The Complete Sony Recordings

Compilation by Nikolaus Harnoncourt

Released 7 October 2016

Tracklist

  • CD 1: Bach: Cantatas 36 & 26
  • 1
    “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”
    Johann Sebastian Bach
    3:59
  • 2
    “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)
    Johann Sebastian Bach
    4:48
  • 3
    “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)
    Johann Sebastian Bach
    5:54
  • 4
    “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”
    Johann Sebastian Bach
    1:30
  • 5
    “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)
    Johann Sebastian Bach
    3:24
  • 6
    “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)
    Johann Sebastian Bach
    1:57
  • 7
    “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)
    Johann Sebastian Bach
    7:25
  • 8
    “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”
    Johann Sebastian Bach
    0:44
  • 9
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”
    Johann Sebastian Bach
    3:05
  • 10
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)
    Johann Sebastian Bach
    7:01
  • 11
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)
    Johann Sebastian Bach
    0:53
  • 12
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)
    Johann Sebastian Bach
    3:30
  • 13
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)
    Johann Sebastian Bach
    0:46
  • 14
    “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”
    Johann Sebastian Bach
    0:48
  • CD 2: Bach: Cantatas BWV 140, 61 & 29
  • 1
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”
    Johann Sebastian Bach
    6:55
  • 2
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)
    Johann Sebastian Bach
    0:58
  • 3
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)
    Johann Sebastian Bach
    5:52
  • 4
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”
    Johann Sebastian Bach
    3:57
  • 5
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)
    Johann Sebastian Bach
    1:29
  • 6
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)
    Johann Sebastian Bach
    6:33
  • 7
    “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”
    Johann Sebastian Bach
    1:56
  • 8
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)
    Johann Sebastian Bach
    3:23
  • 9
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)
    Johann Sebastian Bach
    1:25
  • 10
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)
    Johann Sebastian Bach
    3:45
  • 11
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)
    Johann Sebastian Bach
    1:00
  • 12
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)
    Johann Sebastian Bach
    3:48
  • 13
    “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”
    Johann Sebastian Bach
    0:54
  • 14
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia
    Johann Sebastian Bach
    3:37
  • 15
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”
    Johann Sebastian Bach
    2:20
  • 16
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)
    Johann Sebastian Bach
    5:36
  • 17
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)
    Johann Sebastian Bach
    0:48
  • 18
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)
    Johann Sebastian Bach
    5:14
  • 19
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)
    Johann Sebastian Bach
    0:25
  • 20
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)
    Johann Sebastian Bach
    1:41
  • 21
    “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”
    Johann Sebastian Bach
    2:02
  • CD 3: Bach: Weihnachtsoratorium (Parts I-III)
  • 1
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”
    Johann Sebastian Bach
    7:58
  • 2
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)
    Johann Sebastian Bach
    1:20
  • 3
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)
    Johann Sebastian Bach
    0:47
  • 4
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)
    Johann Sebastian Bach
    5:39
  • 5
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”
    Johann Sebastian Bach
    1:10
  • 6
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)
    Johann Sebastian Bach
    0:26
  • 7
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)
    Johann Sebastian Bach
    3:00
  • 8
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)
    Johann Sebastian Bach
    5:07
  • 9
    Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”
    Johann Sebastian Bach
    1:07
  • 10
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia
    Johann Sebastian Bach
    5:17
  • 11
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)
    Johann Sebastian Bach
    0:36
  • 12
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”
    Johann Sebastian Bach
    1:14
  • 13
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)
    Johann Sebastian Bach
    0:44
  • 14
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)
    Johann Sebastian Bach
    0:42
  • 15
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)
    Johann Sebastian Bach
    3:40
  • 16
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)
    Johann Sebastian Bach
    0:19
  • 17
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”
    Johann Sebastian Bach
    0:38
  • 18
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)
    Johann Sebastian Bach
    0:55
  • 19
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)
    Johann Sebastian Bach
    9:02
  • 20
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)
    Johann Sebastian Bach
    0:13
  • 21
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”
    Johann Sebastian Bach
    2:59
  • 22
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)
    Johann Sebastian Bach
    0:20
  • 23
    Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”
    Johann Sebastian Bach
    1:23
  • 24
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”
    Johann Sebastian Bach
    1:58
  • 25
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)
    Johann Sebastian Bach
    0:08
  • 26
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”
    Johann Sebastian Bach
    0:49
  • 27
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)
    Johann Sebastian Bach
    0:42
  • 28
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”
    Johann Sebastian Bach
    0:45
  • 29
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
    Johann Sebastian Bach
    7:03
  • 30
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)
    Johann Sebastian Bach
    1:10
  • 31
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)
    Johann Sebastian Bach
    4:55
  • 32
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)
    Johann Sebastian Bach
    0:25
  • 33
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”
    Johann Sebastian Bach
    0:55
  • 34
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)
    Johann Sebastian Bach
    0:20
  • 35
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”
    Johann Sebastian Bach
    0:54
  • 36
    Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”
    Johann Sebastian Bach
    2:11
  • CD 4: Bach: Weihnachtsoratorium (Parts IV-VI)
  • 1
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”
    Johann Sebastian Bach
    6:07
  • 2
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)
    Johann Sebastian Bach
    0:25
  • 3
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”
    Johann Sebastian Bach
    2:29
  • 4
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)
    Johann Sebastian Bach
    6:00
  • 5
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”
    Johann Sebastian Bach
    1:28
  • 6
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)
    Johann Sebastian Bach
    4:52
  • 7
    Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”
    Johann Sebastian Bach
    2:03
  • 8
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”
    Johann Sebastian Bach
    7:29
  • 9
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)
    Johann Sebastian Bach
    0:22
  • 10
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)
    Johann Sebastian Bach
    1:43
  • 11
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”
    Johann Sebastian Bach
    0:56
  • 12
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)
    Johann Sebastian Bach
    4:23
  • 13
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)
    Johann Sebastian Bach
    0:11
  • 14
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)
    Johann Sebastian Bach
    0:32
  • 15
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)
    Johann Sebastian Bach
    1:14
  • 16
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
    Johann Sebastian Bach
    5:26
  • 17
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)
    Johann Sebastian Bach
    0:25
  • 18
    Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”
    Johann Sebastian Bach
    1:07
  • 19
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”
    Johann Sebastian Bach
    5:23
  • 20
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)
    Johann Sebastian Bach
    0:40
  • 21
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)
    Johann Sebastian Bach
    0:52
  • 22
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)
    Johann Sebastian Bach
    4:31
  • 23
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)
    Johann Sebastian Bach
    1:09
  • 24
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”
    Johann Sebastian Bach
    1:10
  • 25
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)
    Johann Sebastian Bach
    0:20
  • 26
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
    Johann Sebastian Bach
    1:52
  • 27
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)
    Johann Sebastian Bach
    4:41
  • 28
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
    Johann Sebastian Bach
    0:34
  • 29
    Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”
    Johann Sebastian Bach
    3:23
  • CD 5: Handel: Timotheus oder Die Gewalt der Musik (Part I)
  • 1
    Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture
    George Frideric Handel
    7:01
  • 2
    Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)
    George Frideric Handel
    1:04
  • 3
    Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)
    George Frideric Handel
    5:53
  • 4
    Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)
    George Frideric Handel
    0:27
  • 5
    Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)
    George Frideric Handel
    1:00
  • 6
    Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”
    George Frideric Handel
    2:32
  • 7
    Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)
    George Frideric Handel
    3:55
  • 8
    Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)
    George Frideric Handel
    0:47
  • 9
    Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)
    George Frideric Handel
    4:52
  • 10
    Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)
    George Frideric Handel
    0:48
  • 11
    Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)
    George Frideric Handel
    1:21
  • 12
    Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)
    George Frideric Handel
    3:10
  • 13
    Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)
    George Frideric Handel
    1:19
  • 14
    Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”
    George Frideric Handel
    2:51
  • 15
    Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)
    George Frideric Handel
    0:34
  • 16
    Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)
    George Frideric Handel
    3:31
  • 17
    Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)
    George Frideric Handel
    5:05
  • 18
    Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”
    George Frideric Handel
    4:33
  • 19
    Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)
    George Frideric Handel
    6:42
  • 20
    Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”
    George Frideric Handel
    5:02
  • CD 6: Handel: Timotheus oder Die Gewalt der Musik (Part II)
  • 1
    Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong
    George Frideric Handel
    5:59
  • 2
    Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)
    George Frideric Handel
    4:58
  • 3
    Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)
    George Frideric Handel
    8:26
  • 4
    Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)
    George Frideric Handel
    1:43
  • 5
    Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)
    George Frideric Handel
    2:15
  • 6
    Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”
    George Frideric Handel
    5:24
  • 7
    Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”
    George Frideric Handel
    6:31
  • 8
    Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)
    George Frideric Handel
    0:25
  • 9
    Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”
    George Frideric Handel
    5:05
  • CD 7: Handel: Messiah (Parts I & II beg.)
  • 1
    Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato
    George Frideric Handel
    3:19
  • 2
    Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)
    George Frideric Handel
    3:03
  • 3
    Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)
    George Frideric Handel
    3:48
  • 4
    Messiah: Part I. No. 4 Chorus “And the glory of the Lord”
    George Frideric Handel
    2:32
  • 5
    Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)
    George Frideric Handel
    1:33
  • 6
    Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)
    George Frideric Handel
    4:08
  • 7
    Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)
    George Frideric Handel
    3:18
  • 8
    Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)
    George Frideric Handel
    5:48
  • 9
    Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)
    George Frideric Handel
    1:53
  • 10
    Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)
    George Frideric Handel
    3:24
  • 11
    Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”
    George Frideric Handel
    4:53
  • 12
    Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)
    George Frideric Handel
    1:04
  • 13
    Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)
    George Frideric Handel
    1:03
  • 14
    Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)
    George Frideric Handel
    0:15
  • 15
    Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”
    George Frideric Handel
    2:12
  • 16
    Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)
    George Frideric Handel
    5:16
  • 17
    Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)
    George Frideric Handel
    5:33
  • 18
    Messiah: Part I. No. 18 Chorus: “His yoke is easy”
    George Frideric Handel
    2:59
  • 19
    Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”
    George Frideric Handel
    2:47
  • 20
    Messiah: Part II. No. 20 Air: “He was despised” (alto)
    George Frideric Handel
    10:43
  • CD 8: Handel: Messiah (Parts II cont. & III)
  • 1
    Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”
    George Frideric Handel
    2:02
  • 2
    Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”
    George Frideric Handel
    1:49
  • 3
    Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”
    George Frideric Handel
    3:39
  • 4
    Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)
    George Frideric Handel
    0:43
  • 5
    Messiah: Part II. No. 25 Chorus: “He trusted in God”
    George Frideric Handel
    2:20
  • 6
    Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)
    George Frideric Handel
    1:38
  • 7
    Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)
    George Frideric Handel
    1:18
  • 8
    Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)
    George Frideric Handel
    0:22
  • 9
    Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)
    George Frideric Handel
    2:17
  • 10
    Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)
    George Frideric Handel
    3:21
  • 11
    Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”
    George Frideric Handel
    1:36
  • 12
    Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)
    George Frideric Handel
    3:09
  • 13
    Messiah: Part II. No. 33 Chorus: “The Lord gave the word”
    George Frideric Handel
    1:16
  • 14
    Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)
    George Frideric Handel
    2:00
  • 15
    Messiah: Part II. No. 35a Chorus: “Their sound is gone out”
    George Frideric Handel
    1:19
  • 16
    Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)
    George Frideric Handel
    2:56
  • 17
    Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)
    George Frideric Handel
    1:58
  • 18
    Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)
    George Frideric Handel
    2:04
  • 19
    Messiah: Part II. No. 39 Chorus: “Hallelujah!”
