Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings
Compilation by Claudio Abbado
Released 31 January 2020
Tracklist
- CD 1: Beethoven: Symphonies nos. 1 & 2
- 1Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brioLudwig van Beethoven9:21
- 2Symphony no. 1 in C major, op. 21: 2. Andante cantabile con motoLudwig van Beethoven8:35
- 3Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivaceLudwig van Beethoven3:48
- 4Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivaceLudwig van Beethoven5:49
- 5Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brioLudwig van Beethoven12:27
- 6Symphony no. 2 in D major, op. 36: 2. LarghettoLudwig van Beethoven11:26
- 7Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - TrioLudwig van Beethoven3:30
- 8Symphony no. 2 in D major, op. 36: 4. Allegro moltoLudwig van Beethoven6:25
- CD 2: Beethoven: Symphony no. 3 “Eroica”
- 1Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brioLudwig van Beethoven18:25
- 2Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assaiLudwig van Beethoven15:40
- 3Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - TrioLudwig van Beethoven6:20
- 4Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - PrestoLudwig van Beethoven11:43
- CD 3: Beethoven: Symphonies nos. 4 & 5
- 1Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivaceLudwig van Beethoven12:16
- 2Symphony no. 4 in B-flat major, op. 60: 2. AdagioLudwig van Beethoven10:06
- 3Symphony no. 4 in B-flat major, op. 60: 3. Allegro vivace - Trio. Un poco meno allegroLudwig van Beethoven5:50
- 4Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppoLudwig van Beethoven6:54
- 5Symphony no. 5 in C minor, op. 67: 1. Allegro con brioLudwig van Beethoven7:56
- 6Symphony no. 5 in C minor, op. 67: 2. Andante con motoLudwig van Beethoven10:11
- 7Symphony no. 5 in C minor, op. 67: 3. AllegroLudwig van Beethoven5:23
- 8Symphony no. 5 in C minor, op. 67: 4. AllegroLudwig van Beethoven11:04
- CD 4: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy
- 1Meeresstille und glückliche Fahrt, op. 112: Meeresstille. Poco sostenutoLudwig van Beethoven5:22
- 2Meeresstille und glückliche Fahrt, op. 112: Glückliche Fahrt. Allegro vivaceLudwig van Beethoven2:48
- 3Symphony no. 6 in F major “Pastoral”, op. 68: 1. Allegro ma non troppo “Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande”Ludwig van Beethoven13:28
- 4Symphony no. 6 in F major “Pastoral”, op. 68: 2. Andante molto mosso “Szene am Bach”Ludwig van Beethoven12:28
- 5Symphony no. 6 in F major “Pastoral”, op. 68: 3. Allegro “Lustiges Zusammensein der Landleute”Ludwig van Beethoven5:30
- 6Symphony no. 6 in F major “Pastoral”, op. 68: 4. Allegro “Gewitter - Sturm”Ludwig van Beethoven3:36
- 7Symphony no. 6 in F major “Pastoral”, op. 68: 5. Allegretto “Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm”Ludwig van Beethoven9:24
- 8Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: AdagioLudwig van Beethoven3:19
- 9Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegro - Meno allegro - Allegro molto -Ludwig van Beethoven6:14
- 10Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Adagio ma non troppo -Ludwig van Beethoven2:40
- 11Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Marcia, assai vivace - Allegro -Ludwig van Beethoven2:11
- 12Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegretto, ma non troppo (quasi Andante con moto) -Ludwig van Beethoven2:15
- 13Fantasy in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. PrestoLudwig van Beethoven1:37
- CD 5: Beethoven: Symphonies nos. 7 & 8
- 1Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - VivaceLudwig van Beethoven14:34
- 2Symphony no. 7 in A major, op. 92: 2. AllegrettoLudwig van Beethoven8:41
- 3Symphony no. 7 in A major, op. 92: 3. PrestoLudwig van Beethoven9:03
- 4Symphony no. 7 in A major, op. 92: 4. Allegro con brioLudwig van Beethoven9:05
- 5Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brioLudwig van Beethoven9:46
- 6Symphony no. 8 in F major, op. 93: 2. Allegretto scherzandoLudwig van Beethoven3:58
- 7Symphony no. 8 in F major, op. 93: 3. Tempo di menuettoLudwig van Beethoven4:54
- 8Symphony no. 8 in F major, op. 93: 4. Allegro vivaceLudwig van Beethoven7:18
- CD 6: Beethoven: Symphony no. 9 “Choral”
- 1Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestosoLudwig van Beethoven17:16
- 2Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - PrestoLudwig van Beethoven14:21
- 3Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderatoLudwig van Beethoven17:054.0 ★
- 4Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai - Presto - “O Freunde, nicht diese Töne!” - Allegro assai (Final chorus from Schiller's ode “To Joy”)Ludwig van Beethoven23:55
- CD 7: Beethoven: Overtures: Die Geschöpfe des Prometheus / König Stephan / Die Ruinen von Athen / Die Weihe des Hauses / Zur Namensfeier / Coriolan / Egmont
- 1Die Geschöpfe des Prometheus, op. 43: Overture. Adagio - Allegro molto con brioLudwig van Beethoven5:20
- 2König Stephan, op. 117: Overture. Andante con moto - PrestoLudwig van Beethoven6:45
- 3Die Ruinen von Athen, op. 113: Overture. Andante con moto - Allegro, ma non troppoLudwig van Beethoven4:55
- 4Die Weihe des Hauses, op. 124: Overture. Maestoso e sostenuto - Allegro con brioLudwig van Beethoven10:27
- 5Overture “Zur Namensfeier”, op. 115: Maestoso - Allegro assai vivaceLudwig van Beethoven6:44
- 6Overture “Coriolan”, op. 62: Allegro con brioLudwig van Beethoven8:11
- 7Egmont, op. 84: Overture. Sostenuto, ma non troppo - AllegroLudwig van Beethoven8:02
- CD 8: Beethoven: Overtures: Fidelio / Leonore I-III
- 1Overture “Fidelio”, op. 72: Allegro - Adagio - PrestoLudwig van Beethoven6:36
- 2Overture “Leonore I”, op. 138: Andante con moto - Allegro con brioLudwig van Beethoven9:14
- 3Overture “Leonore II”, op. 72a: Adagio - Allegro - Adagio - PrestoLudwig van Beethoven15:31
- 4Overture “Leonore III”, op. 72b: Adagio - Allegro - PrestoLudwig van Beethoven13:40
- CD 9: Beethoven: Symphonies nos. 7 & 8 / Overture: Die Geschöpfe des Prometheus
- 1Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - VivaceLudwig van Beethoven13:14
- 2Symphony no. 7 in A major, op. 92: 2. AllegrettoLudwig van Beethoven9:53
- 3Symphony no. 7 in A major, op. 92: 3. PrestoLudwig van Beethoven10:07
- 4Symphony no. 7 in A major, op. 92: 4. Allegro con brioLudwig van Beethoven9:12
- 5Overture “Die Geschöpfe des Prometheus”, op. 43: Adagio - Allegro molto con brioLudwig van Beethoven5:16
- 6Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brioLudwig van Beethoven9:01
- 7Symphony no. 8 in F major, op. 93: 2. Allegretto scherzandoLudwig van Beethoven4:08
- 8Symphony no. 8 in F major, op. 93: 3. Tempo di menuettoLudwig van Beethoven4:50
- 9Symphony no. 8 in F major, op. 93: 4. Allegro vivaceLudwig van Beethoven7:36
- CD 10: Berg: Seven Early Songs / Der Wein / Three Orchestral Pieces, op. 6
- 1Sieben frühe Lieder (Orchestral version 1928): 1. Nacht4:10
- 2Sieben frühe Lieder (Orchestral version 1928): 2. Schilflied2:24
- 3Sieben frühe Lieder (Orchestral version 1928): 3. Die Nachtigall2:15
- 4Sieben frühe Lieder (Orchestral version 1928): 4. Traumgekrönt2:42
- 5Sieben frühe Lieder (Orchestral version 1928): 5. Im Zimmer1:11
- 6Sieben frühe Lieder (Orchestral version 1928): 6. Liebesode2:00
- 7Sieben frühe Lieder (Orchestral version 1928): 7. Sommertage1:48
- 8Der Wein: “Die Seele des Weines” - “Der Wein der Liebenden” - “Der Wein des Einsamen”13:10
- 9Drei Orchesterstücke, op. 6: 1. Präludium. Langsam4:45
- 10Drei Orchesterstücke, op. 6: 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt5:31
- 11Drei Orchesterstücke, op. 6: 3. Marsch. Mäßiges Marschtempo9:29
- CD 11: Berg: Altenberg-Lieder / Three Pieces from the “Lyric Suite” / Lulu-Suite
- 1Altenberg-Lieder, op. 4: 1. “Seele, wie bist du schöner”Alban Berg2:47
- 2Altenberg-Lieder, op. 4: 2. “Sahst du nach dem Gewitteregen den Wald”Alban Berg1:09
- 3Altenberg-Lieder, op. 4: 3. “Über die Grenzen des All”Alban Berg1:32
- 4Altenberg-Lieder, op. 4: 4. “Nichts ist gekommen”Alban Berg1:28
- 5Altenberg-Lieder, op. 4: 5. “Hier ist Friede”Alban Berg4:18
- 6“Lyric Suite”, Version for string orchestra (1928): 1. Andante amorosoAlban Berg6:21
- 7“Lyric Suite”, Version for string orchestra (1928): 2. Allegro misterioso - Trio estaticoAlban Berg3:33
- 8“Lyric Suite”, Version for string orchestra (1928): 3. Adagio appassionatoAlban Berg6:40
- 9Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. SostenutoAlban Berg14:27
- 10Lulu-Suite: 2. Ostinato. AllegroAlban Berg3:19
- 11Lulu-Suite: 3. Lied der Lulu. Comodo (“Wenn sich die Menschen um meinetwillen umgebracht haben”)Alban Berg2:57
- 12Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderatoAlban Berg3:19
- 13Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (“Lulu! Mein Engel!”)Alban Berg8:14
- CD 12: Berg: Wozzeck (Act I)
- 1Wozzeck, op. 7: Akt I, Szene 1. “Langsam, Wozzeck, langsam!” (Hauptmann, Wozzeck)Alban Berg8:13
- 2Wozzeck, op. 7: Akt I, Szene 2. “Du, der Platz ist verflucht!” (Wozzeck, Andres)Alban Berg6:40
- 3Wozzeck, op. 7: Akt I, Szene 3. “Tschin Bum ...! Hörst Bub? Da kommen sie!”Alban Berg8:14
- 4Wozzeck, op. 7: Akt I, Szene 4. “Was erleb' ich, Wozzeck?” (Doktor, Wozzeck)Alban Berg7:32
- 5Wozzeck, op. 7: Akt I, Szene 5. “Geh einmal vor dich hin ...” (Marie, Tambourmajor)Alban Berg3:00
- CD 13: Berg: Wozzeck (Acts II & III)
- 1Wozzeck, op. 7: Akt II, Szene 1. “Was die Steine glänzen!” (Marie, Wozzeck)Alban Berg5:37
- 2Wozzeck, op. 7: Akt II, Szene 2. “Wohin so eilig, geehrtester Herr Sargnagel?”Alban Berg8:52
- 3Wozzeck, op. 7: Akt II, Szene 3. “Guten Tag, Franz” / “Ich seh' nichts” (Marie, Wozzeck)Alban Berg3:28
- 4Wozzeck, op. 7: Akt II, Szene 4. “Ich hab' ein Hemdlein an, das ist nicht mein ...” (1. & 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr)Alban Berg10:25
- 5Wozzeck, op. 7: Akt II, Szene 5. “Oh! oh! Andres! Ich kann nicht schlafen” (Soldaten, Wozzeck, Andres, Tambourmajor)Alban Berg4:33
- 6Wozzeck, op. 7: Akt III, Szene 1. “Und ist kein Betrug in seinem Munde erfunden worden” (Marie)Alban Berg3:05
- 7Wozzeck, op. 7: Akt III, Szene 1. “Und kniete hin zu seinen Füßen” (Marie)Alban Berg2:01
- 8Wozzeck, op. 7: Akt III, Szene 2. “Dort links geht's in die Stadt” (Marie, Wozzeck)Alban Berg5:00
- 9Wozzeck, op. 7: Akt III, Szene 3. “Tanzt Alle; tanzt nur zu...!” (Wozzeck, Margret, Burschen, Dirnen)Alban Berg2:54
- 10Wozzeck, op. 7: Akt III, Szene 4. “Das Messer? Wo ist das Messer?” (Wozzeck, Hauptmann, Doktor)Alban Berg7:50
