Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings

Compilation by Claudio Abbado

Released 31 January 2020

Tracklist

  • CD 1: Beethoven: Symphonies nos. 1 & 2
  • 1
    Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio
    Ludwig van Beethoven
    9:21
  • 2
    Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto
    Ludwig van Beethoven
    8:35
  • 3
    Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace
    Ludwig van Beethoven
    3:48
  • 4
    Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace
    Ludwig van Beethoven
    5:49
  • 5
    Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio
    Ludwig van Beethoven
    12:27
  • 6
    Symphony no. 2 in D major, op. 36: 2. Larghetto
    Ludwig van Beethoven
    11:26
  • 7
    Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio
    Ludwig van Beethoven
    3:30
  • 8
    Symphony no. 2 in D major, op. 36: 4. Allegro molto
    Ludwig van Beethoven
    6:25
  • CD 2: Beethoven: Symphony no. 3 “Eroica”
  • 1
    Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio
    Ludwig van Beethoven
    18:25
  • 2
    Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai
    Ludwig van Beethoven
    15:40
  • 3
    Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio
    Ludwig van Beethoven
    6:20
  • 4
    Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto
    Ludwig van Beethoven
    11:43
  • CD 3: Beethoven: Symphonies nos. 4 & 5
  • 1
    Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace
    Ludwig van Beethoven
    12:16
  • 2
    Symphony no. 4 in B-flat major, op. 60: 2. Adagio
    Ludwig van Beethoven
    10:06
  • 3
    Symphony no. 4 in B-flat major, op. 60: 3. Allegro vivace - Trio. Un poco meno allegro
    Ludwig van Beethoven
    5:50
  • 4
    Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo
    Ludwig van Beethoven
    6:54
  • 5
    Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
    Ludwig van Beethoven
    7:56
  • 6
    Symphony no. 5 in C minor, op. 67: 2. Andante con moto
    Ludwig van Beethoven
    10:11
  • 7
    Symphony no. 5 in C minor, op. 67: 3. Allegro
    Ludwig van Beethoven
    5:23
  • 8
    Symphony no. 5 in C minor, op. 67: 4. Allegro
    Ludwig van Beethoven
    11:04
  • CD 4: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy
  • 1
    Meeresstille und glückliche Fahrt, op. 112: Meeresstille. Poco sostenuto
    Ludwig van Beethoven
    5:22
  • 2
    Meeresstille und glückliche Fahrt, op. 112: Glückliche Fahrt. Allegro vivace
    Ludwig van Beethoven
    2:48
  • 3
    Symphony no. 6 in F major “Pastoral”, op. 68: 1. Allegro ma non troppo “Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande”
    Ludwig van Beethoven
    13:28
  • 4
    Symphony no. 6 in F major “Pastoral”, op. 68: 2. Andante molto mosso “Szene am Bach”
    Ludwig van Beethoven
    12:28
  • 5
    Symphony no. 6 in F major “Pastoral”, op. 68: 3. Allegro “Lustiges Zusammensein der Landleute”
    Ludwig van Beethoven
    5:30
  • 6
    Symphony no. 6 in F major “Pastoral”, op. 68: 4. Allegro “Gewitter - Sturm”
    Ludwig van Beethoven
    3:36
  • 7
    Symphony no. 6 in F major “Pastoral”, op. 68: 5. Allegretto “Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm”
    Ludwig van Beethoven
    9:24
  • 8
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio
    Ludwig van Beethoven
    3:19
  • 9
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegro - Meno allegro - Allegro molto -
    Ludwig van Beethoven
    6:14
  • 10
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Adagio ma non troppo -
    Ludwig van Beethoven
    2:40
  • 11
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Marcia, assai vivace - Allegro -
    Ludwig van Beethoven
    2:11
  • 12
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegretto, ma non troppo (quasi Andante con moto) -
    Ludwig van Beethoven
    2:15
  • 13
    Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Presto
    Ludwig van Beethoven
    1:37
  • CD 5: Beethoven: Symphonies nos. 7 & 8
  • 1
    Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace
    Ludwig van Beethoven
    14:34
  • 2
    Symphony no. 7 in A major, op. 92: 2. Allegretto
    Ludwig van Beethoven
    8:41
  • 3
    Symphony no. 7 in A major, op. 92: 3. Presto
    Ludwig van Beethoven
    9:03
  • 4
    Symphony no. 7 in A major, op. 92: 4. Allegro con brio
    Ludwig van Beethoven
    9:05
  • 5
    Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
    Ludwig van Beethoven
    9:46
  • 6
    Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
    Ludwig van Beethoven
    3:58
  • 7
    Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto
    Ludwig van Beethoven
    4:54
  • 8
    Symphony no. 8 in F major, op. 93: 4. Allegro vivace
    Ludwig van Beethoven
    7:18
  • CD 6: Beethoven: Symphony no. 9 “Choral”
  • 1
    Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso
    Ludwig van Beethoven
    17:16
  • 2
    Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto
    Ludwig van Beethoven
    14:21
  • 3
    Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato
    Ludwig van Beethoven
    17:05
    4.0 ★
  • 4
    Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai - Presto - “O Freunde, nicht diese Töne!” - Allegro assai (Final chorus from Schiller's ode “To Joy”)
    Ludwig van Beethoven
    23:55
  • CD 7: Beethoven: Overtures: Die Geschöpfe des Prometheus / König Stephan / Die Ruinen von Athen / Die Weihe des Hauses / Zur Namensfeier / Coriolan / Egmont
  • 1
    Die Geschöpfe des Prometheus, op. 43: Overture. Adagio - Allegro molto con brio
    Ludwig van Beethoven
    5:20
  • 2
    König Stephan, op. 117: Overture. Andante con moto - Presto
    Ludwig van Beethoven
    6:45
  • 3
    Die Ruinen von Athen, op. 113: Overture. Andante con moto - Allegro, ma non troppo
    Ludwig van Beethoven
    4:55
  • 4
    Die Weihe des Hauses, op. 124: Overture. Maestoso e sostenuto - Allegro con brio
    Ludwig van Beethoven
    10:27
  • 5
    Overture “Zur Namensfeier”, op. 115: Maestoso - Allegro assai vivace
    Ludwig van Beethoven
    6:44
  • 6
    Overture “Coriolan”, op. 62: Allegro con brio
    Ludwig van Beethoven
    8:11
  • 7
    Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro
    Ludwig van Beethoven
    8:02
  • CD 8: Beethoven: Overtures: Fidelio / Leonore I-III
  • 1
    Overture “Fidelio”, op. 72: Allegro - Adagio - Presto
    Ludwig van Beethoven
    6:36
  • 2
    Overture “Leonore I”, op. 138: Andante con moto - Allegro con brio
    Ludwig van Beethoven
    9:14
  • 3
    Overture “Leonore II”, op. 72a: Adagio - Allegro - Adagio - Presto
    Ludwig van Beethoven
    15:31
  • 4
    Overture “Leonore III”, op. 72b: Adagio - Allegro - Presto
    Ludwig van Beethoven
    13:40
  • CD 9: Beethoven: Symphonies nos. 7 & 8 / Overture: Die Geschöpfe des Prometheus
  • 1
    Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace
    Ludwig van Beethoven
    13:14
  • 2
    Symphony no. 7 in A major, op. 92: 2. Allegretto
    Ludwig van Beethoven
    9:53
  • 3
    Symphony no. 7 in A major, op. 92: 3. Presto
    Ludwig van Beethoven
    10:07
  • 4
    Symphony no. 7 in A major, op. 92: 4. Allegro con brio
    Ludwig van Beethoven
    9:12
  • 5
    Overture “Die Geschöpfe des Prometheus”, op. 43: Adagio - Allegro molto con brio
    Ludwig van Beethoven
    5:16
  • 6
    Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
    Ludwig van Beethoven
    9:01
  • 7
    Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
    Ludwig van Beethoven
    4:08
  • 8
    Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto
    Ludwig van Beethoven
    4:50
  • 9
    Symphony no. 8 in F major, op. 93: 4. Allegro vivace
    Ludwig van Beethoven
    7:36
  • CD 10: Berg: Seven Early Songs / Der Wein / Three Orchestral Pieces, op. 6
  • 1
    Sieben frühe Lieder (Orchestral version 1928): 1. Nacht
    4:10
  • 2
    Sieben frühe Lieder (Orchestral version 1928): 2. Schilflied
    2:24
  • 3
    Sieben frühe Lieder (Orchestral version 1928): 3. Die Nachtigall
    2:15
  • 4
    Sieben frühe Lieder (Orchestral version 1928): 4. Traumgekrönt
    2:42
  • 5
    Sieben frühe Lieder (Orchestral version 1928): 5. Im Zimmer
    1:11
  • 6
    Sieben frühe Lieder (Orchestral version 1928): 6. Liebesode
    2:00
  • 7
    Sieben frühe Lieder (Orchestral version 1928): 7. Sommertage
    1:48
  • 8
    Der Wein: “Die Seele des Weines” - “Der Wein der Liebenden” - “Der Wein des Einsamen”
    13:10
  • 9
    Drei Orchesterstücke, op. 6: 1. Präludium. Langsam
    4:45
  • 10
    Drei Orchesterstücke, op. 6: 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt
    5:31
  • 11
    Drei Orchesterstücke, op. 6: 3. Marsch. Mäßiges Marschtempo
    9:29
  • CD 11: Berg: Altenberg-Lieder / Three Pieces from the “Lyric Suite” / Lulu-Suite
  • 1
    Altenberg-Lieder, op. 4: 1. “Seele, wie bist du schöner”
    Alban Berg
    2:47
  • 2
    Altenberg-Lieder, op. 4: 2. “Sahst du nach dem Gewitteregen den Wald”
    Alban Berg
    1:09
  • 3
    Altenberg-Lieder, op. 4: 3. “Über die Grenzen des All”
    Alban Berg
    1:32
  • 4
    Altenberg-Lieder, op. 4: 4. “Nichts ist gekommen”
    Alban Berg
    1:28
  • 5
    Altenberg-Lieder, op. 4: 5. “Hier ist Friede”
    Alban Berg
    4:18
  • 6
    “Lyric Suite”, Version for string orchestra (1928): 1. Andante amoroso
    Alban Berg
    6:21
  • 7
    “Lyric Suite”, Version for string orchestra (1928): 2. Allegro misterioso - Trio estatico
    Alban Berg
    3:33
  • 8
    “Lyric Suite”, Version for string orchestra (1928): 3. Adagio appassionato
    Alban Berg
    6:40
  • 9
    Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. Sostenuto
    Alban Berg
    14:27
  • 10
    Lulu-Suite: 2. Ostinato. Allegro
    Alban Berg
    3:19
  • 11
    Lulu-Suite: 3. Lied der Lulu. Comodo (“Wenn sich die Menschen um meinetwillen umgebracht haben”)
    Alban Berg
    2:57
  • 12
    Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderato
    Alban Berg
    3:19
  • 13
    Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (“Lulu! Mein Engel!”)
    Alban Berg
    8:14
  • CD 12: Berg: Wozzeck (Act I)
  • 1
    Wozzeck, op. 7: Akt I, Szene 1. “Langsam, Wozzeck, langsam!” (Hauptmann, Wozzeck)
    Alban Berg
    8:13
  • 2
    Wozzeck, op. 7: Akt I, Szene 2. “Du, der Platz ist verflucht!” (Wozzeck, Andres)
    Alban Berg
    6:40
  • 3
    Wozzeck, op. 7: Akt I, Szene 3. “Tschin Bum ...! Hörst Bub? Da kommen sie!”
    Alban Berg
    8:14
  • 4
    Wozzeck, op. 7: Akt I, Szene 4. “Was erleb' ich, Wozzeck?” (Doktor, Wozzeck)
    Alban Berg
    7:32
  • 5
    Wozzeck, op. 7: Akt I, Szene 5. “Geh einmal vor dich hin ...” (Marie, Tambourmajor)
    Alban Berg
    3:00
  • CD 13: Berg: Wozzeck (Acts II & III)
  • 1
    Wozzeck, op. 7: Akt II, Szene 1. “Was die Steine glänzen!” (Marie, Wozzeck)
    Alban Berg
    5:37
  • 2
    Wozzeck, op. 7: Akt II, Szene 2. “Wohin so eilig, geehrtester Herr Sargnagel?”