    George Frideric Handel
    4:05
  • 20
    Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)
    George Frideric Handel
    5:57
  • 21
    Messiah: Part III. No. 41 Chorus: “Since by man came death”
    George Frideric Handel
    1:46
  • 22
    Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)
    George Frideric Handel
    0:41
  • 23
    Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)
    George Frideric Handel
    8:36
  • 24
    Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)
    George Frideric Handel
    0:58
  • 25
    Messiah: Part III. No. 45 Chorus: “But thanks be to God”
    George Frideric Handel
    2:08
  • 26
    Messiah: Part III. No. 46 Air: “If God be for us” (soprano)
    George Frideric Handel
    4:46
  • 27
    Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”
    George Frideric Handel
    6:40
  • CD 9: Haydn: Orlando Paladino (Act I)
  • 1
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia
    Joseph Haydn
    3:43
  • 2
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte)
    Joseph Haydn
    3:04
  • 3
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone)
    Joseph Haydn
    1:10
  • 4
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla)
    Joseph Haydn
    3:19
  • 5
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone)
    Joseph Haydn
    0:18
  • 6
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte)
    Joseph Haydn
    3:21
  • 7
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica)
    Joseph Haydn
    4:44
  • 8
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica)
    Joseph Haydn
    0:34
  • 9
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia
    Joseph Haydn
    0:27
  • 10
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica)
    Joseph Haydn
    0:41
  • 11
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina)
    Joseph Haydn
    4:02
  • 12
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro)
    Joseph Haydn
    0:43
  • 13
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro)
    Joseph Haydn
    6:11
  • 14
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica)
    Joseph Haydn
    0:16
  • 15
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale)
    Joseph Haydn
    1:21
  • 16
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla)
    Joseph Haydn
    1:44
  • 17
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale)
    Joseph Haydn
    3:23
  • 18
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica)
    Joseph Haydn
    0:47
  • 19
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica)
    Joseph Haydn
    5:20
  • 20
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro)
    Joseph Haydn
    0:17
  • 21
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando)
    Joseph Haydn
    4:35
  • 22
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando)
    Joseph Haydn
    3:44
  • 23
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla)
    Joseph Haydn
    0:44
  • 24
    Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando)
    Joseph Haydn
    1:43
  • 25
    Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti)
    Joseph Haydn
    3:41
  • 26
    Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti)
    Joseph Haydn
    8:15
  • CD 10: Haydn: Orlando Paladino (Acts II & III)
  • 1
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando)
    Joseph Haydn
    0:18
  • 2
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte)
    Joseph Haydn
    2:13
  • 3
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla)
    Joseph Haydn
    0:48
  • 4
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro)
    Joseph Haydn
    5:01
  • 5
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla)
    Joseph Haydn
    0:18
  • 6
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale)
    Joseph Haydn
    1:50
  • 7
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale)
    Joseph Haydn
    1:22
  • 8
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale)
    Joseph Haydn
    3:29
  • 9
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica)
    Joseph Haydn
    5:31
  • 10
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina)
    Joseph Haydn
    0:34
  • 11
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro)
    Joseph Haydn
    5:18
  • 12
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica)
    Joseph Haydn
    3:48
  • 13
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina)
    Joseph Haydn
    3:11
  • 14
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando)
    Joseph Haydn
    3:16
  • 15
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla)
    Joseph Haydn
    0:57
  • 16
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale)
    Joseph Haydn
    4:12
  • 17
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina)
    Joseph Haydn
    1:11
  • 18
    Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti)
    Joseph Haydn
    11:51
  • 19
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte)
    Joseph Haydn
    2:17
  • 20
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte)
    Joseph Haydn
    0:34
  • 21
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando)
    Joseph Haydn
    3:06
  • 22
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando)
    Joseph Haydn
    3:14
  • 23
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando)
    Joseph Haydn
    0:29
  • 24
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte)
    Joseph Haydn
    0:42
  • 25
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento
    Joseph Haydn
    1:03
  • 26
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica)
    Joseph Haydn
    4:29
  • 27
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti”
    Joseph Haydn
    2:46
  • 28
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti)
    Joseph Haydn
    1:27
  • 29
    Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti)
    Joseph Haydn
    2:54
  • CD 11: Haydn: The Paris Symphonies (nos. 82-83)
  • 1
    Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai)
    Joseph Haydn
    12:06
  • 2
    Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto
    Joseph Haydn
    7:45
  • 3
    Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio
    Joseph Haydn
    4:52
  • 4
    Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai)
    Joseph Haydn
    8:11
  • 5
    Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso
    Joseph Haydn
    10:44
  • 6
    Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante
    Joseph Haydn
    11:00
  • 7
    Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio
    Joseph Haydn
    3:53
  • 8
    Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace
    Joseph Haydn
    5:41
  • CD 12: Haydn: The Paris Symphonies (nos. 84-85)
  • 1
    Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro
    Joseph Haydn
    12:44
  • 2
    Symphony no. 84 in E-flat major, Hob. I:84: II. Andante
    Joseph Haydn
    6:32
  • 3
    Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio
    Joseph Haydn
    3:50
  • 4
    Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace
    Joseph Haydn
    9:23
  • 5
    Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace
    Joseph Haydn
    12:47
  • 6
    Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto
    Joseph Haydn
    6:46
  • 7
    Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio
    Joseph Haydn
    4:31
  • 8
    Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto
    Joseph Haydn
    3:11
  • CD 13: Haydn: The Paris Symphonies (nos. 86-87)
  • 1
    Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso
    Joseph Haydn
    12:35
  • 2
    Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo
    Joseph Haydn
    6:46
  • 3
    Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio
    Joseph Haydn
    5:39
  • 4
    Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito
    Joseph Haydn
    6:35
  • 5
    Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace
    Joseph Haydn
    11:16
  • 6
    Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio
    Joseph Haydn
    7:18
  • 7
    Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio
    Joseph Haydn
    4:55
  • 8
    Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace
    Joseph Haydn
    6:30
  • CD 14: Haydn: Die Schöpfung (Part I)
  • 1
    Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos
    Joseph Haydn
    5:40
  • 2
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”
    Joseph Haydn
    2:31
  • 3
    Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”
    Joseph Haydn
    4:05
  • 4
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)
    Joseph Haydn
    2:12
  • 5
    Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”
    Joseph Haydn
    2:16
  • 6
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
    Joseph Haydn
    0:42
  • 7
    Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)
    Joseph Haydn
    4:02
  • 8
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
    Joseph Haydn
    0:36
  • 9
    Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)
    Joseph Haydn
    5:18
  • 10
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)
    Joseph Haydn
    0:14
  • 11
    Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”
    Joseph Haydn
    2:17
  • 12
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
    Joseph Haydn
    0:48
  • 13
    Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)
    Joseph Haydn
    3:16
  • 14
    Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)
    Joseph Haydn
    4:24
  • CD 15: Haydn: Die Schöpfung (Parts II & III)
  • 1
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
    Joseph Haydn
    0:30
  • 2
    Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)
    Joseph Haydn
    7:47
  • 3
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)
    Joseph Haydn
    2:11
  • 4
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)
    Joseph Haydn
    0:18
  • 5
    Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”
    Joseph Haydn
    7:02
  • 6
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)
    Joseph Haydn
    0:25
  • 7
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)
    Joseph Haydn
    3:10
  • 8
    Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)
    Joseph Haydn
    3:20
  • 9
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)
    Joseph Haydn
    0:47
  • 10
    Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)
    Joseph Haydn
    3:58
  • 11
    Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)
    Joseph Haydn
    0:20
  • 12
    Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
    Joseph Haydn
    9:17
  • 13
    Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)
    Joseph Haydn
    3:55
  • 14
    Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”
    Joseph Haydn
    10:20
  • 15
    Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)
    Joseph Haydn
    2:12
  • 16
    Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)
    Joseph Haydn
    7:57
  • 17
    Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)
    Joseph Haydn
    0:24
  • 18
    Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”
    Joseph Haydn
    3:37
  • CD 16: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer)
  • 1
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne)
    Joseph Haydn
    6:06
  • 2
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!”
    Joseph Haydn
    3:53
  • 3
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon)
    Joseph Haydn
    0:30
  • 4
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon)
    Joseph Haydn
    3:51
  • 5
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas)
    Joseph Haydn
    0:33
  • 6
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!”
    Joseph Haydn
    5:42
  • 7
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne)
    Joseph Haydn
    1:08
  • 8
    Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon)
    Joseph Haydn
    10:47
  • 9
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon)
    Joseph Haydn
    3:26
  • 10
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne)
    Joseph Haydn
    3:16
  • 11
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne”
    Joseph Haydn
    4:40
  • 12
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas)
    Joseph Haydn
    1:48
  • 13
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas)
    Joseph Haydn
    3:58
  • 14
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne)
    Joseph Haydn
    3:47
  • 15