- 11Wozzeck, op. 7: Akt III, Szene 5. “Ringel, Ringel, Rosenkranz, Ringelreih'n!” (Kinder, Mariens Knabe)Alban Berg1:44
- CD 14: Brahms: Symphony no. 1
- 1Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - AllegroJohannes Brahms17:03
- 2Symphony no. 1 in C minor, op. 68: 2. Andante sostenutoJohannes Brahms9:25
- 3Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e graziosoJohannes Brahms4:51
- 4Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brioJohannes Brahms16:30
- CD 15: Brahms: Piano Concerto no. 2
- 1Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo17:12
- 2Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato8:54
- 3Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio12:44
- 4Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto9:25
- CD 16: Brahms: Hungarian Dances
- 1Hungarian Dances, WoO 1: No. 1 in G minor. Allegro moltoJohannes Brahms2:56
- 2Hungarian Dances, WoO 1: No. 2 in D minor. Allegro non assai - VivaceJohannes Brahms2:36
- 3Hungarian Dances, WoO 1: No. 3 in F major. AllegrettoJohannes Brahms2:18
- 4Hungarian Dances, WoO 1: No. 4 in F-sharp minor. Poco sostenuto - VivaceJohannes Brahms4:11
- 5Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - VivaceJohannes Brahms2:18
- 6Hungarian Dances, WoO 1: No. 6 in D major. VivaceJohannes Brahms3:09
- 7Hungarian Dances, WoO 1: No. 7 in F major. Allegretto - VivoJohannes Brahms1:34
- 8Hungarian Dances, WoO 1: No. 8 in A minor. PrestoJohannes Brahms2:51
- 9Hungarian Dances, WoO 1: No. 9 in E minor. Allegro ma non troppoJohannes Brahms1:38
- 10Hungarian Dances, WoO 1: No. 10 in F major. PrestoJohannes Brahms1:39
- 11Hungarian Dances, WoO 1: No. 11 in D minor. Poco andanteJohannes Brahms2:26
- 12Hungarian Dances, WoO 1: No. 12 in D minor. PrestoJohannes Brahms2:20
- 13Hungarian Dances, WoO 1: No. 13 in D major. Andantino grazioso - VivaceJohannes Brahms1:37
- 14Hungarian Dances, WoO 1: No. 14 in D minor. Un poco andanteJohannes Brahms1:34
- 15Hungarian Dances, WoO 1: No. 15 in B-flat major. Allegretto graziosoJohannes Brahms2:44
- 16Hungarian Dances, WoO 1: No. 16 in F minor. Con motoJohannes Brahms2:19
- 17Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - VivaceJohannes Brahms2:50
- 18Hungarian Dances, WoO 1: No. 18 in D major. Molto vivaceJohannes Brahms1:24
- 19Hungarian Dances, WoO 1: No. 19 in B minor. AllegrettoJohannes Brahms1:57
- 20Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - VivaceJohannes Brahms2:26
- 21Hungarian Dances, WoO 1: No. 21 in E minor. VivaceJohannes Brahms1:16
- CD 17: Bruckner: Symphony no. 1
- 1Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 1. AllegroAnton Bruckner12:16
- 2Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 2. AdagioAnton Bruckner13:45
- 3Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 3. Scherzo. Schnell - Trio. LangsamerAnton Bruckner8:40
- 4Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 4. Finale. Bewegt, feurigAnton Bruckner13:48
- CD 18: Bruckner: Symphony no. 4 “Romantic”
- 1Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 1. Bewegt, nicht zu schnellAnton Bruckner19:07
- 2Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 2. Andante, quasi allegrettoAnton Bruckner16:17
- 3Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keineswegs schleppendAnton Bruckner10:35
- 4Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht zu schnellAnton Bruckner22:37
- CD 19: Bruckner: Symphony no. 5
- 1Symphony no. 5 in B-flat major (ed. Leopold Nowak): 1. Introduktion. Adagio - AllegroAnton Bruckner19:33
- 2Symphony no. 5 in B-flat major (ed. Leopold Nowak): 2. Adagio. Sehr langsamAnton Bruckner16:33
- 3Symphony no. 5 in B-flat major (ed. Leopold Nowak): 3. Scherzo. Molto vivace (schnell)Anton Bruckner12:14
- 4Symphony no. 5 in B-flat major (ed. Leopold Nowak): 4. Finale. AdagioAnton Bruckner23:30
- CD 20: Bruckner: Symphony no. 7
- 1Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderatoAnton Bruckner20:17
- 2Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsamAnton Bruckner21:57
- 3Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamerAnton Bruckner9:17
- 4Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnellAnton Bruckner12:51
- CD 21: Bruckner: Symphony no. 9
- 1Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misteriosoAnton Bruckner25:05
- 2Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. SchnellAnton Bruckner10:06
- 3Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlichAnton Bruckner25:13
- CD 22: Bruckner: Symphony no. 1
- 1Symphony no. 1 in C minor (1866 Linz version): 1. AllegroAnton Bruckner11:51
- 2Symphony no. 1 in C minor (1866 Linz version): 2. AdagioAnton Bruckner12:40
- 3Symphony no. 1 in C minor (1866 Linz version): 3. Scherzo. Schnell - Trio. LangsamerAnton Bruckner8:54
- 4Symphony no. 1 in C minor (1866 Linz version): 4. Finale. Bewegt, feurigAnton Bruckner12:52
- CD 23: Debussy: Pelléas et Mélisande (Acts I-III beg.)
- 1Pelléas et Mélisande: Acte I. « Je ne pourrai plus sortir de cette forêt » (Golaud)Claude Debussy3:09
- 2Pelléas et Mélisande: Acte I. « Pourquoi pleures-tu? » (Golaud, Mélisande)Claude Debussy6:21
- 3Pelléas et Mélisande: Acte I. « Je suis perdu aussi » (Golaud)Claude Debussy3:10
- 4Pelléas et Mélisande: Acte I. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève)Claude Debussy2:06
- 5Pelléas et Mélisande: Acte I. « Qu'en dites-vous? » (Geneviève, Arkel, Pelléas)Claude Debussy5:23
- 6Pelléas et Mélisande: Acte I. InterludeClaude Debussy1:14
- 7Pelléas et Mélisande: Acte I. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas)Claude Debussy2:38
- 8Pelléas et Mélisande: Acte I. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève)Claude Debussy3:57
- 9Pelléas et Mélisande: Acte II. « Vous ne savez pas où je vous ai menée? » (Pelléas, Mélisande)Claude Debussy3:40
- 10Pelléas et Mélisande: Acte II. « C'est au bord d'une fontaine » (Pelléas, Mélisande)Claude Debussy2:51
- 11Pelléas et Mélisande: Acte II. InterludeClaude Debussy3:19
- 12Pelléas et Mélisande: Acte II. « Ah! Ah! Tout va bien » (Golaud, Mélisande)Claude Debussy7:51
- 13Pelléas et Mélisande: Acte II. « Voyons, donne-moi ta main » (Golaud, Mélisande)Claude Debussy2:53
- 14Pelléas et Mélisande: Acte II. InterludeClaude Debussy2:19
- 15Pelléas et Mélisande: Acte II. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande)Claude Debussy4:45
- 16Pelléas et Mélisande: Acte III. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas)Claude Debussy5:59
- 17Pelléas et Mélisande: Acte III. « Je les tiens dans les mains » (Pelléas, Mélisande)Claude Debussy4:11
- 18Pelléas et Mélisande: Acte III. « Que faites-vous ici? » (Golaud, Pelléas)Claude Debussy3:32
- 19Pelléas et Mélisande: Acte III. « Prenez garde; par ici, par ici » (Golaud, Pelléas)Claude Debussy3:03
- CD 24: Debussy: Pelléas et Mélisande (Acts III cont.-V)
- 1Pelléas et Mélisande: Acte III. Interlude ... « Ah! Je respire enfin! » (Pelléas, Golaud)Claude Debussy4:14
- 2Pelléas et Mélisande: Acte III. InterludeClaude Debussy1:06
- 3Pelléas et Mélisande: Acte III. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)Claude Debussy5:13
- 4Pelléas et Mélisande: Acte III. « Qu'ils s'embrassent, petit père? » (Yniold, Golaud)Claude Debussy4:21
- 5Pelléas et Mélisande: Acte IV. « Où vas-tu? » (Pelléas, Mélisande)Claude Debussy2:49
- 6Pelléas et Mélisande: Acte IV. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)Claude Debussy5:46
- 7Pelléas et Mélisande: Acte IV. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)Claude Debussy2:53
- 8Pelléas et Mélisande: Acte IV. « Ne mettez pas ainsi voire main à la gorge » (Golaud, Arkel, Mélisande)Claude Debussy3:25
- 9Pelléas et Mélisande: Acte IV. InterludeClaude Debussy3:54
- 10Pelléas et Mélisande: Acte IV. « Oh! Cette pierre est lourde » (Yniold, un berger)Claude Debussy4:03
- 11Pelléas et Mélisande: Acte IV. « C'est le dernier soir » (Pelléas, Mélisande)Claude Debussy3:25
- 12Pelléas et Mélisande: Acte IV. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)Claude Debussy1:46
- 13Pelléas et Mélisande: Acte IV. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)Claude Debussy3:47
- 14Pelléas et Mélisande: Acte IV. « Quel est ce bruit? » (Pelléas, Mélisande)Claude Debussy4:06
- 15Pelléas et Mélisande: Acte V. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)Claude Debussy2:53
- 16Pelléas et Mélisande: Acte V. « Attention; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)Claude Debussy5:18
- 17Pelléas et Mélisande: Acte V. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi? » (Golaud, Mélisande)Claude Debussy2:40
- 18Pelléas et Mélisande: Acte V. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)Claude Debussy1:54
- 19Pelléas et Mélisande: Acte V. « Qu'avez-vous fait? » (Arkel, Golaud, Mélisande)Claude Debussy2:34
- 20Pelléas et Mélisande: Acte V. « Qu'y a-t-il » (Golaud, le médecin, Arkel)Claude Debussy2:24
- 21Pelléas et Mélisande: Acte V. « Attention... attention. Il faut parlet à voix basse, maintenant » (Arkel, le médecin, Golaud)Claude Debussy6:42
- CD 25: Mahler: Symphony no. 10: Adagio / Symphony no. 2 “Resurrection” (movt. 1)
- 1Symphony no. 10 (unfinished): Adagio: 1. Andante - AdagioGustav Mahler3:28
- 2Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40]Gustav Mahler5:49
- 3Symphony no. 10 (unfinished): Adagio: 3. [bar 105]Gustav Mahler6:01
- 4Symphony no. 10 (unfinished): Adagio: 4. [bar 178]Gustav Mahler3:26
- 5Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217]Gustav Mahler5:49
- 6Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem AusdruckGustav Mahler5:59
- 7Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7]Gustav Mahler5:34
- 8Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15]Gustav Mahler4:06
- 9Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20]Gustav Mahler3:27
- 10Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24]Gustav Mahler3:16
- CD 26: Mahler: Symphony no. 2 “Resurrection” (movts. 2-5)
- 1Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlichGustav Mahler1:26
- 2Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3]Gustav Mahler1:34
- 3Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5]Gustav Mahler1:42
- 4Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6]Gustav Mahler2:28
- 5Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12]Gustav Mahler3:23
- 6Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender BewegungGustav Mahler5:10
- 7Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40]Gustav Mahler1:26