    Alban Berg
    8:52
  • 3
    Wozzeck, op. 7: Akt II, Szene 3. “Guten Tag, Franz” / “Ich seh' nichts” (Marie, Wozzeck)
    Alban Berg
    3:28
  • 4
    Wozzeck, op. 7: Akt II, Szene 4. “Ich hab' ein Hemdlein an, das ist nicht mein ...” (1. & 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr)
    Alban Berg
    10:25
  • 5
    Wozzeck, op. 7: Akt II, Szene 5. “Oh! oh! Andres! Ich kann nicht schlafen” (Soldaten, Wozzeck, Andres, Tambourmajor)
    Alban Berg
    4:33
  • 6
    Wozzeck, op. 7: Akt III, Szene 1. “Und ist kein Betrug in seinem Munde erfunden worden” (Marie)
    Alban Berg
    3:05
  • 7
    Wozzeck, op. 7: Akt III, Szene 1. “Und kniete hin zu seinen Füßen” (Marie)
    Alban Berg
    2:01
  • 8
    Wozzeck, op. 7: Akt III, Szene 2. “Dort links geht's in die Stadt” (Marie, Wozzeck)
    Alban Berg
    5:00
  • 9
    Wozzeck, op. 7: Akt III, Szene 3. “Tanzt Alle; tanzt nur zu...!” (Wozzeck, Margret, Burschen, Dirnen)
    Alban Berg
    2:54
  • 10
    Wozzeck, op. 7: Akt III, Szene 4. “Das Messer? Wo ist das Messer?” (Wozzeck, Hauptmann, Doktor)
    Alban Berg
    7:50
  • 11
    Wozzeck, op. 7: Akt III, Szene 5. “Ringel, Ringel, Rosenkranz, Ringelreih'n!” (Kinder, Mariens Knabe)
    Alban Berg
    1:44
  • CD 14: Brahms: Symphony no. 1
  • 1
    Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro
    Johannes Brahms
    17:03
  • 2
    Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto
    Johannes Brahms
    9:25
  • 3
    Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso
    Johannes Brahms
    4:51
  • 4
    Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio
    Johannes Brahms
    16:30
  • CD 15: Brahms: Piano Concerto no. 2
  • 1
    Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
    17:12
  • 2
    Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
    8:54
  • 3
    Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
    12:44
  • 4
    Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
    9:25
  • CD 16: Brahms: Hungarian Dances
  • 1
    Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto
    Johannes Brahms
    2:56
  • 2
    Hungarian Dances, WoO 1: No. 2 in D minor. Allegro non assai - Vivace
    Johannes Brahms
    2:36
  • 3
    Hungarian Dances, WoO 1: No. 3 in F major. Allegretto
    Johannes Brahms
    2:18
  • 4
    Hungarian Dances, WoO 1: No. 4 in F-sharp minor. Poco sostenuto - Vivace
    Johannes Brahms
    4:11
  • 5
    Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - Vivace
    Johannes Brahms
    2:18
  • 6
    Hungarian Dances, WoO 1: No. 6 in D major. Vivace
    Johannes Brahms
    3:09
  • 7
    Hungarian Dances, WoO 1: No. 7 in F major. Allegretto - Vivo
    Johannes Brahms
    1:34
  • 8
    Hungarian Dances, WoO 1: No. 8 in A minor. Presto
    Johannes Brahms
    2:51
  • 9
    Hungarian Dances, WoO 1: No. 9 in E minor. Allegro ma non troppo
    Johannes Brahms
    1:38
  • 10
    Hungarian Dances, WoO 1: No. 10 in F major. Presto
    Johannes Brahms
    1:39
  • 11
    Hungarian Dances, WoO 1: No. 11 in D minor. Poco andante
    Johannes Brahms
    2:26
  • 12
    Hungarian Dances, WoO 1: No. 12 in D minor. Presto
    Johannes Brahms
    2:20
  • 13
    Hungarian Dances, WoO 1: No. 13 in D major. Andantino grazioso - Vivace
    Johannes Brahms
    1:37
  • 14
    Hungarian Dances, WoO 1: No. 14 in D minor. Un poco andante
    Johannes Brahms
    1:34
  • 15
    Hungarian Dances, WoO 1: No. 15 in B-flat major. Allegretto grazioso
    Johannes Brahms
    2:44
  • 16
    Hungarian Dances, WoO 1: No. 16 in F minor. Con moto
    Johannes Brahms
    2:19
  • 17
    Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace
    Johannes Brahms
    2:50
  • 18
    Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace
    Johannes Brahms
    1:24
  • 19
    Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto
    Johannes Brahms
    1:57
  • 20
    Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - Vivace
    Johannes Brahms
    2:26
  • 21
    Hungarian Dances, WoO 1: No. 21 in E minor. Vivace
    Johannes Brahms
    1:16
  • CD 17: Bruckner: Symphony no. 1
  • 1
    Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 1. Allegro
    Anton Bruckner
    12:16
  • 2
    Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 2. Adagio
    Anton Bruckner
    13:45
  • 3
    Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 3. Scherzo. Schnell - Trio. Langsamer
    Anton Bruckner
    8:40
  • 4
    Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 4. Finale. Bewegt, feurig
    Anton Bruckner
    13:48
  • CD 18: Bruckner: Symphony no. 4 “Romantic”
  • 1
    Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 1. Bewegt, nicht zu schnell
    Anton Bruckner
    19:07
  • 2
    Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 2. Andante, quasi allegretto
    Anton Bruckner
    16:17
  • 3
    Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keineswegs schleppend
    Anton Bruckner
    10:35
  • 4
    Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht zu schnell
    Anton Bruckner
    22:37
  • CD 19: Bruckner: Symphony no. 5
  • 1
    Symphony no. 5 in B-flat major (ed. Leopold Nowak): 1. Introduktion. Adagio - Allegro
    Anton Bruckner
    19:33
  • 2
    Symphony no. 5 in B-flat major (ed. Leopold Nowak): 2. Adagio. Sehr langsam
    Anton Bruckner
    16:33
  • 3
    Symphony no. 5 in B-flat major (ed. Leopold Nowak): 3. Scherzo. Molto vivace (schnell)
    Anton Bruckner
    12:14
  • 4
    Symphony no. 5 in B-flat major (ed. Leopold Nowak): 4. Finale. Adagio
    Anton Bruckner
    23:30
  • CD 20: Bruckner: Symphony no. 7
  • 1
    Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderato
    Anton Bruckner
    20:17
  • 2
    Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsam
    Anton Bruckner
    21:57
  • 3
    Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamer
    Anton Bruckner
    9:17
  • 4
    Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnell
    Anton Bruckner
    12:51
  • CD 21: Bruckner: Symphony no. 9
  • 1
    Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misterioso
    Anton Bruckner
    25:05
  • 2
    Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell
    Anton Bruckner
    10:06
  • 3
    Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlich
    Anton Bruckner
    25:13
  • CD 22: Bruckner: Symphony no. 1
  • 1
    Symphony no. 1 in C minor (1866 Linz version): 1. Allegro
    Anton Bruckner
    11:51
  • 2
    Symphony no. 1 in C minor (1866 Linz version): 2. Adagio
    Anton Bruckner
    12:40
  • 3
    Symphony no. 1 in C minor (1866 Linz version): 3. Scherzo. Schnell - Trio. Langsamer
    Anton Bruckner
    8:54
  • 4
    Symphony no. 1 in C minor (1866 Linz version): 4. Finale. Bewegt, feurig
    Anton Bruckner
    12:52
  • CD 23: Debussy: Pelléas et Mélisande (Acts I-III beg.)
  • 1
    Pelléas et Mélisande: Acte I. « Je ne pourrai plus sortir de cette forêt » (Golaud)
    Claude Debussy
    3:09
  • 2
    Pelléas et Mélisande: Acte I. « Pourquoi pleures-tu? » (Golaud, Mélisande)
    Claude Debussy
    6:21
  • 3
    Pelléas et Mélisande: Acte I. « Je suis perdu aussi » (Golaud)
    Claude Debussy
    3:10
  • 4
    Pelléas et Mélisande: Acte I. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève)
    Claude Debussy
    2:06
  • 5
    Pelléas et Mélisande: Acte I. « Qu'en dites-vous? » (Geneviève, Arkel, Pelléas)
    Claude Debussy
    5:23
  • 6
    Pelléas et Mélisande: Acte I. Interlude
    Claude Debussy
    1:14
  • 7
    Pelléas et Mélisande: Acte I. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas)
    Claude Debussy
    2:38
  • 8
    Pelléas et Mélisande: Acte I. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève)
    Claude Debussy
    3:57
  • 9
    Pelléas et Mélisande: Acte II. « Vous ne savez pas où je vous ai menée? » (Pelléas, Mélisande)
    Claude Debussy
    3:40
  • 10
    Pelléas et Mélisande: Acte II. « C'est au bord d'une fontaine » (Pelléas, Mélisande)
    Claude Debussy
    2:51
  • 11
    Pelléas et Mélisande: Acte II. Interlude
    Claude Debussy
    3:19
  • 12
    Pelléas et Mélisande: Acte II. « Ah! Ah! Tout va bien » (Golaud, Mélisande)
    Claude Debussy
    7:51
  • 13
    Pelléas et Mélisande: Acte II. « Voyons, donne-moi ta main » (Golaud, Mélisande)
    Claude Debussy
    2:53
  • 14
    Pelléas et Mélisande: Acte II. Interlude
    Claude Debussy
    2:19
  • 15
    Pelléas et Mélisande: Acte II. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande)
    Claude Debussy
    4:45
  • 16
    Pelléas et Mélisande: Acte III. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas)
    Claude Debussy
    5:59
  • 17
    Pelléas et Mélisande: Acte III. « Je les tiens dans les mains » (Pelléas, Mélisande)
    Claude Debussy
    4:11
  • 18
    Pelléas et Mélisande: Acte III. « Que faites-vous ici? » (Golaud, Pelléas)
    Claude Debussy
    3:32
  • 19
    Pelléas et Mélisande: Acte III. « Prenez garde; par ici, par ici » (Golaud, Pelléas)
    Claude Debussy
    3:03
  • CD 24: Debussy: Pelléas et Mélisande (Acts III cont.-V)
  • 1
    Pelléas et Mélisande: Acte III. Interlude ... « Ah! Je respire enfin! » (Pelléas, Golaud)
    Claude Debussy
    4:14
  • 2
    Pelléas et Mélisande: Acte III. Interlude
    Claude Debussy
    1:06
  • 3
    Pelléas et Mélisande: Acte III. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)
    Claude Debussy
    5:13
  • 4
    Pelléas et Mélisande: Acte III. « Qu'ils s'embrassent, petit père? » (Yniold, Golaud)
    Claude Debussy
    4:21
  • 5
    Pelléas et Mélisande: Acte IV. « Où vas-tu? » (Pelléas, Mélisande)
    Claude Debussy
    2:49
  • 6
    Pelléas et Mélisande: Acte IV. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)
    Claude Debussy
    5:46
  • 7
    Pelléas et Mélisande: Acte IV. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)
    Claude Debussy
    2:53
  • 8
    Pelléas et Mélisande: Acte IV. « Ne mettez pas ainsi voire main à la gorge » (Golaud, Arkel, Mélisande)
    Claude Debussy
    3:25
  • 9
    Pelléas et Mélisande: Acte IV. Interlude
    Claude Debussy
    3:54
  • 10
    Pelléas et Mélisande: Acte IV. « Oh! Cette pierre est lourde » (Yniold, un berger)
    Claude Debussy
    4:03
  • 11
    Pelléas et Mélisande: Acte IV. « C'est le dernier soir » (Pelléas, Mélisande)
    Claude Debussy
    3:25
  • 12
    Pelléas et Mélisande: Acte IV. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)
    Claude Debussy
    1:46
  • 13
    Pelléas et Mélisande: Acte IV. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)
    Claude Debussy
    3:47
  • 14
    Pelléas et Mélisande: Acte IV. « Quel est ce bruit? » (Pelléas, Mélisande)
    Claude Debussy
    4:06
  • 15
    Pelléas et Mélisande: Acte V. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)
    Claude Debussy
    2:53
  • 16
    Pelléas et Mélisande: Acte V. « Attention; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)
    Claude Debussy
    5:18
  • 17
    Pelléas et Mélisande: Acte V. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi? » (Golaud, Mélisande)
    Claude Debussy
    2:40
  • 18
    Pelléas et Mélisande: Acte V. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)
    Claude Debussy
    1:54
  • 19
    Pelléas et Mélisande: Acte V. « Qu'avez-vous fait? » (Arkel, Golaud, Mélisande)
    Claude Debussy
    2:34
  • 20
    Pelléas et Mélisande: Acte V. « Qu'y a-t-il » (Golaud, le médecin, Arkel)
    Claude Debussy
    2:24
  • 21
    Pelléas et Mélisande: Acte V. « Attention... attention. Il faut parlet à voix basse, maintenant » (Arkel, le médecin, Golaud)
    Claude Debussy
    6:42
  • CD 25: Mahler: Symphony no. 10: Adagio / Symphony no. 2 “Resurrection” (movt. 1)
  • 1
    Symphony no. 10 (unfinished): Adagio: 1. Andante - Adagio
    Gustav Mahler
    3:28
  • 2
    Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40]
    Gustav Mahler
    5:49
  • 3
    Symphony no. 10 (unfinished): Adagio: 3. [bar 105]
    Gustav Mahler
    6:01
  • 4
    Symphony no. 10 (unfinished): Adagio: 4. [bar 178]
    Gustav Mahler
    3:26
  • 5
    Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217]
    Gustav Mahler
    5:49
  • 6
    Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
    Gustav Mahler
    5:59
  • 7
    Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7]
    Gustav Mahler
    5:34
  • 8
    Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15]
    Gustav Mahler
    4:06
  • 9
    Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20]
    Gustav Mahler
    3:27
  • 10
    Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24]
    Gustav Mahler
    3:16
  • CD 26: Mahler: Symphony no. 2 “Resurrection” (movts. 2-5)
  • 1
    Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich
    Gustav Mahler
    1:26
