Nikolaus Harnoncourt Conducts Sacred Masterworks

Tracklist

• CD 1
• 1
  “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”

  Johann Sebastian Bach
  3:59
• 2
  “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)

  Johann Sebastian Bach
  4:48
• 3
  “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)

  Johann Sebastian Bach
  5:54
• 4
  “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”

  Johann Sebastian Bach
  1:30
• 5
  “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)

  Johann Sebastian Bach
  3:24
• 6
  “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)

  Johann Sebastian Bach
  1:57
• 7
  “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)

  Johann Sebastian Bach
  7:25
• 8
  “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”

  Johann Sebastian Bach
  0:44
• 9
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”

  Johann Sebastian Bach
  3:05
• 10
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)

  Johann Sebastian Bach
  7:01
• 11
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)

  Johann Sebastian Bach
  0:53
• 12
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)

  Johann Sebastian Bach
  3:30
• 13
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)

  Johann Sebastian Bach
  0:46
• 14
  “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”

  Johann Sebastian Bach
  0:48
• CD 2
• 1
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”

  Johann Sebastian Bach
  6:55
• 2
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)

  Johann Sebastian Bach
  0:58
• 3
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)

  Johann Sebastian Bach
  5:52
• 4
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”

  Johann Sebastian Bach
  3:57
• 5
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)

  Johann Sebastian Bach
  1:29
• 6
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)

  Johann Sebastian Bach
  6:33
• 7
  “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”

  Johann Sebastian Bach
  1:56
• 8
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)

  Johann Sebastian Bach
  3:23
• 9
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)

  Johann Sebastian Bach
  1:25
• 10
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)

  Johann Sebastian Bach
  3:45
• 11
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)

  Johann Sebastian Bach
  1:00
• 12
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)

  Johann Sebastian Bach
  3:48
• 13
  “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”

  Johann Sebastian Bach
  0:54
• 14
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia

  Johann Sebastian Bach
  3:37
• 15
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”

  Johann Sebastian Bach
  2:20
• 16
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)

  Johann Sebastian Bach
  5:36
• 17
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)

  Johann Sebastian Bach
  0:48
• 18
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)

  Johann Sebastian Bach
  5:14
• 19
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)

  Johann Sebastian Bach
  0:25
• 20
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)

  Johann Sebastian Bach
  1:41
• 21
  “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”

  Johann Sebastian Bach
  2:02
• CD 3
• 1
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”

  Johann Sebastian Bach
  7:58
• 2
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)

  Johann Sebastian Bach
  1:20
• 3
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)

  Johann Sebastian Bach
  0:47
• 4
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)

  Johann Sebastian Bach
  5:39
• 5
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”

  Johann Sebastian Bach
  1:10
• 6
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)

  Johann Sebastian Bach
  0:26
• 7
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)

  Johann Sebastian Bach
  3:00
• 8
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)

  Johann Sebastian Bach
  5:07
• 9
  Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”

  Johann Sebastian Bach
  1:07
• 10
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia

  Johann Sebastian Bach
  5:17
• 11
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)

  Johann Sebastian Bach
  0:36
• 12
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”

  Johann Sebastian Bach
  1:14
• 13
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)

  Johann Sebastian Bach
  0:44
• 14
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)

  Johann Sebastian Bach
  0:42
• 15
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)

  Johann Sebastian Bach
  3:40
• 16
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)

  Johann Sebastian Bach
  0:19
• 17
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”

  Johann Sebastian Bach
  0:38
• 18
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)

  Johann Sebastian Bach
  0:55
• 19
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)

  Johann Sebastian Bach
  9:02
• 20
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)

  Johann Sebastian Bach
  0:13
• 21
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”

  Johann Sebastian Bach
  2:59
• 22
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)

  Johann Sebastian Bach
  0:20
• 23
  Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”

  Johann Sebastian Bach
  1:23
• 24
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”

  Johann Sebastian Bach
  1:58
• 25
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)

  Johann Sebastian Bach
  0:08
• 26
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”

  Johann Sebastian Bach
  0:49
• 27
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)

  Johann Sebastian Bach
  0:42
• 28
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”

  Johann Sebastian Bach
  0:45
• 29
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)

  Johann Sebastian Bach
  7:03
• 30
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)

  Johann Sebastian Bach
  1:10
• 31
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)