- 8Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43]Gustav Mahler4:59
- 9Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (contralto solo)Gustav Mahler5:26
- 10Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrendGustav Mahler1:49
- 11Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3]Gustav Mahler4:11
- 12Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7]Gustav Mahler1:23
- 13Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10]Gustav Mahler3:14
- 14Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14]Gustav Mahler4:30
- 15Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21]Gustav Mahler3:51
- 16Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29]Gustav Mahler2:37
- 17Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Aufersteh'n, ja aufersteh'n wirst du« (soprano solo, chorus)Gustav Mahler3:35
- 18Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus)Gustav Mahler3:23
- 19Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (contralto solo, soprano solo, chorus)Gustav Mahler3:31
- 20Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (contralto solo, soprano solo, chorus)Gustav Mahler4:57
- CD 27: Mahler: Symphony no. 3 (movts. 1-3)
- 1Symphony no. 3: Part I. 1. Kräftig. EntschiedenGustav Mahler7:01
- 2Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13]Gustav Mahler2:40
- 3Symphony no. 3: Part I. 1. Tempo I [fig. 18]Gustav Mahler5:02
- 4Symphony no. 3: Part I. 1. A tempo [fig. 29]Gustav Mahler6:09
- 5Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43]Gustav Mahler3:15
- 6Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54]Gustav Mahler5:10
- 7Symphony no. 3: Part I. 1. Tempo I [fig. 62]Gustav Mahler5:06
- 8Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßigGustav Mahler3:04
- 9Symphony no. 3: Part II. 2. A tempo [fig. 6]Gustav Mahler3:32
- 10Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14]Gustav Mahler2:50
- 11Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne HastGustav Mahler2:33
- 12Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]Gustav Mahler3:05
- 13Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14]Gustav Mahler4:28
- 14Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17]Gustav Mahler2:58
- 15Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]Gustav Mahler3:50
- CD 28: Mahler: Symphony no. 3 (movts. 4-6)
- 1Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp. »O Mensch! Gib acht!« (contralto solo)Gustav Mahler5:44
- 2Symphony no. 3: Part II. 4. Più mosso subito [6 bars after fig. 6]Gustav Mahler4:57
- 3Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck. »Bimm bamm / Es sungen drei Engel« (chorus, contralto solo)Gustav Mahler4:31
- 4Symphony no. 3: Part II. 6. Langsam. Ruhevoll. EmpfundenGustav Mahler4:23
- 5Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4]Gustav Mahler3:07
- 6Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9]Gustav Mahler4:01
- 7Symphony no. 3: Part II. 6. A tempo (Etwas bewegter) [fig. 14]Gustav Mahler4:17
- 8Symphony no. 3: Part II. 6. Tempo I [fig. 21]Gustav Mahler3:13
- 9Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25]Gustav Mahler7:36
- CD 29: Mahler: Symphony no. 4
- 1Symphony no. 4: 1. Bedächtig. Nicht eilenGustav Mahler16:12
- 2Symphony no. 4: 2. In gemächlicher Bewegung. Ohne HastGustav Mahler9:18
- 3Symphony no. 4: 3. Ruhevoll. Poco adagioGustav Mahler23:32
- 4Symphony no. 4: 4. Sehr behaglich. »Wir genießen die himmlischen Freuden«Gustav Mahler9:12
- CD 30: Mahler: Symphony no. 9
- 1Symphony no. 9: 1. Andante comodoGustav Mahler5:02
- 2Symphony no. 9: 1. Etwas frischer [bar 80]Gustav Mahler3:47
- 3Symphony no. 9: 1. Tempo I [bar 148]Gustav Mahler1:30
- 4Symphony no. 9: 1. Mit Wut. Allegro risoluto [bar 174]Gustav Mahler1:34
- 5Symphony no. 9: 1. Leidenschaftlich [bar 211]Gustav Mahler2:39
- 6Symphony no. 9: 1. Schattenhaft [bar 254]Gustav Mahler1:40
- 7Symphony no. 9: 1. Etwas fließender [bar 279]Gustav Mahler3:35
- 8Symphony no. 9: 1. Wie von Anfang [bar 347]Gustav Mahler3:57
- 9Symphony no. 9: 1. Schon ganz langsam [bar 406]Gustav Mahler3:38
- 10Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derbGustav Mahler2:40
- 11Symphony no. 9: 2. Poco più mosso subito (Tempo II) [bar 90]Gustav Mahler2:28
- 12Symphony no. 9: 2. Tempo III [bar 218]Gustav Mahler1:31
- 13Symphony no. 9: 2. A tempo II [bar 261]Gustav Mahler2:44
- 14Symphony no. 9: 2. Tempo I [bar 369]Gustav Mahler1:26
- 15Symphony no. 9: 2. Tempo II [bar 423]Gustav Mahler1:25
- 16Symphony no. 9: 2. 8 bars before: Tempo I subito [bar 515]Gustav Mahler3:10
- 17Symphony no. 9: 3. Rondo Burleske. Allegro assaiGustav Mahler1:50
- 18Symphony no. 9: 3. L'istesso tempo [bar 109]Gustav Mahler1:14
- 19Symphony no. 9: 3. Sempre l'istesso tempo [bar 180]Gustav Mahler2:15
- 20Symphony no. 9: 3. Sempre l'istesso tempo [bar 311]Gustav Mahler3:06
- 21Symphony no. 9: 3. (clarinets/Klarinetten/clarinetti) [bar 444]Gustav Mahler1:39
- 22Symphony no. 9: 3. Tempo I. subito [bar 522]Gustav Mahler1:36
- 23Symphony no. 9: 3. Più stretto [bar 617]Gustav Mahler0:59
- 24Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltendGustav Mahler3:49
- 25Symphony no. 9: 4. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögerndGustav Mahler2:06
- 26Symphony no. 9: 4. Molto adagio subito [bar 49]Gustav Mahler1:58
- 27Symphony no. 9: 4. A tempo (Molto adagio) [bar 64]Gustav Mahler2:27
- 28Symphony no. 9: 4. Stets sehr gehalten [bar 88]Gustav Mahler2:58
- 29Symphony no. 9: 4. Fließender, doch durchaus nicht eilend [bar 107]Gustav Mahler1:33
- 30Symphony no. 9: 4. Tempo I. Molto adagio [bar 126]Gustav Mahler5:08
- 31Symphony no. 9: 4. Adagissimo [bar 159]Gustav Mahler4:29
- CD 31: Mozart: Piano Concertos no. 14 & no. 26 “Coronation”
- 1Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 1. Allegro vivace (Cadenza W.A. Mozart)Wolfgang Amadeus Mozart8:34
- 2Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 2. AndantinoWolfgang Amadeus Mozart6:51
- 3Concerto for Piano and Orchestra no. 14 in E-flat major, K 449: 3. Allegro ma non troppoWolfgang Amadeus Mozart6:13
- 4Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 1. Allegro (Cadenza: Paul Badura-Skoda)Wolfgang Amadeus Mozart14:08
- 5Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 2. (Larghetto)Wolfgang Amadeus Mozart5:38
- 6Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K 537: 3. (Allegretto)Wolfgang Amadeus Mozart10:36
- CD 32: Mozart: Piano Concertos nos. 20 & 21
- 1Concerto for Piano and Orchestra no. 20 in D minor, K 466: 1. Allegro (Cadenza: Ludwig van Beethoven)Wolfgang Amadeus Mozart15:30
- 2Concerto for Piano and Orchestra no. 20 in D minor, K 466: 2. RomanceWolfgang Amadeus Mozart9:59
- 3Concerto for Piano and Orchestra no. 20 in D minor, K 466: 3. Rondo. (Allegro assai) (Cadenza I: Johann Nepomuk Hummel/Friedrich Gulda; Cadenza II: Ludwigh van Beethoven)Wolfgang Amadeus Mozart7:49
- 4Concerto for Piano and Orchestra no. 21 in C major, K 467: 1. Allegro (Candenza: Friedrich Gulda)Wolfgang Amadeus Mozart14:59
- 5Concerto for Piano and Orchestra no. 21 in C major, K 467: 2. AndanteWolfgang Amadeus Mozart7:49
- 6Concerto for Piano and Orchestra no. 21 in C major, K 467: 3. Allegro vivace assai (Cadenza: Friedrich Gulda)Wolfgang Amadeus Mozart6:41
- CD 33: Mozart: Piano Concertos nos. 25 & 27
- 1Concerto for Piano and Orchestra no. 25 in C major, K 503: 1. Allegro maestoso (Cadenza: Friedrich Gulda)Wolfgang Amadeus Mozart16:32
- 2Concerto for Piano and Orchestra no. 25 in C major, K 503: 2. AndanteWolfgang Amadeus Mozart8:24
- 3Concerto for Piano and Orchestra no. 25 in C major, K 503: 3. (Allegretto)Wolfgang Amadeus Mozart10:00
- 4Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 1. Allegro (Cadenza: Wolfgang Amadeus Mozart)Wolfgang Amadeus Mozart14:51
- 5Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 2. LarghettoWolfgang Amadeus Mozart8:15
- 6Concerto for Piano and Orchestra no. 27 in B-flat major, K 595: 3. Allegro (Cadenzas I & II: Wolfgang Amadeus Mozart; Cadenza III: Friedrich Gulda)Wolfgang Amadeus Mozart9:23
- CD 34: Mozart: Missa solemnis “Waisenhaus”
- 1Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”Wolfgang Amadeus Mozart1:47
- 2Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”Wolfgang Amadeus Mozart2:31
- 3Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Christe eleison”Wolfgang Amadeus Mozart1:37
- 4Missa solemnis in C minor “Waisenhaus”, K 139: Kyrie. “Kyrie eleison”Wolfgang Amadeus Mozart2:33
- 5Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gloria in excelsis Deo”Wolfgang Amadeus Mozart1:01
- 6Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Laudamus te”Wolfgang Amadeus Mozart1:49
- 7Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Gratias agimus”Wolfgang Amadeus Mozart1:04
- 8Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Domnie deus”Wolfgang Amadeus Mozart2:02
- 9Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Qui tollis peccata mundi”Wolfgang Amadeus Mozart1:53
- 10Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Quoniam tu solus Sanctus”Wolfgang Amadeus Mozart2:48
- 11Missa solemnis in C minor “Waisenhaus”, K 139: Gloria. “Cum Sancto spiritu”Wolfgang Amadeus Mozart2:43
- 12Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Credo in unum Deum”Wolfgang Amadeus Mozart2:17
- 13Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et incarnatus est”Wolfgang Amadeus Mozart2:41
- 14Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Crucifixus etiam pro nobis”Wolfgang Amadeus Mozart1:42
- 15Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et resurrexit”Wolfgang Amadeus Mozart1:28
- 16Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in spiritum sanctum”Wolfgang Amadeus Mozart2:04
- 17Missa solemnis in C minor “Waisenhaus”, K 139: Credo. “Et in unam sanctam”Wolfgang Amadeus Mozart3:18
- 18Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”Wolfgang Amadeus Mozart0:56
- 19Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Pleni sunt coeli” / “Osanna in excelsis”Wolfgang Amadeus Mozart0:50
- 20Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Benedictus”Wolfgang Amadeus Mozart1:57
- 21Missa solemnis in C minor “Waisenhaus”, K 139: Sanctus. “Osanna in excelsis”Wolfgang Amadeus Mozart0:21
- 22Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”Wolfgang Amadeus Mozart3:45
- 23Missa solemnis in C minor “Waisenhaus”, K 139: Agnus Dei. “Dona nobis pacem”Wolfgang Amadeus Mozart1:50
- CD 35: Mozart: Le nozze di Figaro (Acts I & II beg.)