  • 2
    Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3]
    Gustav Mahler
    1:34
  • 3
    Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5]
    Gustav Mahler
    1:42
  • 4
    Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6]
    Gustav Mahler
    2:28
  • 5
    Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12]
    Gustav Mahler
    3:23
  • 6
    Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung
    Gustav Mahler
    5:10
  • 7
    Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40]
    Gustav Mahler
    1:26
  • 8
    Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43]
    Gustav Mahler
    4:59
  • 9
    Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (contralto solo)
    Gustav Mahler
    5:26
  • 10
    Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrend
    Gustav Mahler
    1:49
  • 11
    Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3]
    Gustav Mahler
    4:11
  • 12
    Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7]
    Gustav Mahler
    1:23
  • 13
    Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10]
    Gustav Mahler
    3:14
  • 14
    Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14]
    Gustav Mahler
    4:30
  • 15
    Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21]
    Gustav Mahler
    3:51
  • 16
    Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29]
    Gustav Mahler
    2:37
  • 17
    Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Aufersteh'n, ja aufersteh'n wirst du« (soprano solo, chorus)
    Gustav Mahler
    3:35
  • 18
    Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus)
    Gustav Mahler
    3:23
  • 19
    Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (contralto solo, soprano solo, chorus)
    Gustav Mahler
    3:31
  • 20
    Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (contralto solo, soprano solo, chorus)
    Gustav Mahler
    4:57
  • CD 27: Mahler: Symphony no. 3 (movts. 1-3)
  • 1
    Symphony no. 3: Part I. 1. Kräftig. Entschieden
    Gustav Mahler
    7:01
  • 2
    Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13]
    Gustav Mahler
    2:40
  • 3
    Symphony no. 3: Part I. 1. Tempo I [fig. 18]
    Gustav Mahler
    5:02
  • 4
    Symphony no. 3: Part I. 1. A tempo [fig. 29]
    Gustav Mahler
    6:09
  • 5
    Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43]
    Gustav Mahler
    3:15
  • 6
    Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54]
    Gustav Mahler
    5:10
  • 7
    Symphony no. 3: Part I. 1. Tempo I [fig. 62]
    Gustav Mahler
    5:06
  • 8
    Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßig
    Gustav Mahler
    3:04
  • 9
    Symphony no. 3: Part II. 2. A tempo [fig. 6]
    Gustav Mahler
    3:32
  • 10
    Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14]
    Gustav Mahler
    2:50
  • 11
    Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast
    Gustav Mahler
    2:33
  • 12
    Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]
    Gustav Mahler
    3:05
  • 13
    Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14]
    Gustav Mahler
    4:28
  • 14
    Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17]
    Gustav Mahler
    2:58
  • 15
    Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]
    Gustav Mahler
    3:50
  • CD 28: Mahler: Symphony no. 3 (movts. 4-6)
  • 1
    Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp. »O Mensch! Gib acht!« (contralto solo)
    Gustav Mahler
    5:44
  • 2
    Symphony no. 3: Part II. 4. Più mosso subito [6 bars after fig. 6]
    Gustav Mahler
    4:57
  • 3
    Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck. »Bimm bamm / Es sungen drei Engel« (chorus, contralto solo)
    Gustav Mahler
    4:31
  • 4
    Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden
    Gustav Mahler
    4:23
  • 5
    Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4]
    Gustav Mahler
    3:07
  • 6
    Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9]
    Gustav Mahler
    4:01
  • 7
    Symphony no. 3: Part II. 6. A tempo (Etwas bewegter) [fig. 14]
    Gustav Mahler
    4:17
  • 8
    Symphony no. 3: Part II. 6. Tempo I [fig. 21]
    Gustav Mahler
    3:13
  • 9
    Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25]
    Gustav Mahler
    7:36
  • CD 29: Mahler: Symphony no. 4
  • 1
    Symphony no. 4: 1. Bedächtig. Nicht eilen
    Gustav Mahler
    16:12
  • 2
    Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast
    Gustav Mahler
    9:18
  • 3
    Symphony no. 4: 3. Ruhevoll. Poco adagio
    Gustav Mahler
    23:32
  • 4
    Symphony no. 4: 4. Sehr behaglich. »Wir genießen die himmlischen Freuden«
    Gustav Mahler
    9:12
  • CD 30: Mahler: Symphony no. 9
  • 1
    Symphony no. 9: 1. Andante comodo
    Gustav Mahler
    5:02
  • 2
    Symphony no. 9: 1. Etwas frischer [bar 80]
    Gustav Mahler
    3:47
  • 3
    Symphony no. 9: 1. Tempo I [bar 148]
    Gustav Mahler
    1:30
  • 4
    Symphony no. 9: 1. Mit Wut. Allegro risoluto [bar 174]
    Gustav Mahler
    1:34
  • 5
    Symphony no. 9: 1. Leidenschaftlich [bar 211]
    Gustav Mahler
    2:39
  • 6
    Symphony no. 9: 1. Schattenhaft [bar 254]
    Gustav Mahler
    1:40
  • 7
    Symphony no. 9: 1. Etwas fließender [bar 279]
    Gustav Mahler
    3:35
  • 8
    Symphony no. 9: 1. Wie von Anfang [bar 347]
    Gustav Mahler
    3:57
  • 9
    Symphony no. 9: 1. Schon ganz langsam [bar 406]
    Gustav Mahler
    3:38
  • 10
    Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
    Gustav Mahler
    2:40
  • 11
    Symphony no. 9: 2. Poco più mosso subito (Tempo II) [bar 90]
    Gustav Mahler
    2:28
  • 12
    Symphony no. 9: 2. Tempo III [bar 218]
    Gustav Mahler
    1:31
  • 13
    Symphony no. 9: 2. A tempo II [bar 261]
    Gustav Mahler
    2:44
  • 14
    Symphony no. 9: 2. Tempo I [bar 369]
    Gustav Mahler
    1:26
  • 15
    Symphony no. 9: 2. Tempo II [bar 423]
    Gustav Mahler
    1:25
  • 16
    Symphony no. 9: 2. 8 bars before: Tempo I subito [bar 515]
    Gustav Mahler
    3:10
  • 17
    Symphony no. 9: 3. Rondo Burleske. Allegro assai
    Gustav Mahler
    1:50
  • 18
    Symphony no. 9: 3. L'istesso tempo [bar 109]
    Gustav Mahler
    1:14
  • 19
    Symphony no. 9: 3. Sempre l'istesso tempo [bar 180]
    Gustav Mahler
    2:15
  • 20
    Symphony no. 9: 3. Sempre l'istesso tempo [bar 311]
    Gustav Mahler
    3:06
  • 21
    Symphony no. 9: 3. (clarinets/Klarinetten/clarinetti) [bar 444]
    Gustav Mahler
    1:39
  • 22
    Symphony no. 9: 3. Tempo I. subito [bar 522]
    Gustav Mahler
    1:36
  • 23
    Symphony no. 9: 3. Più stretto [bar 617]
    Gustav Mahler
    0:59
  • 24
    Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend
    Gustav Mahler
    3:49
  • 25
    Symphony no. 9: 4. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
    Gustav Mahler
    2:06
  • 26
    Symphony no. 9: 4. Molto adagio subito [bar 49]
    Gustav Mahler
    1:58
  • 27
    Symphony no. 9: 4. A tempo (Molto adagio) [bar 64]
    Gustav Mahler
    2:27
  • 28
    Symphony no. 9: 4. Stets sehr gehalten [bar 88]
    Gustav Mahler
    2:58
  • 29
    Symphony no. 9: 4. Fließender, doch durchaus nicht eilend [bar 107]
    Gustav Mahler
    1:33
  • 30
    Symphony no. 9: 4. Tempo I. Molto adagio [bar 126]
    Gustav Mahler
    5:08
  • 31
    Symphony no. 9: 4. Adagissimo [bar 159]
    Gustav Mahler
    4:29
  • CD 31: Mozart: Piano Concertos no. 14 & no. 26 “Coronation”
  • 1
    Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 1. Allegro vivace (Cadenza W.A. Mozart)
    Wolfgang Amadeus Mozart
    8:34
  • 2
    Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 2. Andantino
    Wolfgang Amadeus Mozart
    6:51
  • 3
    Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 3. Allegro ma non troppo
    Wolfgang Amadeus Mozart
    6:13
  • 4
    Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 1. Allegro (Cadenza: Paul Badura-Skoda)
    Wolfgang Amadeus Mozart
    14:08
  • 5
    Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 2. (Larghetto)
    Wolfgang Amadeus Mozart
    5:38
  • 6
    Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 3. (Allegretto)
    Wolfgang Amadeus Mozart
    10:36
  • CD 32: Mozart: Piano Concertos nos. 20 & 21
  • 1
    Concerto for Piano and Orchestra no. 20 in D minor, K 466: 1. Allegro (Cadenza: Ludwig van Beethoven)
    Wolfgang Amadeus Mozart
    15:30
  • 2
    Concerto for Piano and Orchestra no. 20 in D minor, K 466: 2. Romance
    Wolfgang Amadeus Mozart
    9:59
  • 3
    Concerto for Piano and Orchestra no. 20 in D minor, K 466: 3. Rondo. (Allegro assai) (Cadenza I: Johann Nepomuk Hummel/Friedrich Gulda; Cadenza II: Ludwigh van Beethoven)
    Wolfgang Amadeus Mozart
    7:49
  • 4
    Concerto for Piano and Orchestra no. 21 in C major, K 467: 1. Allegro (Candenza: Friedrich Gulda)
    Wolfgang Amadeus Mozart
    14:59
  • 5
    Concerto for Piano and Orchestra no. 21 in C major, K 467: 2. Andante
    Wolfgang Amadeus Mozart
    7:49
  • 6
    Concerto for Piano and Orchestra no. 21 in C major, K 467: 3. Allegro vivace assai (Cadenza: Friedrich Gulda)
    Wolfgang Amadeus Mozart
    6:41
  • CD 33: Mozart: Piano Concertos nos. 25 & 27
  • 1
    Concerto for Piano and Orchestra no. 25 in C major, K 503: 1. Allegro maestoso (Cadenza: Friedrich Gulda)
    Wolfgang Amadeus Mozart
    16:32
  • 2
    Concerto for Piano and Orchestra no. 25 in C major, K 503: 2. Andante
    Wolfgang Amadeus Mozart
    8:24
  • 3
    Concerto for Piano and Orchestra no. 25 in C major, K 503: 3. (Allegretto)
    Wolfgang Amadeus Mozart
    10:00
  • 4
    Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 1. Allegro (Cadenza: Wolfgang Amadeus Mozart)
    Wolfgang Amadeus Mozart
    14:51
  • 5
    Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 2. Larghetto
    Wolfgang Amadeus Mozart
    8:15
  • 6
    Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 3. Allegro (Cadenzas I & II: Wolfgang Amadeus Mozart; Cadenza III: Friedrich Gulda)
    Wolfgang Amadeus Mozart
    9:23
  • CD 34: Mozart: Missa solemnis “Waisenhaus”
  • 1
    Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”
    Wolfgang Amadeus Mozart
    1:47
  • 2
    Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”
    Wolfgang Amadeus Mozart
    2:31
  • 3
    Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Christe eleison”
    Wolfgang Amadeus Mozart
    1:37
  • 4
    Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”
    Wolfgang Amadeus Mozart
    2:33
  • 5
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gloria in excelsis Deo”
    Wolfgang Amadeus Mozart
    1:01
  • 6
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Laudamus te”
    Wolfgang Amadeus Mozart
    1:49
  • 7
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gratias agimus”
    Wolfgang Amadeus Mozart
    1:04
  • 8
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Domnie deus”
    Wolfgang Amadeus Mozart
    2:02
  • 9
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Qui tollis peccata mundi”
    Wolfgang Amadeus Mozart
    1:53
  • 10
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Quoniam tu solus Sanctus”
    Wolfgang Amadeus Mozart
    2:48
  • 11
    Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Cum Sancto spiritu”
    Wolfgang Amadeus Mozart
    2:43
  • 12
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Credo in unum Deum”
    Wolfgang Amadeus Mozart
    2:17
  • 13
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et incarnatus est”
    Wolfgang Amadeus Mozart
    2:41
  • 14
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Crucifixus etiam pro nobis”
    Wolfgang Amadeus Mozart
    1:42
  • 15
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et resurrexit”
    Wolfgang Amadeus Mozart
    1:28
  • 16
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in spiritum sanctum”
    Wolfgang Amadeus Mozart
    2:04
  • 17
    Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in unam sanctam”
    Wolfgang Amadeus Mozart
    3:18
  • 18
    Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”
    Wolfgang Amadeus Mozart
    0:56
  • 19
    Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Pleni sunt coeli” / “Osanna in excelsis”
    Wolfgang Amadeus Mozart
    0:50
  • 20
    Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Benedictus”
    Wolfgang Amadeus Mozart
    1:57
  • 21
    Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Osanna in excelsis”
    Wolfgang Amadeus Mozart
    0:21
  • 22
    Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
    Wolfgang Amadeus Mozart
    3:45
  • 23
    Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Dona nobis pacem”
    Wolfgang Amadeus Mozart
    1:50
  • CD 35: Mozart: Le nozze di Figaro (Acts I & II beg.)