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne)
    Joseph Haydn
    4:53
  • 16
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne)
    Joseph Haydn
    2:20
  • 17
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!”
    Joseph Haydn
    4:09
  • 18
    Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich”
    Joseph Haydn
    4:20
  • CD 17: Haydn: Die Jahreszeiten (Der Herbst, Der Winter)
  • 1
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon)
    Joseph Haydn
    2:20
  • 2
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß”
    Joseph Haydn
    6:39
  • 3
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas)
    Joseph Haydn
    1:00
  • 4
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne)
    Joseph Haydn
    8:29
  • 5
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon)
    Joseph Haydn
    0:50
  • 6
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!”
    Joseph Haydn
    3:14
  • 7
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas)
    Joseph Haydn
    0:43
  • 8
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön”
    Joseph Haydn
    4:17
  • 9
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas)
    Joseph Haydn
    0:57
  • 10
    Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da”
    Joseph Haydn
    6:23
  • 11
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne)
    Joseph Haydn
    5:22
  • 12
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne)
    Joseph Haydn
    2:02
  • 13
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas)
    Joseph Haydn
    1:54
  • 14
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas)
    Joseph Haydn
    3:47
  • 15
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon)
    Joseph Haydn
    1:07
  • 16
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne)
    Joseph Haydn
    2:51
  • 17
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas)
    Joseph Haydn
    0:21
  • 18
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne)
    Joseph Haydn
    3:19
  • 19
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon)
    Joseph Haydn
    0:38
  • 20
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon)
    Joseph Haydn
    4:52
  • 21
    Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an”
    Joseph Haydn
    6:14
  • CD 18: Mozart Early Symphonies Vol. 1: nos. 1, 4, 4a, 5, 6 & 43
  • 1
    Symphony no. 1 in E-flat major, K 16: I. Molto allegro
    Wolfgang Amadeus Mozart
    7:12
  • 2
    Symphony no. 1 in E-flat major, K 16: II. Andante
    Wolfgang Amadeus Mozart
    5:08
  • 3
    Symphony no. 1 in E-flat major, K 16: III. Presto
    Wolfgang Amadeus Mozart
    1:27
  • 4
    Symphony no. 4 in D major, K 19: I. Allegro
    Wolfgang Amadeus Mozart
    2:31
  • 5
    Symphony no. 4 in D major, K 19: II. Andante
    Wolfgang Amadeus Mozart
    3:49
  • 6
    Symphony no. 4 in D major, K 19: III. Presto
    Wolfgang Amadeus Mozart
    2:54
  • 7
    Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai
    Wolfgang Amadeus Mozart
    5:55
  • 8
    Symphony no. 4a in F major, K Anh 223 (19a): II. Andante
    Wolfgang Amadeus Mozart
    4:38
  • 9
    Symphony no. 4a in F major, K Anh 223 (19a): III. Presto
    Wolfgang Amadeus Mozart
    2:20
  • 10
    Symphony no. 5 in B-flat major, K 22: I. Allegro
    Wolfgang Amadeus Mozart
    2:48
  • 11
    Symphony no. 5 in B-flat major, K 22: II. Andante
    Wolfgang Amadeus Mozart
    2:10
  • 12
    Symphony no. 5 in B-flat major, K 22: III. Molto allegro
    Wolfgang Amadeus Mozart
    1:13
  • 13
    Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
    Wolfgang Amadeus Mozart
    4:53
  • 14
    Symphony no. 43 in F major, K 76 (42a): II. Andante
    Wolfgang Amadeus Mozart
    3:04
  • 15
    Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:15
  • 16
    Symphony no. 43 in F major, K 76 (42a): IV. Allegro
    Wolfgang Amadeus Mozart
    3:20
  • 17
    Symphony no. 6 in F major, K 43: I. Allegro
    Wolfgang Amadeus Mozart
    6:23
  • 18
    Symphony no. 6 in F major, K 43: II. Andante
    Wolfgang Amadeus Mozart
    5:58
  • 19
    Symphony no. 6 in F major, K 43: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:15
  • 20
    Symphony no. 6 in F major, K 43: IV. Allegro
    Wolfgang Amadeus Mozart
    3:49
  • CD 19: Mozart Early Symphonies Vol. 1: nos. 7, 7a, 8, 9, 44 & 55
  • 1
    Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso
    Wolfgang Amadeus Mozart
    5:30
  • 2
    Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante
    Wolfgang Amadeus Mozart
    6:45
  • 3
    Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto
    Wolfgang Amadeus Mozart
    2:20
  • 4
    Symphony no. 7 in D major, K 45: I. Molto allegro
    Wolfgang Amadeus Mozart
    2:35
  • 5
    Symphony no. 7 in D major, K 45: II. Andante
    Wolfgang Amadeus Mozart
    2:08
  • 6
    Symphony no. 7 in D major, K 45: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:51
  • 7
    Symphony no. 7 in D major, K 45: IV. Molto allegro
    Wolfgang Amadeus Mozart
    2:40
  • 8
    Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro
    Wolfgang Amadeus Mozart
    2:16
  • 9
    Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante
    Wolfgang Amadeus Mozart
    3:31
  • 10
    Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:07
  • 11
    Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro
    Wolfgang Amadeus Mozart
    3:56
  • 12
    Symphony no. 8 in D major. K 48: I. Allegro
    Wolfgang Amadeus Mozart
    4:40
  • 13
    Symphony no. 8 in D major. K 48: II. Andante
    Wolfgang Amadeus Mozart
    2:25
  • 14
    Symphony no. 8 in D major. K 48: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    4:06
  • 15
    Symphony no. 8 in D major. K 48: IV. Molto allegro
    Wolfgang Amadeus Mozart
    3:27
  • 16
    Symphony no. 9 in C major, K 73 (75a): I. Allegro
    Wolfgang Amadeus Mozart
    3:24
  • 17
    Symphony no. 9 in C major, K 73 (75a): II. Andante
    Wolfgang Amadeus Mozart
    3:59
  • 18
    Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:36
  • 19
    Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro
    Wolfgang Amadeus Mozart
    1:55
  • 20
    Symphony no. 44 in D major, K 81 (73l): I. Allegro
    Wolfgang Amadeus Mozart
    3:17
  • 21
    Symphony no. 44 in D major, K 81 (73l): II. Andante
    Wolfgang Amadeus Mozart
    4:52
  • 22
    Symphony no. 44 in D major, K 81 (73l): III. Allegro molto
    Wolfgang Amadeus Mozart
    2:35
  • CD 20: Mozart Early Symphonies Vol. 2: nos. 10-12, 42, 45, 47 & 48
  • 1
    Symphony no. 47 in D major, K 97 (73m): I. Allegro
    Wolfgang Amadeus Mozart
    2:48
  • 2
    Symphony no. 47 in D major, K 97 (73m): II. Andante
    Wolfgang Amadeus Mozart
    2:34
  • 3
    Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:37
  • 4
    Symphony no. 47 in D major, K 97 (73m): IV. Presto
    Wolfgang Amadeus Mozart
    1:31
  • 5
    Symphony no. 45 in D major, K 95 (73n): I. Allegro
    Wolfgang Amadeus Mozart
    1:58
  • 6
    Symphony no. 45 in D major, K 95 (73n): II. Andante
    Wolfgang Amadeus Mozart
    3:53
  • 7
    Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:58
  • 8
    Symphony no. 45 in D major, K 95 (73n): IV. Allegro
    Wolfgang Amadeus Mozart
    3:35
  • 9
    Symphony no. 11 in D major, K 84 (73q): I. Allegro
    Wolfgang Amadeus Mozart
    3:47
  • 10
    Symphony no. 11 in D major, K 84 (73q): II. Andante
    Wolfgang Amadeus Mozart
    1:38
  • 11
    Symphony no. 11 in D major, K 84 (73q): III. Allegro
    Wolfgang Amadeus Mozart
    4:45
  • 12
    Symphony no. 10 in G major, K 74: I. Allegro - attacca
    Wolfgang Amadeus Mozart
    3:16
  • 13
    Symphony no. 10 in G major, K 74: II. Andante
    Wolfgang Amadeus Mozart
    2:14
  • 14
    Symphony no. 10 in G major, K 74: III. Allegro
    Wolfgang Amadeus Mozart
    2:15
  • 15
    Symphony no. 42 in F major, K 75: I. Allegro
    Wolfgang Amadeus Mozart
    3:24
  • 16
    Symphony no. 42 in F major, K 75: II. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:32
  • 17
    Symphony no. 42 in F major, K 75: III. Andantino
    Wolfgang Amadeus Mozart
    4:48
  • 18
    Symphony no. 42 in F major, K 75: IV. Allegro
    Wolfgang Amadeus Mozart
    2:38
  • 19
    Symphony no. 12 in G major, K 110 (75b): I. Allegro
    Wolfgang Amadeus Mozart
    5:56
  • 20
    Symphony no. 12 in G major, K 110 (75b): II. Andante
    Wolfgang Amadeus Mozart
    4:06
  • 21
    Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:48
  • 22
    Symphony no. 12 in G major, K 110 (75b): IV. Allegro
    Wolfgang Amadeus Mozart
    2:00
  • 23
    Symphony no. 48 in D major: I. Allegro assai
    Wolfgang Amadeus Mozart
    3:53
  • 24
    Symphony no. 48 in D major: II. Andante grazioso
    Wolfgang Amadeus Mozart
    1:28
  • 25
    Symphony no. 48 in D major: III. Finale. Presto
    Wolfgang Amadeus Mozart
    1:10
  • CD 21: Mozart Early Symphonies Vol. 2: nos. 13-15 & 46
  • 1
    Symphony no. 46 in C major, K96 (111b): I. Allegro
    Wolfgang Amadeus Mozart
    2:05
  • 2
    Symphony no. 46 in C major, K96 (111b): II. Andante
    Wolfgang Amadeus Mozart
    4:21
  • 3
    Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:31
  • 4
    Symphony no. 46 in C major, K96 (111b): IV. Molto allegro
    Wolfgang Amadeus Mozart
    3:13
  • 5
    Symphony no. 13 in F major, K 112: I. Allegro
    Wolfgang Amadeus Mozart
    5:39
  • 6
    Symphony no. 13 in F major, K 112: II. Andante
    Wolfgang Amadeus Mozart
    4:33
  • 7
    Symphony no. 13 in F major, K 112: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:28
  • 8
    Symphony no. 13 in F major, K 112: IV. Molto allegro
    Wolfgang Amadeus Mozart
    2:12
  • 9
    Symphony no. 14 in A major, K 114: I. Allegro moderato
    Wolfgang Amadeus Mozart
    7:41
  • 10
    Symphony no. 14 in A major, K 114: II. Andante
    Wolfgang Amadeus Mozart
    4:43
  • 11
    Symphony no. 14 in A major, K 114: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:41
  • 12
    Symphony no. 14 in A major, K 114: IV. Molto allegro
    Wolfgang Amadeus Mozart
    4:38
  • 13
    Symphony no. 15 in G major, K 124: I. Allegro
    Wolfgang Amadeus Mozart
    5:19
  • 14
    Symphony no. 15 in G major, K 124: II. Andante
    Wolfgang Amadeus Mozart
    4:20
  • 15
    Symphony no. 15 in G major, K 124: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:15
  • 16
    Symphony no. 15 in G major, K 124: IV. Presto
    Wolfgang Amadeus Mozart
    2:08
  • 17
    Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio
    Wolfgang Amadeus Mozart
    7:07
  • CD 22: Mozart Early Symphonies Vol. 3: nos. 16-19
  • 1
    Symphony no. 16 in C major, K 128: I. Allegro maestoso
    Wolfgang Amadeus Mozart
    5:10
  • 2
    Symphony no. 16 in C major, K 128: II. Andante grazioso
    Wolfgang Amadeus Mozart
    4:27
  • 3
    Symphony no. 16 in C major, K 128: III. Allegro
    Wolfgang Amadeus Mozart
    4:18
  • 4
    Symphony no. 17 in G major, K 129: I. Allegro
    Wolfgang Amadeus Mozart
    4:49
  • 5
    Symphony no. 17 in G major, K 129: II. Andante
    Wolfgang Amadeus Mozart
    4:04
  • 6
    Symphony no. 17 in G major, K 129: III. Allegro
    Wolfgang Amadeus Mozart
    3:08
  • 7
    Symphony no. 18 in F major, K 130: I. Allegro
    Wolfgang Amadeus Mozart
    5:44
  • 8
    Symphony no. 18 in F major, K 130: II. Andantino grazioso
    Wolfgang Amadeus Mozart
    6:52
  • 9
    Symphony no. 18 in F major, K 130: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:41
  • 10
    Symphony no. 18 in F major, K 130: IV. Molto allegro
    Wolfgang Amadeus Mozart
    7:14
  • 11
    Symphony no. 19 in E-flat major, K 132: I. Allegro
    Wolfgang Amadeus Mozart
    4:05
  • 12
    Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2]
    Wolfgang Amadeus Mozart
    10:25
  • 13
    Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:50
  • 14
    Symphony no. 19 in E-flat major, K 132: IV. Allegro
    Wolfgang Amadeus Mozart
    4:02
  • 15
    Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1]
    Wolfgang Amadeus Mozart
    2:42
  • CD 23: Mozart Early Symphonies Vol. 3: nos. 20-22, 26 & 50
  • 1
    Symphony no. 20 in D major, K 133: I. Allegro
    Wolfgang Amadeus Mozart
    10:43
  • 2
    Symphony no. 20 in D major, K 133: II. Andante
    Wolfgang Amadeus Mozart
    7:43
  • 3
    Symphony no. 20 in D major, K 133: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    4:23
  • 4
    Symphony no. 20 in D major, K 133: IV. Allegro
    Wolfgang Amadeus Mozart
    5:35
  • 5
    Symphony no. 21 in A major, K 134: I. Allegro
