Anechoic Orchestral Music RecordingAnechoic Orchestral Music Recording
Anechoic Orchestral Music Recording

Anechoic Orchestral Music Recording

Compilation by Various Artists

Released 1988
classicalfield recordingnon-music
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Tracklist

  • 1
    "Le Nozze di Figaro" - Overture
    Wolfgang Amadeus Mozart
    4:19
  • 2
    Symphony No.3 In A Minor, Op.56 "Scottish", 4th Mov. - Bars 396-490
    Felix Mendelssohn
    2:20
  • 3
    "L'Arlesienne", Suite No.2 - Menuet
    Georges Bizet
    4:13
  • 4
    Pizzicate-Polka
    Johann Strauss
    2:35
  • 5
    "Ruslan And Lyudmila" - Overture
    Михаил Иванович Глинка
    5:22
  • 6
    "La Traviata" - Prelude To Act 1
    Giuseppe Verdi
    3:27
  • 7
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 517-573
    Anton Bruckner
    1:41
  • 8
    Prelude A L'Apres-Midi D'un Faune, Bars 1-20
    Claude Debussy
    1:55
  • 9
    Water Music Suite, No.6 - Bars 1-11
    George Frideric Handel
    0:21
  • 10
    "Le Nozze di Figaro", Overture - Bars 1-18
    Wolfgang Amadeus Mozart
    0:16
  • 11
    Symphony No.9 In D Minor, Op.125 "Choral", 4th Mov. - Bars 1-7
    Ludwig van Beethoven
    0:10
  • 12
    Symphony No.4 In E Minor, Op.98, 1st Mov. - Bars 354- 362
    Johannes Brahms
    0:17
  • 13
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573
    Anton Bruckner
    0:28
  • 14
    Symphony No.4 In F Minor, Op.36, 1st Mov. - Bars 1-6
    Пётр Ильич Чайковский
    0:20
  • 15
    Symphony No.5, 4th Mov. - Bars 1-3
    Gustav Mahler
    0:25
  • 16
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3
    Claude Debussy
    0:22
  • 17
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Wien Musikvereinssaal's Reverberation
    Wolfgang Amadeus Mozart
    0:17
  • 18
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Amsterdam Concertgebouw's Reverberation
    Wolfgang Amadeus Mozart
    0:17
  • 19
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Boston Symphony Hall's Reverberation
    Wolfgang Amadeus Mozart
    0:17
  • 20
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Wien Musikvereinssaal's Reverberation
    Anton Bruckner
    0:29
  • 21
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Amsterdam Concertgebouw's Reverberation
    Anton Bruckner
    0:28
  • 22
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Boston Symphony Hall's Reverberation
    Anton Bruckner
    0:28
  • 23
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Wien Musikvereinssaal's Reverberation
    Claude Debussy
    0:23
  • 24
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Amsterdam Concertgebouw's Reverberation
    Claude Debussy
    0:23
  • 25
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Boston Symphony Hall's Reverberation
    Claude Debussy
    0:23
  • 26
    Symphony No.4, 1st Mov. - Bars 386-407 - Full Orchestra (Timp. + Hrn. + Trp. + Fl. + Ob. +Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I]
    Johannes Brahms
    0:33
  • 27
    Symphony No.4, 1st Mov. - Bars 386-407 - Timpani
    Johannes Brahms
    0:32
  • 28
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp.
    Johannes Brahms
    0:31
  • 29
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg.
    Johannes Brahms
    0:32
  • 30
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb.
    Johannes Brahms
    0:32