  Johann Sebastian Bach
  4:55
• 32
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)

  Johann Sebastian Bach
  0:25
• 33
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”

  Johann Sebastian Bach
  0:55
• 34
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)

  Johann Sebastian Bach
  0:20
• 35
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”

  Johann Sebastian Bach
  0:54
• 36
  Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”

  Johann Sebastian Bach
  2:11
• CD 4
• 1
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”

  Johann Sebastian Bach
  6:07
• 2
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)

  Johann Sebastian Bach
  0:25
• 3
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”

  Johann Sebastian Bach
  2:29
• 4
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)

  Johann Sebastian Bach
  6:00
• 5
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”

  Johann Sebastian Bach
  1:28
• 6
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)

  Johann Sebastian Bach
  4:52
• 7
  Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”

  Johann Sebastian Bach
  2:03
• 8
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”

  Johann Sebastian Bach
  7:29
• 9
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)

  Johann Sebastian Bach
  0:22
• 10
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)

  Johann Sebastian Bach
  1:43
• 11
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”

  Johann Sebastian Bach
  0:56
• 12
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)

  Johann Sebastian Bach
  4:23
• 13
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)

  Johann Sebastian Bach
  0:11
• 14
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)

  Johann Sebastian Bach
  0:32
• 15
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)

  Johann Sebastian Bach
  1:14
• 16
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)

  Johann Sebastian Bach
  5:26
• 17
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)

  Johann Sebastian Bach
  0:25
• 18
  Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”

  Johann Sebastian Bach
  1:07
• 19
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”

  Johann Sebastian Bach
  5:23
• 20
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)

  Johann Sebastian Bach
  0:40
• 21
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)

  Johann Sebastian Bach
  0:52
• 22
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)

  Johann Sebastian Bach
  4:31
• 23
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)

  Johann Sebastian Bach
  1:09
• 24
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”

  Johann Sebastian Bach
  1:10
• 25
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)

  Johann Sebastian Bach
  0:20
• 26
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)

  Johann Sebastian Bach
  1:52
• 27
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)

  Johann Sebastian Bach
  4:41
• 28
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)

  Johann Sebastian Bach
  0:34
• 29
  Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”

  Johann Sebastian Bach
  3:23
• CD 5
• 1
  Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato

  George Frideric Handel
  3:19
• 2
  Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)

  George Frideric Handel
  3:03
• 3
  Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)

  George Frideric Handel
  3:48
• 4
  Messiah: Part I. No. 4 Chorus “And the glory of the Lord”

  George Frideric Handel
  2:32
• 5
  Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)

  George Frideric Handel
  1:33
• 6
  Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)

  George Frideric Handel
  4:08
• 7
  Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)

  George Frideric Handel
  3:18
• 8
  Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)

  George Frideric Handel
  5:48
• 9
  Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)

  George Frideric Handel
  1:53
• 10
  Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)

  George Frideric Handel
  3:24
• 11
  Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”

  George Frideric Handel
  4:53
• 12
  Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)

  George Frideric Handel
  1:04
• 13
  Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)

  George Frideric Handel
  1:03
• 14
  Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)

  George Frideric Handel
  0:15
• 15
  Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”

  George Frideric Handel
  2:12
• 16
  Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)

  George Frideric Handel
  5:16
• 17
  Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)

  George Frideric Handel
  5:33
• 18
  Messiah: Part I. No. 18 Chorus: “His yoke is easy”

  George Frideric Handel
  2:59
• 19
  Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”

  George Frideric Handel
  2:47
• 20
  Messiah: Part II. No. 20 Air: “He was despised” (alto)

  George Frideric Handel
  10:43
• CD 6
• 1
  Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”

  George Frideric Handel
  2:02
• 2
  Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”

  George Frideric Handel
  1:49
• 3
  Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”

  George Frideric Handel
  3:39
• 4
  Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)

  George Frideric Handel
  0:43
• 5
  Messiah: Part II. No. 25 Chorus: “He trusted in God”

  George Frideric Handel
  2:20
• 6
  Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)

  George Frideric Handel
  1:38
• 7
  Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)

  George Frideric Handel
  1:18
• 8
  Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)

  George Frideric Handel
  0:22
• 9
  Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)

  George Frideric Handel
  2:17
• 10
  Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)

  George Frideric Handel
  3:21
• 11
  Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”

  George Frideric Handel
  1:36
• 12
  Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)

  George Frideric Handel
  3:09
• 13
  Messiah: Part II. No. 33 Chorus: “The Lord gave the word”

  George Frideric Handel
  1:16
• 14
  Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)

  George Frideric Handel
  2:00
• 15
  Messiah: Part II. No. 35a Chorus: “Their sound is gone out”

  George Frideric Handel
  1:19
• 16
  Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)

  George Frideric Handel
  2:56
• 17
  Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)

  George Frideric Handel
  1:58
• 18
  Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)

  George Frideric Handel
  2:04
• 19
  Messiah: Part II. No. 39 Chorus: “Hallelujah!”

