Music: An Appreciation, Fifth Edition, Second Brief Edition

Tracklist

• CD 1
• 1
  Lohengrin, Prelude to Act III: 1a. Main Melody

  Richard Wagner
  0:22
• 2
  Lohengrin, Prelude to Act III: 1b. Brass Melody

  Richard Wagner
  0:55
• 3
  Lohengrin, Prelude to Act III: 2. Contrasting oboe melody

  Richard Wagner
  0:56
• 4
  Lohengrin, Prelude to Act III: 3a. Main Melody

  Richard Wagner
  0:48
• 5
  Hotter Than That: 1. All instruments, trumpet predominates

  Lillian Hardin Armstrong
  0:43
• 6
  Hotter Than That: 3. Clarinet

  Lillian Hardin Armstrong
  0:36
• 7
  Hotter Than That: 4. Voice, guitar accompaniment

  Lillian Hardin Armstrong
  0:35
• 8
  Hotter Than That: 5. Twangy voice imitated by guitar

  Lillian Hardin Armstrong
  0:23
• 9
  Hotter Than That: 6a. Muted trombone

  Lillian Hardin Armstrong
  0:15
• 10
  Hotter Than That: 6b. Trumpet, all instruments join

  Lillian Hardin Armstrong
  0:30
• 11
  "Farandole" from "L'Arlésienne" Suite No. 2: 1a. March theme, homophonic

  Georges Bizet
  0:15
• 12
  "Farandole" from "L'Arlésienne" Suite No. 2: 1b. March theme, polyphonic

  Georges Bizet
  0:15
• 13
  "Farandole" from "L'Arlésienne" Suite No. 2: 2a. Dance theme, homophonic

  Georges Bizet
  0:52
• 14
  "Farandole" from "L'Arlésienne" Suite No. 2: 3a. March theme, monophonic

  Georges Bizet
  0:48
• 15
  "Farandole" from "L'Arlésienne" Suite No. 2: 4. Dance and march themes combined, polyphonic

  Georges Bizet
  0:53
• 16
  "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 1. A

  Tchaikovsky
  1:13
• 17
  "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 2. B

  Tchaikovsky
  0:33
• 18
  "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 3. A'

  Tchaikovsky
  0:34
• 19
  "Badinerie" from Suite No. 2 in B Minor: 1. Part A (repeated)

  Johann Sebastian Bach
  0:31
• 20
  "Badinerie" from Suite No. 2 in B Minor: 2. Part B (repeated)

  Johann Sebastian Bach
  0:55
• 21
  Alleluia: Vidimus stellam: 1. Section A

  [anonymous]
  0:23
• 22
  Alleluia: Vidimus stellam: 2. Section B

  [anonymous]
  1:20
• 23
  Alleluia: Vidimus stellam: 3. Section A

  [anonymous]
  0:29
• 24
  Agnus Dei from "Notre Dame" Mass: 1. Agnus Dei (I)

  Guillaume de Machaut
  0:58
• 25
  Agnus Dei from "Notre Dame" Mass: 2. Agnus Dei (II)

  Guillaume de Machaut
  1:12
• 26
  Agnus Dei from "Notre Dame" Mass: 3. Agnus Dei (III)

  Guillaume de Machaut
  1:10
• 27
  "Ave Maria ...virgo serena": "Ave Maria gratia plena", duple meter

  Josquin Desprez
  2:49
• 28
  "Ave Maria ...virgo serena": "Ave, vera virginitas", triple meter

  Josquin Desprez
  0:25
• 29
  "Ave Maria ...virgo serena": "Ave, praeclara omnibus", duple meter

  Josquin Desprez
  1:32
• 30
  As Vesta Was Descending

  Thomas Weelkes
  2:57
• 31
  "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1a. Opening ritornello

  Johann Sebastian Bach
  0:20
• 32
  "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1b. First solo section

  Johann Sebastian Bach
  0:29
• 33
  "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 2b. Solo section

  Johann Sebastian Bach
  2:04
• 34
  "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 5c. New theme in minor, solo section

  Johann Sebastian Bach
  3:26
• 35
  "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 8c. Harpsichord solo

  Johann Sebastian Bach
  3:27
• 36
  Organ Fugue in G Minor (Little Fugue): 1a. Subject, soprano voice alone

