc‐Antoine Charpentier
    2:40
  • 14
    Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)
    Marc‐Antoine Charpentier
    2:20
  • 15
    Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)
    Marc‐Antoine Charpentier
    3:14
  • 16
    Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)
    Marc‐Antoine Charpentier
    1:42
  • 17
    Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)
    Marc‐Antoine Charpentier
    1:07
  • 18
    Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)
    Marc‐Antoine Charpentier
    2:28
  • CD 28: Bach: Missae breves I
  • 1
    Mass in F major, BWV 233: Kyrie (chorus)
    Johann Sebastian Bach
    4:47
  • 2
    Mass in F major, BWV 233: Gloria (chorus)
    Johann Sebastian Bach
    6:16
  • 3
    Mass in F major, BWV 233: Domine Deus (bass)
    Johann Sebastian Bach
    3:53
  • 4
    Mass in F major, BWV 233: Qui tollis (soprano)
    Johann Sebastian Bach
    5:43
  • 5
    Mass in F major, BWV 233: Quoniam (alto)
    Johann Sebastian Bach
    5:25
  • 6
    Mass in F major, BWV 233: Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    2:56
  • 7
    Mass in A major, BWV 234: Kyrie (chorus)
    Johann Sebastian Bach
    7:39
  • 8
    Mass in A major, BWV 234: Gloria (chorus)
    Johann Sebastian Bach
    5:42
  • 9
    Mass in A major, BWV 234: Domine Deus (bass)
    Johann Sebastian Bach
    7:27
  • 10
    Mass in A major, BWV 234: Qui tollis (soprano)
    Johann Sebastian Bach
    6:24
  • 11
    Mass in A major, BWV 234: Quoniam (alto)
    Johann Sebastian Bach
    4:03
  • 12
    Mass in A major, BWV 234: Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    4:36
  • 13
    Sanctus in D minor, BWV 239 (chorus)
    Johann Sebastian Bach
    1:48
  • 14
    Sanctus in G major, BWV 240 (chorus)
    Johann Sebastian Bach
    2:48
  • 15
    Sanctus in D major, BWV 241 (double chorus)
    Johann Sebastian Bach
    2:11
  • CD 29: Bach: Missae breves II
  • 1
    Mass in G major, BWV 236: Kyrie (chorus)
    Johann Sebastian Bach
    4:24
  • 2
    Mass in G major, BWV 236: Gloria (chorus)
    Johann Sebastian Bach
    5:02
  • 3
    Mass in G major, BWV 236: Gratias agimus tibi (bass)
    Johann Sebastian Bach
    5:38
  • 4
    Mass in G major, BWV 236: Domine Deus (soprano, alto)
    Johann Sebastian Bach
    4:48
  • 5
    Mass in G major, BWV 236: Quoniam (tenor)
    Johann Sebastian Bach
    6:07
  • 6
    Mass in G major, BWV 236: Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    3:48
  • 7
    Mass in G minor, BWV 235: Kyrie (chorus)
    Johann Sebastian Bach
    7:41
  • 8
    Mass in G minor, BWV 235: Gloria (chorus)
    Johann Sebastian Bach
    4:02
  • 9
    Mass in G minor, BWV 235: Gratias agimus tibi (bass)
    Johann Sebastian Bach
    4:54
  • 10
    Mass in G minor, BWV 235: Domine fili (alto)
    Johann Sebastian Bach
    5:58
  • 11
    Mass in G minor, BWV 235: Qui tollis (tenor)
    Johann Sebastian Bach
    4:59
  • 12
    Mass in G minor, BWV 235: Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    4:59
  • 13
    Sanctus in D major, BWV 238 (chorus)
    Johann Sebastian Bach
    3:25
  • 14
    Christe eleison, BWV 242 (soprano, alto)
    Johann Sebastian Bach
    2:15
  • 15
    Sanctus in C major, BWV 237 (chorus)
    Johann Sebastian Bach
    1:44
  • CD 30: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
  • 1
    Un gay bergier: Vocal version
    Thomas Crécquillon, Giovanni Bassano
    1:46
  • 2
    Un gay bergier: Instrumental version
    Thomas Crécquillon, Giovanni Bassano
    2:44
  • 3
    Anchor che co'l partire: Lute version
    Cyprien de Rore, Giovanni Bassano
    3:14
  • 4
    Anchor che co'l partire: Vocal version
    Cyprien de Rore, Giovanni Bassano
    3:30
  • 5
    Anchor che co'l partire: Instrumental version
    Cyprien de Rore, Giovanni Bassano
    2:59
  • 6
    Ver'inferno: Vocal version
    Jacques Arcadelt, Giovanni Bassano
    3:00
  • 7
    Ver'inferno: Lute version
    Jacques Arcadelt, Giovanni Bassano
    3:47
  • 8
    Susanne un jour: Vocal version
    Roland de Lassus, Giovanni Bassano
    2:18
  • 9
    Susanne un jour: Instrumental version
    Roland de Lassus, Giovanni Bassano
    3:51
  • 10
    Frais et gaillart: Vocal version
    Jacobus Clemens non Papa, Giovanni Bassano
    2:08
  • 11
    Frais et gaillart: Instrumental version
    Jacobus Clemens non Papa, Giovanni Bassano
    3:29
  • 12
    Fantasia senza canto, for lute
    Giovanni Paolo Paladino, Giovanni Bassano
    4:10
  • 13
    Tirsi morir volea, vocal version
    Lucas Marenzio, Giovanni Bassano
    7:37
  • CD 31: Marcello: Seven Psalms I
  • 1
    Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra
    Benedetto Marcello
    14:15
  • 2
    Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo
    Benedetto Marcello
    12:01
  • 3
    Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra
    Benedetto Marcello
    18:33
  • 4
    Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo
    Benedetto Marcello
    8:06
  • CD 32: Marcello: Seven Psalms II
  • 1
    Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra
    Benedetto Marcello
    11:02
  • 2
    Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo
    Benedetto Marcello
    15:44
  • 3
    Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo
    Benedetto Marcello
    20:43
  • CD 33: Monteverdi: Madrigali I
  • 1
    Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)
    Claudio Monteverdi
    7:05
  • 2
    Ohimè ch'io cado, SV 316
    Claudio Monteverdi
    5:21
  • 3
    Si ch'io vorrei morire, SV 89 (Book IV)
    Claudio Monteverdi
    3:40
  • 4
    Bei pastor, SV 168 (Book IX)
    Claudio Monteverdi
    4:59
  • 5
    Eccomi pronta ai baci, SV 135 (Book VII)
    Claudio Monteverdi
    2:32
  • 6
    Ecco mormorar l'onde, SV 51 (Book II)
    Claudio Monteverdi
    3:11
  • 7
    Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)
    Claudio Monteverdi
    12:13
  • 8
    La mia turca, SV 310
    Claudio Monteverdi
    2:59
  • 9
    Perchè fuggi tra salci, SV 128 (Book VII)
    Claudio Monteverdi
    3:31
  • 10
    Presso un fiume tranquillo, SV 116 (Book VI)
    Claudio Monteverdi
    6:28
  • CD 34: Monteverdi: Madrigali II
  • 1
    Si dolce è il tormento, SV 332
    Claudio Monteverdi
    2:50
  • 2
    Sfogava con le stelle, SV 78 (Book IV)
    Claudio Monteverdi
    4:11
  • 3
    Di far sempre gioire, SV 89 (Book IV)
    Claudio Monteverdi
    2:26
  • 4
    Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)
    Claudio Monteverdi
    1:34
  • 5
    Non è di gentil core, SV 118 (Book VII)
    Claudio Monteverdi
    4:00
  • 6
    Io mi son giovinetta, SV 86 (Book IV)
    Claudio Monteverdi
    3:04
  • 7
    Questi vaghi concenti, SV 106 (Book V)
    Claudio Monteverdi
    8:57
  • 8
    Tirsi e Clori, SV 145 (Book VII)
    Claudio Monteverdi
    14:13
  • 9
    Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)
    Claudio Monteverdi
    4:19
  • 10
    Vorei baciarti o Filli, SV 123 (Book VII)
    Claudio Monteverdi
    4:20
  • 11
    Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)
    Claudio Monteverdi
    2:30
  • CD 35: Bach: Piano Concertos BWV 1052, 1055 & 1056
  • 1
    Keyboard Concerto in D minor, BWV 1052: I. Allegro
    Johann Sebastian Bach
    8:04
  • 2
    Keyboard Concerto in D minor, BWV 1052: II. Adagio
    Johann Sebastian Bach
    9:12
  • 3
    Keyboard Concerto in D minor, BWV 1052: III. Allegro
    Johann Sebastian Bach
    8:17
  • 4
    Keyboard Concerto in A major, BWV 1055: I. Allegro
    Johann Sebastian Bach
    4:46
  • 5
    Keyboard Concerto in A major, BWV 1055: II. Larghetto
    Johann Sebastian Bach
    5:07
  • 6
    Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto
    Johann Sebastian Bach
    4:36
  • 7
    Keyboard Concerto in F minor, BWV 1056: I. Allegro
    Johann Sebastian Bach
    3:49
  • 8
    Keyboard Concerto in F minor, BWV 1056: II. Largo
    Johann Sebastian Bach
    3:13
  • 9
    Keyboard Concerto in F minor, BWV 1056: III. Presto
    Johann Sebastian Bach
    3:43
  • CD 36: Vivaldi: Sacred Music I
  • 1
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)
    Antonio Vivaldi
    2:24
  • 2
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)
    Antonio Vivaldi
    6:08
  • 3
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)
    Antonio Vivaldi
    2:17
  • 4
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)
    Antonio Vivaldi
    0:28
  • 5
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)
    Antonio Vivaldi
    0:54
  • 6
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)
    Antonio Vivaldi
    4:30
  • 7
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)
    Antonio Vivaldi
    2:24
  • 8
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)
    Antonio Vivaldi
    5:22
  • 9
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)
    Antonio Vivaldi
    1:19
  • 10
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)
    Antonio Vivaldi
    2:32
  • 11
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)
    Antonio Vivaldi
    0:48
  • 12
    Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)
    Antonio Vivaldi
    2:44
  • 13
    Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)
    Antonio Vivaldi
    4:41
  • 14
    Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)
    Antonio Vivaldi
    2:40
  • 15
    Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)
    Antonio Vivaldi
    2:39
  • 16
    Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum
    Antonio Vivaldi
    2:21
  • 17
    Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)
    Antonio Vivaldi
    2:08
  • 18
    Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)
    Antonio Vivaldi
    3:53
  • 19
    Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)
    Antonio Vivaldi
    3:14
  • CD 37: Monteverdi: Madrigali III-V (I)
  • 1
    Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)
    Claudio Monteverdi
    11:47
  • 2
    Io son pur vezzosetta pastorella, SV 121 (Book VII)
    Claudio Monteverdi
    3:46
  • 3
    Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)
    Claudio Monteverdi
    7:18
  • 4
    Qual si può, SV 1 (Canzonette)
    Claudio Monteverdi
    1:37
  • 5
    Tempro la cetra, SV 117 (Book VII)
    Claudio Monteverdi
    11:58
  • 6
    Soave libertate, SV 130 (Book VII)
    Claudio Monteverdi
    3:21
  • 7
    Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)
    Claudio Monteverdi
    2:06
  • 8
    La fiera vista, SV 3 (Canzonette)
    Claudio Monteverdi
    2:49
  • 9
    O come sei gentile, SV 120 (Book VII)
    Claudio Monteverdi
    4:31
  • 10
    Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)
    Claudio Monteverdi
    5:32
  • 11
    Non giacinti o narcisi, SV 43 (Book II)
    Claudio Monteverdi
    2:16
  • 12
    Tornate, i cari baci, SV 129 (Book VII)
    Claudio Monteverdi
    3:09
  • 13
    Zefiro torna, SV 108 (Book VI)
    Claudio Monteverdi
    4:57
  • 14
    S'andasse amor a caccia, SV 49 (Book II)
    Claudio Monteverdi
    2:00
  • 15
    Eri già tutta mia, SV 248 (Scherzi musicali II)
    Claudio Monteverdi
    3:34
  • 16
    Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)
    Claudio Monteverdi
    2:35
  • CD 38: Monteverdi: Madrigali III-V (II)
  • 1
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba
    Claudio Monteverdi
    3:27
  • 2
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste
    Claudio Monteverdi
    2:57
  • 3
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol
    Claudio Monteverdi
    3:15
  • 4
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa
    Claudio Monteverdi
    3:39
  • 5
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno
    Claudio Monteverdi
    3:30
  • 6
    Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie
    Claudio Monteverdi
    5:09
  • 7
    Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede
    Claudio Monteverdi
    1:33
  • 8
    Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta
    Claudio Monteverdi
    1:39
  • 9
    Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde
    Claudio Monteverdi
    2:35
  • 10
    Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)
    Claudio Monteverdi
    3:55
  • 11
    Interrotte sepranze, SV 132 (Book VII)
    Claudio Monteverdi
    3:47
  • 12
    Non sono in queste rive, SV 45 (Book II)
    Claudio Monteverdi
    2:12
  • 13
    O viva fiamma, SV 122 (Book VII)
    Claudio Monteverdi
    3:16
  • 14
    Alcun non mi consigli, SV 169 (Book IX)
    Claudio Monteverdi
    3:51
  • 15
    Al lume delle stelle, SV 138 (Book VII)
    Claudio Monteverdi
    4:54
  • 16
    Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)
    Claudio Monteverdi
    6:50
  • 17
    S'el vostro cor madonna, SV 131 (Book VII)
    Claudio Monteverdi
    5:09
  • 18
    Raggi dov'è il mio bene?, SV 4 (Canzonette)
    Claudio Monteverdi
    4:15
  • 19
    Il mio martir, SV 6 (Canzonette)
    Claudio Monteverdi
    3:52
  • 20
    Son questi i crespi crini, SV 7 (Canzonette)
    Claudio Monteverdi
    3:30
  • CD 39: J.C. Bach: Fortepiano Concertos
  • 1
    Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto
    Johann Christian Bach
    6:24
  • 2
    Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto
    Johann Christian Bach
