Secular Songs & Dances from the Middle Ages

Album by Modo Antiquo, Bettina Hoffmann

Released 2006

Tracklist

  • CD 1: Carmina Burana, Part I
  • 1
    Ich was ein chint so wolgetan, CB 185
    [anonymous]
    4:03
  • 2
    Axe Phebus aureo, CB 71
    [anonymous]
    2:34
  • 3
    Bache bene venies, CB 200
    [anonymous]
    4:28
  • 4
    Dulce solum, CB 119
    [anonymous]
    9:48
  • 5
    In taberna quando sumus, CB 196
    [anonymous]
    3:14
  • 6
    Veris dulcis in tempore, CB 85 e 159
    [anonymous]
    3:09
  • 7
    Alte clamat Epicurus, CB 211 e 211˚
    [anonymous]
    5:07
  • 8
    Exiit dilucolo rustica puella, CB 90
    [anonymous]
    3:23
  • 9
    Olim sudor Herculis, CB 63
    Petrus Blesensis
    9:44
  • 10
    Virent prata hiemata, CB 151
    [anonymous]
    3:44
  • 11
    Sic mea fata, CB 116
    [anonymous]
    6:26
  • 12
    Walthers ton (da CB 211)
    Walther von der Vogelweide
    1:18
  • 13
    Tempus transit gelidum (CB 153)
    [anonymous]
    3:12
  • CD 2: Carmina Burana, Part II
  • 1
    Bonum est confidere, CB 27
    Philippe Le Chancelier
    2:38
  • 2
    Nomen a solemnibus, CB 52
    [anonymous]
    3:53
  • 3
    Dic Christi veritas, CB 131 / Bulla fulminante, CB 131
    Philippe Le Chancelier
    6:02
  • 4
    O varium Fortune lubricum, CB 14
    [anonymous]
    5:01
  • 5
    Fas et nefas, CB 19
    Gualterus de Castiglione
    3:08
  • 6
    Veritas veritatum, CB 21
    Philippe Le Chancelier
    2:12
  • 7
    Currit ad vocem, CB 47a
    [anonymous]
    1:47
  • 8
    Crucifigat omnes, CB 47
    [anonymous]
    3:38
  • 9
    Procurans odium, CB 12
    [anonymous]
    1:51
  • 10
    Ave nobilis, CB 11
    [anonymous]
    7:06
  • 11
    Ecce torpet probitas, CB 3
    Gualterus de Castiglione
    4:35
  • 12
    Planctus ante nescia, CB 14
    [anonymous]
    7:03
  • 13
    Licet ager cum egrotis, CB 8
    Gualterus de Castiglione
    7:07
  • 14
    Celum non animum, CB 15
    [anonymous]
    4:14
  • CD 3: Music for the Crusades, Part I
  • 1
    I. Appellatio Crucifigat omnes, CB 47
    [anonymous]
    2:38
  • 2
    I. Appellatio, Seignor, sachiez qui or ne s'en ira
    Thibaut de Champagne
    6:56
  • 3
    I. Appellatio, La Quinte Estampie Real
    [anonymous]
    3:12
  • 4
    I. Appellatio, Parti de mal et a bien atourné
    [anonymous]
    5:14
  • 5
    I. Appellatio, Chevalier, mult estes guariz
    [anonymous]
    6:13
  • 6
    I. Appellatio, De transfretantibus
    [anonymous]
    1:44
  • 7
    I. Appellatio, Au tans plain de felonie
    Thibaut de Champagne
    3:43
  • 8
    II. Dure Departie, La Seconde Estampie Royal
    [anonymous]
    2:00
  • 9
    Bien me defisse targier
    Conon de Béthune
    7:21
  • 10
    II. Dure Departie, Dame, ensinc est qu'il m'en covient aler
    Thibaut de Champagne
    5:01
  • 11
    II. Dure Departie, A vous, Amors, plus qu'a nule autre gent
    Le Chatelain de Coucy
    5:07
  • 12
    II. Dure Departie, Li departirs de la douce contree
    Chardon de Croisilles
    5:53
  • 13
    II. Dure Departie, Li nouveax temps et maiz et violete
    Le Chatelain de Coucy
    7:44
  • 14
    II. Dure Departie, Aler m'estuet la ou je trerai paine
    [anonymous]
    8:16
  • CD 4: Music for the Crusades, Part II
  • 1
    III. Passagium Laboriosum, Ja nuns hons pris, 1
    Richard I.
    8:18
  • 2
    III. Passagium Laboriosum, Ja nuns hons pris, 2
    Richard I.
    1:16
  • 3
    III. Passagium Laboriosum, Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel)
    [anonymous]
    2:45
  • 4
    III. Passagium Laboriosum, Maugré tous sainz et maugré dieu ausi