  Johann Sebastian Bach
  1:14
• 37
  Organ Fugue in G Minor (Little Fugue): 1e. Brief episode

  Johann Sebastian Bach
  0:38
• 38
  Organ Fugue in G Minor (Little Fugue): 3a. Sunject in alto, major key

  Johann Sebastian Bach
  2:15
• 39
  "Tu se' morta" from "Orfeo", Act II

  Claudio Monteverdi
  2:24
• 40
  "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1a. Opening ritornello: Spring has come

  Antonio Vivaldi
  0:30
• 41
  "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1b. Song of the birds

  Antonio Vivaldi
  0:40
• 42
  "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 2b. Murmuring streams

  Antonio Vivaldi
  0:29
• 43
  "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 3b. Thunder and lightning

  Antonio Vivaldi
  0:33
• 44
  "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 4b. Song of the birds

  Antonio Vivaldi
  1:06
• 45
  Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": String ritornello

  Johann Sebastian Bach
  0:37
• 46
  Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Zion hört die Wächter singen"

  Johann Sebastian Bach
  1:58
• 47
  Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Nun kommen, du werte Kron"

  Johann Sebastian Bach
  1:24
• 48
  Cantata No. 140: Wachtet auf, ruft uns die Stimme: Seventh Movement, Chorale: "Gloria sei dir gesungen"

  Johann Sebastian Bach
  1:48
• 49
  Messiah: Ev'ry Valley Shall Be Exalted

  George Frideric Handel
  3:30
• 50
  Messiah: "Hallelujah" Chorus: Opening, homophonic

  George Frideric Handel
  0:26
• 51
  Messiah: "Hallelujah" Chorus: "For the Lord God", monophonic

  George Frideric Handel
  0:23
• 52
  Messiah: "Hallelujah" Chorus: "For the Lord God" combined with "Hallelujah", polyphonic

  George Frideric Handel
  0:27
• 53
  Messiah: "Hallelujah" Chorus: "The kingdom of this world", hymnlike homophonic texture

  George Frideric Handel
  0:21
• 54
  Messiah: "Hallelujah" Chorus: "And He shall reign for ever and ever", monophonic, then polyphonic imitation

  George Frideric Handel
  0:23
• 55
  Messiah: "Hallelujah" Chorus: Rising sequence on "King of Kings-for ever and ever"

  George Frideric Handel
  1:51
• 56
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 1a. First Theme

  Wolfgang Amadeus Mozart
  0:24
• 57
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 2a. Bridge

  Wolfgang Amadeus Mozart
  0:28
• 58
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 3a. Second theme

  Wolfgang Amadeus Mozart
  0:35
• 59
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4a. Closing section

  Wolfgang Amadeus Mozart
  0:35
• 60
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4b. Exposition is repeated

  Wolfgang Amadeus Mozart
  2:04
• 61
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: Development (LO 1-3)

  Wolfgang Amadeus Mozart
  1:17
• 62
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 1a. First Theme

  Wolfgang Amadeus Mozart
  1:15
• 63
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 3a. Second Theme

  Wolfgang Amadeus Mozart
  1:11
• 64
  Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: Coda (LO 1a)

  Wolfgang Amadeus Mozart
  0:25
• 65
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Theme

  Joseph Haydn
  1:06
• 66
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 1

  Joseph Haydn
  1:05
• 67
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 2

  Joseph Haydn
  1:07
• 68
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 3

  Joseph Haydn
  1:03
• 69
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 4

  Joseph Haydn
  1:21
• 70
  Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Closing section

  Joseph Haydn
  0:31
• 71
  "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)

  Wolfgang Amadeus Mozart
  0:41
• 72
  "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Trio (B)

  Wolfgang Amadeus Mozart
  0:55
• 73
  "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)

  Wolfgang Amadeus Mozart
  0:24
• CD 2
• 1
  String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A

  Ludwig van Beethoven
  0:32
• 2
  String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme B

  Ludwig van Beethoven
  0:43
• 3
  String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A

  Ludwig van Beethoven
  0:29
• 4
  String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme C

  Ludwig van Beethoven
  2:32
• 5
  Don Giovanni, Act I: Introduction (opening scene): Orchestral introduction

  Wolfgang Amadeus Mozart
  3:05
• 6
  Don Giovanni, Act I: Introduction (opening scene): String tremolo, the Commandant appears

  Wolfgang Amadeus Mozart
  1:04
• 7
  Don Giovanni, Act I: Introduction (opening scene): Andante, "Ah, soccorso!", the Commandant's agonized last gasps

  Wolfgang Amadeus Mozart
  1:09
• 8
  Don Giovanni, Act I: Introduction (opening scene): Recitative, accompanied by harpsichord, "Leporello, ove sei?"