    4:36
  • 3
    Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)
    Johann Christian Bach
    5:38
  • 4
    Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto
    Johann Christian Bach
    4:53
  • 5
    Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto
    Johann Christian Bach
    6:23
  • 6
    Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto
    Johann Christian Bach
    3:29
  • 7
    Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito
    Johann Christian Bach
    6:42
  • 8
    Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto
    Johann Christian Bach
    5:23
  • CD 40: Vivaldi: Sacred Music II
  • 1
    Beatus vir, RV 597, for soli, double chorus and orchestra: I. Beatus vir (chorus)
    Antonio Vivaldi
    2:24
  • 2
    Beatus vir, RV 597, for soli, double chorus and orchestra: II. Potens in terra (bass)
    Antonio Vivaldi
    2:33
  • 3
    Beatus vir, RV 597, for soli, double chorus and orchestra: III. Gloria e divitiae (2 sopranos)
    Antonio Vivaldi
    3:02
  • 4
    Beatus vir, RV 597, for soli, double chorus and orchestra: IV. Exortum est (chorus)
    Antonio Vivaldi
    2:33
  • 5
    Beatus vir, RV 597, for soli, double chorus and orchestra: V. Jucundus homo (soprano)
    Antonio Vivaldi
    2:47
  • 6
    Beatus vir, RV 597, for soli, double chorus and orchestra: VI. In memoria aeterna (chorus)
    Antonio Vivaldi
    4:36
  • 7
    Beatus vir, RV 597, for soli, double chorus and orchestra: VII. Paratum coe ejus (chorus)
    Antonio Vivaldi
    1:52
  • 8
    Beatus vir, RV 597, for soli, double chorus and orchestra: VIII. Peccator videbit (bass)
    Antonio Vivaldi
    3:50
  • 9
    Beatus vir, RV 597, for soli, double chorus and orchestra: IX. Gloria Patri (chorus)
    Antonio Vivaldi
    2:33
  • 10
    Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera
    Antonio Vivaldi
    6:51
  • 11
    Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit
    Antonio Vivaldi
    1:17
  • 12
    Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis
    Antonio Vivaldi
    3:42
  • 13
    Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia
    Antonio Vivaldi
    2:16
  • 14
    Lauda Jerusalem, RV 609, for 2 sopranos, double chorus and orchestra
    Antonio Vivaldi
    7:24
  • CD 41: Vivaldi: Sacred Music III
  • 1
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: I. Magnificat (chorus)
    Antonio Vivaldi
    1:13
  • 2
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: II. Et exultavit (soprano, alto, tenor, chorus)
    Antonio Vivaldi
    1:51
  • 3
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: III. Et misericordia (chorus)
    Antonio Vivaldi
    5:03
  • 4
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IV. Fecit potentiam (chorus)
    Antonio Vivaldi
    0:33
  • 5
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: V. Deposuit potentes (chorus)
    Antonio Vivaldi
    1:03
  • 6
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VI. Esurientes (2 sopranos)
    Antonio Vivaldi
    2:05
  • 7
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VII. Suscepit Israel (chorus)
    Antonio Vivaldi
    1:14
  • 8
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VIII. Sicut locutus est (chorus)
    Antonio Vivaldi
    1:35
  • 9
    Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IX. Gloria … Qui tollis (chorus)
    Antonio Vivaldi
    2:25
  • 10
    Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato
    Antonio Vivaldi
    3:50
  • 11
    Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis
    Antonio Vivaldi
    1:05
  • 12
    Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae
    Antonio Vivaldi
    2:21
  • 13
    Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia
    Antonio Vivaldi
    1:17
  • 14
    In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: I. In furore
    Antonio Vivaldi
    5:26
  • 15
    In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: II. Recitativo: Miserationum Pater piissime
    Antonio Vivaldi
    0:34
  • 16
    In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: III. Tunc meus fletus evadet laetus
    Antonio Vivaldi
    6:46
  • 17
    In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: IV. Alleluia
    Antonio Vivaldi
    1:44
  • 18
    Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo
    Antonio Vivaldi
    7:15
  • CD 42: Vivaldi: Sacred Music IV
  • 1
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)
    Antonio Vivaldi
    2:22
  • 2
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)
    Antonio Vivaldi
    5:06
  • 3
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)
    Antonio Vivaldi
    2:30
  • 4
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)
    Antonio Vivaldi
    2:20
  • 5
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)
    Antonio Vivaldi
    2:43
  • 6
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)
    Antonio Vivaldi
    1:55
  • 7
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)
    Antonio Vivaldi
    3:53
  • 8
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)
    Antonio Vivaldi
    4:30
  • 9
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)
    Antonio Vivaldi
    2:32
  • 10
    Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum
    Antonio Vivaldi
    3:32
  • 11
    O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: I. O qui caeli
    Antonio Vivaldi
    5:27
  • 12
    O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: II. Recitativo: Fac ut sordescat tellus
    Antonio Vivaldi
    0:46
  • 13
    O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: III. Rosa quae moritur
    Antonio Vivaldi
    5:41
  • 14
    O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: IV. Alleluia
    Antonio Vivaldi
    1:40
  • CD 43: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
  • 1
    Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau
    Marc‐Antoine Charpentier
    2:01
  • 2
    Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass)
    Marc‐Antoine Charpentier
    1:49
  • 3
    Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)
    Marc‐Antoine Charpentier
    5:46
  • 4
    Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)
    Marc‐Antoine Charpentier
    3:45
  • 5
    Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)
    Marc‐Antoine Charpentier
    2:08
  • 6
    Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)
    Marc‐Antoine Charpentier
    2:43
  • 7
    Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)
    Marc‐Antoine Charpentier
    3:16
  • 8
    Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)
    Marc‐Antoine Charpentier
    1:58
  • 9
    Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)
    Marc‐Antoine Charpentier
    1:41
  • 10
    Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)
    Marc‐Antoine Charpentier
    3:17
  • 11
    Salve Regina, H. 24, for 3 chorus and orchestra
    Marc‐Antoine Charpentier
    8:35
  • 12
    Tenebrae factae sunt, H. 129, for bass and orchestra
    Marc‐Antoine Charpentier
    7:07
  • 13
    In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude)
    Marc‐Antoine Charpentier
    5:40
  • 14
    Seniores populi, H. 117, for altus and orchestra
    Marc‐Antoine Charpentier
    3:18
  • CD 44: Vivaldi: Sacred Music V
  • 1
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)
    Antonio Vivaldi
    2:17
  • 2
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)
    Antonio Vivaldi
    2:39
  • 3
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)
    Antonio Vivaldi
    2:28
  • 4
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)
    Antonio Vivaldi
    2:26
  • 5
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)
    Antonio Vivaldi
    3:22
  • 6
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)
    Antonio Vivaldi
    2:05
  • 7
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)
    Antonio Vivaldi
    4:15
  • 8
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)
    Antonio Vivaldi
    3:47
  • 9
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)
    Antonio Vivaldi
    1:24
  • 10
    Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)
    Antonio Vivaldi
    3:45
  • 11
    Stabat Mater, RV 621, for alto and string orchestra: I. Stabat Mater dolorosa
    Antonio Vivaldi
    3:31
  • 12
    Stabat Mater, RV 621, for alto and string orchestra: II. Cujus animam gementem
    Antonio Vivaldi
    1:34
  • 13
    Stabat Mater, RV 621, for alto and string orchestra: III. O quam tristis
    Antonio Vivaldi
    2:33
  • 14
    Stabat Mater, RV 621, for alto and string orchestra: IV. Quis est homo
    Antonio Vivaldi
    2:47
  • 15
    Stabat Mater, RV 621, for alto and string orchestra: V. Quis non posset
    Antonio Vivaldi
    1:31
  • 16
    Stabat Mater, RV 621, for alto and string orchestra: VI. Pro peccatis
    Antonio Vivaldi
    2:25
  • 17
    Stabat Mater, RV 621, for alto and string orchestra: VII. Eja Mater
    Antonio Vivaldi
    3:30
  • 18
    Stabat Mater, RV 621, for alto and string orchestra: VIII. Fac ut ardeat
    Antonio Vivaldi
    1:46
  • 19
    Stabat Mater, RV 621, for alto and string orchestra: IX. Amen
    Antonio Vivaldi
    1:31
  • CD 45: Bach: Cantatas I
  • 1
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”
    Johann Sebastian Bach
    8:08
  • 2
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”
    Johann Sebastian Bach
    1:52
  • 3
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”
    Johann Sebastian Bach
    5:56
  • 4
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”
    Johann Sebastian Bach
    1:02
  • 5
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”
    Johann Sebastian Bach
    6:17
  • 6
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”
    Johann Sebastian Bach
    1:11
  • 7
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”
    Johann Sebastian Bach
    2:21
  • 8
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”
    Johann Sebastian Bach
    3:11
  • 9
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”
    Johann Sebastian Bach
    2:41
  • 10
    “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”
    Johann Sebastian Bach
    6:25
  • 11
    “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”
    Johann Sebastian Bach
    4:14
  • 12
    “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”
    Johann Sebastian Bach
    1:38
  • 13
    “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”
    Johann Sebastian Bach
    4:55
  • 14
    “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”
    Johann Sebastian Bach
    1:16
  • 15
    “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”
    Johann Sebastian Bach
    2:29
  • CD 46: Bach: Cantatas II
  • 1
    “Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”
    Johann Sebastian Bach
    6:28
  • 2
    “Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”
    Johann Sebastian Bach
    5:22
  • 3
    “Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”
    Johann Sebastian Bach
    2:23
  • 4
    “Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”
    Johann Sebastian Bach
    3:30
  • 5
    “Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”
    Johann Sebastian Bach
    3:41
  • 6
    “Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”
    Johann Sebastian Bach
    3:18
  • 7
    “Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”
    Johann Sebastian Bach
    1:20
  • 8
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”
    Johann Sebastian Bach
    4:56
  • 9
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
    Johann Sebastian Bach
    0:36
  • 10
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
    Johann Sebastian Bach
    1:00
  • 11
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”
    Johann Sebastian Bach
    7:18
  • 12
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”
    Johann Sebastian Bach
    0:30
  • 13
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”
    Johann Sebastian Bach
    1:23
  • 14
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”
    Johann Sebastian Bach
    1:12
  • 15
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”
    Johann Sebastian Bach
    0:35
  • 16
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”
    Johann Sebastian Bach
    0:47
  • 17
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”
    Johann Sebastian Bach
    6:25
  • 18
    “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”
    Johann Sebastian Bach
    4:36
  • CD 47: Bach: Johannes-Passion, BWV 245 (beginning)
  • 1
    Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)
    Johann Sebastian Bach
    10:56
  • 2
    Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:02
  • 3
    Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)
    Johann Sebastian Bach
    0:12
  • 4
    Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)
    Johann Sebastian Bach
    0:37
  • 5
    Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)
    Johann Sebastian Bach
    0:12
  • 6
    Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)
    Johann Sebastian Bach
    0:25
  • 7
    Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)
    Johann Sebastian Bach
    0:53
  • 8
    Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:10
  • 9
    Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)