  • 1
    Le nozze di Figaro, K 492: Sinfonia
    Wolfgang Amadeus Mozart
    4:09
  • 2
    Le nozze di Figaro, K 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna)
    Wolfgang Amadeus Mozart
    2:35
  • 3
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro)
    Wolfgang Amadeus Mozart
    0:36
  • 4
    Le nozze di Figaro, K 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna)
    Wolfgang Amadeus Mozart
    2:25
  • 5
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro)
    Wolfgang Amadeus Mozart
    1:25
  • 6
    Le nozze di Figaro, K 492: Atto I. “Bravo, signor padrone!” (Figaro)
    Wolfgang Amadeus Mozart
    0:42
  • 7
    Le nozze di Figaro, K 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)
    Wolfgang Amadeus Mozart
    2:19
  • 8
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)
    Wolfgang Amadeus Mozart
    0:53
  • 9
    Le nozze di Figaro, K 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)
    Wolfgang Amadeus Mozart
    3:06
  • 10
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)
    Wolfgang Amadeus Mozart
    0:33
  • 11
    Le nozze di Figaro, K 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)
    Wolfgang Amadeus Mozart
    2:08
  • 12
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)
    Wolfgang Amadeus Mozart
    1:40
  • 13
    Le nozze di Figaro, K 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)
    Wolfgang Amadeus Mozart
    2:42
  • 14
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio)
    Wolfgang Amadeus Mozart
    3:14
  • 15
    Le nozze di Figaro, K 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna)
    Wolfgang Amadeus Mozart
    4:44
  • 16
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio)
    Wolfgang Amadeus Mozart
    0:55
  • 17
    Le nozze di Figaro, K 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine)
    Wolfgang Amadeus Mozart
    0:58
  • 18
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna)
    Wolfgang Amadeus Mozart
    1:13
  • 19
    Le nozze di Figaro, K 492: Atto I. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine)
    Wolfgang Amadeus Mozart
    0:46
  • 20
    Le nozze di Figaro, K 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3
    Wolfgang Amadeus Mozart
    1:03
  • 21
    Le nozze di Figaro, K 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)
    Wolfgang Amadeus Mozart
    3:38
  • 22
    Le nozze di Figaro, K 492: Atto II. N. 11 Cavatina: “Porgi, amor, qualche, ristoro” (contessa)
    Wolfgang Amadeus Mozart
    3:41
  • 23
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro)
    Wolfgang Amadeus Mozart
    3:16
  • 24
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino)
    Wolfgang Amadeus Mozart
    1:11
  • 25
    Le nozze di Figaro, K 492: Atto II. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)
    Wolfgang Amadeus Mozart
    2:22
  • 26
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino)
    Wolfgang Amadeus Mozart
    0:58
  • 27
    Le nozze di Figaro, K 492: Atto II. N. 13 Aria: “Venite, inginocchiatevi” (Susanna)
    Wolfgang Amadeus Mozart
    2:39
  • 28
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Quante buffonerie!” ... “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte)
    Wolfgang Amadeus Mozart
    2:26
  • 29
    Le nozze di Figaro, K 492: Atto II. “Che novità! Non fu mai vostra usanza” (conte, contessa)
    Wolfgang Amadeus Mozart
    1:04
  • 30
    Le nozze di Figaro, K 492: Atto II. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna)
    Wolfgang Amadeus Mozart
    3:05
  • 31
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Dunque, voi non aprite?” (conte, contessa)
    Wolfgang Amadeus Mozart
    0:48
  • 32
    Le nozze di Figaro, K 492: Atto II. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)
    Wolfgang Amadeus Mozart
    0:59
  • 33
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Oh guarda il demonietto” (Susanna)
    Wolfgang Amadeus Mozart
    0:24
  • CD 36: Mozart: Le nozze di Figaro (Acts II cont. & III)
  • 1
    Le nozze di Figaro, K 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa)
    Wolfgang Amadeus Mozart
    1:11
  • 2
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa)
    Wolfgang Amadeus Mozart
    3:06
  • 3
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa)
    Wolfgang Amadeus Mozart
    1:14
  • 4
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte)
    Wolfgang Amadeus Mozart
    3:49
  • 5
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa)
    Wolfgang Amadeus Mozart
    0:50
  • 6
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa)
    Wolfgang Amadeus Mozart
    2:06
  • 7
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro)
    Wolfgang Amadeus Mozart
    2:53
  • 8
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro Susanna, contessa)
    Wolfgang Amadeus Mozart
    2:28
  • 9
    Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna)
    Wolfgang Amadeus Mozart
    3:45
  • 10
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna)
    Wolfgang Amadeus Mozart
    2:12
  • 11
    Le nozze di Figaro, K 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna)
    Wolfgang Amadeus Mozart
    2:27
  • 12
    Le nozze di Figaro, K 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro)
    Wolfgang Amadeus Mozart
    0:44
  • 13
    Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte)
    Wolfgang Amadeus Mozart
    1:13
  • 14
    Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte)
    Wolfgang Amadeus Mozart
    3:15
  • 15
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino)
    Wolfgang Amadeus Mozart
    0:35
  • 16
    Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa)
    Wolfgang Amadeus Mozart
    1:29
  • 17
    Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa)
    Wolfgang Amadeus Mozart
    4:03
  • 18
    Le nozze di Figaro, K 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo)
    Wolfgang Amadeus Mozart
    1:53
  • 19
    Le nozze di Figaro, K 492: Atto III. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna)
    Wolfgang Amadeus Mozart
    4:51
  • 20
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)
    Wolfgang Amadeus Mozart
    0:51
  • 21
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Io vi dico, signor” ... “Cosa mi narri!” (Antonio, conte, contessa, Susanna)
    Wolfgang Amadeus Mozart
    0:52
  • 22
    Le nozze di Figaro, K 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna)
    Wolfgang Amadeus Mozart
    2:06
  • 23
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa)
    Wolfgang Amadeus Mozart
    0:16
  • 24
    Le nozze di Figaro, K 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)
    Wolfgang Amadeus Mozart
    0:57
  • 25
    Le nozze di Figaro, K 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino)
    Wolfgang Amadeus Mozart
    2:35
  • 26
    Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa)
    Wolfgang Amadeus Mozart
    1:49
  • 27
    Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro)
    Wolfgang Amadeus Mozart
    1:14
  • 28
    Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro)
    Wolfgang Amadeus Mozart
    1:36
  • 29
    Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Andate, amici” (conte, coro)
    Wolfgang Amadeus Mozart
    1:22
  • CD 37: Mozart: Le nozze di Figaro (Act IV)
  • 1
    Le nozze di Figaro, K 492: Atto IV. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina)
    Wolfgang Amadeus Mozart
    1:40
  • 2
    Le nozze di Figaro, K 492: Atto IV. Recitativo: “Barbarina, cos'hai?” ... “Madre” / “Figlio” ... “Presto, avvertiam Susanna!” (Figaro, Barbarina, Marcellina)
    Wolfgang Amadeus Mozart
    2:20
  • 3
    Le nozze di Figaro, K 492: Atto IV. N. 25 Aria: “Il capro e la capretta” (Marcellina)
    Wolfgang Amadeus Mozart
    3:02
  • 4
    Le nozze di Figaro, K 492: Atto IV. Recitativo: “Nel padiglione a manca” ... “È Barbarina. Chi va là?” ... “Ha i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo)
    Wolfgang Amadeus Mozart
    1:49
  • 5
    Le nozze di Figaro, K 492: Atto IV. N. 26 Aria: “In quegli anni in cui val poco” (Basilio)
    Wolfgang Amadeus Mozart
    3:20
  • 6
    Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Tutto è disposto” ... (Figaro)
    Wolfgang Amadeus Mozart
    0:45
  • 7
    Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Oh Susanna, Susanna, quanta pena mi costi!” (Figaro)
    Wolfgang Amadeus Mozart
    0:34
  • 8
    Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Aprite un po' quegli occhi” (Figaro)
    Wolfgang Amadeus Mozart
    2:39
  • 9
    Le nozze di Figaro, K 492: Atto IV. Recitativo: “Signora, ella mi disse” ... “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro)
    Wolfgang Amadeus Mozart
    0:44
  • 10
    Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Giunse alfin il momento” ... (Susanna)
    Wolfgang Amadeus Mozart
    1:09
  • 11
    Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Deh vieni, non tardar, o gioia bella” (Susanna)
    Wolfgang Amadeus Mozart
    2:57
  • 12
    Le nozze di Figaro, K 492: Atto IV. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa)
    Wolfgang Amadeus Mozart
    0:34
  • 13
    Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa)
    Wolfgang Amadeus Mozart
    1:13
  • 14
    Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Ecco qui la mia Susanna” (conte, Susanna, Figaro, Cherubino, contessa)
    Wolfgang Amadeus Mozart
    4:29
  • 15
    Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna)
    Wolfgang Amadeus Mozart
    3:30
  • 16
    Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pace, pace, mio dolce tesoro” ... “Non la trovo” (Figaro, Susanna, conte)
    Wolfgang Amadeus Mozart
    1:52
  • 17
    Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Gente, gente, all'armi, all'armi” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro)
    Wolfgang Amadeus Mozart
    5:13
  • 18
    Le nozze di Figaro, K 492: Appendice. N. 13a Arietta, K 579: “Un moto di gioia” (Susanna)
    Wolfgang Amadeus Mozart
    3:04
  • 19
    Le nozze di Figaro, K 492: Appendice. N. 28a Rondò, K 577: “Al desio di chi t'adora” (Susanna)
    Wolfgang Amadeus Mozart
    6:00
  • CD 38: Mussorgsky: Khovanshchina (Act I)
  • 1
    Khovanshchina: Prelude: Dawn over the River Moscow
    Modest Mussorgsky
    5:36
  • 2
    Khovanshchina: Act I. «Podojdu, podojdu... pod Ivangorod» (Kuzka, 2nd Strelyets, 1st Strelyets, Scribe)
    Modest Mussorgsky
    2:59
  • 3
    Khovanshchina: Act I. «Ėj ty, stročilo!» (Shaklovity, Scribe, Muscovites)
    Modest Mussorgsky
    3:47
  • 4