  Wolfgang Amadeus Mozart
  0:25
• 9
  Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 1a. First theme in orchestra

  Wolfgang Amadeus Mozart
  0:32
• 10
  Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 2a. Bridge

  Wolfgang Amadeus Mozart
  0:23
• 11
  Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 3a. Second theme

  Wolfgang Amadeus Mozart
  1:08
• 12
  Piano Concerto in A Major, K. 488, first movement: Allegro: Second Exposition: 1a. First theme in piano

  Wolfgang Amadeus Mozart
  2:17
• 13
  Piano Concerto in A Major, K. 488, first movement: Allegro: Development: 1a. Development theme in strings

  Wolfgang Amadeus Mozart
  1:40
• 14
  Piano Concerto in A Major, K. 488, first movement: Allegro: Recapitulation: 1a. First theme in strings

  Wolfgang Amadeus Mozart
  3:00
• 15
  Piano Concerto in A Major, K. 488, first movement: Allegro: Candenza: 5c. piano solo

  Wolfgang Amadeus Mozart
  1:33
• 16
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 1a. First theme

  Ludwig van Beethoven
  0:20
• 17
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 2a. Bridge

  Ludwig van Beethoven
  0:25
• 18
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 3a. Second theme

  Ludwig van Beethoven
  0:22
• 19
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 4a. Triumphant melody

  Ludwig van Beethoven
  0:20
• 20
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Exposition is repeated

  Ludwig van Beethoven
  1:28
• 21
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Development (LO,1-2)

  Ludwig van Beethoven
  1:21
• 22
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Recapitulation (LO,1-4)

  Ludwig van Beethoven
  1:38
• 23
  Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Coda (LO,1-3)

  Ludwig van Beethoven
  1:38
• 24
  Erlkönig: Piano introduction

  Franz Schubert
  0:56
• 25
  Erlkönig: Father, "Mein Sohn", low register

  Franz Schubert
  0:07
• 26
  Erlkönig: Son, "Siehst, Vater", higher register

  Franz Schubert
  0:25
• 27
  Erlkönig: Erlking, "Du liebes Kind", coaxing tune, major

  Franz Schubert
  0:24
• 28
  Erlkönig: Son, outcry, "Mein Vater"

  Franz Schubert
  0:41
• 29
  Erlkönig: Son, outcry, "Mein Vater", higher than before

  Franz Schubert
  1:39
• 30
  Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1a. Main violin melody

  Clara Wieck Schumann
  0:37
• 31
  Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1c. Long trills in violin

  Clara Wieck Schumann
  0:10
• 32
  Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2a. New soaring phrase beginning with trill

  Clara Wieck Schumann
  0:13
• 33
  Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2b. Playful phrase

  Clara Wieck Schumann
  0:52
• 34
  Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A' (minor): 3a. Main violin melody

  Clara Wieck Schumann
  0:57
• 35
  Nocturne in E Flat Major, Op. 9, No. 2: Main melody

  Fryderyk Chopin
  0:25
• 36
  Nocturne in E Flat Major, Op. 9, No. 2: Decorated repetition of main melody

  Fryderyk Chopin
  0:26
• 37
  Nocturne in E Flat Major, Op. 9, No. 2: Subordinate melody played with rubato

  Fryderyk Chopin
  3:17
• 38
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 1a. Rapid falling chords, syncopated fragment

  Franz Liszt
  0:41
• 39
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 2a. High lyrical theme in octaves

  Franz Liszt
  0:31
• 40
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 3. Low "processional theme"

  Franz Liszt
  0:12
• 41
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section B: 4a. Sudden p, syncopated main theme varied

  Franz Liszt
  0:37
• 42
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A': 5. Syncopated main theme

  Franz Liszt
  2:00
• 43
  "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Coda: 8a. Faster tempo