    Johann Sebastian Bach
    0:52
  • 10
    Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)
    Johann Sebastian Bach
    0:44
  • 11
    Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)
    Johann Sebastian Bach
    5:45
  • 12
    Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)
    Johann Sebastian Bach
    0:12
  • 13
    Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)
    Johann Sebastian Bach
    4:13
  • 14
    Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)
    Johann Sebastian Bach
    3:27
  • 15
    Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)
    Johann Sebastian Bach
    1:41
  • 16
    Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)
    Johann Sebastian Bach
    0:16
  • 17
    Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)
    Johann Sebastian Bach
    0:23
  • 18
    Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)
    Johann Sebastian Bach
    1:34
  • 19
    Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)
    Johann Sebastian Bach
    3:05
  • 20
    Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)
    Johann Sebastian Bach
    1:18
  • 21
    Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)
    Johann Sebastian Bach
    0:59
  • 22
    Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:36
  • 23
    Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)
    Johann Sebastian Bach
    1:06
  • 24
    Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:12
  • 25
    Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)
    Johann Sebastian Bach
    0:43
  • 26
    Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)
    Johann Sebastian Bach
    1:41
  • 27
    Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)
    Johann Sebastian Bach
    1:31
  • 28
    Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)
    Johann Sebastian Bach
    1:24
  • 29
    Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)
    Johann Sebastian Bach
    0:12
  • 30
    Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)
    Johann Sebastian Bach
    0:28
  • 31
    Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)
    Johann Sebastian Bach
    2:36
  • 32
    Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)
    Johann Sebastian Bach
    8:21
  • CD 48: Bach: Johannes-Passion, BWV 245 (conclusion)
  • 1
    Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)
    Johann Sebastian Bach
    0:17
  • 2
    Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)
    Johann Sebastian Bach
    0:31
  • 3
    Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:57
  • 4
    Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)
    Johann Sebastian Bach
    0:55
  • 5
    Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:16
  • 6
    Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)
    Johann Sebastian Bach
    1:16
  • 7
    Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)
    Johann Sebastian Bach
    1:26
  • 8
    Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)
    Johann Sebastian Bach
    1:06
  • 9
    Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)
    Johann Sebastian Bach
    0:04
  • 10
    Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)
    Johann Sebastian Bach
    1:14
  • 11
    Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:41
  • 12
    Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)
    Johann Sebastian Bach
    1:02
  • 13
    Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:14
  • 14
    Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)
    Johann Sebastian Bach
    0:11
  • 15
    Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)
    Johann Sebastian Bach
    0:52
  • 16
    Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)
    Johann Sebastian Bach
    4:38
  • 17
    Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)
    Johann Sebastian Bach
    1:19
  • 18
    Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)
    Johann Sebastian Bach
    0:33
  • 19
    Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:20
  • 20
    Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)
    Johann Sebastian Bach
    1:09
  • 21
    Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)
    Johann Sebastian Bach
    0:33
  • 22
    Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)
    Johann Sebastian Bach
    1:42
  • 23
    Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:47
  • 24
    Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)
    Johann Sebastian Bach
    1:17
  • 25
    Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:25
  • 26
    Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)
    Johann Sebastian Bach
    6:29
  • 27
    Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)
    Johann Sebastian Bach
    0:34
  • 28
    Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)
    Johann Sebastian Bach
    4:41
  • 29
    Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)
    Johann Sebastian Bach
    0:33
  • 30
    Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)
    Johann Sebastian Bach
    1:02
  • 31
    Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)
    Johann Sebastian Bach
    6:47
  • 32
    Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)
    Johann Sebastian Bach
    2:33
  • 33
    Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)
    Johann Sebastian Bach
    1:09
  • 34
    Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)
    Johann Sebastian Bach
    2:00
  • 35
    Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)
    Johann Sebastian Bach
    8:45
  • 36
    Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)
    Johann Sebastian Bach
    2:24
  • CD 49: Vivaldi: Sacred Music VI
  • 1
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)
    Antonio Vivaldi
    2:34
  • 2
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)
    Antonio Vivaldi
    5:04
  • 3
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)
    Antonio Vivaldi
    2:28
  • 4
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)
    Antonio Vivaldi
    0:56
  • 5
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)
    Antonio Vivaldi
    2:12
  • 6
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)
    Antonio Vivaldi
    1:21
  • 7
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)
    Antonio Vivaldi
    2:09
  • 8
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)
    Antonio Vivaldi
    1:30
  • 9
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)
    Antonio Vivaldi
    3:10
  • 10
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)
    Antonio Vivaldi
    1:41
  • 11
    Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)
    Antonio Vivaldi
    2:57
  • 12
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: I. Nisi Dominus
    Antonio Vivaldi
    3:14
  • 13
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: II. Vanum est vobis
    Antonio Vivaldi
    1:05
  • 14
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: III. Surgite
    Antonio Vivaldi
    1:35
  • 15
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IV. Cum dederit
    Antonio Vivaldi
    4:52
  • 16
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: V. Sicut saggitae
    Antonio Vivaldi
    1:52
  • 17
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VI. Beatus vir
    Antonio Vivaldi
    0:59
  • 18
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VII. Gloria Patri
    Antonio Vivaldi
    4:05
  • 19
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VIII. Sicut erat in principio
    Antonio Vivaldi
    1:22
  • 20
    Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IX. Amen
    Antonio Vivaldi
    2:15
  • CD 50: Charpentier: Le jugement dernier / Beatus vir
  • 1
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass)
    Marc‐Antoine Charpentier
    3:11
  • 2
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)
    Marc‐Antoine Charpentier
    3:10
  • 3
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes
    Marc‐Antoine Charpentier
    0:27
  • 4
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)
    Marc‐Antoine Charpentier
    0:43
  • 5
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes
    Marc‐Antoine Charpentier
    0:29
  • 6
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)
    Marc‐Antoine Charpentier
    1:28
  • 7
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass)
    Marc‐Antoine Charpentier
    3:07
  • 8
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass)
    Marc‐Antoine Charpentier
    1:58
  • 9
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)
    Marc‐Antoine Charpentier
    3:08
  • 10
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)
    Marc‐Antoine Charpentier
    1:26
  • 11
    Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)
    Marc‐Antoine Charpentier
    4:40
  • 12
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude
    Marc‐Antoine Charpentier
    1:45
  • 13
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass)
    Marc‐Antoine Charpentier
    1:18
  • 14
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)
    Marc‐Antoine Charpentier
    2:22
  • 15
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)
    Marc‐Antoine Charpentier
    2:44
  • 16
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)
    Marc‐Antoine Charpentier
    2:21
  • 17
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass)
    Marc‐Antoine Charpentier
    1:52
  • 18
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)
    Marc‐Antoine Charpentier
    1:21
  • 19
    Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)
    Marc‐Antoine Charpentier
    3:51
  • CD 51: Monteverdi: Magrigali VI-VIII (I)
  • 1
    Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima
    Claudio Monteverdi
    2:59
  • 2
    Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno
    Claudio Monteverdi
    9:44
  • 3
    Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori
    Claudio Monteverdi
    3:32
  • 4
    Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto
    Claudio Monteverdi
    5:54
  • 5
    Chiome d'oro, bel tesoro, SV 143 (Book VII)
    Claudio Monteverdi
    2:48
  • 6
    Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)
    Claudio Monteverdi
    5:28
  • 7
    Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)
    Claudio Monteverdi
    4:10
  • 8
    Et è pur dunque verò, SV 250 (Scherzi musicali II)
    Claudio Monteverdi
    7:14
  • 9
    Batto qui pianse Ergasto, SV 115 (Book VI)
    Claudio Monteverdi
    4:13
  • 10
    Amorosa pupiletta, SV 238 (Scherzi musicali II)
    Claudio Monteverdi
    5:41
  • 11
    Lamento d'Arianna, SV 22
    Claudio Monteverdi
    9:30
  • 12
    Vago augelleto, SV 156 (Book VIII, Canti amorosi)
    Claudio Monteverdi
    4:35
  • 13
    Ecco di dolci raggi, SV 249 (Scherzi musicali II)
    Claudio Monteverdi
    0:55
  • 14
    Io che armato sin hor, SV 249a (Scherzi musicali II)
    Claudio Monteverdi
    1:28
  • 15
    Fugge il verno dei dolori, SV 232 (Scherzi musicali I)
    Claudio Monteverdi
    3:11
  • 16
    A dio Florida bella, SV 110 (Book VI)
    Claudio Monteverdi
    4:27
  • 17
    Misero alceo, SV 114 (Book VI)
    Claudio Monteverdi
    5:48
  • CD 52: Monteverdi: Madrigali VI-VIII (II)
  • 1
    Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)
    Claudio Monteverdi
    10:45
  • 2
    Miei lettera amorosa (Se i languidi), SV 141 (Book VII)
    Claudio Monteverdi
    8:20
  • 3
    Lidia spina del mio core, SV 244 (Scherzi musicali I)
    Claudio Monteverdi
    6:12
  • 4
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia
    Claudio Monteverdi
    1:30
  • 5
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio
    Claudio Monteverdi
    4:35
  • 6
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor
    Claudio Monteverdi
    4:47
  • 7
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi
    Claudio Monteverdi
    3:03
  • 8
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite
    Claudio Monteverdi
    2:58
  • 9
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre
    Claudio Monteverdi
    2:23
  • 10
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo
    Claudio Monteverdi
    3:57
  • 11
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno
    Claudio Monteverdi
    9:41
  • 12
    Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro
    Claudio Monteverdi
    5:41
  • 13
    Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)
    Claudio Monteverdi
    9:41
  • 14
    Dolci miei sospiri, SV 242 (Scherzi musicali I)
    Claudio Monteverdi
    5:07
  • 15
    Damigella tutta bella, SV 235 (Scherzi musicali I)
    Claudio Monteverdi
    2:23
  • CD 53: Bach: Mass in B minor, BWV 232 (beginning)
  • 1
    Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
    Johann Sebastian Bach
    11:01
  • 2
    Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)
    Johann Sebastian Bach
    5:15
  • 3
    Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
    Johann Sebastian Bach
    4:17
  • 4
    Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)
    Johann Sebastian Bach
    6:40
  • 5
    Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)
    Johann Sebastian Bach
    4:52
  • 6
    Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
    Johann Sebastian Bach
    3:27
  • 7
    Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)
    Johann Sebastian Bach
    5:50
  • 8
    Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
    Johann Sebastian Bach
    4:06
  • 9
    Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
    Johann Sebastian Bach
    5:38
  • 10
    Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
    Johann Sebastian Bach
    5:55
  • 11
    Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    4:09
  • 12
    Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
    Johann Sebastian Bach
    2:09
  • 13
    Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
    Johann Sebastian Bach
    2:22
  • 14
    Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)
    Johann Sebastian Bach
    5:05
  • 15
    Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
    Johann Sebastian Bach
    4:05
  • 16
    Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
    Johann Sebastian Bach
    4:45
  • CD 54: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
  • 1
    Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
    Johann Sebastian Bach
    4:20
  • 2
    Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
    Johann Sebastian Bach
    6:10
  • 3
    Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)
    Johann Sebastian Bach
    4:55
  • 4
    Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
    Johann Sebastian Bach
    2:26
  • 5
    Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
    Johann Sebastian Bach
    4:48
  • 6
    Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
    Johann Sebastian Bach
    3:06
  • 7
    Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
    Johann Sebastian Bach
    5:44
  • 8
    Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
    Johann Sebastian Bach
    3:07
  • 9
    Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
    Johann Sebastian Bach
    6:10
  • 10
    Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
    Johann Sebastian Bach
    3:55
  • 11
    Magnificat in D major, BWV 243: I. Magnificat (chorus)
    Johann Sebastian Bach
    3:09
  • 12
    Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
    Johann Sebastian Bach
    2:30
  • 13
    Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
    Johann Sebastian Bach
    3:22
  • 14
    Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
    Johann Sebastian Bach
    1:22
  • 15
    Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
    Johann Sebastian Bach
    2:26
  • 16
    Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)
    Johann Sebastian Bach
    4:00
  • 17
    Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
    Johann Sebastian Bach
    2:00
  • 18
    Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)
    Johann Sebastian Bach
    2:09
  • 19
    Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
    Johann Sebastian Bach
    2:54
  • 20
    Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
    Johann Sebastian Bach
    2:26
  • 21
    Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
    Johann Sebastian Bach
    2:16
  • 22
    Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
    Johann Sebastian Bach
    2:00
  • CD 55: Cavalli: Ercole amante (beginning)
  • 1
    Ercole amante: Prologo. Sinfonia
    Francesco Cavalli
    2:04
  • 2
    Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)
    Francesco Cavalli
    0:45
  • 3
    Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)
    Francesco Cavalli
    0:58
  • 4
    Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)
    Francesco Cavalli
    0:31
  • 5
    Ercole amante: Prologo. Sinfonia
    Francesco Cavalli
    0:12
  • 6
    Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)
    Francesco Cavalli
    2:03
  • 7
    Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)
    Francesco Cavalli
    1:18
  • 8
    Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)
    Francesco Cavalli
    1:54
  • 9
    Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)
    Francesco Cavalli
    1:21
  • 10
    Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)
    Francesco Cavalli
    1:50
  • 11
    Ercole amante: Atto I. Sinfonia
    Francesco Cavalli
    1:05
  • 12
    Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)
    Francesco Cavalli
    4:40
  • 13
    Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)
    Francesco Cavalli
    1:11
  • 14
    Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)
    Francesco Cavalli
    2:56
  • 15
    Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)
    Francesco Cavalli
    0:37
  • 16
    Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)
    Francesco Cavalli
    1:03
  • 17
    Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)
    Francesco Cavalli
    4:11
  • 18
    Ercole amante: Atto II. Sinfonia
    Francesco Cavalli
    1:38
  • 19
    Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)
    Francesco Cavalli
    1:15
  • 20
    Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)
    Francesco Cavalli
    2:24
  • 21
    Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)
    Francesco Cavalli
    0:59
  • 22
    Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)
    Francesco Cavalli
    0:59
  • 23
    Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)
    Francesco Cavalli
    3:57
  • 24
    Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)
    Francesco Cavalli
    6:00
  • 25
    Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)
    Francesco Cavalli
    1:19
  • 26
    Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)
    Francesco Cavalli
    0:57
  • 27
    Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)
    Francesco Cavalli
    0:56
  • 28
    Ercole amante: Atto II, Scene 6. Coro
    Francesco Cavalli
    2:13
  • 29
    Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)
    Francesco Cavalli
    1:34
  • 30
    Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)
    Francesco Cavalli
    0:58
  • 31
    Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)
    Francesco Cavalli
    0:41
  • 32
    Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)
    Francesco Cavalli
    1:53
  • CD 56: Cavalli: Ercole amante (continuing)
  • 1
    Ercole amante: Atto III. Sinfonia
    Francesco Cavalli
    0:42
  • 2
    Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)
    Francesco Cavalli
    1:09
  • 3
    Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)
    Francesco Cavalli
    4:40
  • 4
    Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)
    Francesco Cavalli
    1:31
  • 5
    Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)
    Francesco Cavalli
    0:44
  • 6
    Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)
    Francesco Cavalli
    3:49
  • 7
    Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)
    Francesco Cavalli
    1:53
  • 8
    Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)
    Francesco Cavalli
    1:24
  • 9
    Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)
    Francesco Cavalli
    1:23
  • 10
    Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)
    Francesco Cavalli
    4:12
  • 11
    Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)
    Francesco Cavalli
    1:17
  • 12
    Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)
    Francesco Cavalli
    1:37
  • 13
    Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)
    Francesco Cavalli
    3:01
  • 14
    Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)
    Francesco Cavalli
    4:28
  • 15
    Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)
    Francesco Cavalli
    2:32
  • 16
    Ercole amante: Atto IV. Sinfonia
    Francesco Cavalli
    0:25
  • 17
    Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)
    Francesco Cavalli
    3:33
  • 18
    Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)
    Francesco Cavalli
    1:07
  • 19
    Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)
    Francesco Cavalli
    2:15
  • 20
    Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)
    Francesco Cavalli
    0:54
  • 21
    Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)
    Francesco Cavalli
    1:16
  • 22
    Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)
    Francesco Cavalli
    3:59
  • 23
    Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)
    Francesco Cavalli
    1:07
  • 24
    Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)
    Francesco Cavalli
    2:52
  • 25
    Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)
    Francesco Cavalli
    1:16
  • CD 57: Cavalli: Ercole amante (conclusion)
  • 1
    Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)
    Francesco Cavalli
    2:52
  • 2
    Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)
    Francesco Cavalli
    1:15
  • 3
    Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)
    Francesco Cavalli
    5:03
  • 4
    Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)
    Francesco Cavalli
    2:01
  • 5
    Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)
    Francesco Cavalli
    4:02
  • 6
    Ercole amante: Atto V. Sinfonia
    Francesco Cavalli
    1:06
  • 7
    Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)
    Francesco Cavalli
    1:07
  • 8
    Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)
    Francesco Cavalli
    1:53
  • 9
    Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)
    Francesco Cavalli
    1:29
  • 10
    Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)
    Francesco Cavalli
    1:13
  • 11
    Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)
    Francesco Cavalli
    1:50
  • 12
    Ercole amante: Atto V, Scene 1. Sinfonia
    Francesco Cavalli
    2:38
  • 13
    Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)
    Francesco Cavalli
    2:22
  • 14
    Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)
    Francesco Cavalli
    4:35
  • 15
    Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)
    Francesco Cavalli
    4:16
  • 16
    Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)
    Francesco Cavalli
    1:39
  • 17
    Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)
    Francesco Cavalli
    5:48
  • 18
    Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)
    Francesco Cavalli
    1:17
  • 19
    Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)
    Francesco Cavalli
    3:39
  • 20
    Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)
    Francesco Cavalli
    1:52
  • 21
    Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)
    Francesco Cavalli
    1:07
  • 22
    Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)
    Francesco Cavalli
    1:18
  • CD 58: Handel: Suites from Rodrigo & Il pastor fido
  • 1
    Muzio Scevola, opera in three acts, HWV 13: Overture
    George Frideric Handel
    3:37
  • 2
    Rodrigo, opera in three acts, HWV 5: I. Overture
    George Frideric Handel
    3:46
  • 3
    Rodrigo, opera in three acts, HWV 5: II. Gigue
    George Frideric Handel
    0:54
  • 4
    Rodrigo, opera in three acts, HWV 5: III. Sarabande
    George Frideric Handel
    2:13
  • 5
    Rodrigo, opera in three acts, HWV 5: IV. Matelot
    George Frideric Handel
    1:11
  • 6
    Rodrigo, opera in three acts, HWV 5: V. Menuet
    George Frideric Handel
    1:51
  • 7
    Rodrigo, opera in three acts, HWV 5: VI. Bourrée
    George Frideric Handel
    2:51
  • 8
    Rodrigo, opera in three acts, HWV 5: VII. Menuet
    George Frideric Handel
    1:35
  • 9
    Rodrigo, opera in three acts, HWV 5: VIII. Passacaille
    George Frideric Handel
    4:31
  • 10
    Il pastor fido, opera in three acts, HWV 8: I. Overture
    George Frideric Handel
    3:50
  • 11
    Il pastor fido, opera in three acts, HWV 8: II. Largo
    George Frideric Handel
    2:56
  • 12
    Il pastor fido, opera in three acts, HWV 8: III. Allegro
    George Frideric Handel
    2:20
  • 13
    Il pastor fido, opera in three acts, HWV 8: IV. Menuet
    George Frideric Handel
    2:18
  • 14
    Il pastor fido, opera in three acts, HWV 8: V. Adagio
    George Frideric Handel
    3:04
  • 15
    Il pastor fido, opera in three acts, HWV 8: VI. Allegro
    George Frideric Handel
    3:16
  • 16
    Silla, opera in three acts, HWV 10: Overture
    George Frideric Handel
    5:29
  • CD 59: Charpentier: David et Jonathas, H. 490 (beginning)
  • 1
    David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)
    Marc‐Antoine Charpentier
    5:40
  • 2
    David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)
    Marc‐Antoine Charpentier
    0:49
  • 3
    David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)
    Marc‐Antoine Charpentier
    6:38
  • 4
    David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)
    Marc‐Antoine Charpentier
    2:22
  • 5
    David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)
    Marc‐Antoine Charpentier
    1:15
  • 6
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)
    Marc‐Antoine Charpentier
    10:46
  • 7
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)
    Marc‐Antoine Charpentier
    0:48
  • 8
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)
    Marc‐Antoine Charpentier