    Wolfgang Amadeus Mozart
    5:29
  • 6
    Symphony no. 21 in A major, K 134: II. Andante
    Wolfgang Amadeus Mozart
    5:10
  • 7
    Symphony no. 21 in A major, K 134: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:47
  • 8
    Symphony no. 21 in A major, K 134: IV. Allegro
    Wolfgang Amadeus Mozart
    4:34
  • 9
    Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato
    Wolfgang Amadeus Mozart
    3:27
  • 10
    Symphony no. 50 in D major, K 161 (141a): II. Andante
    Wolfgang Amadeus Mozart
    1:51
  • 11
    Symphony no. 50 in D major, K 161 (141a): III. Presto
    Wolfgang Amadeus Mozart
    1:51
  • 12
    Symphony no. 22 in C major, K 162: I. Allegro assai
    Wolfgang Amadeus Mozart
    3:55
  • 13
    Symphony no. 22 in C major, K 162: II. Andantino grazioso
    Wolfgang Amadeus Mozart
    2:47
  • 14
    Symphony no. 22 in C major, K 162: III. Presto assai
    Wolfgang Amadeus Mozart
    1:58
  • 15
    Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto
    Wolfgang Amadeus Mozart
    2:53
  • 16
    Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca
    Wolfgang Amadeus Mozart
    3:05
  • 17
    Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro
    Wolfgang Amadeus Mozart
    2:15
  • CD 24: Mozart Early Symphonies Vol. 3: nos. 23-25, 27 & 51
  • 1
    Symphony no. 27 in G major, K 199 (161b): I. Allegro
    Wolfgang Amadeus Mozart
    6:42
  • 2
    Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso
    Wolfgang Amadeus Mozart
    10:05
  • 3
    Symphony no. 27 in G major, K 199 (161b): III. Presto
    Wolfgang Amadeus Mozart
    5:24
  • 4
    Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca
    Wolfgang Amadeus Mozart
    4:57
  • 5
    Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca
    Wolfgang Amadeus Mozart
    2:36
  • 6
    Symphony no. 23 in D major, K 181 (162b): III. Presto assai
    Wolfgang Amadeus Mozart
    2:03
  • 7
    Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso
    Wolfgang Amadeus Mozart
    4:12
  • 8
    Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso
    Wolfgang Amadeus Mozart
    3:28
  • 9
    Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro
    Wolfgang Amadeus Mozart
    3:09
  • 10
    Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio
    Wolfgang Amadeus Mozart
    10:45
  • 11
    Symphony no. 25 in G minor, K 183 (173dB): II. Andante
    Wolfgang Amadeus Mozart
    6:06
  • 12
    Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:34
  • 13
    Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro
    Wolfgang Amadeus Mozart
    7:03
  • 14
    Symphony no. 51 in D major: I. Allegro molto
    Wolfgang Amadeus Mozart
    2:32
  • 15
    Symphony no. 51 in D major: II. Andantino grazioso
    Wolfgang Amadeus Mozart
    2:12
  • 16
    Symphony no. 51 in D major: III. Allegro
    Wolfgang Amadeus Mozart
    2:29
  • CD 25: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 1, 4, 4a, 5, 6 & 7a
  • 1
    “Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart)
    Wolfgang Amadeus Mozart
    0:22
  • 2
    Symphony no. 1 in E-flat major, K 16: I. Molto allegro
    Wolfgang Amadeus Mozart
    7:10
  • 3
    Symphony no. 1 in E-flat major, K 16: II. Andante
    Wolfgang Amadeus Mozart
    5:09
  • 4
    Symphony no. 1 in E-flat major, K 16: III. Presto
    Wolfgang Amadeus Mozart
    1:21
  • 5
    “Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart)
    Leopold Mozart
    0:28
  • 6
    Symphony no. 4 in D major, K 19: I. Allegro
    Wolfgang Amadeus Mozart
    2:30
  • 7
    Symphony no. 4 in D major, K 19: II. Andante
    Wolfgang Amadeus Mozart
    3:49
  • 8
    Symphony no. 4 in D major, K 19: III. Presto
    Wolfgang Amadeus Mozart
    2:49
  • 9
    “Das heist auf der Schneckenpost gereiset!" (Leopold Mozart)
    Leopold Mozart
    0:57
  • 10
    Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai
    Wolfgang Amadeus Mozart
    5:55
  • 11
    Symphony no. 4a in F major, K Anh 223 (19a): II. Andante
    Wolfgang Amadeus Mozart
    4:38
  • 12
    Symphony no. 4a in F major, K Anh 223 (19a): III. Presto
    Wolfgang Amadeus Mozart
    2:15
  • 13
    “Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart)
    Leopold Mozart & Maria Anna Mozart
    0:59
  • 14
    Symphony no. 5 in B-flat major, K 22: I. Allegro
    Wolfgang Amadeus Mozart
    2:48
  • 15
    Symphony no. 5 in B-flat major, K 22: II. Andante
    Wolfgang Amadeus Mozart
    2:10
  • 16
    Symphony no. 5 in B-flat major, K 22: III. Molto allegro
    Wolfgang Amadeus Mozart
    1:06
  • 17
    “Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart)
    Leopold Mozart
    1:13
  • 18
    Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso
    Wolfgang Amadeus Mozart
    5:29
  • 19
    Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante
    Wolfgang Amadeus Mozart
    6:45
  • 20
    Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto
    Wolfgang Amadeus Mozart
    2:16
  • 21
    “Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart)
    Leopold Mozart
    1:12
  • 22
    Symphony no. 6 in F major, K 43: I. Allegro
    Wolfgang Amadeus Mozart
    6:23
  • 23
    Symphony no. 6 in F major, K 43: II. Andante
    Wolfgang Amadeus Mozart
    5:58
  • 24
    Symphony no. 6 in F major, K 43: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:15
  • 25
    Symphony no. 6 in F major, K 43: IV. Allegro
    Wolfgang Amadeus Mozart
    3:48
  • CD 26: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 7-9, 43 & 55
  • 1
    Symphony no. 7 in D major, K 45: I. Molto allegro
    Wolfgang Amadeus Mozart
    2:37
  • 2
    Symphony no. 7 in D major, K 45: II. Andante
    Wolfgang Amadeus Mozart
    2:08
  • 3
    Symphony no. 7 in D major, K 45: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:51
  • 4
    Symphony no. 7 in D major, K 45: IV. Molto allegro
    Wolfgang Amadeus Mozart
    2:35
  • 5
    “Te Deum laudmaus!” (Leopold Mozart)
    Leopold Mozart
    1:51
  • 6
    Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
    Wolfgang Amadeus Mozart
    4:53
  • 7
    Symphony no. 43 in F major, K 76 (42a): II. Andante
    Wolfgang Amadeus Mozart
    3:04
  • 8
    Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:15
  • 9
    Symphony no. 43 in F major, K 76 (42a): IV. Allegro
    Wolfgang Amadeus Mozart
    3:12
  • 10
    “Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart)
    Leopold Mozart
    1:38
  • 11
    Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro
    Wolfgang Amadeus Mozart
    2:16
  • 12
    Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante
    Wolfgang Amadeus Mozart
    3:31
  • 13
    Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:07
  • 14
    Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro
    Wolfgang Amadeus Mozart
    3:48
  • 15
    “Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart)
    Leopold Mozart
    1:01
  • 16
    Symphony no. 8 in D major, K 48: I. Allegro
    Wolfgang Amadeus Mozart
    4:40
  • 17
    Symphony no. 8 in D major, K 48: II. Andante
    Wolfgang Amadeus Mozart
    2:25
  • 18
    Symphony no. 8 in D major, K 48: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    4:06
  • 19
    Symphony no. 8 in D major, K 48: IV. Allegro
    Wolfgang Amadeus Mozart
    3:19
  • 20
    “Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart)
    Wolfgang Amadeus Mozart
    0:42
  • 21
    Symphony no. 9 in C major, K 73 (75a): I. Allegro
    Wolfgang Amadeus Mozart
    3:24
  • 22
    Symphony no. 9 in C major, K 73 (75a): II. Andante
    Wolfgang Amadeus Mozart
    3:59
  • 23
    Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:36
  • 24
    Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro
    Wolfgang Amadeus Mozart
    1:50
  • CD 27: Mozart Early Symphonies - Music & Letters Vol. 1: nos. 1, 5, 6, 8, 9, 25, 43 & 47 (excerpts)
  • 1
    First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro
    Leopold Mozart & Nannerl Mozart / Wolfgang Amadeus Mozart
    8:30
  • 2
    Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante
    Leopold Mozart / Wolfgang Amadeus Mozart
    5:10
  • 3
    First travel to Paris, 1763/64 (Leopold & Nannerl Mozart)
    Leopold Mozart & Nannerl Mozart
    4:42
  • 4
    Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro
    Leopold Mozart & Nannerl Mozart / Wolfgang Amadeus Mozart
    8:18
  • 5
    Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
    Leopold Mozart / Wolfgang Amadeus Mozart
    2:10
  • 6
    Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio
    Leopold Mozart / Wolfgang Amadeus Mozart
    5:07
  • 7
    Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante
    Leopold Mozart / Wolfgang Amadeus Mozart
    8:59
  • 8
    First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante
    Wolfgang Amadeus Mozart
    1:08
  • 9
    First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart)
    Leopold Mozart & Wolfgang Amadeus Mozart
    5:25
  • 10
    Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro
    Leopold Mozart & Wolfgang Amadeus Mozart
    5:05
  • 11
    First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart)
    Leopold Mozart & Wolfgang Amadeus Mozart
    5:16
  • 12
    Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart)
    Leopold Mozart & Wolfgang Amadeus Mozart
    2:56
  • 13
    Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto
    Leopold Mozart & Wolfgang Amadeus Mozart
    4:27
  • 14
    Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart)
    Leopold Mozart & Wolfgang Amadeus Mozart
    6:28
  • 15
    Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio
    Leopold Mozart & Wolfgang Amadeus Mozart
    6:07
  • CD 28: Mozart Early Symphonies - Music & Letters Vol. 2: nos. 15, 22, 26, 47, 48 & 50
  • 1
    “Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770)
    Leopold Mozart / Wolfgang Amadeus Mozart
    0:57
  • 2
    Symphony no. 47 in D major, K 97 (73m): I. Allegro
    Wolfgang Amadeus Mozart
    2:47
  • 3
    Symphony no. 47 in D major, K 97 (73m): II. Andante
    Wolfgang Amadeus Mozart
    2:34
  • 4
    Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:36
  • 5
    Symphony no. 47 in D major, K 97 (73m): IV. Presto
    Wolfgang Amadeus Mozart
    1:25
  • 6
    “Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770)
    Leopold Mozart / Wolfgang Amadeus Mozart
    1:12
  • 7
    Symphony no. 48 in D major: I. Allegro assai
    Wolfgang Amadeus Mozart
    3:53
  • 8
    Symphony no. 48 in D major: II. Andante grazioso
    Wolfgang Amadeus Mozart
    1:28
  • 9
    Symphony no. 48 in D major: III. Finale. Presto
    Wolfgang Amadeus Mozart
    1:01
  • 10
    “Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770)
    Leopold Mozart / Wolfgang Amadeus Mozart
    1:13
  • 11
    Symphony no. 15 in G major, K 124: I. Allegro
    Wolfgang Amadeus Mozart
    5:18
  • 12
    Symphony no. 15 in G major, K 124: II. Andante
    Wolfgang Amadeus Mozart
    4:20
  • 13
    Symphony no. 15 in G major, K 124: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    2:15
  • 14
    Symphony no. 15 in G major, K 124: IV. Presto
    Wolfgang Amadeus Mozart
    2:00
  • 15
    “Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770)
    Leopold Mozart / Wolfgang Amadeus Mozart
    1:15
  • 16
    Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato
    Wolfgang Amadeus Mozart
    3:27
  • 17
    Symphony no. 50 in D major, K 161 (141a): II. Andante
    Wolfgang Amadeus Mozart
    1:51
  • 18
    Symphony no. 50 in D major, K 161 (141a): III. Presto
    Wolfgang Amadeus Mozart
    1:44
  • 19
    “Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770)
    Leopold Mozart / Wolfgang Amadeus Mozart
    1:09
  • 20
    Symphony no. 22 in C major, K 162: I. Allegro assai
    Wolfgang Amadeus Mozart
    3:55
  • 21
    Symphony no. 22 in C major, K 162: II. Andantino
    Wolfgang Amadeus Mozart
    2:47
  • 22
    Symphony no. 22 in C major, K 162: III. Presto assai
    Wolfgang Amadeus Mozart
    1:48
  • 23
    “Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770)
    Wolfgang Amadeus Mozart
    0:28
  • 24
    Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto
    Wolfgang Amadeus Mozart
    2:53
  • 25
    Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca
    Wolfgang Amadeus Mozart
    3:05
  • 26
    Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro
    Wolfgang Amadeus Mozart
    2:15
  • CD 29: Mozart Early Symphonies - Music & Letters Vol. 2: nos. 25, 27, 51 & Sinfonia-Menuett