  Franz Liszt
  0:42
• 44
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Introduction

  Hector Berlioz
  1:46
• 45
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Idée fixe" as dance tune

  Hector Berlioz
  1:40
• 46
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in tubas and bassoons

  Hector Berlioz
  0:31
• 47
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in quick rhythm

  Hector Berlioz
  1:22
• 48
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Fugue subject (witches' dance)

  Hector Berlioz
  2:45
• 49
  "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Witches' dance set against "Dies irae"

  Hector Berlioz
  1:49
• 50
  The Moldau: 1a. Two springs

  Bedřich Smetana
  1:01
• 51
  The Moldau: 2. The river

  Bedřich Smetana
  1:49
• 52
  The Moldau: 3a. Forest hunt

  Bedřich Smetana
  1:03
• 53
  The Moldau: 4a. Peasant wedding

  Bedřich Smetana
  1:25
• 54
  The Moldau: 5a. Moonlight: dance of water nymphs

  Bedřich Smetana
  3:26
• 55
  The Moldau: 7a. The rapids

  Bedřich Smetana
  1:14
• 56
  The Moldau: 8. The river at its widest point; river theme in major

  Bedřich Smetana
  1:56
• 57
  Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Theme (A)

  Johannes Brahms
  0:17
• 58
  Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Variation 1

  Johannes Brahms
  2:59
• 59
  Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: B: Variation 12 (B)

  Johannes Brahms
  2:48
• 60
  Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A': Variation 16 (A')

  Johannes Brahms
  4:07
• CD 3
• 1
  La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Openings of scene

  Giacomo Puccini
  4:11
• 2
  La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Rodolfo's Aria: "Che gelida manina"

  Giacomo Puccini
  4:38
• 3
  La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Mimi's Aria: "Mi chiamano Mimi"

  Giacomo Puccini
  5:17
• 4
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): Sieglinde, Wie die Stirn so offen steht

  Richard Wagner
  0:19
• 5
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Valhalla" leitmotif

  Richard Wagner
  1:07
• 6
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Love" leitmotif

  Richard Wagner
  0:53
• 7
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Volsung" leitmotif together with "Sword" leitmotif

  Richard Wagner
  2:53
• 8
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): Voice, downward octave leaps, "Notung"

  Richard Wagner
  0:28
• 9
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif

  Richard Wagner
  0:48
• 10
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Spring" leitmotif

  Richard Wagner
  0:59
• 11
  "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif

  Richard Wagner
  0:31
• 12
  Prélude à "L'Après-midi d' un Faune": A: 1a. Main melody, unaccompanied flute (A)

  Claude Debussy
  0:54
• 13
  Prélude à "L'Après-midi d' un Faune": A: 1b. Flute melody, strings accompany

  Claude Debussy
  1:03
• 14
  Prélude à "L'Après-midi d' un Faune": A: 1c. Flute melody, strings accompany

  Claude Debussy
  1:43
• 15
  Prélude à "L'Après-midi d' un Faune": A: 2b. New oboe melody

  Claude Debussy
  1:15
• 16
  Prélude à "L'Après-midi d' un Faune": B: 3a. New legato melody in woodwinds (B)

  Claude Debussy
  1:49
• 17
  Prélude à "L'Après-midi d' un Faune": A': 4a. Harp accompanies flute melody (A')

  Claude Debussy
  1:16
• 18
  Prélude à "L'Après-midi d' un Faune": A': 5a. Antique cymbals, flute melody

  Claude Debussy
  2:23
• 19
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Introduction", solo bassoonn

  Stravinsky
  2:40
• 20
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: Repeated four-note figure

  Stravinsky
  0:20
• 21
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens"

  Stravinsky
  0:46
• 22
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", bassoons, melodic fragment a

  Stravinsky
  0:57
• 23
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", French horn, melodic fragment b

  Stravinsky
  0:36
• 24
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", trumpets, melodic fragment c

  Stravinsky
  0:59
• 25
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction"

  Stravinsky
  0:52
• 26
  "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction", powerful accents and rapid changes of meter

  Stravinsky
  0:28
• 27
  A Survivor from Warsaw, Op. 46: Orchestral introduction

  Arnold Schoenberg
  3:45
• 28
  A Survivor from Warsaw, Op. 46: "They started slowly, and irregularly"