    6:45
  • 9
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)
    Marc‐Antoine Charpentier
    7:44
  • 10
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)
    Marc‐Antoine Charpentier
    4:06
  • 11
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)
    Marc‐Antoine Charpentier
    6:02
  • 12
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)
    Marc‐Antoine Charpentier
    8:52
  • CD 60: Charpentier: David et Jonathas, H. 490 (conclusion)
  • 1
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)
    Marc‐Antoine Charpentier
    5:12
  • 2
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)
    Marc‐Antoine Charpentier
    5:24
  • 3
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)
    Marc‐Antoine Charpentier
    5:41
  • 4
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)
    Marc‐Antoine Charpentier
    2:51
  • 5
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)
    Marc‐Antoine Charpentier
    4:49
  • 6
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)
    Marc‐Antoine Charpentier
    4:19
  • 7
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)
    Marc‐Antoine Charpentier
    6:53
  • 8
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)
    Marc‐Antoine Charpentier
    1:08
  • 9
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)
    Marc‐Antoine Charpentier
    4:50
  • 10
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)
    Marc‐Antoine Charpentier
    2:00
  • 11
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)
    Marc‐Antoine Charpentier
    7:32
  • 12
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)
    Marc‐Antoine Charpentier
    0:26
  • 13
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)
    Marc‐Antoine Charpentier
    8:11
  • 14
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)
    Marc‐Antoine Charpentier
    1:40
  • 15
    David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)
    Marc‐Antoine Charpentier
    5:07
  • CD 61: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
  • 1
    Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
    Claudio Monteverdi
    2:13
  • 2
    Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
    Claudio Monteverdi
    8:45
  • 3
    Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
    Claudio Monteverdi
    4:39
  • 4
    Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)
    Claudio Monteverdi
    7:23
  • 5
    Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
    Claudio Monteverdi
    3:11
  • 6
    Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)
    Claudio Monteverdi
    7:30
  • 7
    Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
    Claudio Monteverdi
    6:08
  • 8
    Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)
    Claudio Monteverdi
    5:31
  • 9
    Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
    Claudio Monteverdi
    8:29
  • CD 62: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
  • 1
    Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)
    Claudio Monteverdi
    5:16
  • 2
    Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)
    Claudio Monteverdi
    6:45
  • 3
    Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)
    Claudio Monteverdi
    8:29
  • 4
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima
    Claudio Monteverdi
    1:10
  • 5
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat
    Claudio Monteverdi
    0:27
  • 6
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)
    Claudio Monteverdi
    0:19
  • 7
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)
    Claudio Monteverdi
    1:16
  • 8
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)
    Claudio Monteverdi
    1:57
  • 9
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)
    Claudio Monteverdi
    1:17
  • 10
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)
    Claudio Monteverdi
    2:20
  • 11
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)
    Claudio Monteverdi
    0:58
  • 12
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)
    Claudio Monteverdi
    2:16
  • 13
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)
    Claudio Monteverdi
    1:45
  • 14
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)
    Claudio Monteverdi
    1:19
  • 15
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)
    Claudio Monteverdi
    0:59
  • 16
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)
    Claudio Monteverdi
    2:36
  • 17
    Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio
    Claudio Monteverdi
    2:20
  • CD 63: Bach: Matthäus-Passion, BWV 244 (beginning)
  • 1
    Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)
    Johann Sebastian Bach
    6:53
  • 2
    Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)
    Johann Sebastian Bach
    0:43
  • 3
    Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus)
    Johann Sebastian Bach
    0:46
  • 4
    Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)
    Johann Sebastian Bach
    3:12
  • 5
    Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)
    Johann Sebastian Bach
    1:01
  • 6
    Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)
    Johann Sebastian Bach
    4:42
  • 7
    Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)
    Johann Sebastian Bach
    0:35
  • 8
    Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)
    Johann Sebastian Bach
    4:43
  • 9
    Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)
    Johann Sebastian Bach
    2:06
  • 10
    Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus)
    Johann Sebastian Bach
    0:48
  • 11
    Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)
    Johann Sebastian Bach
    2:59
  • 12
    Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)
    Johann Sebastian Bach
    1:38
  • 13
    Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)
    Johann Sebastian Bach
    3:56
  • 14
    Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:07
  • 15
    Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus)
    Johann Sebastian Bach
    1:08
  • 16
    Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)
    Johann Sebastian Bach
    1:03
  • 17
    Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus)
    Johann Sebastian Bach
    1:01
  • 18
    Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:44
  • 19
    Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)
    Johann Sebastian Bach
    2:09
  • 20
    Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)
    Johann Sebastian Bach
    5:44
  • 21
    Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)
    Johann Sebastian Bach
    0:38
  • 22
    Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)
    Johann Sebastian Bach
    1:03
  • 23
    Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass)
    Johann Sebastian Bach
    4:59
  • CD 64: Bach: Matthäus-Passion, BWV 244 (continuing)
  • 1
    Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)
    Johann Sebastian Bach
    1:09
  • 2
    Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus)
    Johann Sebastian Bach
    1:04
  • 3
    Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)
    Johann Sebastian Bach
    2:29
  • 4
    Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)
    Johann Sebastian Bach
    4:07
  • 5
    Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)
    Johann Sebastian Bach
    2:31
  • 6
    Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus)
    Johann Sebastian Bach
    5:50
  • 7
    Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)
    Johann Sebastian Bach
    4:02
  • 8
    Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)
    Johann Sebastian Bach
    0:56
  • 9
    Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus)
    Johann Sebastian Bach
    0:53
  • 10
    Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)
    Johann Sebastian Bach
    1:13
  • 11
    Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)
    Johann Sebastian Bach
    1:29
  • 12
    Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)
    Johann Sebastian Bach
    3:46
  • 13
    Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)
    Johann Sebastian Bach
    2:08
  • 14
    Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus)
    Johann Sebastian Bach
    0:57
  • 15
    Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)
    Johann Sebastian Bach
    2:31
  • 16
    Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto)
    Johann Sebastian Bach
    6:54
  • 17
    Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus)
    Johann Sebastian Bach
    1:15
  • 18
    Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)
    Johann Sebastian Bach
    1:50
  • 19
    Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)
    Johann Sebastian Bach
    2:56
  • 20
    Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)
    Johann Sebastian Bach
    2:06
  • 21
    Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus)
    Johann Sebastian Bach
    1:10
  • 22
    Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)
    Johann Sebastian Bach
    2:21
  • 23
    Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus)
    Johann Sebastian Bach
    0:52
  • 24
    Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)
    Johann Sebastian Bach
    0:17
  • 25
    Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)
    Johann Sebastian Bach
    1:20
  • 26
    Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)
    Johann Sebastian Bach
    4:39
  • CD 65: Bach: Matthäus-Passion, BWV 244 (conclusion)
  • 1
    Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)
    Johann Sebastian Bach
    1:58
  • 2
    Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)
    Johann Sebastian Bach
    1:13
  • 3
    Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)
    Johann Sebastian Bach
    6:02
  • 4
    Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)
    Johann Sebastian Bach
    1:06
  • 5
    Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus)
    Johann Sebastian Bach
    2:14
  • 6
    Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)
    Johann Sebastian Bach
    0:50
  • 7
    Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)
    Johann Sebastian Bach
    0:39
  • 8
    Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)
    Johann Sebastian Bach
    7:01
  • 9
    Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)
    Johann Sebastian Bach
    3:30
  • 10
    Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)
    Johann Sebastian Bach
    2:00
  • 11
    Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)
    Johann Sebastian Bach
    3:16
  • 12
    Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)
    Johann Sebastian Bach
    2:23
  • 13
    Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)
    Johann Sebastian Bach
    1:42
  • 14
    Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)
    Johann Sebastian Bach
    2:35
  • 15
    Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)
    Johann Sebastian Bach
    2:22
  • 16
    Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)
    Johann Sebastian Bach
    6:53
  • 17
    Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)
    Johann Sebastian Bach
    2:34
  • 18
    Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)
    Johann Sebastian Bach
    2:48
  • 19
    Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)
    Johann Sebastian Bach
    6:01
  • CD 66: Bach: Weihnachtsoratorium, BWV 248 (beginning)
  • 1
    Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)
    Johann Sebastian Bach
    8:14
  • 2
    Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)
    Johann Sebastian Bach
    1:08
  • 3
    Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)
    Johann Sebastian Bach
    0:52
  • 4
    Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)
    Johann Sebastian Bach
    5:22
  • 5
    Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)
    Johann Sebastian Bach
    1:32
  • 6
    Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)
    Johann Sebastian Bach
    0:18
  • 7
    Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)
    Johann Sebastian Bach
    2:57
  • 8
    Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)
    Johann Sebastian Bach
    5:09
  • 9
    Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)
    Johann Sebastian Bach
    1:19
  • 10
    Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia
    Johann Sebastian Bach
    5:15
  • 11
    Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)
    Johann Sebastian Bach
    0:33
  • 12
    Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)
    Johann Sebastian Bach
    1:21
  • 13
    Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)
    Johann Sebastian Bach
    0:49
  • 14
    Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)
    Johann Sebastian Bach
    0:41
  • 15
    Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)
    Johann Sebastian Bach
    3:38
  • 16
    Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)
    Johann Sebastian Bach
    0:17
  • 17
    Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)
    Johann Sebastian Bach
    0:50
  • 18
    Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)