    Khovanshchina: Act I. «Aj! Prjamaja pogibel'...» (Scribe, Streltsy, Shaklovity) / «A my živem nyne v pochoronkach» (Shaklovity, Scribe) / «Da čto ty straščaeš'?» (Scribe, Shaklovity, Muscovites)
    Modest Mussorgsky
    4:31
  • 5
    Khovanshchina: Act I. «Čto b ėto na Moskve takoe priključilos'?» (Muscovites, Scribe) / «Žil da byl pod'jačij sem'desjat godov» (Muscovites, Scribe) / «Stojte, stojte, okajannye!» (Scribe, Muscovites) / «Och ty, rodnaja matuška Rus'» (Muscovites) / «Aj da! Veselo!» (Boys, Women, Muscovites, Scribe, Streltsy)
    Modest Mussorgsky
    8:53
  • 6
    Khovanshchina: Act I. «Ljudi pravoslavnye, ljudi rossijskie» (Streltsy) / «Deti, deti moi!» (Prince Ivan Khovansky, people, Streltsy) / «Slava lebedju, slava belomu» (people, Streltsy)
    Modest Mussorgsky
    4:18
  • 7
    Khovanshchina: Act I. «Pustite, pustite!» (Emma, Prince Andrei Khovansky) / «Otdajsja mne! ... Ne pytaj menja!» (Andrei Khovansky, Emma, Marfa)
    Modest Mussorgsky
    2:57
  • 8
    Khovanshchina: Act I. «Tak, tak, knjaže!» (Marfa, Emma, Andrei Khovansky, people, Streltsy)
    Modest Mussorgsky
    3:39
  • 9
    Khovanshchina: Act I. «Slava lebedju» (people, Emma, Streltsy) / «Čto takoe?» (Ivan Khovansky, Andrei Khovansky, Streltsy, Dosifei, Emma)
    Modest Mussorgsky
    3:09
  • 10
    Khovanshchina: Act I. «Marfa, svedi-ko ljuterku domoj» (Dosifei, Marfa) / «Strel'cy! Živo! V Krem'!» (Ivan Khovansky, Streltsy, Dosifei) / «Bože vsesil'nyj» (Old Believers, Dosifei)
    Modest Mussorgsky
    6:09
  • CD 39: Khovanshchina (Acts II & III)
  • 1
    Khovanshchina: Act II. «Svet moj, bratec Vasen'ka» (Golitsyn) / «Kto tam?» (Golitsyn, Varsonofiev, Marfa)
    Modest Mussorgsky
    5:45
  • 2
    Khovanshchina: Act II. «Postav'!» (Golitsyn, Marfa) / «Vot v čem rešen'e sud'by moej» (Golitsyn)
    Modest Mussorgsky
    6:42
  • 3
    Khovanshchina: Act II. «A my bez dokladu, knjaz', vot kak!» (Ivan Khovansky, Golitsyn) / «Ne tebe sudit' moi postupki!» (Golitsyn, Ivan Khovansky, Dosifei)
    Modest Mussorgsky
    8:46
  • 4
    Khovanshchina: Act II. «Pobedichom, pobedichom, posramichom» (Old Believers, Ivan Khovansky, Dosifei, Golitsyn)
    Modest Mussorgsky
    2:03
  • 5
    Khovanshchina: Act II. «Knjaže, knjaže!» (Marfa, Golitsyn, Ivan Khovansky, Dosifei, Varsonofiev)
    Modest Mussorgsky
    1:06
  • 6
    Khovanshchina: Act II. «Knjaz'ja!» (Shaklovity, Ivan Khovansky, Dosifei)
    Modest Mussorgsky
    1:54
  • 7
    Khovanshchina: Act III. «Posramichom, prerekochom» (Old Believers)
    Modest Mussorgsky
    2:55
  • 8
    Khovanshchina: Act III. «Ischodila mladešen'ka» (Marfa) / «Grech! Tjažkij, neiskupimyj grech» (Susanna, Marfa) / «Esli b ty togda ponjat' mogla» (Marfa, Susanna) / «Ty... ty iskusila menja» (Susanna)
    Modest Mussorgsky
    8:44
  • 9
    Khovanshchina: Act III. «Počto mjatešisja» (Dosifei, Marfa, Susanna) / «Beliala i besov ugodnica» (Dosifei, Marfa) / «Strašnaja pytka ljubov' moja» (Marfa, Dosifei)
    Modest Mussorgsky
    6:09
  • 10
    Khovanshchina: Act III. «Spit streleckoe gnezdo» (Shaklovity)
    Modest Mussorgsky
    6:02
  • 11
    Khovanshchina: Act III. «Podnimajsja, molodcy!» (Streltsy, Shaklovity) / «Vali valom!» (Streltsy)
    Modest Mussorgsky
    2:21
  • 12
    Khovanshchina: Act III. «Ach, okajannye propojcy» (Streltsy women, Streltsy) / «Oj, da achti ž» (Streltsy, Streltsy women, Kuzka)
    Modest Mussorgsky
    1:31
  • 13
    Khovanshchina: Act III. «Och, mne nevmogotu, och, vot» (Kuzka, Streltsy women, Streltsy)
    Modest Mussorgsky
    2:32
  • 14
    Khovanshchina: Act III. «Beda, beda ... ach, zlejšaja!» (Scribe, Streltsy, Streltsy women) / «... mernyj dal'nij topot» (Scribe, Streltsy, Streltsy women) / «Strel'cy! Sprosim batju» (Kuzka, Streltsy women, Streltsy)
    Modest Mussorgsky
    6:28
  • 15
    Khovanshchina: Act III. «Zdorovo, detki» (Ivan Khovansky, Streltsy women, Streltsy)
    Modest Mussorgsky
    4:07
  • CD 40: Khovanshchina (Acts IV & V)
  • 1
    Khovanshchina: Act IV, scene 1. «Vozle rečki na lužočke» (peasant girls, Ivan Khovansky) / «Ty začem?» (Ivan Khovansky, confidant)
    Modest Mussorgsky
    5:24
  • 2
    Khovanshchina: Act IV, scene 1. Dances of the Persian slave girls
    Modest Mussorgsky
    6:32
  • 3
    Khovanshchina: Act IV, scene 1. «Ty začem?» (Ivan Khovansky, Shaklovity) / «Plyvet, plyvet lebeduška» (peasant girls, Shaklovity)
    Modest Mussorgsky
    4:08
  • 4
    Khovanshchina: Act IV, scene 2. «Glijan'-ko! Vezut, vezut kak est'!» (Muscovites)
    Modest Mussorgsky
    3:50
  • 5
    Khovanshchina: Act IV, scene 2. «Sveršilosja rešenie sud'by» (Dosifei, Marfa) / «Čto ž, proznala ty, golubka» (Dosifei, Marfa)
    Modest Mussorgsky
    4:13
  • 6
    Khovanshchina: Act IV, scene 2. «A, ty zdes', zlodejka!» (Andrei Khovansky, Marfa) / «Vidnom ty ne čujal, knjaže» (Marfa, Andrei Khovansky) / «Ja ne verju tebe» (Andrei Khovansky, Marfa)
    Modest Mussorgsky
    3:25
  • 7
    Khovanshchina: Act IV, scene 2. «Gospodi, bože moj!» (Andrei Khovansky, Marfa, Streltsy women, Streltsy) / Preobrazhensky March / «Strel'cy! Cari i gosudari Ivan i Petr» (Streshnev)
    Modest Mussorgsky
    4:55
  • 8
    Khovanshchina: Act V. «Zdes', na ėtom meste svjate» (Dosifei, Old Believers) / «Oblekajtesja v rizy svetlye» (Dosifei) / «Vrag čelovekov» (Old Believers, Marfa)
    Modest Mussorgsky
    11:25
  • 9
    Khovanshchina: Act V. «Gde ty, moja volijuška?» (Andrei Khovansky, Marfa) / «Ja ne ostavlju tebja» (Marfa) / «Truba predvečnogo!» (Dosifei, Marfa, Andrei Khovansky) / «Gospodi slavy» (Old Believers, Dosifei)
    Modest Mussorgsky
    7:55
  • 10
    Khovanshchina: Act V. «Gospod' spaset mja» (Old Believers, Dosifei) / «I Gospod' moj, spaset mja» (Andrei Khovansky, Old Believers, Dosifei, Marfa) / Closing applause
    Modest Mussorgsky
    5:28
  • CD 41: Rossini: L'italiana in Algeri (Act I)
  • 1
    L'italiana in Algeri: Sinfonia (Ouverture)
    Gioachino Rossini
    7:52
  • 2
    L'italiana in Algeri: Atto I. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà)
    Gioachino Rossini
    6:53
  • 3
    L'italiana in Algeri: Atto I. Recitativo: “Ritiratevi tutti” (Mustafà, Haly)
    Gioachino Rossini
    1:21
  • 4
    L'italiana in Algeri: Atto I. N. 2 Cavatina: “Languir per una bella” (Lindoro)
    Gioachino Rossini
    6:41
  • 5
    L'italiana in Algeri: Atto I. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà)
    Gioachino Rossini
    0:41
  • 6
    L'italiana in Algeri: Atto I. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)
    Gioachino Rossini
    4:09
  • 7
    L'italiana in Algeri: Atto I. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, Taddeo, Haly)
    Gioachino Rossini
    4:46
  • 8
    L'italiana in Algeri: Atto I. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly)
    Gioachino Rossini
    1:02
  • 9
    L'italiana in Algeri: Atto I. Recitativo: “Ah! Isabella... siam giunti a mal partito” (Taddeo, Isabella)
    Gioachino Rossini
    0:55
  • 10
    L'italiana in Algeri: Atto I. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo)
    Gioachino Rossini
    7:18
  • 11
    L'italiana in Algeri: Atto I. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro)
    Gioachino Rossini
    0:40
  • 12
    L'italiana in Algeri: Atto I. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly)
    Gioachino Rossini
    0:44
  • 13
    L'italiana in Algeri: Atto I. N. 6 Aria: “Già d'insolito ardore” (Mustafà)
    Gioachino Rossini
    3:22
  • 14
    L'italiana in Algeri: Atto I. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)
    Gioachino Rossini
    1:01
  • 15
    L'italiana in Algeri: Atto I. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo)
    Gioachino Rossini
    8:24
  • 16
    L'italiana in Algeri: Atto I. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro)
    Gioachino Rossini
    9:12
  • CD 42: Rossini: L'italiana in Algeri (Act II)
  • 1
    L'italiana in Algeri: Atto II. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly)
    Gioachino Rossini
    1:36
  • 2
    L'italiana in Algeri: Atto II. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)
    Gioachino Rossini
    0:42
  • 3
    L'italiana in Algeri: Atto II. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro)
    Gioachino Rossini
    1:15
  • 4
    L'italiana in Algeri: Atto II. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro)
    Gioachino Rossini
    2:12
  • 5
    L'italiana in Algeri: Atto II. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo)
    Gioachino Rossini
    0:53
  • 6
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro)
    Gioachino Rossini
    1:01
  • 7
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)
    Gioachino Rossini
    0:21
  • 8
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro)
    Gioachino Rossini
    3:55
  • 9
    L'italiana in Algeri: Atto II. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)
    Gioachino Rossini
    1:25
  • 10
    L'italiana in Algeri: Atto II. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)
    Gioachino Rossini
    5:13
  • 11
    L'italiana in Algeri: Atto II. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)
    Gioachino Rossini
    0:31
  • 12
    L'italiana in Algeri: Atto II. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
    Gioachino Rossini
    9:03
  • 13
    L'italiana in Algeri: Atto II. Recitativo: “Con tutta la sua boria” (Haly)
    Gioachino Rossini
    0:24
  • 14
    L'italiana in Algeri: Atto II. N. 13 Aria: “La femmine d'Italia” (Haly)
    Gioachino Rossini
    2:24
  • 15
    L'italiana in Algeri: Atto II. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà)
    Gioachino Rossini
    1:17
  • 16
    L'italiana in Algeri: Atto II. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo)
    Gioachino Rossini
    5:26
  • 17
    L'italiana in Algeri: Atto II. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro)
    Gioachino Rossini
    0:35
  • 18
    L'italiana in Algeri: Atto II. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento ... Pensa alla patria” (Isabella, coro)
    Gioachino Rossini
    8:32
  • 19
    L'italiana in Algeri: Atto II. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà)
    Gioachino Rossini
    0:37
  • 20
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella)
    Gioachino Rossini
    9:00
  • 21
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Son l'aure seconde, son placide, l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà)
    Gioachino Rossini
    1:48
  • 22
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro)
    Gioachino Rossini
    2:26
  • CD 43: Schoenberg: Gurre-Lieder (Part I)
  • 1
    Gurre-Lieder: Erster Teil. Orchestervorspiel
    Arnold Schönberg
    6:50
  • 2
    Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar)
    Arnold Schönberg
    4:00
  • 3
    Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove)
    Arnold Schönberg
    2:44
  • 4
    Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar)
    Arnold Schönberg
    3:34
  • 5
    Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove)
    Arnold Schönberg
    2:22
  • 6
    Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar)
    Arnold Schönberg
    2:24
  • 7
    Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove)
    Arnold Schönberg
    4:07
  • 8
    Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar)
    Arnold Schönberg
    6:09
  • 9
    Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove)
    Arnold Schönberg
    5:30
  • 10
    Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar)
    Arnold Schönberg
    4:21
  • 11
    Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
    Arnold Schönberg
    5:49
  • 12
    Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube)
    Arnold Schönberg
    11:54
  • CD 44: Schoenberg: Gurre-Lieder (Parts II & III)
  • 1
    Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar)
    Arnold Schönberg
    5:10
  • 2
    Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar)
    Arnold Schönberg
    2:52
  • 3
    Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer)
    Arnold Schönberg
    3:06
  • 4
    Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen)
    Arnold Schönberg
    5:47
  • 5
    Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar)
    Arnold Schönberg
    3:14
  • 6
    Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr)
    Arnold Schönberg
    6:44
  • 7
    Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar)
    Arnold Schönberg
    2:24
  • 8
    Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen)
    Arnold Schönberg
    4:13
  • 9
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel]
    Arnold Schönberg
    3:50
  • 10
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)
    Arnold Schönberg
    5:13
  • 11
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor)
    Arnold Schönberg
    4:31
  • CD 45: Schubert: Symphonies no. 5 & no. 8 “Unfinished”
  • 1
    Symphony no. 8 in B minor “Unfinished”, D 759: 1. Allegro moderato
    Franz Schubert
    12:47
  • 2
    Symphony no. 8 in B minor “Unfinished”, D 759: 2. Andante con moto
    Franz Schubert
    12:39
  • 3
    Symphony no. 5 in B-flat major, D 485: 1. Allegro
    Franz Schubert
    7:19
  • 4
    Symphony no. 5 in B-flat major, D 485: 2. Andante con moto
    Franz Schubert
    11:02
  • 5
    Symphony no. 5 in B-flat major, D 485: 3. Menuetto. Allegro molto
    Franz Schubert
    5:27
  • 6
    Symphony no. 5 in B-flat major, D 485: 4. Allegro vivace
    Franz Schubert
    5:58
  • CD 46: Schubert: Mass no. 6
  • 1
    Mass no. 6 in E-flat major, D 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison”
    Franz Schubert
    6:21
  • 2
    Mass no. 6 in E-flat major, D 950: Gloria. “Gloria in excelsis Deo”
    Franz Schubert
    5:00
  • 3
    Mass no. 6 in E-flat major, D 950: Gloria. “Domine Deus”
    Franz Schubert
    4:22
  • 4
    Mass no. 6 in E-flat major, D 950: Gloria. “Quoniam tu solus sanctus”
    Franz Schubert
    1:03
  • 5
    Mass no. 6 in E-flat major, D 950: Gloria. “Cum Sancto spiritu”
    Franz Schubert
    4:14
  • 6
    Mass no. 6 in E-flat major, D 950: Credo. “Credo in unum Deum”
    Franz Schubert
    2:57
  • 7
    Mass no. 6 in E-flat major, D 950: Credo. “Et incarnatus est”
    Franz Schubert
    6:04
  • 8
    Mass no. 6 in E-flat major, D 950: Credo. “Et resurrexit”
    Franz Schubert
    6:46
  • 9
    Mass no. 6 in E-flat major, D 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”
    Franz Schubert
    2:09
  • 10
    Mass no. 6 in E-flat major, D 950: Sanctus. “Osanna in excelsis”
    Franz Schubert
    1:15
  • 11
    Mass no. 6 in E-flat major, D 950: Benedictus. “Benedictus, qui venit”
    Franz Schubert
    4:59
  • 12
    Mass no. 6 in E-flat major, D 950: Benedictus. “Osanna in excelsis”
    Franz Schubert
    1:12
  • 13
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
    Franz Schubert
    3:56
  • 14
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
    Franz Schubert
    3:31
  • 15
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
    Franz Schubert
    0:54
  • 16
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
    Franz Schubert
    2:07
  • CD 47: New Year's Concert 1988
  • 1
    “Donna Diana”: Overture
    Emil Nikolaus von Reznicek
    4:02
  • 2
    Brennende Liebe, op. 129 (Polka mazur)
    Josef Strauss
    4:28
  • 3
    Auf Ferienreisen, op. 133 (Polka schnell)
    Josef Strauss
    2:28
  • 4
    Auf der Jagd, op. 373 (Polka schnell)
    Johann Strauss
    2:26
  • 5
    Wo die Zitronen blüh'n, op. 364 (Walzer)
    Johann Strauss
    9:03
  • 6
    Die Fledermaus: Overture
    Johann Strauss
    8:16
  • 7
    Neue Pizzicato-Polka, op. 449
    Johann Strauss
    3:39
  • 8
    Freut euch des Lebens, op. 340 (Walzer)
    Johann Strauss
    8:19
  • 9
    Un ballo in maschera, op. 272: No. 1 Le Pantalon / No. 3 La Poule / No. 4 La Trénis / No. 6 Finale
    Johann Strauss
    4:34
  • 10
    Tritsch-Tratsch-Polka, op. 214
    Johann Strauss
    2:59
  • 11
    Leichtes Blut, op. 319 (Polka schnell)
    Johann Strauss
    2:43
  • 12
    Seid umschlungen, Millionen, op. 443 (Walzer)
    Johann Strauss
    9:37
  • 13
    Perpetuum mobile, op. 257 (Walzer)
    Johann Strauss
    2:57
  • 14
    Im Fluge, op. 230 (Polka schnell)
    Josef Strauss
    2:00
  • 15
    Banditen-Galopp, op. 378 (Polka schnell)
    Johann Strauss
    2:43
  • 16
    An der schönen blauen Donau, op. 314 (Walzer)
    Johann Strauss
    9:42
  • 17
    Radetzky-Marsch, op. 228
    Johann Strauss
    3:23
  • CD 48: New Year's Concert 1991
  • 1
    »Waldmeister«: Overture
    Johann Strauss
    9:26
  • 2
    Kontretanz in C major, K 609/1
    Wolfgang Amadeus Mozart
    0:57
  • 3
    Kontretanz in D major, K 609/3
    Wolfgang Amadeus Mozart
    1:18
  • 4
    Kontretanz in C major, K 605/3 »Die Schlittenfahrt«
    Wolfgang Amadeus Mozart
    2:39
  • 5
    Die tanzende Muse, op. 266 (Polka mazur)
    Johann Strauss
    4:05
  • 6
    Galopp und 8 Ecossaisen für Klavier, D 735: Galopp
    Franz Schubert
    1:39
  • 7
    Galopp und 8 Ecossaisen für Klavier, D 735: Ecossaise No. 1
    Franz Schubert
    1:32
  • 8
    Die Werber, op. 103 (Walzer)
    Josef Lanner
    7:20
  • 9
    Seufzer-Galopp, op. 9
    Johann Strauss
    1:51
  • 10
    Aquarellen, op. 258 (Walzer)
    Josef Strauss
    7:51
  • 11
    Freikugeln, op. 326 (Polka schnell)
    Johann Strauss
    2:29
  • 12
    Carmen-Quadrille, op. 134
    Eduard Strauss
    4:58
  • 13
    Kaiser-Walzer, op. 437
    Johann Strauss
    10:44
  • 14
    Furioso-Polka, op. 260 (Polka quasi Galopp)
    Johann Strauss
    2:14
  • 15
    Stürmisch in Lieb' und Tanz, op. 393 (Polka schnell)
    Johann Strauss
    2:08
  • 16
    An der schönen blauen Donau, op. 314 (Walzer)
    Johann Strauss
    9:29
  • 17
    Radetzky-Marsch, op. 228
    Johann Strauss
    3:24
  • CD 49: Tchaikovsky: Symphony no. 4
  • 1
    Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo
    Pyotr Ilyich Tchaikovsky
    18:15
  • 2
    Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone
    Pyotr Ilyich Tchaikovsky
    9:06
  • 3
    Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro
    Pyotr Ilyich Tchaikovsky
    5:41
  • 4
    Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco
    Pyotr Ilyich Tchaikovsky
    8:34
  • CD 50: Tchaikovsky: Symphony no. 6 “Pathétique”
  • 1
    Symphony no. 6 in B minor “Pathétique”, op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
    Pyotr Ilyich Tchaikovsky
    17:54
  • 2
    Symphony no. 6 in B minor “Pathétique”, op. 74: 2. Allegro con grazia
    Pyotr Ilyich Tchaikovsky
    8:09
  • 3
    Symphony no. 6 in B minor “Pathétique”, op. 74: 3. Allegro molto vivace
    Pyotr Ilyich Tchaikovsky
    9:14
  • 4
    Symphony no. 6 in B minor “Pathétique”, op. 74: 4. Finale. Adagio lamentoso - Andante
    Pyotr Ilyich Tchaikovsky
    9:43
  • CD 51: Tchaikovsky / Mendelssohn: Violin Concertos
  • 1
    Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato
    Pyotr Ilyich Tchaikovsky
    17:04
  • 2
    Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante
    Pyotr Ilyich Tchaikovsky
    6:14
  • 3
    Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo
    Pyotr Ilyich Tchaikovsky
    9:05
  • 4
    Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato
    Felix Mendelssohn
    11:29
  • 5
    Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante
    Felix Mendelssohn
    7:48
  • 6
    Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace
    Felix Mendelssohn
    6:26
  • CD 52: Verdi: Messa da Requiem (beg.)
  • 1
    Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)
    Giuseppe Verdi
    8:56
  • 2
    Messa da Requiem: Dies Irae. “Dies irae” (chorus)
    Giuseppe Verdi
    2:20
  • 3
    Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)
    Giuseppe Verdi
    3:09
  • 4
    Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)
    Giuseppe Verdi
    5:11
  • 5
    Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)
    Giuseppe Verdi
    3:45
  • 6
    Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)
    Giuseppe Verdi
    3:52
  • 7
    Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)
    Giuseppe Verdi
    4:04
  • 8
    Messa da Requiem: Dies Irae. “Ingemisco” (tenor)
    Giuseppe Verdi
    3:34
  • 9
    Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)
    Giuseppe Verdi
    5:26
  • 10
    Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)
    Giuseppe Verdi
    6:14
  • 11
    Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)
    Giuseppe Verdi
    10:55
  • CD 53: Messa da Requiem (cont.) / Quattro pezzi sacri
  • 1
    Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)
    Giuseppe Verdi
    2:44
  • 2
    Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)
    Giuseppe Verdi
    5:05
  • 3
    Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)
    Giuseppe Verdi
    6:21
  • 4
    Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)
    Giuseppe Verdi
    14:20
  • 5
    Quattro pezzi sacri: Ave Maria
    Giuseppe Verdi
    5:28
  • 6
    Quattro pezzi sacri: Stabat Mater
    Giuseppe Verdi
    13:29
  • 7
    Quattro pezzi sacri: Laudi alla Vergine Maria
    Giuseppe Verdi
    5:38
  • 8
    Quattro pezzi sacri: Te Deum
    Giuseppe Verdi
    16:06
  • CD 54: Wagner: Lohengrin (Acts I & II beg.)