  George Frideric Handel
  4:05
• 20
  Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)

  George Frideric Handel
  5:57
• 21
  Messiah: Part III. No. 41 Chorus: “Since by man came death”

  George Frideric Handel
  1:46
• 22
  Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)

  George Frideric Handel
  0:41
• 23
  Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)

  George Frideric Handel
  8:36
• 24
  Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)

  George Frideric Handel
  0:58
• 25
  Messiah: Part III. No. 45 Chorus: “But thanks be to God”

  George Frideric Handel
  2:08
• 26
  Messiah: Part III. No. 46 Air: “If God be for us” (soprano)

  George Frideric Handel
  4:46
• 27
  Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”

  George Frideric Handel
  6:40
• CD 7
• 1
  Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos

  Joseph Haydn
  5:40
• 2
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”

  Joseph Haydn
  2:31
• 3
  Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”

  Joseph Haydn
  4:05
• 4
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)

  Joseph Haydn
  2:12
• 5
  Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”

  Joseph Haydn
  2:16
• 6
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)

  Joseph Haydn
  0:42
• 7
  Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)

  Joseph Haydn
  4:02
• 8
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)

  Joseph Haydn
  0:36
• 9
  Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)

  Joseph Haydn
  5:18
• 10
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)

  Joseph Haydn
  0:14
• 11
  Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”

  Joseph Haydn
  2:17
• 12
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)

  Joseph Haydn
  0:48
• 13
  Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)

  Joseph Haydn
  3:16
• 14
  Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)

  Joseph Haydn
  4:24
• CD 8
• 1
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)

  Joseph Haydn
  0:30
• 2
  Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)

  Joseph Haydn
  7:47
• 3
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)

  Joseph Haydn
  2:11
• 4
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)

  Joseph Haydn
  0:18
• 5
  Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”

  Joseph Haydn
  7:02
• 6
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)

  Joseph Haydn
  0:25
• 7
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)

  Joseph Haydn
  3:10
• 8
  Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)

  Joseph Haydn
  3:20
• 9
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)

  Joseph Haydn
  0:47
• 10
  Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)

  Joseph Haydn
  3:58
• 11
  Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)

  Joseph Haydn
  0:20
• 12
  Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)

  Joseph Haydn
  9:17
• 13
  Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)

  Joseph Haydn
  3:55
• 14
  Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”

  Joseph Haydn
  10:20
• 15
  Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)

  Joseph Haydn
  2:12
• 16
  Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)

  Joseph Haydn
  7:57
• 17
  Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)

  Joseph Haydn
  0:24
• 18
  Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”

  Joseph Haydn
  3:37
• CD 9
• 1
  Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)

  Wolfgang Amadeus Mozart
  4:57
• 2
  Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)

  Wolfgang Amadeus Mozart
  2:56
• 3
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)

  Wolfgang Amadeus Mozart
  1:50
• 4
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)

  Wolfgang Amadeus Mozart
  3:52
• 5
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)

  Wolfgang Amadeus Mozart
  1:58
• 6
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)

  Wolfgang Amadeus Mozart
  6:19
• 7
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)

  Wolfgang Amadeus Mozart
  2:35
• 8
  Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)

  Wolfgang Amadeus Mozart
  3:07
• 9
  Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)

  Wolfgang Amadeus Mozart
  3:50
• 10
  Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)

  Wolfgang Amadeus Mozart
  3:02
• 11
  Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)

  Wolfgang Amadeus Mozart
  1:19
• 12
  Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)

  Wolfgang Amadeus Mozart
  5:20
• 13
  Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)

  Wolfgang Amadeus Mozart
  3:24
• 14
  Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)

  Wolfgang Amadeus Mozart
  5:45
• CD 10
• 1
  Christus am Ölberge, op. 85: No. 1 Introduction