- 1Le nozze di Figaro, K 492: SinfoniaWolfgang Amadeus Mozart4:09
- 2Le nozze di Figaro, K 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna)Wolfgang Amadeus Mozart2:35
- 3Le nozze di Figaro, K 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro)Wolfgang Amadeus Mozart0:36
- 4Le nozze di Figaro, K 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna)Wolfgang Amadeus Mozart2:25
- 5Le nozze di Figaro, K 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro)Wolfgang Amadeus Mozart1:25
- 6Le nozze di Figaro, K 492: Atto I. “Bravo, signor padrone!” (Figaro)Wolfgang Amadeus Mozart0:42
- 7Le nozze di Figaro, K 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)Wolfgang Amadeus Mozart2:19
- 8Le nozze di Figaro, K 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)Wolfgang Amadeus Mozart0:53
- 9Le nozze di Figaro, K 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)Wolfgang Amadeus Mozart3:06
- 10Le nozze di Figaro, K 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)Wolfgang Amadeus Mozart0:33
- 11Le nozze di Figaro, K 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)Wolfgang Amadeus Mozart2:08
- 12Le nozze di Figaro, K 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)Wolfgang Amadeus Mozart1:40
- 13Le nozze di Figaro, K 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)Wolfgang Amadeus Mozart2:42
- 14Le nozze di Figaro, K 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio)Wolfgang Amadeus Mozart3:14
- 15Le nozze di Figaro, K 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna)Wolfgang Amadeus Mozart4:44
- 16Le nozze di Figaro, K 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio)Wolfgang Amadeus Mozart0:55
- 17Le nozze di Figaro, K 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine)Wolfgang Amadeus Mozart0:58
- 18Le nozze di Figaro, K 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna)Wolfgang Amadeus Mozart1:13
- 19Le nozze di Figaro, K 492: Atto I. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine)Wolfgang Amadeus Mozart0:46
- 20Le nozze di Figaro, K 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3Wolfgang Amadeus Mozart1:03
- 21Le nozze di Figaro, K 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)Wolfgang Amadeus Mozart3:38
- 22Le nozze di Figaro, K 492: Atto II. N. 11 Cavatina: “Porgi, amor, qualche, ristoro” (contessa)Wolfgang Amadeus Mozart3:41
- 23Le nozze di Figaro, K 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro)Wolfgang Amadeus Mozart3:16
- 24Le nozze di Figaro, K 492: Atto II. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino)Wolfgang Amadeus Mozart1:11
- 25Le nozze di Figaro, K 492: Atto II. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)Wolfgang Amadeus Mozart2:22
- 26Le nozze di Figaro, K 492: Atto II. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino)Wolfgang Amadeus Mozart0:58
- 27Le nozze di Figaro, K 492: Atto II. N. 13 Aria: “Venite, inginocchiatevi” (Susanna)Wolfgang Amadeus Mozart2:39
- 28Le nozze di Figaro, K 492: Atto II. Recitativo: “Quante buffonerie!” ... “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte)Wolfgang Amadeus Mozart2:26
- 29Le nozze di Figaro, K 492: Atto II. “Che novità! Non fu mai vostra usanza” (conte, contessa)Wolfgang Amadeus Mozart1:04
- 30Le nozze di Figaro, K 492: Atto II. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna)Wolfgang Amadeus Mozart3:05
- 31Le nozze di Figaro, K 492: Atto II. Recitativo: “Dunque, voi non aprite?” (conte, contessa)Wolfgang Amadeus Mozart0:48
- 32Le nozze di Figaro, K 492: Atto II. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)Wolfgang Amadeus Mozart0:59
- 33Le nozze di Figaro, K 492: Atto II. Recitativo: “Oh guarda il demonietto” (Susanna)Wolfgang Amadeus Mozart0:24
- CD 36: Mozart: Le nozze di Figaro (Acts II cont. & III)
- 1Le nozze di Figaro, K 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa)Wolfgang Amadeus Mozart1:11
- 2Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa)Wolfgang Amadeus Mozart3:06
- 3Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa)Wolfgang Amadeus Mozart1:14
- 4Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte)Wolfgang Amadeus Mozart3:49
- 5Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa)Wolfgang Amadeus Mozart0:50
- 6Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa)Wolfgang Amadeus Mozart2:06
- 7Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro)Wolfgang Amadeus Mozart2:53
- 8Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro Susanna, contessa)Wolfgang Amadeus Mozart2:28
- 9Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna)Wolfgang Amadeus Mozart3:45
- 10Le nozze di Figaro, K 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna)Wolfgang Amadeus Mozart2:12
- 11Le nozze di Figaro, K 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna)Wolfgang Amadeus Mozart2:27
- 12Le nozze di Figaro, K 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro)Wolfgang Amadeus Mozart0:44
- 13Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte)Wolfgang Amadeus Mozart1:13
- 14Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte)Wolfgang Amadeus Mozart3:15
- 15Le nozze di Figaro, K 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino)Wolfgang Amadeus Mozart0:35
- 16Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa)Wolfgang Amadeus Mozart1:29
- 17Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa)Wolfgang Amadeus Mozart4:03
- 18Le nozze di Figaro, K 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo)Wolfgang Amadeus Mozart1:53
- 19Le nozze di Figaro, K 492: Atto III. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna)Wolfgang Amadeus Mozart4:51
- 20Le nozze di Figaro, K 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)Wolfgang Amadeus Mozart0:51
- 21Le nozze di Figaro, K 492: Atto III. Recitativo: “Io vi dico, signor” ... “Cosa mi narri!” (Antonio, conte, contessa, Susanna)Wolfgang Amadeus Mozart0:52
- 22Le nozze di Figaro, K 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna)Wolfgang Amadeus Mozart2:06
- 23Le nozze di Figaro, K 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa)Wolfgang Amadeus Mozart0:16
- 24Le nozze di Figaro, K 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)Wolfgang Amadeus Mozart0:57
- 25Le nozze di Figaro, K 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino)Wolfgang Amadeus Mozart2:35
- 26Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa)Wolfgang Amadeus Mozart1:49
- 27Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro)Wolfgang Amadeus Mozart1:14
- 28Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro)Wolfgang Amadeus Mozart1:36
- 29Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Andate, amici” (conte, coro)Wolfgang Amadeus Mozart1:22
- CD 37: Mozart: Le nozze di Figaro (Act IV)
- 1Le nozze di Figaro, K 492: Atto IV. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina)Wolfgang Amadeus Mozart1:40
- 2Le nozze di Figaro, K 492: Atto IV. Recitativo: “Barbarina, cos'hai?” ... “Madre” / “Figlio” ... “Presto, avvertiam Susanna!” (Figaro, Barbarina, Marcellina)Wolfgang Amadeus Mozart2:20
- 3Le nozze di Figaro, K 492: Atto IV. N. 25 Aria: “Il capro e la capretta” (Marcellina)Wolfgang Amadeus Mozart3:02
- 4Le nozze di Figaro, K 492: Atto IV. Recitativo: “Nel padiglione a manca” ... “È Barbarina. Chi va là?” ... “Ha i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo)Wolfgang Amadeus Mozart1:49
- 5Le nozze di Figaro, K 492: Atto IV. N. 26 Aria: “In quegli anni in cui val poco” (Basilio)Wolfgang Amadeus Mozart3:20
- 6Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Tutto è disposto” ... (Figaro)Wolfgang Amadeus Mozart0:45
- 7Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Oh Susanna, Susanna, quanta pena mi costi!” (Figaro)Wolfgang Amadeus Mozart0:34
- 8Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Aprite un po' quegli occhi” (Figaro)Wolfgang Amadeus Mozart2:39
- 9Le nozze di Figaro, K 492: Atto IV. Recitativo: “Signora, ella mi disse” ... “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro)Wolfgang Amadeus Mozart0:44
- 10Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Giunse alfin il momento” ... (Susanna)Wolfgang Amadeus Mozart1:09
- 11Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Deh vieni, non tardar, o gioia bella” (Susanna)Wolfgang Amadeus Mozart2:57
- 12Le nozze di Figaro, K 492: Atto IV. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa)Wolfgang Amadeus Mozart0:34
- 13Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa)Wolfgang Amadeus Mozart1:13
- 14Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Ecco qui la mia Susanna” (conte, Susanna, Figaro, Cherubino, contessa)Wolfgang Amadeus Mozart4:29
- 15Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna)Wolfgang Amadeus Mozart3:30
- 16Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pace, pace, mio dolce tesoro” ... “Non la trovo” (Figaro, Susanna, conte)Wolfgang Amadeus Mozart1:52
- 17Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Gente, gente, all'armi, all'armi” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro)Wolfgang Amadeus Mozart5:13
- 18Le nozze di Figaro, K 492: Appendice. N. 13a Arietta, K 579: “Un moto di gioia” (Susanna)Wolfgang Amadeus Mozart3:04
- 19Le nozze di Figaro, K 492: Appendice. N. 28a Rondò, K 577: “Al desio di chi t'adora” (Susanna)Wolfgang Amadeus Mozart6:00
- CD 38: Mussorgsky: Khovanshchina (Act I)
- 1Khovanshchina: Prelude: Dawn over the River MoscowModest Mussorgsky5:36
- 2Khovanshchina: Act I. «Podojdu, podojdu... pod Ivangorod» (Kuzka, 2nd Strelyets, 1st Strelyets, Scribe)Modest Mussorgsky2:59
- 3Khovanshchina: Act I. «Ėj ty, stročilo!» (Shaklovity, Scribe, Muscovites)Modest Mussorgsky3:47
- 4Khovanshchina: Act I. «Aj! Prjamaja pogibel'...» (Scribe, Streltsy, Shaklovity) / «A my živem nyne v pochoronkach» (Shaklovity, Scribe) / «Da čto ty straščaeš'?» (Scribe, Shaklovity, Muscovites)Modest Mussorgsky4:31