  • 1
    Lohengrin: Vorspiel
    Richard Wagner
    8:24
  • 2
    Lohengrin: Akt I. »Hört! Grafen, Edle, Freie von Brabant!« (Der Heerrufer, Männerchor, König Heinrich)
    Richard Wagner
    4:31
  • 3
    Lohengrin: Akt I. »Dank, König, dir, dass du zu richten kamst!« (Friedrich, Männerchor, König, Heerrufer)
    Richard Wagner
    6:25
  • 4
    Lohengrin: Akt I. »Seht hin! Sie naht, die hart Beklagte!« (Männerchor, König, Elsa)
    Richard Wagner
    3:37
  • 5
    Lohengrin: Akt I. »Einsam in trüben Tagen« (Elsa, Männerchor, König, Friedrich)
    Richard Wagner
    7:07
  • 6
    Lohengrin: Akt I. »Des Ritters will ich wahren« (Elsa, Männerchor, König, Heerrufer)
    Richard Wagner
    2:42
  • 7
    Lohengrin: Akt I. »Ohn' Antwort ist der Ruf verhallt!« (Männerchor, Friedrich, Elsa, König, Heerrufer, Frauenchor)
    Richard Wagner
    4:39
  • 8
    Lohengrin: Akt I. »Nun sei bedankt, mein lieber Schwan!« (Lohengrin, Chor, König, Elsa)
    Richard Wagner
    5:22
  • 9
    Lohengrin: Akt I. »Wenn ich im Kampfe für dich siege« (Lohengrin, Elsa)
    Richard Wagner
    4:03
  • 10
    Lohengrin: Akt I. »Welch holde Wunder muss ich sehen?« (Chor, Lohengrin, Friedrich, König)
    Richard Wagner
    3:46
  • 11
    Lohengrin: Akt I. »Nun höret mich und achtet wohl« (Heerrufer, Chor, Lohengrin, Friedrich, König, Elsa, Ortrud)
    Richard Wagner
    7:20
  • 12
    Lohengrin: Akt I. »Durch Gottes Sieg ist jetzt dein Leben mein« (Lohengrin, Chor, König, Elsa, Ortrud, Friedrich)
    Richard Wagner
    4:02
  • 13
    Lohengrin: Akt II. Einleitung
    Richard Wagner
    4:19
  • 14
    Lohengrin: Akt II. »Erhebe dich, Genossin meiner Schmach!« (Friedrich, Ortrud)
    Richard Wagner
    3:37
  • 15
    Lohengrin: Akt II. »Was macht dich in so wilder Klage doch vergehn?« (Ortrud, Friedrich)
    Richard Wagner
    4:02
  • CD 55: Wagner: Lohengrin (Act II cont.)
  • 1
    Lohengrin: Akt II. »Du wilde Seherin, wie willst du doch« (Friedrich, Ortrud)
    Richard Wagner
    7:54
  • 2
    Lohengrin: Akt II. »Euch Lüften, die mein Klagen« (Elsa, Ortrud, Friedrich)
    Richard Wagner
    3:25
  • 3
    Lohengrin: Akt II. »Elsa!« / »Wer ruft?« (Ortrud, Elsa)
    Richard Wagner
    5:47
  • 4
    Lohengrin: Akt II. »Ortrud, wo bist du?« (Elsa, Ortrud, Friedrich)
    Richard Wagner
    10:55
  • 5
    Lohengrin: Akt II. »In Früh'n versammelt uns der Ruf« (Chor)
    Richard Wagner
    4:48
  • 6
    Lohengrin: Akt II. »Des Königs Wort und Will' tu' ich euch kund« (Heerrufer, Männerchor)
    Richard Wagner
    6:03
  • 7
    Lohengrin: Akt II. »Nun hört, dem Lande will er uns entführen!« (Die vier Edlen, Friedrich, vier Edelknaben)
    Richard Wagner
    2:06
  • 8
    Lohengrin: Akt II. »Gesegnet soll sie schreiten« (Chor)
    Richard Wagner
    5:32
  • 9
    Lohengrin: Akt II. »Zurück, Elsa! Nicht länger will ich dulden« (Ortrud, Chor, Elsa) / »Heil! Heil dem König!« (Chor, König, Elsa, Lohengrin)
    Richard Wagner
    8:52
  • 10
    Lohengrin: Akt II. »O König! Trugbetörte Fürsten! Haltet ein!« (Friedrich, König, Chor, Lohengrin)
    Richard Wagner
    5:35
  • 11
    Lohengrin: Akt II. »Welch ein Geheimnis muss der Held bewahren?« (König, Chor, Ortrud, Friedrich, Lohengrin, Elsa)
    Richard Wagner
    4:41
  • 12
    Lohengrin: Akt II. »Mein Held, entgegne kühn dem Ungetreuen!« (König, Chor, Lohengrin, Friedrich, Elsa)
    Richard Wagner
    6:29
  • CD 56: Wagner: Lohengrin (Act III)
  • 1
    Lohengrin: Akt III. Vorspiel
    Richard Wagner
    3:22
  • 2
    Lohengrin: Akt III. »Treulich geführt ziehet dahin« (Chor, Kammerfrauen) / Brautlied
    Richard Wagner
    5:14
  • 3
    Lohengrin: Akt III. »Das süße Lied verhallt; wir sind allein« (Lohengrin, Elsa)
    Richard Wagner
    3:51
  • 4
    Lohengrin: Akt III. »Wie hehr erkenn' ich unsrer Liebe Wesen!« (Lohengrin, Elsa)
    Richard Wagner
    7:50
  • 5
    Lohengrin: Akt III. »Höchstes Vertraun hast du mir schon zu danken« (Lohengrin, Elsa)
    Richard Wagner
    5:49
  • 6
    Lohengrin: Akt III. »Ach nein! Doch dort - der Schwan!« (Elsa, Lohengrin)
    Richard Wagner
    7:09
  • 7
    Lohengrin: Akt III. »Heil König Heinrich!« (Männerchor, König)
    Richard Wagner
    4:53
  • 8
    Lohengrin: Akt III. »Was bringen die? Was tun sie kund?« (Chor, König, die vier Edlen, Lohengrin)
    Richard Wagner
    7:48
  • 9
    Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)
    Richard Wagner
    5:32
  • 10
    Lohengrin: Akt III. »Mir schwankt der Boden!« (Elsa, Lohengrin, Chor, König)
    Richard Wagner
    5:18
  • 11
    Lohengrin: Akt III. »Mein lieber Schwan!« (Lohengrin, König, Chor, Ortrud, Elsa)
    Richard Wagner
    8:15
  • CD 57: Schoenberg: A Survivor from Warsaw / Webern: Orchestral Works
  • 1
    A Survivor from Warsaw, op. 46
    Arnold Schönberg
    6:59
  • 2
    Musikalisches Opfer, BWV 1079: Fuga (Ricercata no. 2) a 6 voci. Sehr mäßig
    Johann Sebastian Bach
    8:09
  • 3
    Passacaglia, op. 1: Sehr mäßig, Tempo I - Mäßig bewegt, Tempo II - Sehr lebhaft, Tempo III
    Anton Webern
    10:01
  • 4
    Six Pieces for Orchestra, op. 6: 1. Etwas bewegte Achtel
    Anton Webern
    1:07
  • 5
    Six Pieces for Orchestra, op. 6: 2. Bewegt
    Anton Webern
    1:20
  • 6
    Six Pieces for Orchestra, op. 6: 3. Zart bewegt
    Anton Webern
    0:52
  • 7
    Six Pieces for Orchestra, op. 6: 4. Langsam. Marcia funebre
    Anton Webern
    5:10
  • 8
    Six Pieces for Orchestra, op. 6: 5. Sehr langsam
    Anton Webern
    2:33
  • 9
    Six Pieces for Orchestra, op. 6: 6. Zart bewegt
    Anton Webern
    1:54
  • 10
    Five Pieces for Orchestra, op. 10: 1. Sehr ruhig und zart
    Anton Webern
    0:43
  • 11
    Five Pieces for Orchestra, op. 10: 2. Lebhaft und zart bewegt
    Anton Webern
    0:34
  • 12
    Five Pieces for Orchestra, op. 10: 3. Sehr langsam und äußerst ruhig
    Anton Webern
    1:31
  • 13
    Five Pieces for Orchestra, op. 10: 4. Fließend, äußerst zart
    Anton Webern
    0:31
  • 14
    Five Pieces for Orchestra, op. 10: 5. Sehr fließend
    Anton Webern
    1:05
  • 15
    Variations for Orchestra, op. 30
    Anton Webern
    7:01
  • CD 58: Wien Modern
  • 1
    Départ (1988)
    Wolfgang Rihm
    8:55
  • 2
    Atmosphères (1961)
    György Ligeti
    9:05
  • 3
    Lontano (1967)
    György Ligeti
    12:51
  • 4
    Liebeslied (1954)
    Luigi Nono
    5:07
  • 5
    Notations (1945/1978): 1. Modéré - Fantasque
    Pierre Boulez
    2:45
  • 6
    Notations (1945/1978): 4. Rythmique
    Pierre Boulez
    1:21
  • 7
    Notations (1945/1978): 3. Très modéré
    Pierre Boulez
    3:32
  • 8
    Notations (1945/1978): 2. Très vif - Strident
    Pierre Boulez
    2:19

More by Claudio Abbado

Release credits

  • bass vocals [38.6, 38.9-10, 39.3-6, 39.15, 40.1, 40.3, 12.4, 13.2, 13.10]
  • baritone vocals [41.2-3, 41.7-8, 41.12, 41.15-16, 42.1-2, 42.13-14, 42.22]
  • baritone vocals [4]
  • bass vocals [4]
  • soprano vocals [7]
  • soprano vocals [37.1-2, 37.4, 36.15, 36.25]
  • tenor vocals [12-13]
  • baritone vocals [54.2, 54.2-3, 54.3, 54.6, 54.6-7, 54.7, 54.11, 55.6]
  • soprano vocals [37.2-3, 37.9, 36.9, 36.18-20, 35.8, 35.10-11]
  • alto vocals [13.9, 12.3], soprano vocals [42.1-2, 42.9, 42.22, 41.2, 41.14, 41.16]
  • mezzo-soprano vocals [8]
  • choir vocals [26.17-20, 44.3-4, 44.8, 44.11]
  • mezzo-soprano vocals [42.3, 42.9-10, 42.12, 42.18, 42.20-22, 41.7-10, 41.15-16]
  • spoken vocals [10]
  • baritone vocals [36.1-10, 36.12-14, 36.18-19, 36.21, 36.25-26, 36.28-29, 37.14, 37.16-17, 35.14-16, 35.18, 35.20, 35.28-31]
  • tenor vocals [55.7, 56.8, 40.1, 40.7]
  • soprano vocals [8-9]
  • performing orchestra [38.1-10, 40.1-10, 39.1-15]
  • tenor vocals [37.4-5, 37.17, 36.9, 35.14-16, 35.20]
  • mezzo-soprano vocals [36.15, 36.25, 37.12-14, 35.12-13, 35.13-14, 35.16, 35.20, 35.24-26, 35.28, 35.32]
  • solo [26.17, 26.19-20, 52.1, 52.5-7, 52.10-11, 53.2, 53.4, 53.8], soprano vocals [53.2, 53.4, 53.8, 35.22-24, 35.26, 35.28-31, 36.1-10, 36.16-17, 36.21-23, 36.25-26, 52.1, 52.5-7, 52.10-11, 54.4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9, 54.11, 54.11-12, 54.12, 55.2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 55.11-12, 55.12, 26.17-20, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.10, 56.10-11, 56.11, 37.9, 37.12-14, 37.17]
  • choir vocals [4.1-2, 4.12-13, 46.1-16, 23.1-19, 37.17, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 35.17, 35.19, 6.4, 36.24, 36.27, 36.29, 24.1-21, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 13.4, 13.4-5, 13.9, 39.4, 39.7, 39.12, 39.14-15, 53.1-2, 53.4-8, 28.3, 41.2, 41.7, 41.15-16, 40.1, 40.4, 40.7-8, 40.10, 44.3-4, 44.8, 44.11, 42.1, 42.6, 42.8, 42.18, 42.20-22, 34.1-23, 52.1-4, 52.6, 52.9-10, 56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 57.1, 38.3-6, 38.8-10]