  Arnold Schoenberg
  2:18
• 29
  Five Pieces for Orchestra. Op. 10, No. 3 (Very slow and extremely calm)

  Anton Webern
  1:32
• 30
  Concerto for Orchestra, second movement: A: 1. Solo side drum

  Béla Bartók
  0:32
• 31
  Concerto for Orchestra, second movement: A: 3a. Two oboes

  Béla Bartók
  0:27
• 32
  Concerto for Orchestra, second movement: A: 4a. Two clarinets

  Béla Bartók
  0:20
• 33
  Concerto for Orchestra, second movement: A: 5a. Two flutes

  Béla Bartók
  0:41
• 34
  Concerto for Orchestra, second movement: A: 6. Two muted trumpets

  Béla Bartók
  0:46
• 35
  Concerto for Orchestra, second movement: B: 1a. Brasses, hymnlike melody

  Béla Bartók
  1:00
• 36
  Concerto for Orchestra, second movement: A': 1. Two bassoons, opening melody, third bassoon in background

  Béla Bartók
  2:19
• 37
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Theme

  Aaron Copland
  0:36
• 38
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 1

  Aaron Copland
  0:26
• 39
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 2

  Aaron Copland
  0:47
• 40
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 3

  Aaron Copland
  0:24
• 41
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 4

  Aaron Copland
  0:15
• 42
  "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 5

  Aaron Copland
  0:31
• 43
  Poème électronique (excerpt)

  Edgard Varèse
  2:46
• 44
  "Concerto Grosso 1985", first movement: Maestoso: 1a. Orchestra in unison

  Ellen Taaffe Zwilich
  0:34
• 45
  "Concerto Grosso 1985", first movement: Maestoso: 1c. Handel quotation

  Ellen Taaffe Zwilich
  2:11
• 46
  "Nixon in China", Act I, scene 2, opening

  John Adams
  4:15
• 47
  "Tonight" Ensemble from "West Side Story": 1a. Orchestra

  Leonard Bernstein
  1:25
• 48
  "Tonight" Ensemble from "West Side Story": 1d. Tony, lyrical "Tonight" melody

  Leonard Bernstein
  2:17
• 49
  Song from Angola (Gangele song)

  [unknown]
  1:29
• 50
  Mitamba Yalagala Kumchuzi

  [unknown]
  1:34
• 51
  Godan Ginuta (excerpt)

  Mitsuzaki Kengyō
  2:49

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Music: An Appreciation, Sixth Edition

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Music: An Appreciation, Seventh Edition