- 5Khovanshchina: Act I. «Čto b ėto na Moskve takoe priključilos'?» (Muscovites, Scribe) / «Žil da byl pod'jačij sem'desjat godov» (Muscovites, Scribe) / «Stojte, stojte, okajannye!» (Scribe, Muscovites) / «Och ty, rodnaja matuška Rus'» (Muscovites) / «Aj da! Veselo!» (Boys, Women, Muscovites, Scribe, Streltsy)Modest Mussorgsky8:53
- 6Khovanshchina: Act I. «Ljudi pravoslavnye, ljudi rossijskie» (Streltsy) / «Deti, deti moi!» (Prince Ivan Khovansky, people, Streltsy) / «Slava lebedju, slava belomu» (people, Streltsy)Modest Mussorgsky4:18
- 7Khovanshchina: Act I. «Pustite, pustite!» (Emma, Prince Andrei Khovansky) / «Otdajsja mne! ... Ne pytaj menja!» (Andrei Khovansky, Emma, Marfa)Modest Mussorgsky2:57
- 8Khovanshchina: Act I. «Tak, tak, knjaže!» (Marfa, Emma, Andrei Khovansky, people, Streltsy)Modest Mussorgsky3:39
- 9Khovanshchina: Act I. «Slava lebedju» (people, Emma, Streltsy) / «Čto takoe?» (Ivan Khovansky, Andrei Khovansky, Streltsy, Dosifei, Emma)Modest Mussorgsky3:09
- 10Khovanshchina: Act I. «Marfa, svedi-ko ljuterku domoj» (Dosifei, Marfa) / «Strel'cy! Živo! V Krem'!» (Ivan Khovansky, Streltsy, Dosifei) / «Bože vsesil'nyj» (Old Believers, Dosifei)Modest Mussorgsky6:09
- CD 39: Khovanshchina (Acts II & III)
- 1Khovanshchina: Act II. «Svet moj, bratec Vasen'ka» (Golitsyn) / «Kto tam?» (Golitsyn, Varsonofiev, Marfa)Modest Mussorgsky5:45
- 2Khovanshchina: Act II. «Postav'!» (Golitsyn, Marfa) / «Vot v čem rešen'e sud'by moej» (Golitsyn)Modest Mussorgsky6:42
- 3Khovanshchina: Act II. «A my bez dokladu, knjaz', vot kak!» (Ivan Khovansky, Golitsyn) / «Ne tebe sudit' moi postupki!» (Golitsyn, Ivan Khovansky, Dosifei)Modest Mussorgsky8:46
- 4Khovanshchina: Act II. «Pobedichom, pobedichom, posramichom» (Old Believers, Ivan Khovansky, Dosifei, Golitsyn)Modest Mussorgsky2:03
- 5Khovanshchina: Act II. «Knjaže, knjaže!» (Marfa, Golitsyn, Ivan Khovansky, Dosifei, Varsonofiev)Modest Mussorgsky1:06
- 6Khovanshchina: Act II. «Knjaz'ja!» (Shaklovity, Ivan Khovansky, Dosifei)Modest Mussorgsky1:54
- 7Khovanshchina: Act III. «Posramichom, prerekochom» (Old Believers)Modest Mussorgsky2:55
- 8Khovanshchina: Act III. «Ischodila mladešen'ka» (Marfa) / «Grech! Tjažkij, neiskupimyj grech» (Susanna, Marfa) / «Esli b ty togda ponjat' mogla» (Marfa, Susanna) / «Ty... ty iskusila menja» (Susanna)Modest Mussorgsky8:44
- 9Khovanshchina: Act III. «Počto mjatešisja» (Dosifei, Marfa, Susanna) / «Beliala i besov ugodnica» (Dosifei, Marfa) / «Strašnaja pytka ljubov' moja» (Marfa, Dosifei)Modest Mussorgsky6:09
- 10Khovanshchina: Act III. «Spit streleckoe gnezdo» (Shaklovity)Modest Mussorgsky6:02
- 11Khovanshchina: Act III. «Podnimajsja, molodcy!» (Streltsy, Shaklovity) / «Vali valom!» (Streltsy)Modest Mussorgsky2:21
- 12Khovanshchina: Act III. «Ach, okajannye propojcy» (Streltsy women, Streltsy) / «Oj, da achti ž» (Streltsy, Streltsy women, Kuzka)Modest Mussorgsky1:31
- 13Khovanshchina: Act III. «Och, mne nevmogotu, och, vot» (Kuzka, Streltsy women, Streltsy)Modest Mussorgsky2:32
- 14Khovanshchina: Act III. «Beda, beda ... ach, zlejšaja!» (Scribe, Streltsy, Streltsy women) / «... mernyj dal'nij topot» (Scribe, Streltsy, Streltsy women) / «Strel'cy! Sprosim batju» (Kuzka, Streltsy women, Streltsy)Modest Mussorgsky6:28
- 15Khovanshchina: Act III. «Zdorovo, detki» (Ivan Khovansky, Streltsy women, Streltsy)Modest Mussorgsky4:07
- CD 40: Khovanshchina (Acts IV & V)
- 1Khovanshchina: Act IV, scene 1. «Vozle rečki na lužočke» (peasant girls, Ivan Khovansky) / «Ty začem?» (Ivan Khovansky, confidant)Modest Mussorgsky5:24
- 2Khovanshchina: Act IV, scene 1. Dances of the Persian slave girlsModest Mussorgsky6:32
- 3Khovanshchina: Act IV, scene 1. «Ty začem?» (Ivan Khovansky, Shaklovity) / «Plyvet, plyvet lebeduška» (peasant girls, Shaklovity)Modest Mussorgsky4:08
- 4Khovanshchina: Act IV, scene 2. «Glijan'-ko! Vezut, vezut kak est'!» (Muscovites)Modest Mussorgsky3:50
- 5Khovanshchina: Act IV, scene 2. «Sveršilosja rešenie sud'by» (Dosifei, Marfa) / «Čto ž, proznala ty, golubka» (Dosifei, Marfa)Modest Mussorgsky4:13
- 6Khovanshchina: Act IV, scene 2. «A, ty zdes', zlodejka!» (Andrei Khovansky, Marfa) / «Vidnom ty ne čujal, knjaže» (Marfa, Andrei Khovansky) / «Ja ne verju tebe» (Andrei Khovansky, Marfa)Modest Mussorgsky3:25
- 7Khovanshchina: Act IV, scene 2. «Gospodi, bože moj!» (Andrei Khovansky, Marfa, Streltsy women, Streltsy) / Preobrazhensky March / «Strel'cy! Cari i gosudari Ivan i Petr» (Streshnev)Modest Mussorgsky4:55
- 8Khovanshchina: Act V. «Zdes', na ėtom meste svjate» (Dosifei, Old Believers) / «Oblekajtesja v rizy svetlye» (Dosifei) / «Vrag čelovekov» (Old Believers, Marfa)Modest Mussorgsky11:25
- 9Khovanshchina: Act V. «Gde ty, moja volijuška?» (Andrei Khovansky, Marfa) / «Ja ne ostavlju tebja» (Marfa) / «Truba predvečnogo!» (Dosifei, Marfa, Andrei Khovansky) / «Gospodi slavy» (Old Believers, Dosifei)Modest Mussorgsky7:55
- 10Khovanshchina: Act V. «Gospod' spaset mja» (Old Believers, Dosifei) / «I Gospod' moj, spaset mja» (Andrei Khovansky, Old Believers, Dosifei, Marfa) / Closing applauseModest Mussorgsky5:28
- CD 41: Rossini: L'italiana in Algeri (Act I)
- 1L'italiana in Algeri: Sinfonia (Ouverture)Gioachino Rossini7:52
- 2L'italiana in Algeri: Atto I. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà)Gioachino Rossini6:53
- 3L'italiana in Algeri: Atto I. Recitativo: “Ritiratevi tutti” (Mustafà, Haly)Gioachino Rossini1:21
- 4L'italiana in Algeri: Atto I. N. 2 Cavatina: “Languir per una bella” (Lindoro)Gioachino Rossini6:41
- 5L'italiana in Algeri: Atto I. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà)Gioachino Rossini0:41
- 6L'italiana in Algeri: Atto I. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)Gioachino Rossini4:09
- 7L'italiana in Algeri: Atto I. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, Taddeo, Haly)Gioachino Rossini4:46
- 8L'italiana in Algeri: Atto I. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly)Gioachino Rossini1:02
- 9L'italiana in Algeri: Atto I. Recitativo: “Ah! Isabella... siam giunti a mal partito” (Taddeo, Isabella)Gioachino Rossini0:55
- 10L'italiana in Algeri: Atto I. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo)Gioachino Rossini7:18
- 11L'italiana in Algeri: Atto I. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro)Gioachino Rossini0:40
- 12L'italiana in Algeri: Atto I. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly)Gioachino Rossini0:44
- 13L'italiana in Algeri: Atto I. N. 6 Aria: “Già d'insolito ardore” (Mustafà)Gioachino Rossini3:22
- 14L'italiana in Algeri: Atto I. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)Gioachino Rossini1:01
- 15L'italiana in Algeri: Atto I. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo)Gioachino Rossini8:24
- 16L'italiana in Algeri: Atto I. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro)Gioachino Rossini9:12
- CD 42: Rossini: L'italiana in Algeri (Act II)
- 1L'italiana in Algeri: Atto II. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly)Gioachino Rossini1:36
- 2L'italiana in Algeri: Atto II. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)Gioachino Rossini0:42
- 3L'italiana in Algeri: Atto II. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro)Gioachino Rossini1:15
- 4L'italiana in Algeri: Atto II. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro)Gioachino Rossini2:12
- 5L'italiana in Algeri: Atto II. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo)Gioachino Rossini0:53
- 6L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro)Gioachino Rossini1:01
- 7L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)Gioachino Rossini0:21
- 8L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro)Gioachino Rossini3:55
- 9L'italiana in Algeri: Atto II. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)Gioachino Rossini1:25
- 10L'italiana in Algeri: Atto II. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)Gioachino Rossini5:13
- 11L'italiana in Algeri: Atto II. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)Gioachino Rossini0:31
- 12L'italiana in Algeri: Atto II. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)Gioachino Rossini9:03
- 13L'italiana in Algeri: Atto II. Recitativo: “Con tutta la sua boria” (Haly)Gioachino Rossini0:24
- 14L'italiana in Algeri: Atto II. N. 13 Aria: “La femmine d'Italia” (Haly)Gioachino Rossini2:24
- 15L'italiana in Algeri: Atto II. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà)Gioachino Rossini1:17
- 16L'italiana in Algeri: Atto II. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo)Gioachino Rossini5:26
- 17L'italiana in Algeri: Atto II. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro)Gioachino Rossini0:35
- 18L'italiana in Algeri: Atto II. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento ... Pensa alla patria” (Isabella, coro)Gioachino Rossini8:32
- 19L'italiana in Algeri: Atto II. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà)Gioachino Rossini0:37
- 20L'italiana in Algeri: Atto II. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella)Gioachino Rossini9:00
- 21L'italiana in Algeri: Atto II. N. 16 Finale II: “Son l'aure seconde, son placide, l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà)Gioachino Rossini1:48
- 22L'italiana in Algeri: Atto II. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro)Gioachino Rossini2:26
- CD 43: Schoenberg: Gurre-Lieder (Part I)
- 1Gurre-Lieder: Erster Teil. OrchestervorspielArnold Schönberg6:50
- 2Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar)Arnold Schönberg4:00
- 3Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove)Arnold Schönberg2:44
- 4Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar)Arnold Schönberg3:34
- 5Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove)Arnold Schönberg2:22
- 6Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar)Arnold Schönberg2:24
- 7Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove)Arnold Schönberg4:07
- 8Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar)Arnold Schönberg6:09