    Johann Sebastian Bach
    0:49
  • 19
    Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)
    Johann Sebastian Bach
    9:22
  • 20
    Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)
    Johann Sebastian Bach
    0:11
  • 21
    Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)
    Johann Sebastian Bach
    2:44
  • 22
    Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)
    Johann Sebastian Bach
    0:26
  • 23
    Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)
    Johann Sebastian Bach
    1:20
  • 24
    Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)
    Johann Sebastian Bach
    2:09
  • 25
    Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)
    Johann Sebastian Bach
    0:08
  • 26
    Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)
    Johann Sebastian Bach
    2:22
  • 27
    Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
    Johann Sebastian Bach
    7:33
  • 28
    Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)
    Johann Sebastian Bach
    1:08
  • 29
    Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)
    Johann Sebastian Bach
    4:39
  • 30
    Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)
    Johann Sebastian Bach
    0:27
  • 31
    Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)
    Johann Sebastian Bach
    1:21
  • 32
    Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)
    Johann Sebastian Bach
    0:54
  • 33
    Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)
    Johann Sebastian Bach
    2:13
  • CD 67: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
  • 1
    Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)
    Johann Sebastian Bach
    5:47
  • 2
    Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)
    Johann Sebastian Bach
    0:31
  • 3
    Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)
    Johann Sebastian Bach
    2:31
  • 4
    Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)
    Johann Sebastian Bach
    5:21
  • 5
    Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)
    Johann Sebastian Bach
    1:36
  • 6
    Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)
    Johann Sebastian Bach
    5:24
  • 7
    Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)
    Johann Sebastian Bach
    1:59
  • 8
    Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)
    Johann Sebastian Bach
    7:34
  • 9
    Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)
    Johann Sebastian Bach
    2:22
  • 10
    Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)
    Johann Sebastian Bach
    0:55
  • 11
    Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)
    Johann Sebastian Bach
    4:13
  • 12
    Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)
    Johann Sebastian Bach
    2:06
  • 13
    Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
    Johann Sebastian Bach
    5:31
  • 14
    Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)
    Johann Sebastian Bach
    0:30
  • 15
    Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)
    Johann Sebastian Bach
    1:07
  • 16
    Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)
    Johann Sebastian Bach
    5:05
  • 17
    Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)
    Johann Sebastian Bach
    0:47
  • 18
    Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)
    Johann Sebastian Bach
    0:53
  • 19
    Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)
    Johann Sebastian Bach
    3:40
  • 20
    Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)
    Johann Sebastian Bach
    1:05
  • 21
    Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)
    Johann Sebastian Bach
    1:14
  • 22
    Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)
    Johann Sebastian Bach
    0:21
  • 23
    Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
    Johann Sebastian Bach
    1:47
  • 24
    Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)
    Johann Sebastian Bach
    4:24
  • 25
    Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
    Johann Sebastian Bach
    0:42
  • 26
    Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus)
    Johann Sebastian Bach
    3:14
  • CD 68: Monteverdi: Orfeo (beginning)
  • 1
    Orfeo, favola in musica: Toccata
    Claudio Monteverdi
    1:40
  • 2
    Orfeo, favola in musica: Prologo: Ritornello (La Musica)
    Claudio Monteverdi
    5:20
  • 3
    Orfeo, favola in musica: Atto Primo. “In questo lieto e fortunato giorno” - “Vieni Imeneo” - “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, chorus of Nymphs and Shepherds, Shepherd 3)
    Claudio Monteverdi
    3:04
  • 4
    Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Ma tu, gentil cantor” (chorus of Nymphs and Shepherds, Shepherd 3)
    Claudio Monteverdi
    2:36
  • 5
    Orfeo, favola in musica: Atto Primo. “Rosa del ciel, vita del mondo” (Orfeo)
    Claudio Monteverdi
    1:52
  • 6
    Orfeo, favola in musica: Atto Primo. “Io non dirò qual sia” (Euridice)
    Claudio Monteverdi
    1:02
  • 7
    Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Vieni Imeneo, deh, vieni” (chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    1:39
  • 8
    Orfeo, favola in musica: Atto Primo. “Ma s'il nostro…” - Ritornello - “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    5:03
  • 9
    Orfeo, favola in musica: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta” - “In questo prato adorno” - “Qui Pan, dio de' pastori” - “Dunque fa degni, Orfeo” (Orfeo, Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    3:59
  • 10
    Orfeo, favola in musica: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
    Claudio Monteverdi
    2:33
  • 11
    Orfeo, favola in musica: Atto Secondo. “Mira, deh mira, Orfeo, che d'ohni intorno” (Shepherd 2)
    Claudio Monteverdi
    0:31
  • 12
    Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo! ahi fat' empio e crudele!” (Messenger, Orfeo, Shepherds)
    Claudio Monteverdi
    6:27
  • 13
    Orfeo, favola in musica: Atto Secondo. “Tu se' morta, mia vita, ed io respiro?” (Orfeo)
    Claudio Monteverdi
    2:26
  • 14
    Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo, ahi fat' empio e crudele!” - “Ma io ch'in questa lingua” - Sinfonia (Messenger, chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    3:49
  • 15
    Orfeo, favola in musica: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
    Claudio Monteverdi
    5:28
  • CD 69: Monteverdi: Orfeo (conclusion)
  • 1
    Orfeo, favola in musica: Atto Terzo. Sinfonia - “Scorto da te, mio Nume” (Orfeo)
    Claudio Monteverdi
    1:47
  • 2
    Orfeo, favola in musica: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
    Claudio Monteverdi
    3:25
  • 3
    Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
    Claudio Monteverdi
    2:04
  • 4
    Orfeo, favola in musica: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
    Claudio Monteverdi
    8:52
  • 5
    Orfeo, favola in musica: Atto Terzo. “Ben mi lusinga alquanto” - “Ahi, sventurato amante” - Sinfonia (Caronte, Orfeo)
    Claudio Monteverdi
    2:28
  • 6
    Orfeo, favola in musica: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
    Claudio Monteverdi
    1:45
  • 7
    Orfeo, favola in musica: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (chorus of Infernal Spirits)
    Claudio Monteverdi
    3:20
  • 8
    Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Proserpina)
    Claudio Monteverdi
    2:24
  • 9
    Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, chorus of Infernal Spirits)
    Claudio Monteverdi
    4:29
  • 10
    Orfeo, favola in musica: Atto Quarto. “Ecco il gentil cantore” - “Qual onor di te fia degno” (Spirits, Orfeo)
    Claudio Monteverdi
    3:23
  • 11
    Orfeo, favola in musica: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, chorus of Infernal Spirits)
    Claudio Monteverdi
    2:30
  • 12
    Orfeo, favola in musica: Atto Quarto. “E' la virtute un raggio” - Sinfonia (chorus of Infernal Spirits)
    Claudio Monteverdi
    2:19
  • 13
    Orfeo, favola in musica: Atto Quinto. Ritornello - “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
    Claudio Monteverdi
    8:22
  • 14
    Orfeo, favola in musica: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
    Claudio Monteverdi
    3:38
  • 15
    Orfeo, favola in musica: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
    Claudio Monteverdi
    1:17
  • 16
    Orfeo, favola in musica: Atto Quinto. “Vanne, Orfeo, felice appieno” - Moresca (chorus)
    Claudio Monteverdi
    2:08
  • CD 70: Purcell: Dido and Aeneas
  • 1
    Dido and Aeneas, opera in three acts: Overture
    Henry Purcell
    2:02
  • 2
    Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)
    Henry Purcell
    1:03
  • 3
    Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)
    Henry Purcell
    3:55
  • 4
    Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)
    Henry Purcell
    2:54
  • 5
    Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)
    Henry Purcell
    1:39
  • 6
    Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)
    Henry Purcell
    1:40
  • 7
    Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)
    Henry Purcell
    2:31
  • 8
    Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance
    Henry Purcell
    1:14
  • 9
    Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)
    Henry Purcell
    2:28
  • 10
    Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)
    Henry Purcell
    3:26
  • 11
    Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies
    Henry Purcell
    2:06
  • 12
    Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)
    Henry Purcell
    2:16
  • 13
    Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)
    Henry Purcell
    2:24
  • 14
    Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)
    Henry Purcell
    1:33
  • 15
    Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)
    Henry Purcell
    2:45
  • 16
    Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance
    Henry Purcell
    2:31
  • 17
    Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)
    Henry Purcell
    1:51
  • 18
    Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)
    Henry Purcell
    0:42
  • 19
    Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance
    Henry Purcell
    1:15
  • 20
    Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)
    Henry Purcell
    5:46
  • 21
    Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)
    Henry Purcell
    0:55
  • 22
    Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)
    Henry Purcell
    3:22
  • 23
    Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)
    Henry Purcell
    4:58
  • CD 71: Handel: Messiah, KV 572 (beginning)
  • 1
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
    George Frideric Handel
    3:00
  • 2
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
    George Frideric Handel
    5:43
  • 3
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
    George Frideric Handel
    2:53
  • 4
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
    George Frideric Handel
    5:24
  • 5
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
    George Frideric Handel
    2:18
  • 6
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
    George Frideric Handel
    6:39
  • 7
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
    George Frideric Handel
    7:06
  • 8
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
    George Frideric Handel
    3:38
  • 9
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
    George Frideric Handel
    2:36
  • 10
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
    George Frideric Handel
    3:11
  • 11
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
    George Frideric Handel
    4:12
  • 12
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
    George Frideric Handel
    5:09
  • 13
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
    George Frideric Handel
    2:27
  • 14
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
    George Frideric Handel
    3:00
  • 15
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
    George Frideric Handel
    10:35
  • CD 72: Handel: Messiah, KV 572 (conclusion)
  • 1
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
    George Frideric Handel
    2:00
  • 2
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
    George Frideric Handel
    1:53
  • 3
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
    George Frideric Handel
    4:11
  • 4
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
    George Frideric Handel
    2:56
  • 5
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
    George Frideric Handel
    2:34
  • 6
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
    George Frideric Handel
    3:19
  • 7
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
    George Frideric Handel
    3:00
  • 8
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
    George Frideric Handel
    1:26
  • 9
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
    George Frideric Handel
    1:58
  • 10
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
    George Frideric Handel
    1:22
  • 11
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
    George Frideric Handel
    5:02
  • 12
