All About Me is ambition without direction. Confident in intention but uncertain in execution, the album shows Natti Natasha experimenting with mainstream pop aesthetics before fully defining her identity. It’s transitional, uneven, and often disconnected from her strongest artistic instincts.
Sonically, the record blends pop, dance-pop, R&B influences, and early urbano touches with glossy but generic production. The sound frequently feels dated and trend-dependent, lacking the dark cohesion and personality that would later define her signature style. Many tracks rely on formula rather than atmosphere.
Lyrically, All About Me focuses on empowerment, attraction, independence, and self-assertion. While the themes align with Natti’s future persona, the writing here feels underdeveloped and surface-level. Emotional depth is limited, and several songs prioritize slogans over storytelling.
The 2-star rating reflects weak cohesion and limited replay value. The album has moments of potential, but overall it feels more like a collection of experiments than a fully realized debut. The lack of identity, emotional focus, and sonic consistency prevents it from leaving a lasting impression.
All About Me stands as the least essential chapter in Natti Natasha’s discography. Useful as a document of beginnings, but artistically overshadowed by everything that followed, it’s more interesting historically than musically.
Favorite Track: All About Me
Skip Track: Pain Killer
Disclaimer: This Is my opinion based on personal taste and emotions.
The skip tracks are not bad songs but just songs that are less memorable.