    Huon d'Oisi
    4:27
  • 5
    III. Passagium Laboriosum, Congregati sunt
    [anonymous]
    2:44
  • 6
    III. Passagium Laboriosum, La Quarte Estampie Royal
    [anonymous]
    2:23
  • 7
    III. Passagium Laboriosum, In gotes namen fara wir
    [anonymous]
    0:58
  • 8
    III. Passagium Laboriosum, Chanterai por mon coraige
    Guiot de Dijon
    7:47
  • 9
    III. Passagium Laboriosum, Diro satis percussus vulnere - Tristan's Lament
    Riccardo di San Germano / Anon.
    3:59
  • 10
    III. Passagium Laboriosum, Nus ne porroit de mauvese reson
    [anonymous]
    3:39
  • 11
    IV. Hierosolyma Caelestis, Ierusalem mirabilis
    [anonymous]
    4:52
  • 12
    IV. Hierosolyma Caelestis, Nû alrêst lebe ich mir werde
    Walther von der Vogelweide
    11:28
  • 13
    IV. Hierosolyma Caelestis, Nomen a solemnibus, CB 52
    [anonymous]
    3:56
  • CD 5: French and English Instrumental Dances in the Middle-Ages
  • 1
    Ductia Manuscript London, British Library, Harley 978, f. 8v-9r
    [anonymous]
    1:22
  • 2
    Petrone Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43v
    [anonymous]
    4:36
  • 3
    Nota Manuscript, Oxford, Bodleian Library, Douce 139
    [anonymous]
    2:19
  • 4
    Ductia Manuscript London, British Library, Harley 978, f. 9r/I
    [anonymous]
    2:04
  • 5
    Ductia Manuscript London, British Library, Harley 978, f. 9r/II
    [anonymous]
    4:18
  • 6
    Fragment Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r
    [anonymous]
    1:44
  • 7
    Ductia Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r
    [anonymous]
    6:28
  • 8
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal
    [anonymous]
    3:10
  • 9
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal
    [anonymous]
    2:04
  • 10
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial
    [anonymous]
    5:38
  • 11
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal
    [anonymous]
    2:21
  • 12
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real
    [anonymous]
    3:14
  • 13
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real
    [anonymous]
    4:30
  • 14
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real
    [anonymous]
    6:25
  • 15
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real
    [anonymous]
    3:02
  • 16
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real
    [anonymous]
    3:16
  • 17
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: [untitled]
    [anonymous]
    7:38
  • 18
    Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse
    [anonymous]
    1:51
  • CD 6: Dança Amorosa, Italian Dances
  • 1
    Ghaetta
    [anonymous]
    4:18
  • 2
    Saltarello (2)
    [anonymous]
    1:32
  • 3
    La Manfredina, Rotta della Manfredina
    [anonymous]
    3:19
  • 4
    Chançoneta Tedescha (2)
    [anonymous]
    2:09
  • 5
    Isabella
    [anonymous]
    4:33
  • 6
    Saltarello (4)
    [anonymous]
    2:18
  • 7
    Saltarello (3)
    [anonymous]
    3:02
  • 8
    Chançoneta Tedescha (1)
    [anonymous]
    4:54
  • 9
    Chançoneta Tedescha (4)
    [anonymous]
    3:00
  • 10
    Principio di virtù
    [anonymous]
    6:20
  • 11
    Dança amorosa, suo Troto
    [anonymous]
    3:19
  • 12
    Chominiciamento di Gioia
    [anonymous]
    5:49
  • 13
    Chançoneta Tedescha (3)
    [anonymous]
    4:03
  • 14
    Trotto
    [anonymous]
    1:50
  • 15
    Bel fiore dança
    [anonymous]
    2:54
  • 16
    Lamento di Tristano, sua Rotta
    [anonymous]
    5:47

More by Modo Antiquo, Bettina Hoffmann

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