Music: An Appreciation, Seventh Edition

Release credits

• Academy of Ancient Music
  performing orchestra [19-20]
• Academy of St Martin in the Fields
  performing orchestra [2.16-23, 1.71-73]
• Alfred Deller
  task [24-26]
• André Previn
  conductor [12-18]
• Annie Jodry
  violin [30-34]
• Antal Doráti
  conductor [37-42]
• Anthony Rolfe Johnson
  tenor vocals [39]
• Berliner Philharmoniker
  performing orchestra [1-3]
• Boston Symphony Orchestra
  performing orchestra [50-56]
• CBC Symphony Orchestra
  performing orchestra [27-28]
• Cappella Nova
  choir vocals [27-29]
• Cesare Siepi
  bass vocals [5-8]
• Chamber Orchestra of Europe
  performing orchestra [56-64]
• Charles Dutoit
  conductor [16-18]
• Chicago Symphony Orchestra
  performing orchestra [3.19-26, 3.30-36, 2.57-60]
• Christopher Hogwood
  conductor [19-20]
• Claudio Arrau
  piano [38-43]
• Deller Consort
  performer [24-26]
• Detroit Symphony Orchestra
  performing orchestra [37-42]
• Dietrich Fischer‐Dieskau
  baritone vocals [24-29]
• E. Power Biggs
  organ [36-38]
• Edo de Waart
  conductor [46]
• Elmer Iseler
  task [27-28]
• English Baroque Soloists
  performing orchestra [1.39, 2.9-15]
• Fernando Corena
  bass vocals [5-8]
• Festival Singers of Canada
  choir vocals [27-28]
• Gabriel Maria Steinschulte
  task [21-23]
• George Szell
  conductor [69]
• Gerald Moore
  piano [24-29]
• Grayston Burgess
  task [30]
• Gösta Winbergh
  tenor vocals [45-48]
• Herbert von Karajan
  conductor [1-3]
• Hymnuschor Stuttgart
  vocal [45-48]
• Hélène Boschi
  piano [30-34]
• Igor Markevitch
  conductor [11-15]
• Izumi Kai Koto Ensemble
  performer [51]
• James King
  tenor vocals [4-11]
• James Maddalena
  baritone vocals [46]
• Jaye Consort of Viols
  performer [30]
• John Alldis
  chorus master [49-55]
• John Duykers
  tenor vocals [46]
• John Eliot Gardiner
  conductor [1.39, 2.9-15]
• John Horton
  spoken vocals [27-28]
• John Wakefield
  tenor vocals [49-55]
• Josef Krips
  conductor [5-8]
• José Carreras
  tenor vocals [47-48]
• Karl Böhm
  conductor [4-11]
• Karl Münchinger
  performing orchestra [45-48]
• Kiri Te Kanawa
  soprano vocals [47-48]
• Koninklijk Concertgebouworkest
  performing orchestra [1.65-70, 2.44-49]
• Kurt Böhme
  bass vocals [5-8]
• Kurt Ollmann
  baritone vocals [47-48]
• Leonard Bernstein
  conductor [47-48]
• Leonie Rysanek
  soprano vocals [4-11]
• Leslie Pearson
  harpsichord [49-55]
• London Symphony Chorus
  choir vocals [49-55]
• London Symphony Orchestra
  performing orchestra [3.29, 1.49-55]
• Los Angeles Philharmonic
  performing orchestra [12-18]
• Louis Armstrong and His Hot Five
  performer [5-10]
• Luciano Pavarotti
  tenor vocals [1-3]
• Malcolm Bilson
  fortepiano [9-15]
• Mari Opatz
  mezzo-soprano vocals [46]
• Marion Dry
  mezzo-soprano vocals [46]
• Melos Quartett
  performer [1-4]
• Mirella Freni
  soprano vocals [1-3]
• Monteverdi Choir
  choir vocals [39]
• Nadia Reisenberg
  piano [35-37]
• New York Philharmonic
  performing orchestra [44-45]
• Orchester der Bayreuther Festspiele
  performing orchestra [4-11]
• Orchestra of St. Luke’s
  performing orchestra [46]
• Orchestre Lamoureux
  performing orchestra [11-15]
• Orchestre symphonique de Montréal
  performing orchestra [16-18]
• Pierre Boulez
  conductor [29]
• Purcell Consort of Voices
  vocal [30]
• Rafael Kubelík
  conductor [50-56]
• Ralph Downes
  organ [49-55]
• Richard Taruskin
  performer [28-29], task [27]
• Robert Craft
  conductor [27-28]
• Roy Emerson
  producer [29]
• Sanford Sylvan
  baritone vocals [46]
• Schola Cantorum Coloniensis
  choir vocals [21-23]
• Schola Choralis Solingen
  choir vocals [21-23]
• Simon Preston
  harpsichord [30]
• Simon Standage
  violin [40-44]
• Sir Colin Davis
  conductor [1.49-55, 1.65-70, 2.44-49]
• Sir Georg Solti
  conductor [2.57-60, 3.19-26, 3.30-36, 1.1-4, 1.56-64]
• Sir Neville Marriner
  conductor [1.71-73, 2.16-23]
• Stephanie Friedman
  mezzo-soprano vocals [46]
• Stuttgarter Kammerorchester
  performing orchestra [45-48]
• Suzanne Danco
  soprano vocals [5-8]
• Tatiana Troyanos
  mezzo-soprano vocals [47-48]
• The Cleveland Orchestra
  performing orchestra [69]
• The English Concert
  performing orchestra [31-35, 40-44]
• Thomas Hammons
  bass vocals [46]
• Trevor Pinnock
  conductor [31-35, 40-44], harpsichord [31-35]
• Wiener Philharmoniker
  performing orchestra [1.1-4, 2.5-8]
• Zubin Mehta
  conductor [44-45]
• Show all credits (97)

Issues

• 

  M
  Music: An Appreciation, Fifth Edition, Second Brief Edition

  3x CD