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
    George Frideric Handel
    2:05
  • 13
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
    George Frideric Handel
    2:17
  • 14
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
    George Frideric Handel
    3:39
  • 15
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
    George Frideric Handel
    5:59
  • 16
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
    George Frideric Handel
    2:01
  • 17
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
    George Frideric Handel
    3:04
  • 18
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
    George Frideric Handel
    2:49
  • 19
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
    George Frideric Handel
    4:15
  • 20
    Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
    George Frideric Handel
    6:35
  • CD 73: Bach: Mass in B minor, BWV 232 (beginning)
  • 1
    Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
    Johann Sebastian Bach
    8:22
  • 2
    Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
    Johann Sebastian Bach
    4:35
  • 3
    Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
    Johann Sebastian Bach
    3:48
  • 4
    Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis
    Johann Sebastian Bach
    1:41
  • 5
    Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
    Johann Sebastian Bach
    3:53
  • 6
    Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
    Johann Sebastian Bach
    4:16
  • 7
    Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
    Johann Sebastian Bach
    2:47
  • 8
    Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
    Johann Sebastian Bach
    5:20
  • 9
    Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
    Johann Sebastian Bach
    2:39
  • 10
    Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
    Johann Sebastian Bach
    4:36
  • 11
    Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
    Johann Sebastian Bach
    5:23
  • 12
    Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
    Johann Sebastian Bach
    3:39
  • CD 74: Bach: Mass in B minor, BWV 232 (conclusion)
  • 1
    Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus)
    Johann Sebastian Bach
    1:44
  • 2
    Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus)
    Johann Sebastian Bach
    2:07
  • 3
    Mass in B minor, BWV 232: Credo. XV. Et in unum Dominum (soprano, mezzo-soprano)
    Johann Sebastian Bach
    4:39
  • 4
    Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus)
    Johann Sebastian Bach
    2:55
  • 5
    Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus)
    Johann Sebastian Bach
    3:37
  • 6
    Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus)
    Johann Sebastian Bach
    3:39
  • 7
    Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone)
    Johann Sebastian Bach
    5:34
  • 8
    Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus)
    Johann Sebastian Bach
    3:39
  • 9
    Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus)
    Johann Sebastian Bach
    2:06
  • 10
    Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus)
    Johann Sebastian Bach
    3:52
  • 11
    Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus)
    Johann Sebastian Bach
    2:33
  • 12
    Mass in B minor, BWV 232: Sanctus. XXIV. Benedictus (tenor)
    Johann Sebastian Bach
    3:59
  • 13
    Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus)
    Johann Sebastian Bach
    2:33
  • 14
    Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)
    Johann Sebastian Bach
    5:08
  • 15
    Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus)
    Johann Sebastian Bach
    3:23

More by Michel Corboz

Release credits

  • soprano vocals [59.6, 59.9, 59.12, 64.15, 64.22, 51.6-7, 51.9, 51.12, 62.3]
  • soprano vocals [55.13, 55.15, 55.20, 55.22-23, 55.31-32, 56.5, 56.15, 56.18-19]
  • countertenor vocals [2, 4, 9-11, 15]
  • tenor vocals [2, 9, 11, 15]
  • mezzo-soprano vocals [10, 17]
  • double bass [52.1-15, 51.1-17]
  • mezzo-soprano vocals [51.11, 52.2, 52.4-12]
  • trumpet [21.1-19, 54.1-22, 53.1-16]
  • tenor vocals [6-7]
  • organ [21.1-19, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • bassoon [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 54.1-22, 53.1-16]
  • soprano vocals [13, 15]
  • soprano vocals [1-11]
  • lute [2-3, 5, 7, 9, 11-12]
  • tenor vocals [63.19-20, 54.7, 54.11-16, 54.16-18, 54.18-22, 64.11-12, 53.7]
  • tenor vocals [60.4, 60.9, 59.6, 59.10-11]
  • organ [26.1-8, 43.1, 43.1-2, 43.2-3, 43.3-4, 43.4-5, 43.5-6, 43.6-7, 43.7-8, 43.8-9, 43.9-10, 43.10-13, 43.13-14, 43.14, 24.11, 27.1-18]
  • bassoon [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 54.1-22, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 53.1-16]
  • soprano vocals [69.2, 69.11, 72.4, 72.6, 72.9, 72.15, 62.2-3, 62.5, 62.13, 62.16, 68.6, 71.12, 61.2, 61.4-6]
  • flute [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15], solo [23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12]
  • soprano vocals [66.27, 67.3-5, 67.13, 67.18-19, 67.25]
  • trumpet [1, 1-2, 2-3, 3-4, 4-5, 5-6, 6-7, 7-8, 8-9, 9-10, 10-13, 13-14, 14]
  • chorus master [61.2, 61.4, 61.6, 61.8, 62.1, 62.4]
  • trumpet [23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12]
  • alto vocals [74.3, 74.14, 73.2, 73.10], mezzo-soprano vocals [73.2, 73.10, 74.3, 74.14]
  • recorder [51.1-17, 52.1-15]
  • alto vocals [54.16, 54.19, 54.19-20, 54.20, 48.26, 47.11], mezzo-soprano vocals [11-22]
  • flute [23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12]
  • viola d'amore [31-32]
  • flute [26.1-8, 27.1-18]
  • violin [26.1-8, 27.1-18]
  • alto vocals [69.13, 68.12, 68.14, 65.2-3, 65.10-11, 65.18, 67.9, 67.12-14, 67.25, 64.4, 64.7, 64.16, 63.5-6, 66.3-4, 66.19, 66.29-30]
  • harp [34.1-11, 31.2-3, 37.1-16, 38.1-20, 32.1-2, 33.1-10]
  • harp [1-9]
  • cello [1-20]
  • baritone vocals [37.11, 38.10, 38.12]
  • violin [38.1-20, 37.1-16]
  • choir vocals [1-13]
  • soprano vocals [46.2, 46.17, 45.11, 45.13-15]
  • harpsichord [21.1-19, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 33.1-10, 38.1-20, 36.1, 36.1-2, 36.2-3, 36.3-4, 36.4-5, 36.5-6, 36.6-7, 36.7-8, 36.8-9, 36.9-10, 36.10-11, 36.11-12, 36.12-13, 36.13-14, 36.14-15, 36.15-16, 36.16-17, 36.17-18, 36.18-19, 36.19, 34.1-11, 37.1-16, 40.1-14, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 41.1-18, 42.1-14]
  • concertmaster [55.1-32, 56.1-25, 57.1-22], violin [1-16]
  • balance [1-20]
  • vielle [1-41]
  • choir vocals [2, 4-7, 9-12, 14, 16, 18, 20, 23]
  • alto vocals [10]
  • oboe [1-20]
  • tenor vocals [6-7, 12, 17]
  • tenor vocals [1-13]
  • alto vocals [10.13, 20.1-13, 21.6, 21.9-10, 21.15, 28.5, 32.2]
  • soprano vocals [59.12, 60.3, 60.6-7, 60.10-11, 60.13, 68.2, 57.21, 56.2-3, 55.13-15, 55.31-32]
  • choir vocals [43.3, 43.5, 43.7, 43.10, 24.1, 24.3-4, 24.9, 44.1-2, 44.5, 44.7-10, 26.1-5, 50.2, 50.6, 50.9, 50.11, 50.14, 50.16, 50.18-19, 27.1-7, 27.9, 27.11-12, 27.14-15, 27.18], vocal [25.1-14, 19.1-4, 19.6-10, 19.12-14]
  • cello [1-14]
  • bass vocals [1-13]
  • soprano vocals [70.2, 70.4-7, 70.12, 70.14, 70.20-21, 69.8-9]
  • alto vocals [13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 38.12, 20.1-13, 30.1, 30.4, 30.6, 30.8, 30.10, 30.13, 37.11]
  • balance [69.1-16, 68.1-15]
  • performing orchestra [51.1-17, 52.1-15]
  • cello [1-19]
  • flute [1-19]
  • tenor vocals [1-11]
  • arranger [12.1-18, 11.1-17]
  • cello [26.1-8, 24.1-9, 27.1-18]
  • soprano vocals [43.3, 43.6, 43.6-7, 43.7-8, 43.8-9, 43.9, 44.3, 44.8]
  • performing orchestra [60.1-15, 59.1-12, 49.1-20, 56.1-25, 62.1-17, 58.1-16, 55.1-32, 61.1-9, 57.1-22]
  • choir vocals [55.2, 55.4, 55.7, 55.9, 49.1-11, 57.1, 57.8-11, 57.14, 57.20, 57.22]
  • bass vocals [20]
  • performing orchestra [10.1-14, 16.1-14, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 3.1-4, 3.6-10, 38.1-20, 39.1-8, 11.1-17, 4.1-29, 7.1-13, 73.1-12, 74.1-15, 17.1-13, 54.20, 8.1-12, 9.1-10, 41.1-18, 12.1-18, 70.1-23, 71.1-15, 72.1-20, 18.1-15, 37.1-16, 6.1, 6.1-2, 6.2-3, 6.3-4, 6.4-5, 6.5-6, 6.6-7, 6.7-8, 6.8-9, 6.9-10, 6.10-11, 6.11, 5.1-8, 20.1-13, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 36.1, 36.1-2, 36.2-3, 36.3-4, 36.4-5, 36.5-6, 36.6-7, 36.7-8, 36.8-9, 36.9-10, 36.10-11, 36.11-12, 36.12-13, 36.13-14, 36.14-15, 36.15-16, 36.16-17, 36.17-18, 36.18-19, 36.19, 42.1-14]
  • choir vocals [62.3, 62.5, 62.9-10, 62.15, 62.17, 22.1, 22.3, 22.3-4, 22.4-5, 22.5, 22.7, 22.9, 22.12, 36.1, 36.1-2, 36.2, 36.4, 36.4-5, 36.5, 36.7, 36.7-8, 36.8-9, 36.9, 36.11, 36.11-12, 36.12-13, 36.13, 36.15, 36.15-16, 36.16-17, 36.17-18, 36.18-19, 36.19, 7.1-10, 7.12, 61.1, 61.9, 3.1-2, 3.4-6, 3.8-10, 46.1, 46.8, 72.1-4, 72.7, 72.10, 72.12, 72.14, 72.16, 72.19-20, 53.1, 53.3-4, 53.6, 53.8, 53.11-13, 53.15-16, 41.1-5, 41.7-9, 29.1, 29.1-2, 29.2, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.12, 29.12-13, 29.13, 29.15, 15.1, 15.1-2, 15.2-3, 15.3-4, 15.4-5, 15.5-6, 15.6-7, 15.7-8, 15.8-9, 15.9-10, 15.10-11, 15.11-12, 15.12-13, 15.13-14, 15.14-15, 15.15-16, 15.16, 11.5, 11.7-8, 11.10, 11.12, 11.16-17, 40.1, 40.4-7, 40.9, 48.2, 48.4, 48.6, 48.8, 48.10, 48.12, 48.14, 48.16, 48.18, 48.20, 48.22, 48.24, 48.28, 48.33, 48.35-36, 64.2, 64.4, 64.6, 64.9, 64.13, 64.21-23, 4.1-7, 4.9, 4.11-16, 4.18, 4.20-22, 4.24-25, 4.28-29, 6.1-4, 6.4-5, 6.5-7, 6.7-9, 6.11, 2.1-12, 23.1, 23.1-2, 23.2, 23.4, 23.4-5, 23.5-6, 23.6, 23.9, 23.9-10, 23.10-11, 23.11, 23.13, 23.15, 12.7, 12.10, 12.12-13, 12.18, 42.1-2, 42.5, 42.7, 42.9, 45.1, 45.7, 45.10, 1.1-7, 1.9, 1.11, 1.13, 65.1, 65.4-5, 65.9, 65.14, 65.17, 65.19, 8.1, 8.3, 8.5-6, 8.8-12, 54.1, 54.3-6, 54.8, 54.10-11, 54.11-14, 54.14-17, 54.17-21, 54.21-22, 54.22, 10.1, 10.3-5, 10.7, 10.9-11, 10.13-14, 16.1-14, 63.1, 63.3-4, 63.9-10, 63.15, 63.17, 9.1-7, 9.9-10, 67.1, 67.7-10, 67.15-16, 67.21, 67.26, 5.1-4, 5.6-8, 66.1, 66.5, 66.7, 66.9, 66.12, 66.17, 66.21, 66.24, 66.26, 66.31-33, 28.1, 28.1-2, 28.2, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 47.1, 47.3, 47.5, 47.7, 47.9, 47.15, 47.17, 47.20-21, 47.23, 47.25, 47.27, 47.29, 21.1, 21.4, 21.7-8, 21.11-13, 21.19, 73.1, 73.3-5, 73.7, 73.9, 73.12, 74.1-2, 74.4-6, 74.8-11, 74.13, 74.15, 71.3, 71.5-6, 71.8, 71.10, 71.13-14], performing orchestra [28.14, 64.16], vocal [32.1-3, 34.1-11, 37.1-16, 54.14, 51.1-17, 20.1-13, 30.1, 30.4, 30.6, 30.8, 30.10, 30.13, 28.15, 29.7, 29.12, 13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 62.14, 17.1-13, 31.1-4, 33.1-10, 38.1-20, 52.1-15, 40.10-14, 18.1-2, 18.4, 18.6, 18.8, 18.10, 18.12, 18.14]
  • choir vocals [59.6, 59.9-12, 60.7, 60.9, 60.11-13, 60.15]
  • choir vocals [68.3-4, 68.7-9, 68.14-15, 69.7, 69.9, 69.11-12, 69.16]
  • violin [1-9]
  • soprano vocals [2, 9, 11, 15, 19]
  • soprano vocals [47.13, 55.13, 55.15, 55.19, 55.21, 55.31-32, 56.6, 56.8, 56.10-13, 57.2-5, 57.13-14, 57.16-17, 57.19, 48.31]
  • tenor vocals [26.1-8, 27.1-5, 27.8-9, 27.11-12, 43.3, 43.3-4, 43.4, 43.7, 43.10, 44.6]
  • double bass [54.1-22, 53.1-16]
  • double bass [31.2, 32.2-3]
  • harpsichord [46.1-18, 45.1-15], organ [45.1-15, 46.1-18]
  • baritone vocals [59.6, 68.3, 68.9, 68.15, 69.10-11]
  • bass vocals [52.4-12, 12.3, 12.5, 4.20, 4.27, 8.4]
  • soprano vocals [5, 13]
  • editor [54.11-22, 36.1-19, 41.1-9], producer [73.1-12, 74.1-15]
  • viola da gamba [46.1-18, 37.1-16, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 38.1-20, 45.1-15, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15]
  • bass vocals [11]
  • double bass [48.1-36, 47.1-32]
  • horn [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • tenor vocals [10]
  • bass vocals [64.1, 64.3, 64.5, 64.13, 64.20, 65.14, 63.2, 63.4, 63.9, 63.11, 63.14, 63.16, 63.18, 63.21]
  • violin [26.1-8, 27.1-18]
  • lute [38.1-20, 37.1-16]
  • baritone vocals [68.5, 68.9-10, 68.12-13, 69.1-2, 69.4-6, 69.10-11, 69.13-15]
  • mezzo-soprano vocals [9-10, 17]
  • choir vocals [8, 10, 12]
  • organ [5]
  • balance [7.1-13, 12.1-18, 11.1-17, 22.1-12, 6.1-11, 8.1-12, 10.1-14, 20.1-13, 21.1-19, 9.1-10, 5.1-8, 23.1-15]
  • trumpet [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • tenor vocals [68.9, 68.11, 68.15, 69.10]
  • alto vocals [34.2-3, 34.10-11, 33.6-7, 33.10, 28.11, 42.4, 42.7-9, 32.1-3, 36.8, 36.10, 36.14, 38.10, 27.1-5, 27.8-9, 27.11-13, 29.10, 37.1, 41.2, 26.1-8], contralto vocals [8, 10]
  • bass viol [1-35, 35-41]
  • violin [71.1-15, 72.1-20]
  • tenor vocals [71.11, 72.13, 72.18]
  • violin [23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12]
  • double bass [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • alto vocals [1-20]
  • alto vocals [1-3, 5]
  • soprano vocals [51.5-7, 51.12, 50.19]
  • countertenor vocals [3-4]
  • tenor vocals [3.3, 3.7, 3.9, 4.5]
  • balance [71.1-15, 72.1-20]
  • balance [72.1-20, 71.1-15]
  • viola [54.1-22, 53.1-16], violin [45.1-15, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 46.1-18, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15]
  • trumpet [54.1-22, 21.1-19, 53.1-16]
  • bass vocals [18]
  • baritone vocals [12]
  • oboe [48.30, 47.11], oboe d'amore [45.1-15, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 53.1-16, 46.1-18, 54.1-22]
  • lute [28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 45.1-15, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 46.1-18]
  • tenor vocals [41.2, 42.9]