- 9Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove)Arnold Schönberg5:30
- 10Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar)Arnold Schönberg4:21
- 11Gurre-Lieder: Erster Teil. OrchesterzwischenspielArnold Schönberg5:49
- 12Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube)Arnold Schönberg11:54
- CD 44: Schoenberg: Gurre-Lieder (Parts II & III)
- 1Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar)Arnold Schönberg5:10
- 2Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar)Arnold Schönberg2:52
- 3Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer)Arnold Schönberg3:06
- 4Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen)Arnold Schönberg5:47
- 5Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar)Arnold Schönberg3:14
- 6Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr)Arnold Schönberg6:44
- 7Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar)Arnold Schönberg2:24
- 8Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen)Arnold Schönberg4:13
- 9Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel]Arnold Schönberg3:50
- 10Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)Arnold Schönberg5:13
- 11Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor)Arnold Schönberg4:31
- CD 45: Schubert: Symphonies no. 5 & no. 8 “Unfinished”
- 1Symphony no. 8 in B minor “Unfinished”, D 759: 1. Allegro moderatoFranz Schubert12:47
- 2Symphony no. 8 in B minor “Unfinished”, D 759: 2. Andante con motoFranz Schubert12:39
- 3Symphony no. 5 in B-flat major, D 485: 1. AllegroFranz Schubert7:19
- 4Symphony no. 5 in B-flat major, D 485: 2. Andante con motoFranz Schubert11:02
- 5Symphony no. 5 in B-flat major, D 485: 3. Menuetto. Allegro moltoFranz Schubert5:27
- 6Symphony no. 5 in B-flat major, D 485: 4. Allegro vivaceFranz Schubert5:58
- CD 46: Schubert: Mass no. 6
- 1Mass no. 6 in E-flat major, D 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison”Franz Schubert6:21
- 2Mass no. 6 in E-flat major, D 950: Gloria. “Gloria in excelsis Deo”Franz Schubert5:00
- 3Mass no. 6 in E-flat major, D 950: Gloria. “Domine Deus”Franz Schubert4:22
- 4Mass no. 6 in E-flat major, D 950: Gloria. “Quoniam tu solus sanctus”Franz Schubert1:03
- 5Mass no. 6 in E-flat major, D 950: Gloria. “Cum Sancto spiritu”Franz Schubert4:14
- 6Mass no. 6 in E-flat major, D 950: Credo. “Credo in unum Deum”Franz Schubert2:57
- 7Mass no. 6 in E-flat major, D 950: Credo. “Et incarnatus est”Franz Schubert6:04
- 8Mass no. 6 in E-flat major, D 950: Credo. “Et resurrexit”Franz Schubert6:46
- 9Mass no. 6 in E-flat major, D 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”Franz Schubert2:09
- 10Mass no. 6 in E-flat major, D 950: Sanctus. “Osanna in excelsis”Franz Schubert1:15
- 11Mass no. 6 in E-flat major, D 950: Benedictus. “Benedictus, qui venit”Franz Schubert4:59
- 12Mass no. 6 in E-flat major, D 950: Benedictus. “Osanna in excelsis”Franz Schubert1:12
- 13Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”Franz Schubert3:56
- 14Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”Franz Schubert3:31
- 15Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”Franz Schubert0:54
- 16Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”Franz Schubert2:07
- CD 47: New Year's Concert 1988
- 1“Donna Diana”: OvertureEmil Nikolaus von Reznicek4:02
- 2Brennende Liebe, op. 129 (Polka mazur)Josef Strauss4:28
- 3Auf Ferienreisen, op. 133 (Polka schnell)Josef Strauss2:28
- 4Auf der Jagd, op. 373 (Polka schnell)Johann Strauss2:26
- 5Wo die Zitronen blüh'n, op. 364 (Walzer)Johann Strauss9:03
- 6Die Fledermaus: OvertureJohann Strauss8:16
- 7Neue Pizzicato-Polka, op. 449Johann Strauss3:39
- 8Freut euch des Lebens, op. 340 (Walzer)Johann Strauss8:19
- 9Un ballo in maschera, op. 272: No. 1 Le Pantalon / No. 3 La Poule / No. 4 La Trénis / No. 6 FinaleJohann Strauss4:34
- 10Tritsch-Tratsch-Polka, op. 214Johann Strauss2:59
- 11Leichtes Blut, op. 319 (Polka schnell)Johann Strauss2:43
- 12Seid umschlungen, Millionen, op. 443 (Walzer)Johann Strauss9:37
- 13Perpetuum mobile, op. 257 (Walzer)Johann Strauss2:57
- 14Im Fluge, op. 230 (Polka schnell)Josef Strauss2:00
- 15Banditen-Galopp, op. 378 (Polka schnell)Johann Strauss2:43
- 16An der schönen blauen Donau, op. 314 (Walzer)Johann Strauss9:42
- 17Radetzky-Marsch, op. 228Johann Strauss3:23
- CD 48: New Year's Concert 1991
- 1»Waldmeister«: OvertureJohann Strauss9:26
- 2Kontretanz in C major, K 609/1Wolfgang Amadeus Mozart0:57
- 3Kontretanz in D major, K 609/3Wolfgang Amadeus Mozart1:18
- 4Kontretanz in C major, K 605/3 »Die Schlittenfahrt«Wolfgang Amadeus Mozart2:39
- 5Die tanzende Muse, op. 266 (Polka mazur)Johann Strauss4:05
- 6Galopp und 8 Ecossaisen für Klavier, D 735: GaloppFranz Schubert1:39
- 7Galopp und 8 Ecossaisen für Klavier, D 735: Ecossaise No. 1Franz Schubert1:32
- 8Die Werber, op. 103 (Walzer)Josef Lanner7:20
- 9Seufzer-Galopp, op. 9Johann Strauss1:51
- 10Aquarellen, op. 258 (Walzer)Josef Strauss7:51
- 11Freikugeln, op. 326 (Polka schnell)Johann Strauss2:29
- 12Carmen-Quadrille, op. 134Eduard Strauss4:58
- 13Kaiser-Walzer, op. 437Johann Strauss10:44
- 14Furioso-Polka, op. 260 (Polka quasi Galopp)Johann Strauss2:14
- 15Stürmisch in Lieb' und Tanz, op. 393 (Polka schnell)Johann Strauss2:08
- 16An der schönen blauen Donau, op. 314 (Walzer)Johann Strauss9:29
- 17Radetzky-Marsch, op. 228Johann Strauss3:24
- CD 49: Tchaikovsky: Symphony no. 4
- 1Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivoPyotr Ilyich Tchaikovsky18:15
- 2Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzonePyotr Ilyich Tchaikovsky9:06
- 3Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. AllegroPyotr Ilyich Tchaikovsky5:41
- 4Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuocoPyotr Ilyich Tchaikovsky8:34
- CD 50: Tchaikovsky: Symphony no. 6 “Pathétique”
- 1Symphony no. 6 in B minor “Pathétique”, op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mossoPyotr Ilyich Tchaikovsky17:54
- 2Symphony no. 6 in B minor “Pathétique”, op. 74: 2. Allegro con graziaPyotr Ilyich Tchaikovsky8:09
- 3Symphony no. 6 in B minor “Pathétique”, op. 74: 3. Allegro molto vivacePyotr Ilyich Tchaikovsky9:14
- 4Symphony no. 6 in B minor “Pathétique”, op. 74: 4. Finale. Adagio lamentoso - AndantePyotr Ilyich Tchaikovsky9:43
- CD 51: Tchaikovsky / Mendelssohn: Violin Concertos
- 1Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderatoPyotr Ilyich Tchaikovsky17:04
- 2Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. AndantePyotr Ilyich Tchaikovsky6:14
- 3Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimoPyotr Ilyich Tchaikovsky9:05
- 4Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionatoFelix Mendelssohn11:29
- 5Concerto for Violin and Orchestra in E minor, op. 64: 2. AndanteFelix Mendelssohn7:48
- 6Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivaceFelix Mendelssohn6:26
- CD 52: Verdi: Messa da Requiem (beg.)
- 1Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)Giuseppe Verdi8:56
- 2Messa da Requiem: Dies Irae. “Dies irae” (chorus)Giuseppe Verdi2:20
- 3Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)Giuseppe Verdi3:09
- 4Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)Giuseppe Verdi5:11
- 5Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)Giuseppe Verdi3:45
- 6Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)Giuseppe Verdi3:52
- 7Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)Giuseppe Verdi4:04
- 8Messa da Requiem: Dies Irae. “Ingemisco” (tenor)Giuseppe Verdi3:34
- 9Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)Giuseppe Verdi5:26
- 10Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)Giuseppe Verdi6:14
- 11Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)Giuseppe Verdi10:55
- CD 53: Messa da Requiem (cont.) / Quattro pezzi sacri
- 1Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)Giuseppe Verdi2:44
- 2Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)Giuseppe Verdi5:05
- 3Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)Giuseppe Verdi6:21
- 4Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)Giuseppe Verdi14:20
- 5Quattro pezzi sacri: Ave MariaGiuseppe Verdi5:28
- 6Quattro pezzi sacri: Stabat MaterGiuseppe Verdi13:29
- 7Quattro pezzi sacri: Laudi alla Vergine MariaGiuseppe Verdi5:38
- 8Quattro pezzi sacri: Te DeumGiuseppe Verdi16:06
- CD 54: Wagner: Lohengrin (Acts I & II beg.)
- 1Lohengrin: VorspielRichard Wagner8:24
- 2Lohengrin: Akt I. »Hört! Grafen, Edle, Freie von Brabant!« (Der Heerrufer, Männerchor, König Heinrich)Richard Wagner4:31
- 3Lohengrin: Akt I. »Dank, König, dir, dass du zu richten kamst!« (Friedrich, Männerchor, König, Heerrufer)Richard Wagner6:25
- 4Lohengrin: Akt I. »Seht hin! Sie naht, die hart Beklagte!« (Männerchor, König, Elsa)Richard Wagner3:37
- 5Lohengrin: Akt I. »Einsam in trüben Tagen« (Elsa, Männerchor, König, Friedrich)Richard Wagner7:07
- 6Lohengrin: Akt I. »Des Ritters will ich wahren« (Elsa, Männerchor, König, Heerrufer)Richard Wagner2:42
- 7Lohengrin: Akt I. »Ohn' Antwort ist der Ruf verhallt!« (Männerchor, Friedrich, Elsa, König, Heerrufer, Frauenchor)Richard Wagner4:39
- 8Lohengrin: Akt I. »Nun sei bedankt, mein lieber Schwan!« (Lohengrin, Chor, König, Elsa)Richard Wagner5:22
- 9Lohengrin: Akt I. »Wenn ich im Kampfe für dich siege« (Lohengrin, Elsa)Richard Wagner4:03
- 10Lohengrin: Akt I. »Welch holde Wunder muss ich sehen?« (Chor, Lohengrin, Friedrich, König)Richard Wagner3:46
- 11Lohengrin: Akt I. »Nun höret mich und achtet wohl« (Heerrufer, Chor, Lohengrin, Friedrich, König, Elsa, Ortrud)Richard Wagner7:20
- 12Lohengrin: Akt I. »Durch Gottes Sieg ist jetzt dein Leben mein« (Lohengrin, Chor, König, Elsa, Ortrud, Friedrich)Richard Wagner4:02
- 13Lohengrin: Akt II. EinleitungRichard Wagner4:19
- 14Lohengrin: Akt II. »Erhebe dich, Genossin meiner Schmach!« (Friedrich, Ortrud)Richard Wagner3:37
- 15Lohengrin: Akt II. »Was macht dich in so wilder Klage doch vergehn?« (Ortrud, Friedrich)Richard Wagner4:02
- CD 55: Wagner: Lohengrin (Act II cont.)