  • 1
    Symphony no. 27 in G major, K 199 (161b): I. Allegro
    Wolfgang Amadeus Mozart
    6:41
  • 2
    Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso
    Wolfgang Amadeus Mozart
    10:05
  • 3
    Symphony no. 27 in G major, K 199 (161b): III. Presto
    Wolfgang Amadeus Mozart
    5:20
  • 4
    “Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770)
    Leopold Mozart
    1:16
  • 5
    Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio
    Wolfgang Amadeus Mozart
    10:45
  • 6
    Symphony no. 25 in G minor, K 183 (173 dB): II. Andante
    Wolfgang Amadeus Mozart
    6:06
  • 7
    Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:34
  • 8
    Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro
    Wolfgang Amadeus Mozart
    6:59
  • 9
    “Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771)
    Leopold Mozart / Wolfgang Amadeus Mozart
    1:33
  • 10
    Symphony no. 51 in D major: I. Allergro molto
    Wolfgang Amadeus Mozart
    2:32
  • 11
    Symphony no. 51 in D major: II. Andantino grazioso
    Wolfgang Amadeus Mozart
    2:12
  • 12
    Symphony no. 51 in D major: III. Allegro
    Wolfgang Amadeus Mozart
    2:21
  • 13
    “Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771)
    Leopold Mozart
    0:49
  • 14
    Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio
    Wolfgang Amadeus Mozart
    7:05
  • 15
    “Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771)
    Wolfgang Amadeus Mozart
    0:38
  • CD 30: Mozart: Zaide (Part I)
  • 1
    Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro
    Wolfgang Amadeus Mozart
    8:10
  • 2
    Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator)
    Wolfgang Amadeus Mozart
    5:12
  • 3
    Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein”
    Wolfgang Amadeus Mozart
    0:58
  • 4
    Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz)
    Wolfgang Amadeus Mozart
    6:46
  • 5
    Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator)
    Wolfgang Amadeus Mozart
    2:20
  • 6
    Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide)
    Wolfgang Amadeus Mozart
    7:15
  • 7
    Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz)
    Wolfgang Amadeus Mozart
    4:20
  • 8
    Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator)
    Wolfgang Amadeus Mozart
    0:51
  • 9
    Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz)
    Wolfgang Amadeus Mozart
    2:35
  • 10
    Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator)
    Wolfgang Amadeus Mozart
    1:05
  • 11
    Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz)
    Wolfgang Amadeus Mozart
    3:43
  • 12
    Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator)
    Wolfgang Amadeus Mozart
    0:23
  • 13
    Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim)
    Wolfgang Amadeus Mozart
    4:29
  • 14
    Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator)
    Wolfgang Amadeus Mozart
    0:42
  • 15
    Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim)
    Wolfgang Amadeus Mozart
    6:10
  • CD 31: Mozart: Zaide (Part II)
  • 1
    Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator)
    Wolfgang Amadeus Mozart
    1:52
  • 2
    Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator)
    Wolfgang Amadeus Mozart
    7:58
  • 3
    Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator)
    Wolfgang Amadeus Mozart
    1:14
  • 4
    Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin)
    Wolfgang Amadeus Mozart
    3:43
  • 5
    Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator)
    Wolfgang Amadeus Mozart
    0:52
  • 6
    Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman)
    Wolfgang Amadeus Mozart
    5:43
  • 7
    Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator)
    Wolfgang Amadeus Mozart
    0:55
  • 8
    Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide)
    Wolfgang Amadeus Mozart
    7:03
  • 9
    Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator)
    Wolfgang Amadeus Mozart
    1:04
  • 10
    Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide)
    Wolfgang Amadeus Mozart
    4:37
  • 11
    Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator)
    Wolfgang Amadeus Mozart
    0:38
  • 12
    Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim)
    Wolfgang Amadeus Mozart
    4:31
  • 13
    Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator)
    Wolfgang Amadeus Mozart
    1:10
  • 14
    Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide)
    Wolfgang Amadeus Mozart
    7:07
  • 15
    Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator)
    Wolfgang Amadeus Mozart
    3:19
  • CD 32: Mozart: Symphony no. 35 “Haffner” / Posthorn-Serenade
  • 1
    March in D major, K 335/1 (K 320a/1)
    Wolfgang Amadeus Mozart
    4:00
  • 2
    Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito
    Wolfgang Amadeus Mozart
    8:45
  • 3
    Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio
    Wolfgang Amadeus Mozart
    5:25
  • 4
    Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso
    Wolfgang Amadeus Mozart
    8:36
  • 5
    Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo
    Wolfgang Amadeus Mozart
    6:29
  • 6
    Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino
    Wolfgang Amadeus Mozart
    6:27
  • 7
    Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II
    Wolfgang Amadeus Mozart
    5:10
  • 8
    Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto
    Wolfgang Amadeus Mozart
    4:24
  • 9
    Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito
    Wolfgang Amadeus Mozart
    6:07
  • 10
    Symphony no. 35 in D major “Haffner”, K 385: II. Andante
    Wolfgang Amadeus Mozart
    8:07
  • 11
    Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio
    Wolfgang Amadeus Mozart
    3:38
  • 12
    Symphony no. 35 in D major “Haffner”, K 385: IV. Presto
    Wolfgang Amadeus Mozart
    4:10
  • CD 33: Mozart: Piano Concertos nos. 23 & 25
  • 1
    Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso
    Wolfgang Amadeus Mozart
    15:04
  • 2
    Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante
    Wolfgang Amadeus Mozart
    6:48
  • 3
    Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto]
    Wolfgang Amadeus Mozart
    8:40
  • 4
    Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro
    Wolfgang Amadeus Mozart
    11:00
  • 5
    Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio
    Wolfgang Amadeus Mozart
    6:14
  • 6
    Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai
    Wolfgang Amadeus Mozart
    8:16
  • CD 34: The Mozart Album: Piano Concertos nos. 17 & 24
  • 1
    Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro
    Wolfgang Amadeus Mozart
    15:28
  • 2
    Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto]
    Wolfgang Amadeus Mozart
    7:47
  • 3
    Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto]
    Wolfgang Amadeus Mozart
    9:52
  • 4
    Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro
    Wolfgang Amadeus Mozart
    13:10
  • 5
    Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante
    Wolfgang Amadeus Mozart
    11:57
  • 6
    Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto
    Wolfgang Amadeus Mozart
    8:18
  • CD 35: The Last Symphonies - Mozart's Instrumental Oratorium: Symphonies nos. 39 & 40
  • 1
    Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro
    10:42
  • 2
    Symphony no. 39 in E-flat major, K 543: II. Andante con moto
    7:35
  • 3
    Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio
    3:50
  • 4
    Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro
    8:20
  • 5
    Symphony no. 40 in G minor, K 550: I. Molto allegro
    7:27
  • 6
    Symphony no. 40 in G minor, K 550: II. Andante
    12:08
  • 7
    Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio
    4:19
  • 8
    Symphony no. 40 in G minor, K 550: IV. Allegro assai
    10:36
  • CD 36: The Last Symphonies - Mozart's Instrumental Oratorium: Symphony no. 41
  • 1
    Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace
    12:59
  • 2
    Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile
    9:29
  • 3
    Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio
    5:14
  • 4
    Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro
    11:39
  • CD 37: Mozart: Requiem
  • 1
    Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)
    Wolfgang Amadeus Mozart
    4:57
  • 2
    Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)
    Wolfgang Amadeus Mozart
    2:56
  • 3
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)
    Wolfgang Amadeus Mozart
    1:50
  • 4
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)
    Wolfgang Amadeus Mozart
    3:52
  • 5
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)
    Wolfgang Amadeus Mozart
    1:58
  • 6
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)
    Wolfgang Amadeus Mozart
    6:19
  • 7
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)
    Wolfgang Amadeus Mozart
    2:35
  • 8
    Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)
    Wolfgang Amadeus Mozart
    3:07
  • 9
    Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)
    Wolfgang Amadeus Mozart
    3:50
  • 10
    Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)
    Wolfgang Amadeus Mozart
    3:02
  • 11
    Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)
    Wolfgang Amadeus Mozart
    1:19
  • 12
    Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)
    Wolfgang Amadeus Mozart
    5:20
  • 13
    Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)
    Wolfgang Amadeus Mozart
    3:24
  • 14
    Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)
    Wolfgang Amadeus Mozart
    5:45
  • CD 38: Beethoven: Christus am Ölberge
  • 1
    Christus am Ölberge, op. 85: No. 1 Introduction
    Ludwig van Beethoven
    5:41
  • 2
    Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)
    Ludwig van Beethoven
    3:35
  • 3
    Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)
    Ludwig van Beethoven
    5:04
  • 4
    Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)
    Ludwig van Beethoven
    1:32
  • 5
    Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)
    Ludwig van Beethoven
    8:32
  • 6
    Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)
    Ludwig van Beethoven
    1:02
  • 7
    Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)
    Ludwig van Beethoven
    5:24
  • 8
    Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)
    Ludwig van Beethoven
    1:09
  • 9
    Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)
    Ludwig van Beethoven
    1:54
  • 10
    Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)
    Ludwig van Beethoven
    1:31
  • 11
    Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)
    Ludwig van Beethoven
    2:04
  • 12
    Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)
    Ludwig van Beethoven
    1:16
  • 13
    Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)
    Ludwig van Beethoven
    4:25
  • 14
    Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)
    Ludwig van Beethoven
    3:10
  • 15
    Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)
    Ludwig van Beethoven
    1:08
  • 16
    Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)
    Ludwig van Beethoven
    3:03
  • CD 39: Beethoven: Symphonies 4 & 5
  • 1
    Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
    Ludwig van Beethoven
    12:29
  • 2
    Symphony no. 4 in B-flat major, op. 60: II. Adagio
    Ludwig van Beethoven
    9:28
  • 3
    Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro
    Ludwig van Beethoven
    6:01
  • 4
    Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
    Ludwig van Beethoven
    7:02
  • 5
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    Ludwig van Beethoven
    7:23
  • 6
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    Ludwig van Beethoven
    9:05
  • 7
    Symphony no. 5 in C minor, op. 67: III. Allegro - attacca
    Ludwig van Beethoven
    8:17
  • 8
    Symphony no. 5 in C minor, op. 67: IV. Allegro
    Ludwig van Beethoven
    10:56
  • CD 40: Beethoven: Missa solemnis
  • 1
    Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]
    9:56
  • 2
    Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca
    5:47
  • 3
    Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca
    4:55
  • 4
    Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]