  Ludwig van Beethoven
  5:41
• 2
  Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)

  Ludwig van Beethoven
  3:35
• 3
  Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)

  Ludwig van Beethoven
  5:04
• 4
  Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)

  Ludwig van Beethoven
  1:32
• 5
  Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)

  Ludwig van Beethoven
  8:32
• 6
  Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)

  Ludwig van Beethoven
  1:02
• 7
  Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)

  Ludwig van Beethoven
  5:24
• 8
  Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)

  Ludwig van Beethoven
  1:09
• 9
  Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)

  Ludwig van Beethoven
  1:54
• 10
  Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)

  Ludwig van Beethoven
  1:31
• 11
  Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)

  Ludwig van Beethoven
  2:04
• 12
  Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)

  Ludwig van Beethoven
  1:16
• 13
  Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)

  Ludwig van Beethoven
  4:25
• 14
  Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)

  Ludwig van Beethoven
  3:10
• 15
  Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)

  Ludwig van Beethoven
  1:08
• 16
  Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)

  Ludwig van Beethoven
  3:03
• CD 11
• 1
  Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]

  Ludwig van Beethoven
  9:56
• 2
  Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca

  Ludwig van Beethoven
  5:47
• 3
  Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca

  Ludwig van Beethoven
  4:55
• 4
  Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]

  Ludwig van Beethoven
  7:03
• 5
  Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca

  Ludwig van Beethoven
  4:13
• 6
  Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca

  Ludwig van Beethoven
  5:01
• 7
  Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]

  Ludwig van Beethoven
  10:40
• 8
  Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca

  Ludwig van Beethoven
  3:44
• 9
  Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]

  Ludwig van Beethoven
  13:07
• 10
  Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca

  Ludwig van Beethoven
  7:05
• 11
  Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I

  Ludwig van Beethoven
  9:56
• CD 12
• 1
  Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)

  Giuseppe Verdi
  8:36
• 2
  Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)

  Giuseppe Verdi
  2:33
• 3
  Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)

  Giuseppe Verdi
  3:32
• 4
  Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)

  Giuseppe Verdi
  5:19
• 5
  Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)

  Giuseppe Verdi
  3:51
• 6
  Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)

  Giuseppe Verdi
  3:37
• 7
  Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)

  Giuseppe Verdi
  4:17
• 8
  Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)

  Giuseppe Verdi
  3:42
• 9
  Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)

  Giuseppe Verdi
  5:56
• 10
  Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)

  Giuseppe Verdi
  5:45
• CD 13
• 1
  Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)

  Giuseppe Verdi
  4:52
• 2
  Messa da Requiem: III. Offertorio: “Hostias” (soloists)

  Giuseppe Verdi
  5:58
• 3
  Messa da Requiem: IV. Sanctus (chorus)

  Giuseppe Verdi
  3:01
• 4
  Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)

  Giuseppe Verdi
  4:55
• 5
  Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)

  Giuseppe Verdi
  6:29
• 6
  Messa da Requiem: VII. Libera me (soprano, chorus)

  Giuseppe Verdi
  2:39
• 7
  Messa da Requiem: VII. Libera me: “Dies irae” (chorus)

  Giuseppe Verdi
  5:40
• 8
  Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)

  Giuseppe Verdi
  6:49
• CD 14
• 1
  Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)

  Johannes Brahms
  9:58
• 2
  Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)

  Johannes Brahms
  16:02
• 3
  Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)

  Johannes Brahms
  10:47
• 4
  Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)

  Johannes Brahms
  5:54
• 5
  Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)

  Johannes Brahms
  7:00
• 6
  Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)

  Johannes Brahms
  12:35
• 7
  Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)

  Johannes Brahms
  9:45
• CD 15
• 1
  Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto

  Antonín Dvořák
  20:38
• 2
  Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto

  Antonín Dvořák
  11:35
• 3
  Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto

  Antonín Dvořák
  7:11
• 4
  Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo

  Antonín Dvořák
  9:14
• CD 16
• 1
  Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto

  Antonín Dvořák
  5:14
• 2
  Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto

  Antonín Dvořák
  6:58
• 3
  Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo

  Antonín Dvořák
  6:50
• 4
  Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto

  Antonín Dvořák
  5:26
• 5
  Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso

  Antonín Dvořák
  6:09
• 6
  Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto

  Antonín Dvořák
  7:39

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Matthäus-Passion BWV 244 2013