  • violin [37.1-16, 38.1-20]
  • soprano vocals [53.2, 36.3, 36.6, 36.13-14, 36.14-15, 26.1-8, 38.10, 38.15-16, 49.1-11, 61.2, 61.4-6, 62.2-3, 62.13, 62.16, 33.1, 33.3-4, 33.10, 27.1-5, 27.8-9, 27.11-13, 27.16, 37.1-2, 24.3-4, 24.6, 24.8, 34.2, 34.5, 34.8, 34.11, 40.3, 40.5, 40.10-14, 54.11-12, 54.12-20, 54.20-22], vocal [10]
  • bassoon [1-20]
  • soprano vocals [43.3, 43.7, 43.7-8, 43.8, 44.3]
  • tenor vocals [61.2, 61.4, 61.6-7, 26.1-8, 31.3, 27.1-5, 27.8-12, 27.15, 33.1-3, 33.5-7, 33.10, 29.5, 62.2, 62.6, 62.11-12, 62.15-16, 34.6, 34.9, 34.11, 38.7-9, 38.11, 38.14-15, 38.17, 45.6, 45.8, 32.3, 37.1, 37.3, 37.5-6, 37.12, 37.16]
  • concertmaster [1-20]
  • organ [1-11]
  • bass vocals [57.10, 56.22, 55.3]
  • alto vocals [3, 3-4, 4, 7, 10, 14]
  • bass vocals [44.6, 43.2, 43.4, 43.4-5, 43.5, 43.7, 43.7-8, 43.8-9, 43.9, 43.12]
  • balance [74.1-15, 73.1-12], recording [73.1-12, 74.1-15]
  • chorus master [26.1-5, 27.1-7, 27.9, 27.11-12, 27.14-15, 27.18]
  • bass vocals [53.10, 54.11-15, 54.15-22]
  • horn [53.1-16, 54.1-22]
  • soprano vocals [13, 15]
  • soprano vocals [8, 10]
  • harpsichord [29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 32.1-3, 31.1-4]
  • lute [33.1-10, 34.1-11]
  • soprano vocals [27.1-5, 27.8-9, 27.11-12, 26.1-8]
  • tenor vocals [56.7, 56.11, 56.14, 56.17, 56.19-20, 56.22, 57.17, 57.19, 55.13, 55.15, 55.19-21, 55.31-32]
  • alto vocals [13, 15]
  • tenor vocals [48.1, 48.3, 48.5, 48.7, 48.9, 48.11, 48.13, 48.15, 48.17, 48.19, 48.21, 48.23, 48.25, 48.27, 48.29, 48.32, 48.34, 63.2, 63.4, 63.7, 63.9, 63.11, 63.14, 63.16, 63.18, 63.21, 64.1, 64.3, 64.5, 64.8, 64.10, 64.13, 64.15, 64.18, 64.20, 64.22, 64.24, 47.2, 47.4, 47.6, 47.8, 47.10, 47.12, 47.14, 47.16, 47.18, 47.22, 47.24, 47.26, 47.28, 47.30, 66.2, 66.6, 66.11, 66.13, 66.15-16, 66.20, 66.25, 66.28, 66.31, 67.2, 67.6, 67.9, 67.12-13, 67.17, 67.20, 67.22-25, 65.1, 65.4, 65.6, 65.9, 65.12, 65.14, 65.17]
  • choir vocals [1-21]
  • choir vocals [59.6, 59.9-12, 60.7, 60.9, 60.11-13, 60.15]
  • violin [52.1-15, 51.1-17]
  • soprano vocals [14, 16]
  • cello [51.1-17, 52.1-15]
  • soprano vocals [4.8, 4.10, 4.17, 4.26, 3.5]
  • fortepiano [1-8], harpsichord [56.1-25, 57.1-22, 55.1-32]
  • soprano vocals [71.6, 71.10, 71.15, 72.5, 72.8, 72.18]
  • alto vocals [20.1-13, 10.6], mezzo-soprano vocals [23.3, 23.14, 12.12, 11.7, 22.2, 22.10]
  • bass vocals [3, 7, 11]
  • viola d'amore [31-32]
  • bass vocals [72.11, 72.17, 71.4, 71.7, 74.7, 74.13, 73.11]
  • soprano vocals [65.13, 65.18, 64.4, 64.25-26, 63.8, 63.12-13]
  • alto vocals [2]
  • soprano vocals [3.5, 4.8, 4.10, 4.26]
  • cello [45.1-15, 46.1-18]
  • piano [1, 1-2, 2-3, 3-4, 4-5, 5-6, 6-9, 9]
  • flute [1-19]
  • flute [45.1-15, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 46.1-18, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15]
  • alto vocals [15]
  • cello [54.1-22, 53.1-16]
  • soprano vocals [6, 8]
  • soprano vocals [3]
  • trumpet [53.1-16, 54.1-22]
  • cor anglais [31], oboe [48.30, 47.11], oboe d'amore [54.1-22, 53.1-16]
  • tenor vocals [74.12, 73.8]
  • spinet [1-41]
  • cello [23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12], viola da gamba [34.1-11, 33.1-10]
  • lute [51.1-17, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 45.1-15, 46.1-18, 52.1-15, 47.31]
  • trumpet [21.1-19, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12]
  • choir vocals [1, 1-2, 2-3, 3-4, 4-5, 5-6, 6-7, 7-8, 8-9, 9-10, 10-11, 11-12, 12-13, 13-14, 14-15, 15-16, 16]
  • choir vocals [60.7, 60.9, 60.11-13, 60.15, 59.6, 59.9-12]
  • tenor vocals [9]
  • oboe [21.1-19, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15], oboe d'amore [1-19], solo [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • trumpet [1-20]
  • baritone vocals [38.9-10, 38.12, 38.14, 52.1, 52.3, 52.14-15, 51.1-4, 51.6-7, 51.10, 51.12, 51.15-17, 37.1, 37.3], bass vocals [30.1, 30.4, 30.6, 30.8, 30.10, 30.13, 61.4, 66.7-8, 66.14, 66.18, 66.22, 66.26-27, 62.1-3, 62.8, 62.16, 33.1, 33.3, 33.5-7, 33.10, 34.2, 34.6-8, 26.1-8, 32.1, 32.3, 42.9, 67.3, 67.5, 67.11, 67.17, 67.25, 27.1-5, 27.7-9, 27.11-12, 27.15]
  • baritone vocals [12], conductor [21.1-19, 22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 53.1-16, 38.1-20, 60.1-15, 2.1-12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15, 73.1-12, 63.1-23, 66.1-33, 12.1-18, 54.1-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15-16, 54.16-17, 54.17-18, 54.18-19, 54.19-20, 54.20-21, 54.21-22, 54.22, 46.1-18, 55.1-32, 25.1-14, 27.1-18, 10.1-14, 67.1-26, 43.1, 43.1-2, 43.2-3, 43.3-4, 43.4-5, 43.5-6, 43.6-7, 43.7-8, 43.8-9, 43.9-10, 43.10-13, 43.13-14, 43.14, 14.1-21, 59.1-12, 50.1-19, 39.1-8, 20.1-13, 42.1-14, 13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 45.1-15, 52.1-15, 19.1-14, 62.1-17, 47.1-32, 69.1-16, 48.1-36, 65.1-19, 61.1-9, 8.1-12, 9.1-10, 36.1, 36.1-2, 36.2-3, 36.3-4, 36.4-5, 36.5-6, 36.6-7, 36.7-8, 36.8-9, 36.9-10, 36.10-11, 36.11-12, 36.12-13, 36.13-14, 36.14-15, 36.15-16, 36.16-17, 36.17-18, 36.18-19, 36.19, 51.1-17, 16.1-14, 5.1-8, 15.1, 15.1-2, 15.2-3, 15.3-4, 15.4-5, 15.5-6, 15.6-7, 15.7-8, 15.8-9, 15.9-10, 15.10-11, 15.11-12, 15.12-13, 15.13-14, 15.14-15, 15.15-16, 15.16, 37.1-16, 18.1-15, 32.1-3, 74.1-15, 7.1-13, 58.1-16, 4.1-29, 44.1-19, 57.1-22, 11.1-17, 56.1-25, 49.1-20, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 30.1-13, 26.1-8, 68.1-15, 41.1-18, 3.1-10, 24.1-12, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 71.1-15, 64.1-26, 33.1-10, 70.1-23, 40.1-14, 72.1-20, 31.1-4, 34.1-11, 35.1, 35.1-2, 35.2-3, 35.3-4, 35.4-5, 35.5-6, 35.6-9, 35.9, 1.1-7, 1.9, 1.11, 1.13, 6.1, 6.1-2, 6.2-3, 6.3-4, 6.4-5, 6.5-6, 6.6-7, 6.7-8, 6.8-9, 6.9-10, 6.10-11, 6.11]
  • artists and repertoire [6], producer [13.1-41, 37.1-16, 39.1-8, 40.1-14, 48.1-36, 58.1-16, 7.1-13, 50.1-19, 47.1-32, 63.1-23, 2.1-5, 2.7-12, 28.1-15, 18.1-15, 24.1-12, 43.1-14, 64.1-26, 72.1-20, 34.1-11, 67.1-26, 15.1-16, 6.1-11, 51.1-17, 69.1-16, 19.1-14, 26.1-8, 27.1-18, 17.1-13, 4.1-29, 33.1-10, 21.1-19, 20.1-13, 31.1-4, 57.1-22, 65.1-19, 49.1-20, 8.1-12, 25.1-14, 9.1-10, 38.1-20, 46.1-18, 42.1-14, 16.1-14, 32.1-3, 60.1-15, 14.1-21, 59.1-12, 1.1-13, 52.1-15, 44.1-19, 68.1-15, 71.1-15, 5.1-8, 23.1-15, 35.1-9, 53.1-16, 66.1-33, 29.1-15, 54.1-22, 56.1-25, 62.1-17, 12.1-18, 45.1-15, 10.1-14, 3.1-10, 30.1-13, 41.1-18, 55.1-32, 70.1-23, 22.1-12, 61.1-9, 11.1-17]
  • conductor [1-41], oboe [1, 3-4, 7, 9, 12, 14, 18-19, 21-22, 33, 36, 38, 41], recorder [13.1-41, 30.2, 30.5, 30.9, 30.11]
  • soprano vocals [6, 9, 12]
  • alto vocals [44.4, 44.11-19, 45.4-5, 46.2, 46.11, 46.15, 50.2, 50.4, 50.9-11]
  • chorus master [1-11]
  • alto vocals [36.14, 51.10, 51.15, 51.17, 33.3, 33.5-7, 33.10, 31.2, 37.4, 37.7-8, 52.3, 52.14-15, 29.4, 29.14, 34.6, 34.8, 34.10, 38.10, 38.18-20], soprano vocals [1, 4, 6, 8, 10, 13]
  • bass vocals [11]
  • performer [5], tenor vocals [12.12, 21.6, 21.8, 13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 37.3, 37.12, 38.8-9, 38.14, 33.1, 33.3-10, 34.3, 34.6-8, 34.11, 22.8, 23.12, 24.12, 20.1-13, 29.11, 30.1, 30.4, 30.6, 30.8, 30.10, 30.13]
  • double bass [72.1-20, 71.1-15]
  • performing orchestra [65.1-19, 47.1-32, 66.1-33, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 21.1-19, 41.1-18, 67.1-26, 48.1-36, 64.1-26, 45.1-15, 53.1-16, 33.1-10, 46.1-18, 40.1-14, 32.1-3, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 36.1-19, 42.1-14, 31.1-4, 34.1-11, 63.1-23, 54.1-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15-16, 54.16-17, 54.17-18, 54.18-19, 54.19-20, 54.20-21, 54.21-22, 54.22]
  • performing orchestra [68.1-15, 69.1-16]
  • performing orchestra [35.1, 35.1-2, 35.2-3, 35.3-4, 35.4-5, 35.5-6, 35.6-9, 35.9, 26.1-8, 43.1, 43.1-2, 43.2-3, 43.3-4, 43.4-5, 43.5-6, 43.6-7, 43.7-8, 43.8-9, 43.9-10, 43.10-13, 43.13-14, 43.14, 25.1-14, 24.1-12, 19.1-14, 44.1-19, 50.1-19, 27.1-18]
  • violin [27.1-18, 26.1-8]
  • bass vocals [13]
  • cello [47.1-32, 48.1-36, 32.2-3, 28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 31.2, 31.4, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15]
  • bass vocals [4]
  • mezzo-soprano vocals [3, 5, 17, 19]
  • mezzo-soprano vocals [55.13, 55.15, 55.24-26, 55.31-32, 56.13-14, 56.24]
  • conductor [8, 10, 12]
  • countertenor vocals [60.3, 60.5-6, 60.13-15, 59.7-10, 59.12]
  • oboe [27.1-18, 26.1-8]
  • violin [51.1-17, 52.1-15]
  • tenor vocals [6-7, 14-15, 20]
  • oboe [27.1-18, 26.1-8]
  • balance [21.1-19, 14.1-21, 23.1-15, 1.1-13, 25.1-14, 19.1-14, 26.1-8, 28.1-15, 2.1-12, 29.1-15, 24.1-12, 3.1-10, 18.1-15, 20.1-13, 27.1-18, 31.1-4, 32.1-3, 34.1-11, 16.1-14, 33.1-10, 4.1-29, 43.1-14, 15.1-16, 44.1-19, 30.1-13, 17.1-13, 22.1-12, 13.1-41]
  • organ [32.1-3, 36.1, 36.1-2, 36.2, 36.2-3, 36.3, 36.3-4, 36.4, 36.4-5, 36.5, 36.5-6, 36.6, 36.6-7, 36.7, 36.7-8, 36.8, 36.8-9, 36.9, 36.9-10, 36.10, 36.10-11, 36.11, 36.11-12, 36.12, 36.12-13, 36.13, 36.13-14, 36.14, 36.14-15, 36.15, 36.15-16, 36.16, 36.16-17, 36.17, 36.17-18, 36.18, 36.18-19, 36.19, 31.1-3, 33.1-10, 47.1-32, 40.1-14, 72.1-20, 38.1-20, 41.1-18, 45.1-15, 48.1-36, 34.1-11, 37.1-16, 71.1-15, 46.1-18, 42.1-14]
  • baritone vocals [31.1, 31.3, 5.5, 32.1, 32.3, 34.2-3, 34.7-9, 34.11, 61.4, 61.6-7, 61.9, 38.11, 38.15, 38.17, 6.10, 37.6, 30.1, 30.4, 30.6, 30.8, 30.10, 30.13, 33.3-7, 33.10, 54.2, 60.1-3, 60.8, 60.11, 60.14, 3.7, 52.13, 23.7, 51.1-4, 51.13-14, 59.1-2, 59.4-5, 62.2, 62.8, 62.16, 11.7], bass [2, 8], bass vocals [24.1, 24.5-7, 24.11, 63.7, 63.11, 63.16, 63.22, 27.1-5, 27.8-9, 27.11-12, 28.3, 28.9, 47.14, 47.18, 47.22, 47.24, 47.26, 47.28, 46.5-6, 46.10, 46.14, 29.3, 29.9, 13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 21.5, 21.14, 21.16, 50.1-2, 50.7-9, 50.11, 50.13, 50.15, 50.17, 45.9, 45.11, 45.15, 48.3, 48.5, 48.7, 48.11, 48.13, 48.19, 20.1-13, 65.1, 65.7-8, 65.15-18, 26.1-8, 64.3, 64.15, 64.18-20, 64.22, 64.24]
  • cello [37.1-16, 38.1-20], viola da gamba [45.1-15, 46.1-18]
  • balance [58.1-16, 66.1-33, 47.1-32, 50.1-19, 53.1-16, 59.1-12, 35.1-9, 61.1-9, 45.1-15, 57.1-22, 63.1-23, 52.1-15, 56.1-25, 42.1-14, 67.1-26, 46.1-18, 40.1-14, 41.1-18, 48.1-36, 51.1-17, 62.1-17, 54.1-22, 69.1-16, 65.1-19, 68.1-15, 38.1-20, 55.1-32, 36.1-19, 39.1-8, 37.1-16, 64.1-26, 60.1-15], recording [54.11-22, 64.16, 35.1-9]
  • flute [28.1, 28.1-2, 28.2, 28.2-3, 28.3, 28.3-4, 28.4, 28.4-5, 28.5, 28.5-6, 28.6, 28.6-7, 28.7, 28.7-8, 28.8, 28.8-9, 28.9, 28.9-10, 28.10, 28.10-11, 28.11, 28.11-12, 28.12, 28.12-13, 28.13, 28.13-14, 28.14, 28.14-15, 28.15, 46.1-18, 45.1-15, 53.1-16, 29.1, 29.1-2, 29.2, 29.2-3, 29.3, 29.3-4, 29.4, 29.4-5, 29.5, 29.5-6, 29.6, 29.6-7, 29.7, 29.7-8, 29.8, 29.8-9, 29.9, 29.9-10, 29.10, 29.10-11, 29.11, 29.11-12, 29.12, 29.12-13, 29.13, 29.13-14, 29.14, 29.14-15, 29.15, 48.30-31, 47.13, 54.1-22]
  • bass vocals [10]
  • soprano vocals [53.5, 53.7, 53.14, 54.11-13, 54.13-20, 54.20-22]
  • flute [1, 3-4, 7, 9, 12, 14, 18-19, 21-22, 33, 36, 38, 41], other instruments [1-41]
  • tenor vocals [16]
  • chorus master [2, 4-7, 9-12, 14, 16, 18, 20, 23]
  • countertenor vocals [2-3, 5]
  • tenor vocals [56.13, 56.15, 56.24-25, 57.13, 57.16-17, 57.19, 55.13, 55.15, 55.23, 55.25-26, 55.31-32]
  • flute [26.1-8, 27.1-18]
  • performing orchestra [1-41]
  • bass vocals [59.9, 60.1, 60.8-9, 60.15]
  • soprano vocals [55.27, 55.29-30, 55.32, 52.3-12, 52.14-15, 51.1-5, 51.8-11, 51.15-17]
  • bass vocals [47.2, 47.4, 47.6, 47.8, 47.14, 47.26, 47.28, 47.31, 48.7, 48.23, 48.25]
  • soprano vocals [74.3, 73.2, 73.6, 73.8, 73.10]
  • choir vocals [65.1, 65.4, 65.9, 65.11, 65.14, 65.17-19, 64.4, 64.7, 64.13, 64.15, 64.22, 62.1, 62.4, 63.1, 63.4, 63.19-20, 61.2, 61.4, 61.6, 61.8]
  • mezzo-soprano vocals [3, 8]
  • viola [38.1-20, 37.1-16]
  • oboe [1-20]
  • oboe d'amore [22.1, 22.1-2, 22.2-3, 22.3-4, 22.4-5, 22.5-6, 22.6-7, 22.7-8, 22.8-9, 22.9-10, 22.10-11, 22.11-12, 22.12, 23.1, 23.1-2, 23.2-3, 23.3-4, 23.4-5, 23.5-6, 23.6-7, 23.7-8, 23.8-9, 23.9-10, 23.10-11, 23.11-12, 23.12-13, 23.13-14, 23.14-15, 23.15]
  • cello [71.1-15, 72.1-20]
  • soprano vocals [3-4, 6, 20-22]
  • performing orchestra [12.1-18, 11.1-17]
  • bass vocals [12.16-17, 11.5, 11.12, 11.17]
  • recorder [52.1-15, 51.1-17]
  • bass vocals [10, 13, 18]
  • mezzo-soprano vocals [9-10, 15, 17]
  • bass vocals [57.13-15, 57.21, 56.3-8, 56.12-13, 55.12-13, 55.15, 55.31-32]
  • soprano vocals [41.2, 41.6, 41.10-13, 41.18, 42.3-4, 42.6, 42.11-14, 45.2-3]
  • soprano vocals [6, 14-18]
  • countertenor vocals [12, 17], tenor vocals [3-4, 9, 12, 14, 16]
  • soprano vocals [32.1, 29.4, 29.14, 36.3, 36.13-14, 36.14-15, 33.3, 33.5-8, 30.1, 30.4, 30.6, 30.8, 30.10, 30.13, 37.2, 37.4, 37.7-9, 37.11, 37.15, 20.1-13, 22.2, 22.6, 22.8, 23.3, 34.1-2, 34.4-7, 8.2, 38.12-13, 38.15-16, 38.18-20, 40.3, 40.14, 13.1, 13.3-4, 13.7, 13.9, 13.12, 13.14, 13.18-19, 13.21-22, 13.33, 13.36, 13.38, 13.41, 7.11, 31.2, 31.4, 21.3, 21.10, 21.17-18, 28.4, 28.10, 11.2], tambourine [1-41]
  • bassoon [1-41]
  • tenor vocals [48.30, 47.19, 47.32]
  • tenor vocals [62.2, 62.6-7, 62.11, 62.15-16, 61.1-4, 61.6-7, 61.9]
  • balance [1-23]
  • mezzo-soprano vocals [55.13, 55.15-16, 55.30-32, 57.18-19, 56.9-10, 56.21-23]
  • soprano vocals [11.5, 37.4, 37.7-9, 37.11, 20.1-13, 38.12-13, 38.18-20, 21.2, 21.10, 9.8]
  • viola [52.1-15, 51.1-17]
  • tenor vocals [69.14-15, 10.2-3, 10.12, 11.7, 11.12-14, 3.7, 3.9, 12.1-2, 12.4-6, 12.11-12, 12.15-17, 4.5-6, 4.9, 4.18-19, 4.23-24, 4.26, 4.28]
  • bass vocals [3, 5, 9]

Issues