    7:03
  • 5
    Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca
    4:13
  • 6
    Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca
    5:01
  • 7
    Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]
    10:40
  • 8
    Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca
    3:44
  • 9
    Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]
    13:07
  • 10
    Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca
    7:05
  • 11
    Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I
    9:56
  • CD 41: Schumann: Das Paradies und die Peri (Parts I & II)
  • 1
    Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)
    Robert Schumann
    3:12
  • 2
    Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)
    Robert Schumann
    2:43
  • 3
    Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)
    Robert Schumann
    1:58
  • 4
    Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)
    Robert Schumann
    2:38
  • 5
    Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)
    Robert Schumann
    1:24
  • 6
    Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)
    Robert Schumann
    3:24
  • 7
    Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”
    Robert Schumann
    2:52
  • 8
    Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)
    Robert Schumann
    2:12
  • 9
    Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)
    Robert Schumann
    6:41
  • 10
    Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)
    Robert Schumann
    3:16
  • 11
    Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)
    Robert Schumann
    3:49
  • 12
    Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)
    Robert Schumann
    3:30
  • 13
    Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)
    Robert Schumann
    2:42
  • 14
    Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)
    Robert Schumann
    3:02
  • 15
    Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)
    Robert Schumann
    4:35
  • 16
    Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)
    Robert Schumann
    4:51
  • 17
    Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)
    Robert Schumann
    3:48
  • CD 42: Schumann: Das Paradies und die Peri (Part III)
  • 1
    Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)
    Robert Schumann
    3:09
  • 2
    Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)
    Robert Schumann
    3:03
  • 3
    Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)
    Robert Schumann
    4:26
  • 4
    Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)
    Robert Schumann
    4:25
  • 5
    Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)
    Robert Schumann
    3:59
  • 6
    Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)
    Robert Schumann
    6:53
  • 7
    Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)
    Robert Schumann
    4:11
  • 8
    Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)
    Robert Schumann
    7:19
  • 9
    Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)
    Robert Schumann
    6:54
  • CD 43: Verdi: Messa da Requiem (I & II)
  • 1
    Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)
    Giuseppe Verdi
    8:36
  • 2
    Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)
    Giuseppe Verdi
    2:33
  • 3
    Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)
    Giuseppe Verdi
    3:32
  • 4
    Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)
    Giuseppe Verdi
    5:19
  • 5
    Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)
    Giuseppe Verdi
    3:51
  • 6
    Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)
    Giuseppe Verdi
    3:37
  • 7
    Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)
    Giuseppe Verdi
    4:17
  • 8
    Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)
    Giuseppe Verdi
    3:42
  • 9
    Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)
    Giuseppe Verdi
    5:56
  • 10
    Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)
    Giuseppe Verdi
    5:45
  • CD 44: Verdi: Messa da Requiem (III-VII)
  • 1
    Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)
    Giuseppe Verdi
    4:52
  • 2
    Messa da Requiem: III. Offertorio: “Hostias” (soloists)
    Giuseppe Verdi
    5:58
  • 3
    Messa da Requiem: IV. Sanctus (chorus)
    Giuseppe Verdi
    3:01
  • 4
    Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)
    Giuseppe Verdi
    4:55
  • 5
    Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)
    Giuseppe Verdi
    6:29
  • 6
    Messa da Requiem: VII. Libera me (soprano, chorus)
    Giuseppe Verdi
    2:39
  • 7
    Messa da Requiem: VII. Libera me: “Dies irae” (chorus)
    Giuseppe Verdi
    5:40
  • 8
    Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)
    Giuseppe Verdi
    6:49
  • CD 45: Bruckner: Symphony no. 5
  • 1
    Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro
    Anton Bruckner
    20:34
  • 2
    Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam
    Anton Bruckner
    14:57
  • 3
    Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo
    Anton Bruckner
    13:35
  • 4
    Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato
    Anton Bruckner
    23:59
  • CD 46: Bruckner: Symphony no. 5 Rehearsal Excerpts
  • 1
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”
    Anton Bruckner
    2:46
  • 2
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”
    Anton Bruckner
    4:37
  • 3
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”
    Anton Bruckner
    1:57
  • 4
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”
    Anton Bruckner
    4:11
  • 5
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”
    Anton Bruckner
    8:57
  • 6
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”
    Anton Bruckner
    3:24
  • 7
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”
    Anton Bruckner
    4:43
  • 8
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”
    Anton Bruckner
    6:25
  • 9
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”
    Anton Bruckner
    2:36
  • 10
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”
    Anton Bruckner
    6:28
  • 11
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”
    Anton Bruckner
    7:00
  • 12
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”
    Anton Bruckner
    5:41
  • 13
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”
    Anton Bruckner
    3:34
  • 14
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”
    Anton Bruckner
    2:59
  • 15
    Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”
    Anton Bruckner
    9:23
  • CD 47: Bruckner: Symphony no. 9 (Mvts. I-III)
  • 1
    Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso
    Anton Bruckner
    24:17
  • 2
    Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo
    Anton Bruckner
    10:39
  • 3
    Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich
    Anton Bruckner
    23:55
  • CD 48: Bruckner: Symphony no. 9 (Mvt. IV) / A Workshop Concert
  • 1
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”
    Anton Bruckner
    11:12
  • 2
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278
    Anton Bruckner
    9:14
  • 3
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”
    Anton Bruckner
    2:21
  • 4
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”
    Anton Bruckner
    0:51
  • 5
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342
    Anton Bruckner
    2:25
  • 6
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”
    Anton Bruckner
    1:52
  • 7
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478
    Anton Bruckner
    4:45
  • 8
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”
    Anton Bruckner
    1:48
  • 9
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526
    Anton Bruckner
    1:42
  • 10
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”
    Anton Bruckner
    10:51
  • 11
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278
    Anton Bruckner
    9:15
  • 12
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”
    Anton Bruckner
    2:24
  • 13
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”
    Anton Bruckner
    0:40
  • 14
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342
    Anton Bruckner
    2:24
  • 15
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”
    Anton Bruckner
    1:46
  • 16
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478
    Anton Bruckner
    4:43
  • 17
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”
    Anton Bruckner
    1:39
  • 18
    Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526
    Anton Bruckner
    1:36
  • CD 49: Smetana: Má vlast (Vyšehrad / Vltava / Šárka)
  • 1
    Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo
    Bedřich Smetana
    15:54
  • 2
    Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto
    Bedřich Smetana
    12:54
  • 3
    Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo
    Bedřich Smetana
    10:41
  • CD 50: Smetana: Má vlast (Zčesk ých luhů a hájů / Tábor / Blanik)
  • 1
    Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto
    Bedřich Smetana
    13:52
  • 2
    Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato
    Bedřich Smetana
    14:24
  • 3
    Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace
    Bedřich Smetana
    15:27
  • CD 51: Brahms: Ein deutsches Requiem
  • 1
    Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)
    Johannes Brahms
    9:58
  • 2
    Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)
    Johannes Brahms
    16:02
  • 3
    Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)
    Johannes Brahms
    10:47
  • 4
    Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)
    Johannes Brahms
    5:54
  • 5
    Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)
    Johannes Brahms
    7:00
  • 6
    Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)
    Johannes Brahms
    12:35
  • 7
    Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)
    Johannes Brahms
    9:45
  • CD 52: Dvořák: Stabat Mater (nos. 1-4)
  • 1
    Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto
    Antonín Dvořák
    20:38
  • 2
    Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto
    Antonín Dvořák
    11:35
  • 3
    Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto
    Antonín Dvořák
    7:11
  • 4
    Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo
    Antonín Dvořák
    9:14
  • CD 53: Dvořák: Stabat Mater (nos. 5-10)
  • 1
    Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto
    Antonín Dvořák
    5:14
  • 2
    Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto
    Antonín Dvořák
    6:58
  • 3
    Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo
    Antonín Dvořák
    6:50
  • 4
    Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto
    Antonín Dvořák
    5:26
  • 5
    Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso
    Antonín Dvořák
    6:09
  • 6
    Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto
    Antonín Dvořák
    7:39
  • CD 54: Bartók: Music for Strings, Percussion and Celesta / Divertimento for String Orchestra
  • 1
    Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
    Béla Bartók
    9:09
  • 2
    Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
    Béla Bartók
    7:49
  • 3
    Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
    Béla Bartók
    8:05
  • 4
    Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
    Béla Bartók
    8:07
  • 5
    Divertimento for String Orchestra, Sz 113: I. Allegro non troppo
    Béla Bartók
    9:16
  • 6
    Divertimento for String Orchestra, Sz 113: II. Molto adagio
    Béla Bartók
    10:11
  • 7
    Divertimento for String Orchestra, Sz 113: III. Allegro assai
    Béla Bartók
    7:52
  • CD 55: Gershwin: Porgy & Bess (Act I & Act II Scene 1)
  • 1
    Porgy & Bess: Act I, Scene 1. Introduction
    George Gershwin
    1:45
  • 2
    Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)
    George Gershwin
    2:14
  • 3
    Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)
    George Gershwin
    4:28
  • 4
    Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)
    George Gershwin
    3:04
  • 5
    Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)
    George Gershwin
    4:31
  • 6
    Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)
    George Gershwin
    4:53
  • 7
    Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)
    George Gershwin
    4:00
  • 8
    Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)