- 1Lohengrin: Akt II. »Du wilde Seherin, wie willst du doch« (Friedrich, Ortrud)Richard Wagner7:54
- 2Lohengrin: Akt II. »Euch Lüften, die mein Klagen« (Elsa, Ortrud, Friedrich)Richard Wagner3:25
- 3Lohengrin: Akt II. »Elsa!« / »Wer ruft?« (Ortrud, Elsa)Richard Wagner5:47
- 4Lohengrin: Akt II. »Ortrud, wo bist du?« (Elsa, Ortrud, Friedrich)Richard Wagner10:55
- 5Lohengrin: Akt II. »In Früh'n versammelt uns der Ruf« (Chor)Richard Wagner4:48
- 6Lohengrin: Akt II. »Des Königs Wort und Will' tu' ich euch kund« (Heerrufer, Männerchor)Richard Wagner6:03
- 7Lohengrin: Akt II. »Nun hört, dem Lande will er uns entführen!« (Die vier Edlen, Friedrich, vier Edelknaben)Richard Wagner2:06
- 8Lohengrin: Akt II. »Gesegnet soll sie schreiten« (Chor)Richard Wagner5:32
- 9Lohengrin: Akt II. »Zurück, Elsa! Nicht länger will ich dulden« (Ortrud, Chor, Elsa) / »Heil! Heil dem König!« (Chor, König, Elsa, Lohengrin)Richard Wagner8:52
- 10Lohengrin: Akt II. »O König! Trugbetörte Fürsten! Haltet ein!« (Friedrich, König, Chor, Lohengrin)Richard Wagner5:35
- 11Lohengrin: Akt II. »Welch ein Geheimnis muss der Held bewahren?« (König, Chor, Ortrud, Friedrich, Lohengrin, Elsa)Richard Wagner4:41
- 12Lohengrin: Akt II. »Mein Held, entgegne kühn dem Ungetreuen!« (König, Chor, Lohengrin, Friedrich, Elsa)Richard Wagner6:29
- CD 56: Wagner: Lohengrin (Act III)
- 1Lohengrin: Akt III. VorspielRichard Wagner3:22
- 2Lohengrin: Akt III. »Treulich geführt ziehet dahin« (Chor, Kammerfrauen) / BrautliedRichard Wagner5:14
- 3Lohengrin: Akt III. »Das süße Lied verhallt; wir sind allein« (Lohengrin, Elsa)Richard Wagner3:51
- 4Lohengrin: Akt III. »Wie hehr erkenn' ich unsrer Liebe Wesen!« (Lohengrin, Elsa)Richard Wagner7:50
- 5Lohengrin: Akt III. »Höchstes Vertraun hast du mir schon zu danken« (Lohengrin, Elsa)Richard Wagner5:49
- 6Lohengrin: Akt III. »Ach nein! Doch dort - der Schwan!« (Elsa, Lohengrin)Richard Wagner7:09
- 7Lohengrin: Akt III. »Heil König Heinrich!« (Männerchor, König)Richard Wagner4:53
- 8Lohengrin: Akt III. »Was bringen die? Was tun sie kund?« (Chor, König, die vier Edlen, Lohengrin)Richard Wagner7:48
- 9Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)Richard Wagner5:32
- 10Lohengrin: Akt III. »Mir schwankt der Boden!« (Elsa, Lohengrin, Chor, König)Richard Wagner5:18
- 11Lohengrin: Akt III. »Mein lieber Schwan!« (Lohengrin, König, Chor, Ortrud, Elsa)Richard Wagner8:15
- CD 57: Schoenberg: A Survivor from Warsaw / Webern: Orchestral Works
- 1A Survivor from Warsaw, op. 46Arnold Schönberg6:59
- 2Musikalisches Opfer, BWV 1079: Fuga (Ricercata no. 2) a 6 voci. Sehr mäßigJohann Sebastian Bach8:09
- 3Passacaglia, op. 1: Sehr mäßig, Tempo I - Mäßig bewegt, Tempo II - Sehr lebhaft, Tempo IIIAnton Webern10:01
- 4Six Pieces for Orchestra, op. 6: 1. Etwas bewegte AchtelAnton Webern1:07
- 5Six Pieces for Orchestra, op. 6: 2. BewegtAnton Webern1:20
- 6Six Pieces for Orchestra, op. 6: 3. Zart bewegtAnton Webern0:52
- 7Six Pieces for Orchestra, op. 6: 4. Langsam. Marcia funebreAnton Webern5:10
- 8Six Pieces for Orchestra, op. 6: 5. Sehr langsamAnton Webern2:33
- 9Six Pieces for Orchestra, op. 6: 6. Zart bewegtAnton Webern1:54
- 10Five Pieces for Orchestra, op. 10: 1. Sehr ruhig und zartAnton Webern0:43
- 11Five Pieces for Orchestra, op. 10: 2. Lebhaft und zart bewegtAnton Webern0:34
- 12Five Pieces for Orchestra, op. 10: 3. Sehr langsam und äußerst ruhigAnton Webern1:31
- 13Five Pieces for Orchestra, op. 10: 4. Fließend, äußerst zartAnton Webern0:31
- 14Five Pieces for Orchestra, op. 10: 5. Sehr fließendAnton Webern1:05
- 15Variations for Orchestra, op. 30Anton Webern7:01
- CD 58: Wien Modern
- 1Départ (1988)Wolfgang Rihm8:55
- 2Atmosphères (1961)György Ligeti9:05
- 3Lontano (1967)György Ligeti12:51
- 4Liebeslied (1954)Luigi Nono5:07
- 5Notations (1945/1978): 1. Modéré - FantasquePierre Boulez2:45
- 6Notations (1945/1978): 4. RythmiquePierre Boulez1:21
- 7Notations (1945/1978): 3. Très modéréPierre Boulez3:32
- 8Notations (1945/1978): 2. Très vif - StridentPierre Boulez2:19
More by Claudio Abbado
Release credits
- bass vocals [38.6, 38.9-10, 39.3-6, 39.15, 40.1, 40.3, 12.4, 13.2, 13.10]
- baritone vocals [41.2-3, 41.7-8, 41.12, 41.15-16, 42.1-2, 42.13-14, 42.22]
- baritone vocals [4]
- bass vocals [4]
- soprano vocals [7]
- soprano vocals [37.1-2, 37.4, 36.15, 36.25]
- tenor vocals [12-13]
- baritone vocals [54.2, 54.2-3, 54.3, 54.6, 54.6-7, 54.7, 54.11, 55.6]
- soprano vocals [37.2-3, 37.9, 36.9, 36.18-20, 35.8, 35.10-11]
- alto vocals [13.9, 12.3], soprano vocals [42.1-2, 42.9, 42.22, 41.2, 41.14, 41.16]
- mezzo-soprano vocals [8]
- choir vocals [26.17-20, 44.3-4, 44.8, 44.11]
- mezzo-soprano vocals [42.3, 42.9-10, 42.12, 42.18, 42.20-22, 41.7-10, 41.15-16]
- spoken vocals [10]
- baritone vocals [36.1-10, 36.12-14, 36.18-19, 36.21, 36.25-26, 36.28-29, 37.14, 37.16-17, 35.14-16, 35.18, 35.20, 35.28-31]
- tenor vocals [55.7, 56.8, 40.1, 40.7]
- soprano vocals [8-9]
- performing orchestra [38.1-10, 40.1-10, 39.1-15]
- tenor vocals [37.4-5, 37.17, 36.9, 35.14-16, 35.20]
- mezzo-soprano vocals [36.15, 36.25, 37.12-14, 35.12-13, 35.13-14, 35.16, 35.20, 35.24-26, 35.28, 35.32]
- solo [26.17, 26.19-20, 52.1, 52.5-7, 52.10-11, 53.2, 53.4, 53.8], soprano vocals [53.2, 53.4, 53.8, 35.22-24, 35.26, 35.28-31, 36.1-10, 36.16-17, 36.21-23, 36.25-26, 52.1, 52.5-7, 52.10-11, 54.4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9, 54.11, 54.11-12, 54.12, 55.2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 55.11-12, 55.12, 26.17-20, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.10, 56.10-11, 56.11, 37.9, 37.12-14, 37.17]
- choir vocals [4.1-2, 4.12-13, 46.1-16, 23.1-19, 37.17, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 35.17, 35.19, 6.4, 36.24, 36.27, 36.29, 24.1-21, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 13.4, 13.4-5, 13.9, 39.4, 39.7, 39.12, 39.14-15, 53.1-2, 53.4-8, 28.3, 41.2, 41.7, 41.15-16, 40.1, 40.4, 40.7-8, 40.10, 44.3-4, 44.8, 44.11, 42.1, 42.6, 42.8, 42.18, 42.20-22, 34.1-23, 52.1-4, 52.6, 52.9-10, 56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 57.1, 38.3-6, 38.8-10]
- mezzo-soprano vocals [4-5, 7-8]
- editor [18], executive [7.1-5, 11.1-13, 8.2-4, 43.1-12, 36.1-29, 37.1-19, 56.1-11, 10.1-11, 44.1-11, 21.1-3, 20.1-4, 35.1-33, 54.1-15, 55.1-12], producer [46.1-16, 53.1-8, 20.1-4, 10.8-11, 21.1-3, 39.1-15, 11.1-13, 48.1-17, 26.1-20, 57.1-15, 56.1-11, 18.1-4, 36.1-29, 38.1-10, 35.1-24, 35.26-33, 19.1-4, 24.1-21, 52.1-11, 25.6-10, 23.1-19, 47.1-17, 58.1-8, 54.1-15, 30.1-31, 55.1-12, 17.1-4, 37.1-19, 41.1-16, 31.1-6, 40.1-10, 42.1-22], recording [25]
- co [42.1-22, 39.1-15, 38.1-10, 41.1-16, 40.1-10]
- conductor [3.1-8, 4.1-13, 22.1-4, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 52.1-11, 28.1-9, 21.1-3, 40.1-10, 6.1-4, 47.1-17, 58.1-8, 5.1-8, 32.1-6, 37.1-19, 24.1-21, 2.1-4, 20.1-4, 42.1-22, 30.1-31, 41.1-16, 57.1-15, 16.1-21, 7.1-7, 31.1-6, 44.1-11, 17.1-4, 13.1-11, 26.1-20, 33.1-6, 49.1-4, 23.1-19, 1.1-8, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 35.1-33, 18.1-4, 14.1-4, 10.1-11, 25.1-10, 45.1-6, 46.1-16, 50.1-4, 11.1-13, 12.1-5, 9.1-9, 15.1-4, 29.1-4, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 8.1-4, 34.1-23, 38.1-10, 48.1-17, 43.1-12, 53.1-8, 36.1-19, 36.19-29, 39.1-15, 27.1-15, 51.1-6, 19.1-4]