  • mezzo-soprano vocals [4-5, 7-8]
  • editor [18], executive [7.1-5, 11.1-13, 8.2-4, 43.1-12, 36.1-29, 37.1-19, 56.1-11, 10.1-11, 44.1-11, 21.1-3, 20.1-4, 35.1-33, 54.1-15, 55.1-12], producer [46.1-16, 53.1-8, 20.1-4, 10.8-11, 21.1-3, 39.1-15, 11.1-13, 48.1-17, 26.1-20, 57.1-15, 56.1-11, 18.1-4, 36.1-29, 38.1-10, 35.1-24, 35.26-33, 19.1-4, 24.1-21, 52.1-11, 25.6-10, 23.1-19, 47.1-17, 58.1-8, 54.1-15, 30.1-31, 55.1-12, 17.1-4, 37.1-19, 41.1-16, 31.1-6, 40.1-10, 42.1-22], recording [25]
  • co [42.1-22, 39.1-15, 38.1-10, 41.1-16, 40.1-10]
  • conductor [3.1-8, 4.1-13, 22.1-4, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 52.1-11, 28.1-9, 21.1-3, 40.1-10, 6.1-4, 47.1-17, 58.1-8, 5.1-8, 32.1-6, 37.1-19, 24.1-21, 2.1-4, 20.1-4, 42.1-22, 30.1-31, 41.1-16, 57.1-15, 16.1-21, 7.1-7, 31.1-6, 44.1-11, 17.1-4, 13.1-11, 26.1-20, 33.1-6, 49.1-4, 23.1-19, 1.1-8, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 35.1-33, 18.1-4, 14.1-4, 10.1-11, 25.1-10, 45.1-6, 46.1-16, 50.1-4, 11.1-13, 12.1-5, 9.1-9, 15.1-4, 29.1-4, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 8.1-4, 34.1-23, 38.1-10, 48.1-17, 43.1-12, 53.1-8, 36.1-19, 36.19-29, 39.1-15, 27.1-15, 51.1-6, 19.1-4]
  • bass vocals [56.8, 55.7]
  • balance [9.6-9, 22.1-4], producer [6-9]
  • executive [41.1-16, 42.1-22]
  • producer [6-9]
  • chorus master [35.1-33, 44.3-4, 44.8, 44.11, 37.1-19, 36.1-29]
  • alto vocals [4.12-13, 55.7]
  • baritone vocals [42.5, 42.7-8, 42.10-12, 42.15-17, 42.19-22, 41.7-10, 41.15-16]
  • chorus master [26.17-20, 44.3-4, 44.8, 44.11]
  • associate [54.1-15, 26.1-20, 56.1-11, 17.1-4, 37.1-19, 43.1-12, 35.1-33, 44.1-11, 55.1-12, 10.9-11, 36.1-29, 25.6-10, 19.1-4], executive [21.1-3, 11.1-13, 20.1-4]
  • tenor vocals [41.4-6, 41.11, 41.14, 41.16, 42.3-4, 42.9-12, 42.15-17, 42.20-22]
  • cello [35.1-33, 36.1-29, 37.1-19]
  • baritone vocals [13.1-5, 13.8-10, 12.1-4]
  • tenor vocals [55.7, 56.8]
  • baritone vocals [24.1, 24.5, 24.11-14, 23.5, 23.7-10, 23.15-19]
  • alto vocals [1-23], soprano vocals [4]
  • piano [32.1-6, 33.1-6]
  • soprano vocals [4]
  • soprano vocals [12-13]
  • bass vocals [12-13]
  • bass vocals [2]
  • balance [1-5], engineer [1-5]
  • spoken vocals [1]
  • balance [57.1, 58.1-8]
  • soprano vocals [56.2, 4.12-13]
  • soprano vocals [1-23]
  • baritone vocals [37.17, 36.7-8, 36.21, 36.25]
  • tenor vocals [4]
  • balance [14.1-4, 49.1-4, 50.1-4, 33.1-6, 32.1-6, 29.1-4, 48.1-17, 57.2-14, 3.1-4, 51.1-6, 34.1-23, 1.1-4]
  • executive [30.1-31, 6.1-4, 3.1-8, 46.1-16, 47.1-17, 5.1-8, 12.1-5, 7.7, 13.1-11, 8.1, 4.1-13, 1.1-8]
  • chorus master [1, 4]
  • producer [43.1-12, 44.1-11]
  • balance [1-3]
  • engineer [1-4]
  • baritone vocals [55.1, 55.1-2, 55.2, 55.4, 55.7, 55.10, 55.10-11, 55.11-12, 55.12, 44.3, 54.3, 54.5, 54.7, 54.10, 54.10-11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15]
  • tenor vocals [12.1, 13.2, 13.10, 38.2-5, 39.8-9, 39.14]
  • chorus master [40.1-10, 13.1-11, 38.1-10, 23.1-19, 41.1-16, 42.1-22, 39.1-15, 24.1-21, 12.1-5]
  • baritone vocals [4]
  • soprano vocals [12.3, 12.5, 13.1, 13.3-4, 13.6-8]
  • bass vocals [36.9, 36.18-20, 35.8-9, 37.4]
  • soprano vocals [7]
  • chorus master [3-4, 8, 11]
  • bass vocals [23.5, 24.6-8, 24.10, 24.15-16, 24.19-21]
  • solo [6-8, 11-16], tenor vocals [6-8, 11-16]
  • contralto vocals [3], solo [1-3], soprano vocals [1-2]
  • soprano vocals [7-9]
  • balance [1-6], engineer [1-3], sound [1-4]
  • producer [1-4]
  • solo [6-8, 11-16], tenor vocals [4.12-13, 46.6-8, 46.11-16]
  • solo [53.3, 52.1, 52.6, 52.8, 52.10-11], tenor vocals [52.1, 52.6, 52.8, 52.10-11, 53.3]
  • bass vocals [23.1-3, 23.12-13, 23.18-19, 24.1, 24.3-4, 24.7-8, 24.15-21]
  • soprano vocals [1-5, 11, 13]
  • editor [5-8]
  • solo [6-8, 11-16], soprano vocals [6-8, 11-16]
  • chorus master [38.1-10, 39.1-15, 40.1-10, 57.1]
  • balance [28.1-9, 47.1-17, 5.1-8, 3.5-8, 8.1-4, 6.1-4, 27.1-15, 25.1-5, 7.1-7, 30.1-31, 1.5-8, 2.1-4], producer [1-7]
  • balance [1-3], sound [1-4]
  • balance [12.1-5, 42.1-22, 13.1-11, 15.1-4, 38.1-10, 41.1-16, 18.1-4, 24.1-21, 56.1-11, 16.1-21, 54.1-15, 40.1-10, 39.1-15, 23.1-19, 46.1-16, 55.1-12]
  • bass vocals [34.1-23, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 55.9, 55.9-10, 55.10-11, 55.11-12, 55.12]
  • baritone vocals [37.2, 37.4, 37.6-9, 37.12, 37.14-17, 36.5-9, 36.12, 36.18-20, 36.25-26, 36.28, 35.2-7, 35.18, 35.20-21, 35.23]
  • soprano vocals [24.5-8, 24.11-14, 24.16-19, 23.2, 23.7-10, 23.12-13, 23.15-17]
  • piano [1-6]
  • alto vocals [2]
  • alto vocals [46.11-16, 6.4], contralto vocals [12], mezzo-soprano vocals [53.2-3, 52.1, 52.4-7, 52.10-11], solo [46.11-16, 52.1, 52.4-7, 52.10-11, 53.2-3], soprano vocals [40.5-10, 38.7-8, 38.10, 39.1-2, 39.5, 39.8-9]
  • piano [15.1-4, 4.8-13]
  • chorus master [3]
  • violin [1-6]
  • chorus master [53.1-2, 53.4-8, 28.3, 52.1-4, 52.6, 52.9-10, 34.1-2, 34.4-5, 34.7, 34.9, 34.11-12, 34.14-15, 34.17-19, 34.21-23]
  • performing orchestra [39.1-15, 38.1-10, 40.1-10]
  • bass vocals [39.3-6, 39.9, 40.5, 40.8-10, 38.9-10]
  • soprano vocals [24.3-4, 24.10, 42.1-2, 42.9, 42.12, 42.22, 41.2, 41.12, 41.14, 41.16]
  • task [43.1-12, 44.1-11]
  • chorus master [56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12]
  • tenor vocals [13.4, 36.18-19]
  • chorus master [10-11]
  • tenor vocals [12.2, 44.6, 13.4-5]
  • associate [26.1-20, 44.1-11, 10.1-8, 25.6-10, 43.1-12], executive [55.1-12, 35.1-33, 56.1-11, 36.1-29, 37.1-19, 54.1-15]
  • bass vocals [55.7, 56.8], tenor vocals [2], vocal [1, 5]
  • executive [51.1-6, 7.6], producer [49.1-4, 51.1-6, 2.1-4, 29.1-4, 50.1-4, 32.1-6, 16.1-21, 28.1-9, 27.1-15, 15.1-4, 33.1-6, 14.1-4, 25.1-5, 34.1-23]
  • balance [37.1-19, 36.1-29, 53.1-4, 35.1-33, 52.1-11, 56.1-11, 54.1-15, 10.1-7, 55.1-12]
  • conductor [38.1-10, 39.1-15, 40.1-10]
  • producer [1-5]
  • balance [4-6], engineer [1-3]
  • soprano vocals [2]
  • bass vocals [11-16], solo [11-16]
  • cello [37.1-19, 35.1-33, 15.3, 36.1-29], solo [3]
  • harpsichord [37.1-19, 36.1-29, 35.1-33]
  • bass vocals [15-16, 20-21]
  • organ [1-23]
  • bass vocals [52.1, 52.3, 52.6, 52.9-11, 42.2, 42.5, 42.7, 42.10-12, 42.15-16, 42.19-22, 53.3, 41.2-3, 41.5-6, 41.11-13, 41.15-16], solo [52.1, 52.3, 52.6, 52.9-11, 53.3]
  • contralto vocals [7]
  • soprano vocals [3, 5, 7, 9]
  • tenor vocals [55.9, 55.9-10, 55.10-11, 55.11-12, 55.12, 43.2, 43.4, 43.6, 43.8, 43.10, 54.8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12, 44.1-2, 44.2, 44.5, 44.7, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.8, 56.8-9, 56.9-10, 56.10-11, 56.11]
  • choir vocals [40.1, 40.4, 40.7-8, 40.10, 39.4, 39.7, 39.12, 39.14-15, 44.3-4, 44.8, 44.11, 38.3-6, 38.8-10]
  • editor [52.1-11, 53.1-4], engineer [1-4]
  • soprano vocals [35.2-5, 35.10-12, 35.14-16, 35.18, 35.20, 35.23-24, 35.26-28, 35.30, 35.32-33, 37.9-11, 37.14-19, 36.3-12, 36.19-23, 36.25-26]
  • balance [11.1-13, 10.8-11, 19.1-4, 21.1-3, 25.6-10, 43.1-12, 26.1-20, 52.1-11, 17.1-4, 57.15, 53.1-8, 44.1-11, 20.1-4]
  • alto vocals [2]
  • soprano vocals [11]
  • soprano vocals [4]
  • tenor vocals [1-5]
  • recording [1-4]
  • chorus master [4.1-2, 4.12-13, 46.1-16, 6.4]
  • tenor vocals [13.4-5, 12.5]
  • contralto vocals [9, 19-20], mezzo-soprano vocals [54.11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 56.11], solo [9, 19-20]
  • tenor vocals [4-5]
  • producer [3.1-8, 13.1-11, 12.1-5, 5.1-8, 8.1-4, 1.1-8, 7.1-7, 4.1-13, 6.1-4]
  • choir vocals [1, 4]
  • performing orchestra [10.1-11, 27.1-15, 41.1-16, 35.1-33, 42.1-22, 47.1-17, 37.1-19, 18.1-4, 31.1-6, 23.1-19, 48.1-17, 15.1-4, 25.1-10, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 57.1-15, 7.1-7, 51.1-6, 17.1-4, 13.1-11, 28.1-9, 2.1-4, 30.1-31, 32.1-6, 5.1-8, 43.1-12, 4.1-13, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 58.1-8, 3.1-8, 33.1-6, 1.1-8, 24.1-21, 49.1-4, 12.1-5, 11.1-13, 8.1-4, 44.1-11, 14.1-4, 20.1-4, 21.1-3, 34.1-23, 45.1-6, 16.1-21, 36.1-19, 36.19-29, 53.1-8, 26.1-20, 22.1-4, 50.1-4, 46.1-16, 29.1-4, 19.1-4, 52.1-3, 52.5-11, 6.1-4, 9.1-9]
  • choir vocals [13.11, 39.4, 39.7, 39.12, 39.14-15, 38.3-6, 38.8-10, 47.10-11, 40.1, 40.4, 40.7-8, 40.10, 28.3]
  • tenor vocals [1-23]
  • tenor vocals [39.12-14, 38.2]
  • balance [1-13]
  • bass vocals [38.3-4, 39.6, 39.10-11, 40.3]
  • tenor vocals [40.6-7, 40.9-10, 38.7-9]

Issues