Orchesterlieder

Orchesterlieder 2013

Ferne Geliebte

Ferne Geliebte 2012

Lieder

Lieder 2010

Violin and Voice

Violin and Voice 2010

Release credits

• Anna Larsson
  alto vocals [6.14, 6.23-24, 5.8, 5.16-17, 5.20], solo [5.8, 5.16-17, 5.20, 6.14, 6.23-24]
• Anton Scharinger
  bass vocals [1.5, 1.12, 2.3, 2.5-6]
• Arnold Schoenberg Chor
  choir vocals [12.1-4, 12.6, 12.9-10, 4.1, 4.3, 4.5, 4.7-8, 4.10-11, 4.18-19, 4.24, 4.29, 10.5, 10.9, 10.11, 10.14-16, 3.1, 3.5, 3.7, 3.9, 3.12, 3.17, 3.21, 3.23-24, 3.26, 3.28, 3.33, 3.35-36, 14.1-7, 2.1, 2.4, 2.7-8, 2.13, 2.15, 2.19, 2.21, 9.1-3, 9.5, 9.7-14, 1.1, 1.4, 1.8-9, 1.14, 5.4, 5.7-8, 5.11, 5.15, 5.18-19, 13.3-4, 13.6-8, 11.1-11, 8.5, 8.12, 8.14, 8.18, 6.1-3, 6.5, 6.10-11, 6.13-15, 6.17, 6.19, 6.21, 6.25, 6.27, 7.2-3, 7.5, 7.11, 7.14]
• Bernarda Fink
  alto vocals [2.19-20, 4.14, 4.16-17, 4.28, 9.4, 9.6, 9.9, 9.12, 3.3-4, 3.19, 3.31-32, 11.1-11], contralto vocals [1], mezzo-soprano vocals [12.1, 12.4-7, 12.10, 13.1-2, 13.4-5], solo [12.1, 12.4-7, 12.10, 13.1-2, 13.4-5]
• Birgit Remmert
  alto vocals [15.1-2, 16.5-6]
• Chor des Bayerischen Rundfunks
  choir vocals [16.1-3, 16.6, 15.1, 15.3-4]
• Christian Gerhaher
  baritone vocals [7.2, 7.4, 7.6-7, 7.14, 2.17, 8.3-8, 8.11-12, 8.14-16, 8.18], bass vocals [3, 5, 12, 20, 28]
• Christian Micha
  recording [1-11]
• Christine Schäfer
  solo [5.12-14, 5.16-17, 6.8-9, 6.14, 6.20, 6.26], soprano vocals [6.8-9, 6.14, 6.20, 6.26, 5.12-14, 5.16-17, 9.1, 9.4, 9.6, 9.9, 9.12, 9.14, 2.12, 2.18, 4.3-5, 4.16, 4.21-22, 4.28, 3.13, 3.29]
• Concentus Musicus Wien
  performing orchestra [6.1-27, 8.1-18, 11.1-11, 9.1-14, 2.1-21, 1.1-14, 4.1-29, 3.1-36, 5.1-20, 7.1-14, 10.1-16]
• Dorothea Röschmann
  soprano vocals [8.1-2, 8.5, 8.12, 8.14-16, 8.18, 7.5, 7.8-9, 7.14]
• Elisabeth von Magnus
  alto vocals [2, 11]
• Erwin Ortner
  chorus master [3.1-36, 5.1-20, 10.1-16, 8.1-18, 1.1-14, 7.1-14, 9.1-14, 6.1-27, 2.1, 2.4, 2.7-8, 2.13, 2.15, 2.19, 2.21, 11.1-11, 4.1-29]
• Eva Mei
  solo [12.1, 12.5-7, 12.10, 13.1, 13.4, 13.6-8], soprano vocals [12.1, 12.5-7, 12.10, 13.1, 13.4, 13.6-8]
• Florian Boesch
  baritone vocals [12-13]
• Franz Hawlata
  bass vocals [16.6, 15.1-2, 15.4]
• Franz Josef Kerstinger
  producer [1-11]
• Friedemann Engelbrecht
  producer [13.1-8, 5.1-20, 10.1-16, 9.1-14, 6.1-27, 12.1-10]
• Genia Kühmeier
  soprano vocals [5]
• Gerald Finley
  bass vocals [9.4, 9.6, 9.9, 9.12, 2.11, 5.5-6, 5.9-10, 3.8, 3.14, 3.18, 3.22, 3.27, 3.29, 6.12, 6.16, 6.22-23], solo [5.5-6, 5.9-10, 6.12, 6.16, 6.22-23]