- bass vocals [56.8, 55.7]
- balance [9.6-9, 22.1-4], producer [6-9]
- executive [41.1-16, 42.1-22]
- producer [6-9]
- chorus master [35.1-33, 44.3-4, 44.8, 44.11, 37.1-19, 36.1-29]
- alto vocals [4.12-13, 55.7]
- baritone vocals [42.5, 42.7-8, 42.10-12, 42.15-17, 42.19-22, 41.7-10, 41.15-16]
- chorus master [26.17-20, 44.3-4, 44.8, 44.11]
- associate [54.1-15, 26.1-20, 56.1-11, 17.1-4, 37.1-19, 43.1-12, 35.1-33, 44.1-11, 55.1-12, 10.9-11, 36.1-29, 25.6-10, 19.1-4], executive [21.1-3, 11.1-13, 20.1-4]
- tenor vocals [41.4-6, 41.11, 41.14, 41.16, 42.3-4, 42.9-12, 42.15-17, 42.20-22]
- cello [35.1-33, 36.1-29, 37.1-19]
- baritone vocals [13.1-5, 13.8-10, 12.1-4]
- tenor vocals [55.7, 56.8]
- baritone vocals [24.1, 24.5, 24.11-14, 23.5, 23.7-10, 23.15-19]
- alto vocals [1-23], soprano vocals [4]
- piano [32.1-6, 33.1-6]
- soprano vocals [4]
- soprano vocals [12-13]
- bass vocals [12-13]
- bass vocals [2]
- balance [1-5], engineer [1-5]
- spoken vocals [1]
- balance [57.1, 58.1-8]
- soprano vocals [56.2, 4.12-13]
- soprano vocals [1-23]
- baritone vocals [37.17, 36.7-8, 36.21, 36.25]
- tenor vocals [4]
- balance [14.1-4, 49.1-4, 50.1-4, 33.1-6, 32.1-6, 29.1-4, 48.1-17, 57.2-14, 3.1-4, 51.1-6, 34.1-23, 1.1-4]
- executive [30.1-31, 6.1-4, 3.1-8, 46.1-16, 47.1-17, 5.1-8, 12.1-5, 7.7, 13.1-11, 8.1, 4.1-13, 1.1-8]
- chorus master [1, 4]
- producer [43.1-12, 44.1-11]
- balance [1-3]
- engineer [1-4]
- baritone vocals [55.1, 55.1-2, 55.2, 55.4, 55.7, 55.10, 55.10-11, 55.11-12, 55.12, 44.3, 54.3, 54.5, 54.7, 54.10, 54.10-11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15]
- tenor vocals [12.1, 13.2, 13.10, 38.2-5, 39.8-9, 39.14]
- chorus master [40.1-10, 13.1-11, 38.1-10, 23.1-19, 41.1-16, 42.1-22, 39.1-15, 24.1-21, 12.1-5]
- baritone vocals [4]
- soprano vocals [12.3, 12.5, 13.1, 13.3-4, 13.6-8]
- bass vocals [36.9, 36.18-20, 35.8-9, 37.4]
- soprano vocals [7]
- chorus master [3-4, 8, 11]
- bass vocals [23.5, 24.6-8, 24.10, 24.15-16, 24.19-21]
- solo [6-8, 11-16], tenor vocals [6-8, 11-16]
- contralto vocals [3], solo [1-3], soprano vocals [1-2]
- soprano vocals [7-9]
- balance [1-6], engineer [1-3], sound [1-4]
- producer [1-4]
- solo [6-8, 11-16], tenor vocals [4.12-13, 46.6-8, 46.11-16]
- solo [53.3, 52.1, 52.6, 52.8, 52.10-11], tenor vocals [52.1, 52.6, 52.8, 52.10-11, 53.3]
- bass vocals [23.1-3, 23.12-13, 23.18-19, 24.1, 24.3-4, 24.7-8, 24.15-21]
- soprano vocals [1-5, 11, 13]
- editor [5-8]
- solo [6-8, 11-16], soprano vocals [6-8, 11-16]
- chorus master [38.1-10, 39.1-15, 40.1-10, 57.1]
- balance [28.1-9, 47.1-17, 5.1-8, 3.5-8, 8.1-4, 6.1-4, 27.1-15, 25.1-5, 7.1-7, 30.1-31, 1.5-8, 2.1-4], producer [1-7]
- balance [1-3], sound [1-4]
- balance [12.1-5, 42.1-22, 13.1-11, 15.1-4, 38.1-10, 41.1-16, 18.1-4, 24.1-21, 56.1-11, 16.1-21, 54.1-15, 40.1-10, 39.1-15, 23.1-19, 46.1-16, 55.1-12]
- bass vocals [34.1-23, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 55.9, 55.9-10, 55.10-11, 55.11-12, 55.12]
- baritone vocals [37.2, 37.4, 37.6-9, 37.12, 37.14-17, 36.5-9, 36.12, 36.18-20, 36.25-26, 36.28, 35.2-7, 35.18, 35.20-21, 35.23]
- soprano vocals [24.5-8, 24.11-14, 24.16-19, 23.2, 23.7-10, 23.12-13, 23.15-17]
- piano [1-6]
- alto vocals [2]
- alto vocals [46.11-16, 6.4], contralto vocals [12], mezzo-soprano vocals [53.2-3, 52.1, 52.4-7, 52.10-11], solo [46.11-16, 52.1, 52.4-7, 52.10-11, 53.2-3], soprano vocals [40.5-10, 38.7-8, 38.10, 39.1-2, 39.5, 39.8-9]
- piano [15.1-4, 4.8-13]
- chorus master [3]
- violin [1-6]
- chorus master [53.1-2, 53.4-8, 28.3, 52.1-4, 52.6, 52.9-10, 34.1-2, 34.4-5, 34.7, 34.9, 34.11-12, 34.14-15, 34.17-19, 34.21-23]
- performing orchestra [39.1-15, 38.1-10, 40.1-10]
- bass vocals [39.3-6, 39.9, 40.5, 40.8-10, 38.9-10]
- soprano vocals [24.3-4, 24.10, 42.1-2, 42.9, 42.12, 42.22, 41.2, 41.12, 41.14, 41.16]
- task [43.1-12, 44.1-11]
- chorus master [56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12]
- tenor vocals [13.4, 36.18-19]
- chorus master [10-11]
- tenor vocals [12.2, 44.6, 13.4-5]
- associate [26.1-20, 44.1-11, 10.1-8, 25.6-10, 43.1-12], executive [55.1-12, 35.1-33, 56.1-11, 36.1-29, 37.1-19, 54.1-15]
- bass vocals [55.7, 56.8], tenor vocals [2], vocal [1, 5]
- executive [51.1-6, 7.6], producer [49.1-4, 51.1-6, 2.1-4, 29.1-4, 50.1-4, 32.1-6, 16.1-21, 28.1-9, 27.1-15, 15.1-4, 33.1-6, 14.1-4, 25.1-5, 34.1-23]
- balance [37.1-19, 36.1-29, 53.1-4, 35.1-33, 52.1-11, 56.1-11, 54.1-15, 10.1-7, 55.1-12]
- conductor [38.1-10, 39.1-15, 40.1-10]
- producer [1-5]
- balance [4-6], engineer [1-3]
- soprano vocals [2]
- bass vocals [11-16], solo [11-16]
- cello [37.1-19, 35.1-33, 15.3, 36.1-29], solo [3]
- harpsichord [37.1-19, 36.1-29, 35.1-33]
- bass vocals [15-16, 20-21]
- organ [1-23]
- bass vocals [52.1, 52.3, 52.6, 52.9-11, 42.2, 42.5, 42.7, 42.10-12, 42.15-16, 42.19-22, 53.3, 41.2-3, 41.5-6, 41.11-13, 41.15-16], solo [52.1, 52.3, 52.6, 52.9-11, 53.3]
- contralto vocals [7]
- soprano vocals [3, 5, 7, 9]
- tenor vocals [55.9, 55.9-10, 55.10-11, 55.11-12, 55.12, 43.2, 43.4, 43.6, 43.8, 43.10, 54.8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12, 44.1-2, 44.2, 44.5, 44.7, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.8, 56.8-9, 56.9-10, 56.10-11, 56.11]
- choir vocals [40.1, 40.4, 40.7-8, 40.10, 39.4, 39.7, 39.12, 39.14-15, 44.3-4, 44.8, 44.11, 38.3-6, 38.8-10]
- editor [52.1-11, 53.1-4], engineer [1-4]
- soprano vocals [35.2-5, 35.10-12, 35.14-16, 35.18, 35.20, 35.23-24, 35.26-28, 35.30, 35.32-33, 37.9-11, 37.14-19, 36.3-12, 36.19-23, 36.25-26]
- balance [11.1-13, 10.8-11, 19.1-4, 21.1-3, 25.6-10, 43.1-12, 26.1-20, 52.1-11, 17.1-4, 57.15, 53.1-8, 44.1-11, 20.1-4]
- alto vocals [2]
- soprano vocals [11]
- soprano vocals [4]
- tenor vocals [1-5]
- recording [1-4]
- chorus master [4.1-2, 4.12-13, 46.1-16, 6.4]
- tenor vocals [13.4-5, 12.5]
- contralto vocals [9, 19-20], mezzo-soprano vocals [54.11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 56.11], solo [9, 19-20]
- tenor vocals [4-5]
- producer [3.1-8, 13.1-11, 12.1-5, 5.1-8, 8.1-4, 1.1-8, 7.1-7, 4.1-13, 6.1-4]
- choir vocals [1, 4]
- performing orchestra [10.1-11, 27.1-15, 41.1-16, 35.1-33, 42.1-22, 47.1-17, 37.1-19, 18.1-4, 31.1-6, 23.1-19, 48.1-17, 15.1-4, 25.1-10, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 57.1-15, 7.1-7, 51.1-6, 17.1-4, 13.1-11, 28.1-9, 2.1-4, 30.1-31, 32.1-6, 5.1-8, 43.1-12, 4.1-13, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 58.1-8, 3.1-8, 33.1-6, 1.1-8, 24.1-21, 49.1-4, 12.1-5, 11.1-13, 8.1-4, 44.1-11, 14.1-4, 20.1-4, 21.1-3, 34.1-23, 45.1-6, 16.1-21, 36.1-19, 36.19-29, 53.1-8, 26.1-20, 22.1-4, 50.1-4, 46.1-16, 29.1-4, 19.1-4, 52.1-3, 52.5-11, 6.1-4, 9.1-9]
- choir vocals [13.11, 39.4, 39.7, 39.12, 39.14-15, 38.3-6, 38.8-10, 47.10-11, 40.1, 40.4, 40.7-8, 40.10, 28.3]
- tenor vocals [1-23]
- tenor vocals [39.12-14, 38.2]
- balance [1-13]
- bass vocals [38.3-4, 39.6, 39.10-11, 40.3]
- tenor vocals [40.6-7, 40.9-10, 38.7-9]
Issues
C31 January 2020- C
- C
- C