    George Gershwin
    5:03
  • 9
    Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)
    George Gershwin
    3:38
  • 10
    Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)
    George Gershwin
    3:17
  • 11
    Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)
    George Gershwin
    3:43
  • 12
    Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)
    George Gershwin
    4:16
  • 13
    Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)
    George Gershwin
    2:06
  • 14
    Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)
    George Gershwin
    3:07
  • 15
    Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)
    George Gershwin
    3:37
  • 16
    Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)
    George Gershwin
    2:13
  • 17
    Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)
    George Gershwin
    1:18
  • 18
    Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)
    George Gershwin
    1:23
  • 19
    Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)
    George Gershwin
    1:17
  • 20
    Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)
    George Gershwin
    5:22
  • 21
    Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)
    George Gershwin
    2:51
  • 22
    Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)
    George Gershwin
    3:22
  • CD 56: Gershwin: Porgy & Bess (Act II Scenes 2-4)
  • 1
    Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)
    George Gershwin
    3:17
  • 2
    Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)
    George Gershwin
    0:43
  • 3
    Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)
    George Gershwin
    5:09
  • 4
    Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)
    George Gershwin
    4:12
  • 5
    Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)
    George Gershwin
    3:08
  • 6
    Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)
    George Gershwin
    4:29
  • 7
    Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)
    George Gershwin
    1:53
  • 8
    Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)
    George Gershwin
    3:23
  • 9
    Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)
    George Gershwin
    4:03
  • 10
    Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)
    George Gershwin
    2:53
  • 11
    Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)
    George Gershwin
    2:24
  • 12
    Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)
    George Gershwin
    2:32
  • 13
    Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)
    George Gershwin
    1:11
  • 14
    Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)
    George Gershwin
    2:27
  • 15
    Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)
    George Gershwin
    3:03
  • 16
    Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)
    George Gershwin
    2:37
  • 17
    Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)
    George Gershwin
    1:40
  • 18
    Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)
    George Gershwin
    2:34
  • 19
    Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)
    George Gershwin
    1:10
  • 20
    Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)
    George Gershwin
    1:30
  • 21
    Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)
    George Gershwin
    4:05
  • 22
    Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)
    George Gershwin
    1:35
  • 23
    Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)
    George Gershwin
    1:01
  • 24
    Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)
    George Gershwin
    2:18
  • CD 57: Gershwin: Porgy & Bess (Act III)
  • 1
    Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)
    George Gershwin
    6:23
  • 2
    Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)
    George Gershwin
    3:48
  • 3
    Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)
    George Gershwin
    5:01
  • 4
    Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)
    George Gershwin
    2:09
  • 5
    Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)
    George Gershwin
    4:07
  • 6
    Porgy & Bess: Act III, Scene 3. Introduction
    George Gershwin
    1:17
  • 7
    Porgy & Bess: Act III, Scene 3. Symphony of Noise
    George Gershwin
    4:17
  • 8
    Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)
    George Gershwin
    2:58
  • 9
    Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)
    George Gershwin
    2:57
  • 10
    Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)
    George Gershwin
    1:39
  • 11
    Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)
    George Gershwin
    3:18
  • 12
    Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)
    George Gershwin
    1:46
  • 13
    Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)
    George Gershwin
    1:23
  • CD 58: New Year's Concert 2003: Johann Strauss II / Josef Strauss / Weber
  • 1
    Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126
    Johann Strauss
    3:38
  • 2
    Schatz Walzer, op. 418
    Johann Strauss
    9:00
  • 3
    Niko Polka, op. 228
    Johann Strauss
    4:05
  • 4
    Scherz Polka, op. 72
    Johann Strauss
    3:44
  • 5
    Delirien, op. 212
    Josef Strauss
    10:19
  • 6
    Pêle-Mêle Polka, op. 161
    Josef Strauss
    2:20
  • 7
    Aufforderung zum Tanz, op. 65
    Carl Maria von Weber
    9:44
  • 8
    Sekunden Polka, op. 258
    Johann Strauss
    3:31
  • 9
    Hellenen Polka, op. 203
    Johann Strauss
    2:19
  • CD 59: New Year's Concert 2003: Johann Strauss I & II / Brahms
  • 1
    Kaiser Walzer, op. 437
    Johann Strauss
    12:01
  • 2
    Bauern Polka, op. 276
    Johann Strauss
    3:08
  • 3
    Lob der Frauen, op. 315
    Johann Strauss
    4:20
  • 4
    Chineser Galopp, op. 20
    Johann Strauss
    1:51
  • 5
    Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5
    Johannes Brahms
    2:44
  • 6
    Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6
    Johannes Brahms
    3:42
  • 7
    Krönungslieder, op. 184
    Johann Strauss
    9:29
  • 8
    Leichtes Blut, op. 319
    Johann Strauss
    2:42
  • 9
    Furioso Polka, op. 260
    Johann Strauss
    2:33
  • 10
    New Year's Address
    [no artist]
    1:05
  • 11
    An der schönen blauen Donau, op. 314
    Johann Strauss
    10:18
  • 12
    Radetzky-Marsch, op. 228
    Johann Strauss
    3:32
  • CD 60: Walzer Revolution: Mozart / Johann Strauss I
  • 1
    Kontretanz in D major, K 603/1
    Wolfgang Amadeus Mozart
    1:09
  • 2
    Kontretanz in C major, K 609/1
    Wolfgang Amadeus Mozart
    1:14
  • 3
    Kontretanz in C major, K 609/4
    Wolfgang Amadeus Mozart
    2:05
  • 4
    6 deutsche Tänze, K 571: No. 1 in D major
    Wolfgang Amadeus Mozart
    1:29
  • 5
    6 deutsche Tänze, K 571: No. 2 in A minor
    Wolfgang Amadeus Mozart
    1:23
  • 6
    6 deutsche Tänze, K 571: No. 3 in C major
    Wolfgang Amadeus Mozart
    1:35
  • 7
    6 deutsche Tänze, K 571: No. 4 in G major
    Wolfgang Amadeus Mozart
    1:41
  • 8
    6 deutsche Tänze, K 571: No. 5 in B-flat major
    Wolfgang Amadeus Mozart
    1:32
  • 9
    6 deutsche Tänze, K 571: No. 6 in D major
    Wolfgang Amadeus Mozart
    3:06
  • 10
    Radetzky-Marsch, op. 228 (original version)
    Johann Strauss
    3:37
  • 11
    Kettenbrücke-Walzer, op. 4
    Johann Strauss
    6:43
  • 12
    Schäfer-Quadrille, op. 217
    Johann Strauss
    5:49
  • 13
    Der Karneval in Paris, op. 100 (Walzer)
    Johann Strauss
    2:33
  • 14
    Walzer à la Paganini, op. 11
    Johann Strauss
    7:56
  • CD 61: Walzer Revolution: Lanner
  • 1
    Pas de neuf, WoO (after Saverio Mercadante)
    Josef Lanner
    14:23
  • 2
    Sehnsuchts-Mazur, op. 89
    Josef Lanner
    9:05
  • 3
    Hans-Jörgel-Polka, op. 194
    Josef Lanner
    3:44
  • 4
    Malapou-Galopp, op. 148a
    Josef Lanner
    1:25
  • 5
    Hexen-Tanz, op. 203 (Walzer)
    Josef Lanner
    9:36
  • 6
    March from the Ballet Corso Donati
    Josef Lanner
    4:14
  • 7
    Cerrito-Polka, op. 189
    Josef Lanner
    3:57
  • 8
    Jägers Lust, op. 82 (Jagd-Galopp)
    Josef Lanner
    2:39
  • 9
    Die Schönbrunner, op. 200 (Walzer)
    Josef Lanner
    9:08
  • DVD-Video 62: Mozart: Die Zauberflöte (Act I)
  • 1
    Die Zauberflöte, K 620: Opening Credits
    Wolfgang Amadeus Mozart
    0:59
  • 2
    Die Zauberflöte, K 620: Overture
    Wolfgang Amadeus Mozart
    6:16
  • 3
    Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)
    Wolfgang Amadeus Mozart
    7:04
  • 4
    Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)
    Wolfgang Amadeus Mozart
    3:18
  • 5
    Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)
    Wolfgang Amadeus Mozart
    5:49
  • 6
    Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)
    Wolfgang Amadeus Mozart
    5:45
  • 7
    Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)
    Wolfgang Amadeus Mozart
    4:55
  • 8
    Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)
    Wolfgang Amadeus Mozart
    7:18
  • 9
    Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)
    Wolfgang Amadeus Mozart
    3:30
  • 10
    Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)
    Wolfgang Amadeus Mozart
    5:01
  • 11
    Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)
    Wolfgang Amadeus Mozart
    3:53
  • 12
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)
    Wolfgang Amadeus Mozart
    1:47
  • 13
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)
    Wolfgang Amadeus Mozart
    9:20
  • 14
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)
    Wolfgang Amadeus Mozart
    3:17
  • 15
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)
    Wolfgang Amadeus Mozart
    3:39
  • 16
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)
    Wolfgang Amadeus Mozart
    4:45
  • 17
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)
    Wolfgang Amadeus Mozart
    2:16
  • 18
    Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)
    Wolfgang Amadeus Mozart
    1:09
  • DVD-Video 63: Mozart: Die Zauberflöte (Act II)
  • 1
    Die Zauberflöte, K 620: Act II. No. 9 March of the Priests
    Wolfgang Amadeus Mozart
    2:35
  • 2
    Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)
    Wolfgang Amadeus Mozart
    4:19
  • 3
    Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)
    Wolfgang Amadeus Mozart
    3:23
  • 4
    Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)
    Wolfgang Amadeus Mozart
    5:49
  • 5
    Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)
    Wolfgang Amadeus Mozart
    5:37
  • 6
    Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)
    Wolfgang Amadeus Mozart
    4:55
  • 7
    Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)
    Wolfgang Amadeus Mozart
    6:17
  • 8
    Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)
    Wolfgang Amadeus Mozart
    8:08
  • 9
    Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)
    Wolfgang Amadeus Mozart
    4:21
  • 10
    Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)
    Wolfgang Amadeus Mozart
    5:06
  • 11
    Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)
    Wolfgang Amadeus Mozart
    3:56
  • 12
    Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)
    Wolfgang Amadeus Mozart
    3:32
  • 13
    Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)
    Wolfgang Amadeus Mozart
    9:21
  • 14
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)
    Wolfgang Amadeus Mozart
    7:09
  • 15
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)
    Wolfgang Amadeus Mozart
    5:11
  • 16
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)
    Wolfgang Amadeus Mozart
    7:21
  • 17
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)
    Wolfgang Amadeus Mozart
    6:05
  • 18
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)
    Wolfgang Amadeus Mozart
    2:53
  • 19
    Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)
    Wolfgang Amadeus Mozart
    4:49
  • 20
    Die Zauberflöte, K 620: Curtain Calls and Credits
    Wolfgang Amadeus Mozart
    4:55
  • DVD-Video 64: Mission Mozart: A Documentary About Making Music
  • 1
    Opening
    Nikolaus Harnoncourt, Lang Lang
    6:25
  • 2
    First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro
    Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart
    20:19
  • 3
    Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto
    Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart
    6:55
  • 4
    Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto
    Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart
    10:20
  • 5
    Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto
    Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart
    8:00
  • 6
    Credits
    Nikolaus Harnoncourt, Lang Lang
    0:32

More by Nikolaus Harnoncourt

Release credits

  • bass vocals [15-16, 20]
  • soprano vocals [56.7, 56.11-12, 56.18, 56.21, 55.3, 55.5-7, 55.9-13, 55.16, 55.18, 55.20-21, 57.3, 57.11-12]
  • soprano vocals [62.3, 62.5-6, 62.8, 63.5, 63.19-20]
  • alto vocals [8.14, 8.23-24, 7.8, 7.16-17, 7.20], solo [7.8, 7.16-17, 7.20, 8.14, 8.23-24]
  • bass vocals [1.5, 1.12, 2.3, 2.5-6, 31.4]
  • choir vocals [43.1-4, 43.6, 43.9-10, 1.1, 1.4, 1.8-9, 1.14, 17.2, 17.8, 17.10, 17.16, 17.18, 17.21, 37.1-3, 37.5, 37.7-14, 15.5, 15.12, 15.14, 15.18, 57.1, 57.8, 57.12-13, 7.4, 7.7-8, 7.11, 7.15, 7.18-19, 51.1-7, 55.3-4, 55.6-7, 55.9-17, 55.20-22, 14.2-3, 14.5, 14.11, 14.14, 38.5, 38.9, 38.11, 38.14-16, 16.2, 16.6, 16.8, 16.11, 16.17-18, 44.3-4, 44.6-8, 2.1, 2.4, 2.7-8, 2.13, 2.15, 2.19, 2.21, 4.1, 4.3, 4.5, 4.7-8, 4.10-11, 4.18-19, 4.24, 4.29, 40.1-11, 56.4-6, 56.10, 56.18-22, 8.1-3, 8.5, 8.10-11, 8.13-15, 8.17, 8.19, 8.21, 8.25, 8.27, 3.1, 3.5, 3.7, 3.9, 3.12, 3.17, 3.21, 3.23-24, 3.26, 3.28, 3.33, 3.35-36]
  • tenor vocals [63.4-5, 63.8-12, 63.15-16, 63.20, 62.3-6, 62.8, 62.12-14, 62.17]
  • alto vocals [40.1-11, 37.4, 37.6, 37.9, 37.12, 41.1, 41.3, 41.5, 41.10, 41.13-14, 42.2, 42.5, 42.7, 3.3-4, 3.19, 3.31-32, 4.14, 4.16-17, 4.28, 2.19-20], contralto vocals [1], mezzo-soprano vocals [43.1, 43.4-7, 43.10, 44.1-2, 44.4-5], solo [44.1-2, 44.4-5, 43.1, 43.4-7, 43.10]
  • producer [1-6]
  • soprano vocals [56.17-19, 56.23, 55.2, 55.10, 55.16, 55.21]
  • alto vocals [53.5-6, 52.1-2]
  • performing orchestra [57.1-13, 54.1-7, 56.1-24, 55.1-22]
  • choir vocals [62.13, 62.16, 62.18, 63.3, 63.5, 63.11, 63.16, 63.19]
  • choir vocals [41.6-11, 41.13, 41.17, 52.1, 52.3-4, 42.1, 42.5, 42.7-9, 53.1-3, 53.6]
  • video director [1-6]
  • baritone vocals [15.3-8, 15.11-12, 15.14-16, 15.18, 41.5, 41.7, 41.13, 14.2, 14.4, 14.6-7, 14.14, 10.1-2, 10.17, 10.24, 9.2-3, 9.5-6, 9.16, 9.23, 17.1, 17.1-2, 17.2-3, 17.3, 17.5, 17.5-6, 17.9, 17.11, 17.15, 17.19, 17.19-20, 17.20-21, 17.21, 42.4-5, 42.7, 16.1, 16.3, 16.3-4, 16.4, 16.6, 16.8-9, 16.9-10, 16.10-11, 16.11-12, 16.12, 16.16, 16.18, 2.17], bass vocals [3, 5, 12, 20, 28], solo [17.1-3, 17.5-6, 17.9, 17.11, 17.15, 17.19-21, 16.1, 16.3-4, 16.6, 16.8-12, 16.16, 16.18]
  • recording [1-11]
  • solo [8.8-9, 8.14, 8.20, 8.26, 7.12-14, 7.16-17], soprano vocals [2.12, 2.18, 7.12-14, 7.16-17, 3.13, 3.29, 4.3-5, 4.16, 4.21-22, 4.28, 37.1, 37.4, 37.6, 37.9, 37.12, 37.14, 8.8-9, 8.14, 8.20, 8.26]
  • tenor vocals [7, 14-15]
  • performing orchestra [29.1-3, 29.5-8, 29.10-12, 29.14, 28.2-5, 28.7-9, 28.11-14, 28.16-18, 28.20-22, 28.24-26, 61.1-9, 8.1-27, 12.1-8, 19.1-22, 27.1-2, 27.4-8, 27.10, 27.13, 27.15, 35.1-8, 62.2-18, 63.1-20, 9.1-26, 5.1-20, 13.1-8, 10.1-29, 16.1-18, 21.1-17, 1.1-14, 22.1-15, 37.1-14, 6.1-9, 32.1-12, 3.1-36, 36.1-4, 38.1-16, 39.1-8, 15.1-18, 23.1-17, 40.1-11, 60.1-14, 14.1-14, 24.1-16, 4.1-29, 7.1-20, 17.1-21, 2.1-21, 30.1, 30.3-4, 30.6-7, 30.9, 30.11, 30.13, 30.15, 33.1-6, 18.1-20, 25.2-4, 25.6-8, 25.10-12, 25.14-16, 25.18-20, 25.22-25, 31.2, 31.4, 31.6, 31.8, 31.10, 31.12, 31.14, 20.1-25, 26.1-4, 26.6-9, 26.11-14, 26.16-19, 26.21-24, 11.1-8]
  • soprano vocals [30.6, 30.9, 30.15, 31.8, 31.10, 31.14]
  • soprano vocals [15.1-2, 15.5, 15.12, 15.14-16, 15.18, 41.2, 41.4, 41.9, 41.11-12, 41.17, 42.3, 42.6, 42.8-9, 14.5, 14.8-9, 14.14]
  • soprano vocals [18, 20]
  • alto vocals [2, 11], mezzo-soprano vocals [10.10, 10.13, 10.17, 10.20, 10.28, 9.10-11]
  • chorus master [63.1-20, 62.1-18]
  • chorus master [40.1-11, 38.1-16, 1.1-14, 2.1, 2.4, 2.7-8, 2.13, 2.15, 2.19, 2.21, 37.1-14, 17.1-21, 3.1-36, 4.1-29, 7.1-20, 14.1-14, 16.1-18, 15.1-18, 8.1-27]
  • solo [44.1, 44.4, 44.6-8, 43.1, 43.5-7, 43.10], soprano vocals [43.1, 43.5-7, 43.10, 44.1, 44.4, 44.6-8]
  • video director [62.1-18, 63.1-20]
  • baritone vocals [38.12-13, 30.13, 30.15, 31.12, 31.14], bass vocals [19-20, 23]
  • editor [6.1-9, 5.1-20], producer [5.1-20, 6.1-9]
  • bass vocals [52.1-2, 52.4, 53.6]
  • producer [1-11]
  • producer [42.1-9, 43.1-10, 30.1-15, 54.1-7, 10.1-29, 38.1-16, 37.1-14, 31.1-15, 17.1-21, 44.1-8, 16.1-18, 47.1-3, 48.1-18, 8.1-27, 41.1-17, 9.1-26, 7.1-20]
  • solo [16.1, 16.6-8, 16.10-11, 16.14-16, 16.18, 17.1-4, 17.9, 17.11-12, 17.15-16, 17.18, 17.21], soprano vocals [51.5, 17.1, 17.1-2, 17.2-3, 17.3-4, 17.4, 17.9, 17.11, 17.11-12, 17.12, 17.15, 17.15-16, 17.16, 17.18, 17.21, 16.1, 16.6, 16.6-7, 16.7-8, 16.8, 16.10, 16.10-11, 16.11, 16.14, 16.14-15, 16.15-16, 16.16, 16.18]
  • bass vocals [62.16-17, 63.2-3, 63.7-8, 63.11-12, 63.19], tenor vocals [20]
  • bass vocals [5.8-9, 8.12, 8.16, 8.22-23, 3.8, 3.14, 3.18, 3.22, 3.27, 3.29, 37.4, 37.6, 37.9, 37.12, 2.11, 6.3, 6.8-9, 7.5-6, 7.9-10], solo [8.12, 8.16, 8.22-23, 7.5-6, 7.9-10]
  • bass vocals [6]
  • baritone vocals [56.8-9, 56.21-24, 55.6-8]
  • producer [29.1-3, 29.5-8, 29.10-12, 19.20-22, 28.2-5, 28.7-9, 28.16-18, 28.20-22, 28.24-26, 20.1-25, 24.1-16, 23.1-17, 21.1-12, 22.1-15]
  • tenor vocals [2-3, 6-8, 10, 12-14]
  • organ [8.1-27, 7.1-20]
  • cello [7.1-20, 8.1-27]
  • bass vocals [44.1-2, 44.5, 43.1, 43.3, 43.6, 43.9-10], solo [43.1, 43.3, 43.6, 43.9-10, 44.1-2, 44.5]
  • soprano vocals [57.2, 57.4-5, 56.1-4, 56.8-9, 56.11, 56.15-16, 56.20-21, 56.23, 55.6-9, 55.14, 55.20]
  • soprano vocals [62.12, 63.9, 63.14, 63.17, 63.20]
  • creative direction [62.1-18, 63.1-20]
  • tenor vocals [1, 1-11]
  • tenor vocals [2-3, 5]
  • chorus master [5.1-20, 6.1-9]
  • bass-baritone vocals [56.1, 56.3-4, 56.11-12, 56.14-16, 56.18, 56.21, 56.24, 57.2-3, 57.8-13, 55.6-7, 55.10, 55.13, 55.16-17, 55.21-22]
  • recording [1-14]
  • soprano vocals [2.3, 2.6, 1.2, 1.7, 1.13, 63.6-7, 63.9-12, 63.14-16, 63.20, 62.9-11, 62.15-17]
  • soprano vocals [3, 6]
  • assistant [13.1-8, 11.1-8, 12.1-8], editor [56.1-24, 9.1-26, 10.1-29, 57.1-13, 55.1-22, 38.1-16], mix [9.1-26, 10.1-29, 30.1-15], recording [1-6]
  • sound [42.1-9, 41.1-17]
  • tenor vocals [2.2, 2.4, 37.4, 37.6, 37.9, 37.12, 1.3, 1.6, 1.10]
  • piano [64.1-6, 34.1-6]
  • soprano vocals [38.4-7, 38.13, 40.1-11]
  • spoken vocals [27.1, 27.3-4, 25.13]
  • soprano vocals [62.12, 63.9, 63.14, 63.17, 63.20]
  • tenor vocals [4-5, 8, 15-16, 20]
  • soprano vocals [41.5, 41.13, 41.16, 9.2-4, 9.16, 9.23, 10.3, 10.5, 10.7-8, 10.15, 42.5, 42.7]
  • soprano vocals [62.7, 63.6-7, 63.19-20]
  • tenor vocals [10.6-8, 10.15-16, 9.15-17, 9.23]
  • bass vocals [62.4-5, 62.8-11, 62.15-16, 63.4-5, 63.8-10, 63.13, 63.17-18, 63.20]
  • spoken vocals [63.2, 63.4-5, 63.8, 63.13, 63.20, 62.13]
  • editor [15.1-18, 14.1-14, 60.1-14, 61.1-9], mix [14.1-14, 15.1-18]
  • additional [1-11], editor [34.1-6, 36.1-4, 38.1-16, 39.1-8, 51.1-7, 4.1-29, 2.1-21, 3.1-36, 32.1-12, 35.1-8, 1.1-14], mix [3.1-36, 39.1-8, 4.1-29], producer [3.1-36, 45.1-4, 34.1-6, 49.1-3, 1.1-14, 51.1-7, 35.1-8, 56.1-24, 60.1-14, 39.1-8, 36.1-4, 61.1-9, 11.1-8, 46.1-15, 2.1-21, 50.1-3, 55.1-22, 57.1-13, 59.1-12, 58.1-9, 13.1-8, 12.1-8, 32.1-12, 4.1-29], recording [26.5, 26.10, 26.15, 26.20, 25.1, 25.5, 25.9, 25.13, 25.17, 25.21, 27.1-15, 28.1, 28.6, 28.10, 28.15, 28.19, 28.23, 29.4, 29.9, 29.13, 29.15]
  • soprano vocals [62.12, 63.9, 63.14, 63.17, 63.20]
  • art direction [62.1-18, 63.1-20]
  • spoken vocals [25.1, 28.1, 28.6, 28.10, 28.15, 28.19, 28.23, 29.4, 29.9, 29.15, 27.8-15, 26.20]
  • editor [1-6], engineer [47.1-3, 19.20-22, 21.1-4, 45.1-4, 20.5-18, 48.1-18, 7.1-20, 8.1-27], mix [1-6], recording [1.1-14, 17.1-21, 55.1-22, 27.1-15, 36.1-4, 4.1-29, 54.1-7, 15.1-18, 19.1-19, 20.1-25, 23.1-17, 33.1-6, 38.1-16, 24.1-16, 2.1-21, 3.1-36, 32.1-12, 49.1-3, 57.1-13, 14.1-14, 58.1-9, 25.1-25, 10.1-29, 16.1-18, 51.1-7, 9.1-26, 18.1-20, 46.1-15, 26.1-24, 11.1-8, 45.1-4, 28.2-5, 28.7-9, 28.11-14, 28.16-18, 28.20-22, 28.24-26, 29.1-3, 29.5-8, 29.10-12, 29.14, 37.1-14, 22.1-15, 59.1-12, 12.1-8, 56.1-24, 13.1-8, 50.1-3, 21.1-17, 35.1-8], sound [44.1-8, 41.1-17, 31.1-15, 42.1-9, 30.1-15, 43.1-10]
  • tenor vocals [56.1, 56.6, 56.18, 57.1, 57.4-5, 55.3-8, 55.18]
  • solo [8.4, 8.6-7, 8.10, 8.17-18, 8.24, 44.1-2, 44.5, 7.2-3, 43.1, 43.5-6, 43.8, 43.10], tenor vocals [30.4, 30.7, 30.9, 30.11, 30.15, 7.2-3, 10.1, 10.13-14, 10.21-24, 10.29, 43.1, 43.5-6, 43.8, 43.10, 8.4, 8.6-7, 8.10, 8.17-18, 8.24, 44.1-2, 44.5, 14.3, 14.10, 14.12-14, 9.21-24, 15.5, 15.9-10, 15.12-13, 15.17-18, 31.14]
  • conductor [10.1-29, 3.1-36, 31.2, 31.4, 31.6, 31.8, 31.10, 31.12, 31.14, 24.1-16, 12.1-8, 18.1-20, 26.1-4, 26.6-9, 26.11-14, 26.16-19, 26.21-24, 2.1-21, 9.1-26, 57.1-13, 21.1-17, 46.1-15, 7.1-20, 32.1-12, 15.1-18, 60.1-14, 28.2-5, 28.7-9, 28.11-14, 28.16-18, 28.20-22, 28.24-26, 20.1-25, 42.1-9, 47.1-3, 33.1-6, 51.1-7, 41.1-17, 22.1-15, 35.1-8, 39.1-8, 49.1-3, 52.1-4, 55.1-22, 63.1-20, 1.1-14, 14.1-14, 62.1-18, 11.1-8, 16.1-18, 43.1-10, 36.1-4, 19.1-22, 61.1-9, 17.1-21, 30.1, 30.3-4, 30.6-7, 30.9, 30.11, 30.13, 30.15, 25.2-4, 25.6-8, 25.10-12, 25.14-16, 25.18-20, 25.22-25, 6.1-9, 4.1-29, 53.1-6, 59.1-12, 34.1-6, 29.1-3, 29.5-8, 29.10-12, 29.14, 13.1-8, 44.1-8, 45.1-4, 23.1-17, 37.1-14, 48.1-18, 5.1-20, 8.1-27, 40.1-11, 54.1-7, 56.1-24, 58.1-9, 64.1-6, 27.1-2, 27.4-8, 27.10, 27.13, 27.15, 38.1-16, 50.1-3], performer [14-15], spoken vocals [26.5, 26.10, 26.15, 29.4, 29.9, 29.13, 6.1, 25.5, 25.9, 25.13, 25.17, 25.21, 28.1, 28.6, 28.10, 28.15, 28.19, 27.1-7, 27.9-15]
  • soprano vocals [10.9, 10.11-13, 10.24, 10.26, 9.7-8, 9.10, 9.12, 9.14, 9.18-19, 9.25-26]
  • chorus master [52.1-4, 53.1-6]
  • recording [53.1-6, 52.1-4]
  • editor [30.1-15, 43.1-10, 47.1-3, 44.1-8, 48.1-18, 31.1-15]
  • assistant [19.20-22, 20.5-18, 21.1-4], editor [1-6], mix [1-6], producer [1-6]
  • tenor vocals [53.2, 53.4, 53.6, 52.1-2]
  • tenor vocals [57.8, 57.12, 56.11-12, 56.14, 56.20, 55.3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.10, 55.21]
  • art direction [63.1-20, 62.1-18]
  • mezzo-soprano vocals [42.6, 41.15]
  • assistant [48.1-18, 47.1-3], editor [46.1-15, 2.1-21, 11.1-8, 49.1-3, 8.1-27, 3.1-36, 4.1-29, 45.1-4, 54.1-7, 7.1-20, 1.1-14, 13.1-8, 50.1-3, 37.1-14, 12.1-8], mix [12.1-8, 13.1-8, 46.1-15, 7.1-20, 11.1-8, 4.1-29, 45.1-4, 8.1-27, 3.1-36], recording [61.1-9, 60.1-14, 39.1-8]
  • recording [6.1-9, 5.1-20]
  • soprano vocals [56.4, 56.7, 56.10-11, 56.14, 56.17, 56.20, 55.4-5, 55.7-10, 55.16, 55.18-20, 57.1, 57.11-12]
  • soprano vocals [6.6, 6.9, 5.5, 5.7, 5.11-13, 5.15-16, 5.19]
  • baritone vocals [55.3-7, 55.11, 55.13, 55.15-16, 55.21, 56.2, 56.10]
  • co [1-6]
  • art direction [62.1-18, 63.1-20]
  • bass vocals [1-11]
  • fortepiano [1-6]
  • tenor vocals [62.9, 62.15, 62.17, 63.6-7, 63.19-20, 31.2, 31.6, 31.14]
  • soprano vocals [63.5, 63.19-20, 62.3, 62.5-6, 62.8]
  • editor [1-11], mix [1-11]
  • art direction [63.1-20, 62.1-18]
  • harpsichord [8.1-27, 7.1-20]
  • assistant [24.7-9, 20.19-22, 22.11-15]
  • performing orchestra [41.1-17, 53.1-6, 52.1-4, 42.1-9]
  • baritone vocals [3, 6]
  • assistant [24.7-9, 20.19-22, 22.11-15], editor [55.1-22, 57.1-13, 56.1-24], producer [19.1-19, 28.2-5, 28.7-9, 28.11-14, 28.16-18, 28.20-22, 28.24-26, 15.1-18, 18.1-20, 20.1-4, 20.23-25, 23.9-17, 24.1-3, 24.10-13, 26.1-24, 21.13-17, 27.1-15, 29.1-3, 29.5-8, 29.14, 25.1-25, 14.1-14], recording [57.1-13, 2.1-21, 58.1-9, 59.1-12, 55.1-22, 56.1-24]
  • spoken vocals [31.1-3, 31.5, 31.7, 31.9, 31.11, 31.13, 31.15, 30.2, 30.5, 30.8, 30.10, 30.12, 30.14]
  • solo [17.1-4, 17.7, 17.9, 17.13-15, 17.17, 17.21, 16.1, 16.5-6, 16.8-9, 16.11-13, 16.16, 16.18], tenor vocals [42.2, 42.5-8, 41.3, 41.5, 41.7, 41.10-16, 5.2-4, 5.10, 5.17, 16.1, 16.5, 16.5-6, 16.6, 16.8, 16.8-9, 16.9, 16.11, 16.11-12, 16.12-13, 16.13, 16.16, 16.18, 6.2, 6.4-5, 6.7-9, 10.3-4, 10.11-13, 10.24, 9.12-13, 9.18, 9.20, 9.26, 17.1, 17.1-2, 17.2-4, 17.4, 17.7, 17.9, 17.13, 17.13-14, 17.14-15, 17.15, 17.17, 17.21, 2.9-10, 2.16, 3.2, 3.6, 3.11, 3.13, 3.15-16, 3.20, 3.25, 3.30, 3.34, 4.2, 4.6, 4.9, 4.13, 4.15-16, 4.20, 4.23, 4.25-28]
  • soprano vocals [63.5, 63.19-20, 62.3, 62.5-6, 62.8]
  • performing orchestra [43.1-10, 48.1-18, 49.1-3, 44.1-8, 47.1-3, 58.1-9, 51.1-7, 45.1-4, 46.1-15, 50.1-3, 34.1-6, 59.1-12, 64.1-6]
  • choir vocals [5.3, 5.6, 5.9, 5.14, 5.18, 5.20, 6.2, 6.6-7, 6.9]
  • tenor vocals [9]
  • orchestrator [6.1-9, 5.1-20]
  • assistant [43.1-10, 30.1-15, 44.1-8, 7.1-20, 8.1-27]
  • producer [41.1-17, 42.1-9, 52.1-4, 53.1-6]
  • soprano vocals [53.4, 53.6, 52.1-2]

Issues