• Herbert Lippert
  tenor vocals [2-3, 6-8, 10, 12-14]
• Herbert Tachezi
  organ [6.1-27, 5.1-20]
• Herwig Tachezi
  cello [6.1-27, 5.1-20]
• Ildebrando d’Arcangelo
  bass vocals [13.1-2, 13.5, 12.1, 12.3, 12.6, 12.9-10], solo [13.1-2, 13.5, 12.1, 12.3, 12.6, 12.9-10]
• Johannes Chum
  tenor vocals [1, 1-11]
• Josef Schütz
  recording [1-14]
• Julia Kleiter
  soprano vocals [1.2, 1.7, 1.13, 2.3, 2.6]
• Julia Kleitner
  soprano vocals [3, 6]
• Julian Schwenkner
  editor [1-16]
• Kurt Streit
  tenor vocals [9.4, 9.6, 9.9, 9.12, 2.2, 2.4, 1.3, 1.6, 1.10]
• Laura Aikin
  soprano vocals [10.4-7, 10.13, 11.1-11]
• Martin Litauer
  editor [7.1-14, 8.1-18], mix [7.1-14, 8.1-18]
• Martin Sauer
  additional [1-11], editor [4.1-29, 14.1-7, 2.1-21, 1.1-14, 3.1-36, 10.1-16], mix [3.1-36, 4.1-29], producer [1.1-14, 4.1-29, 14.1-7, 2.1-21, 3.1-36]
• Michael Brammann
  engineer [5.1-20, 6.1-27], recording [2.1-21, 10.1-16, 3.1-36, 14.1-7, 1.1-14, 7.1-14, 8.1-18, 9.1-14, 4.1-29], sound [12.1-10, 13.1-8]
• Michael Schade
  solo [12.1, 12.5-6, 12.8, 12.10, 6.4, 6.6-7, 6.10, 6.17-18, 6.24, 5.2-3, 13.1-2, 13.5], tenor vocals [12.1, 12.5-6, 12.8, 12.10, 6.4, 6.6-7, 6.10, 6.17-18, 6.24, 7.3, 7.10, 7.12-14, 13.1-2, 13.5, 8.5, 8.9-10, 8.12-13, 8.17-18, 5.2-3]
• Nikolaus Harnoncourt
  conductor
• Peter Dijkstra
  chorus master [16.1-6, 15.1-4]
• Peter Urban
  recording [15.1-4, 16.1-6]
• Philipp Knop
  editor [12.1-10, 13.1-8]
• Piotr Beczała
  tenor vocals [16.2, 16.4, 16.6, 15.1-2]
• René Möller
  editor [9.1-14, 1.1-14, 3.1-36, 6.1-27, 5.1-20, 4.1-29, 2.1-21], mix [6.1-27, 4.1-29, 5.1-20, 3.1-36]
• Ruben Drole
  bass vocals [1-11]
• Sebastian Nattkemper
  editor [1-11], mix [1-11]
• Stefan Gottfried
  harpsichord [6.1-27, 5.1-20]
• Symphonieorchester des Bayerischen Rundfunks
  performing orchestra [15.1-4, 16.1-6]
• Thomas Hampson
  baritone vocals [3, 6]
• Tobias Lehmann
  producer [8.1-18, 7.1-14], recording [1-21]
• Werner Güra
  tenor vocals [2.9-10, 2.16, 3.2, 3.6, 3.11, 3.13, 3.15-16, 3.20, 3.25, 3.30, 3.34, 4.2, 4.6, 4.9, 4.13, 4.15-16, 4.20, 4.23, 4.25-28]
• Wiener Philharmoniker
  performing orchestra [12.1-10, 14.1-7, 13.1-8]
• Wolfgang Schiefermair
  assistant [6.1-27, 12.1-10, 5.1-20, 13.1-8]
• Wolfram Graul
  producer [16.1-6, 15.1-4]
• Ľuba Orgonášová
  soprano vocals [16.4, 16.6, 15.1-2]
• Show all credits (52)

Issues

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  N
  Nikolaus Harnoncourt Conducts Sacred Masterworks

  16x CD
  November 2020