  • 31
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc.
    Johannes Brahms
    0:32
  • 32
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla.
    Johannes Brahms
    0:32
  • 33
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II
    Johannes Brahms
    0:33
  • 34
    Symphony No.4, 1st Mov. - Bars 386-407 - Full Orch. (Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I)
    Johannes Brahms
    0:33
  • 35
    "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup Recording
    Wolfgang Amadeus Mozart
    0:53
  • 36
    "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup + Time-coherent Recording
    Wolfgang Amadeus Mozart
    0:53
  • 37
    "Le Nozze di Figaro", Overture - Bars 1-50 - Uni-directional Single-point Pickup Recording
    Wolfgang Amadeus Mozart
    0:53
  • 38
    "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup Recording
    Wolfgang Amadeus Mozart
    0:53
  • 39
    "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup + Time-coherent Recording
    Wolfgang Amadeus Mozart
    0:53
  • 40
    Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup Recording
    Anton Bruckner
    0:48
  • 41
    Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup + Time-coherent Recording
    Anton Bruckner
    0:48
  • 42
    Symphony No.4 In E-flat - 1st Mov. - Uni-directional Single-point Pickup Recording
    Anton Bruckner
    0:47
  • 43
    Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup Recording
    Anton Bruckner
    0:48
  • 44
    Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup + Time-coherent Recording
    Anton Bruckner
    0:48
  • 45
    1001 Hz - Sine Wave Channel Check (L-R) -15 dB
    Keizo Inokuchi
    0:29
  • 46
    1001 Hz - Sine Wave -15 dB
    Keizo Inokuchi
    0:29
  • 47
    1 kHz - 5 Hz / 22.05 kHz Sweep -20 dB
    Keizo Inokuchi
    1:07
  • 48
    1001 Hz Toneburst (EIJ) 0 dB
    Keizo Inokuchi
    0:29
  • 49
    1001 Hz Toneburst (EIAJ) 0 dB
    Keizo Inokuchi
    0:29
  • 50
    Impulse I (I Sample) 100 ms ±20% (random) cycle. 256 times 0 dB
    Keizo Inokuchi
    0:29
  • 51
    Impulse II (I Sample) 4 sec ±20% (random) cycle, 8 times 0 dB
    Keizo Inokuchi
    0:27
  • 52
    Pulsive Signal (40ms) 7 sec ±20% (random) cycle, 4 times 0 dB
    Keizo Inokuchi
    0:30
  • 53
    White Noise Uniformly Distributed Noise in the M-Sequence 0 dB
    Keizo Inokuchi
    2:02
  • 54
    L: 25 Hz, 31.5 Hz, 40 Hz -20 dB / R: 31.5 Hz -16 dB
    Keizo Inokuchi
    0:16
  • 55
    L: 50 Hz, 63 Hz, 80 Hz -20 dB / R: 63 Hz -16 dB
    Keizo Inokuchi
    0:13
  • 56
    L: 100 Hz, 125 Hz, 160 Hz -20 dB / R: 125 Hz -16 dB
    Keizo Inokuchi
    0:13
  • 57
    L: 200 Hz, 250 Hz, 315 Hz -20 dB / R: 250 Hz -16 dB
    Keizo Inokuchi
    0:13
  • 58
    L: 400 Hz, 500 Hz, 630 Hz -20 dB / R: 500 Hz -16 dB
    Keizo Inokuchi
    0:13
  • 59
    L: 800 Hz, 1 kHz, 1.25 kHz -20 dB / R: 1 kHz -16 dB
    Keizo Inokuchi
    0:13
  • 60
    L: 1.6 kHz, 2 kHz, 2.5 kHz -20 dB / R: 2 kHz -16 dB
    Keizo Inokuchi
    0:13
  • 61
    L: 3.15 kHz, 4 kHz, 5 kHz -20 dB / R: 4 kHz -16 dB
    Keizo Inokuchi
    0:13
  • 62
    L: 6.3 kHz, 8 kHz, 10 kHz -20 dB / R: 8 kHz -16 dB
    Keizo Inokuchi
    0:13
  • 63
    L: 12.5 kHz, 16 kHz, -20 dB / R: 16 kHz -16 dB
    Keizo Inokuchi
    0:10
  • 64
    Pink Noise -14 dB
    Keizo Inokuchi
    0:27

Release credits

Issues