Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings

Compilation by Claudio Abbado

Released 31 January 2020

Tracklist

  • CD 41: Rossini: L'italiana in Algeri (Act I)
  • 1
    L'italiana in Algeri: Sinfonia (Ouverture)
    Gioachino Rossini
    7:52
  • 2
    L'italiana in Algeri: Atto I. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà)
    Gioachino Rossini
    6:53
  • 3
    L'italiana in Algeri: Atto I. Recitativo: “Ritiratevi tutti” (Mustafà, Haly)
    Gioachino Rossini
    1:21
  • 4
    L'italiana in Algeri: Atto I. N. 2 Cavatina: “Languir per una bella” (Lindoro)
    Gioachino Rossini
    6:41
  • 5
    L'italiana in Algeri: Atto I. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà)
    Gioachino Rossini
    0:41
  • 6
    L'italiana in Algeri: Atto I. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)
    Gioachino Rossini
    4:09
  • 7
    L'italiana in Algeri: Atto I. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, Taddeo, Haly)
    Gioachino Rossini
    4:46
  • 8
    L'italiana in Algeri: Atto I. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly)
    Gioachino Rossini
    1:02
  • 9
    L'italiana in Algeri: Atto I. Recitativo: “Ah! Isabella... siam giunti a mal partito” (Taddeo, Isabella)
    Gioachino Rossini
    0:55
  • 10
    L'italiana in Algeri: Atto I. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo)
    Gioachino Rossini
    7:18
  • 11
    L'italiana in Algeri: Atto I. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro)
    Gioachino Rossini
    0:40
  • 12
    L'italiana in Algeri: Atto I. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly)
    Gioachino Rossini
    0:44
  • 13
    L'italiana in Algeri: Atto I. N. 6 Aria: “Già d'insolito ardore” (Mustafà)
    Gioachino Rossini
    3:22
  • 14
    L'italiana in Algeri: Atto I. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)
    Gioachino Rossini
    1:01
  • 15
    L'italiana in Algeri: Atto I. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo)
    Gioachino Rossini
    8:24
  • 16
    L'italiana in Algeri: Atto I. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro)
    Gioachino Rossini
    9:12
  • CD 42: Rossini: L'italiana in Algeri (Act II)
  • 1
    L'italiana in Algeri: Atto II. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly)
    Gioachino Rossini
    1:36
  • 2
    L'italiana in Algeri: Atto II. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)
    Gioachino Rossini
    0:42
  • 3
    L'italiana in Algeri: Atto II. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro)
    Gioachino Rossini
    1:15
  • 4
    L'italiana in Algeri: Atto II. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro)
    Gioachino Rossini
    2:12
  • 5
    L'italiana in Algeri: Atto II. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo)
    Gioachino Rossini
    0:53
  • 6
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro)
    Gioachino Rossini
    1:01
  • 7
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)
    Gioachino Rossini
    0:21
  • 8
    L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro)
    Gioachino Rossini
    3:55
  • 9
    L'italiana in Algeri: Atto II. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)
    Gioachino Rossini
    1:25
  • 10
    L'italiana in Algeri: Atto II. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)
    Gioachino Rossini
    5:13
  • 11
    L'italiana in Algeri: Atto II. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)
    Gioachino Rossini
    0:31
  • 12
    L'italiana in Algeri: Atto II. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
    Gioachino Rossini
    9:03
  • 13
    L'italiana in Algeri: Atto II. Recitativo: “Con tutta la sua boria” (Haly)
    Gioachino Rossini
    0:24
  • 14
    L'italiana in Algeri: Atto II. N. 13 Aria: “La femmine d'Italia” (Haly)
    Gioachino Rossini
    2:24
  • 15
    L'italiana in Algeri: Atto II. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà)
    Gioachino Rossini
    1:17
  • 16
    L'italiana in Algeri: Atto II. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo)
    Gioachino Rossini
    5:26
  • 17
    L'italiana in Algeri: Atto II. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro)
    Gioachino Rossini
    0:35
  • 18
    L'italiana in Algeri: Atto II. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento ... Pensa alla patria” (Isabella, coro)
    Gioachino Rossini
    8:32
  • 19
    L'italiana in Algeri: Atto II. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà)
    Gioachino Rossini
    0:37
  • 20
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella)
    Gioachino Rossini
    9:00
  • 21
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Son l'aure seconde, son placide, l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà)
    Gioachino Rossini
    1:48
  • 22
    L'italiana in Algeri: Atto II. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro)
    Gioachino Rossini
    2:26
  • CD 43: Schoenberg: Gurre-Lieder (Part I)
  • 1
    Gurre-Lieder: Erster Teil. Orchestervorspiel
    Arnold Schönberg
    6:50
  • 2
    Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar)
    Arnold Schönberg
    4:00
  • 3
    Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove)
    Arnold Schönberg
    2:44
  • 4
    Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar)
    Arnold Schönberg
    3:34
  • 5
    Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove)
    Arnold Schönberg
    2:22
  • 6
    Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar)
    Arnold Schönberg
    2:24
  • 7
    Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove)
    Arnold Schönberg
    4:07
  • 8
    Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar)
    Arnold Schönberg
    6:09
  • 9
    Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove)
    Arnold Schönberg
    5:30
  • 10
    Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar)
    Arnold Schönberg
    4:21
  • 11
    Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
    Arnold Schönberg
    5:49
  • 12
    Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube)
    Arnold Schönberg
    11:54
  • CD 44: Schoenberg: Gurre-Lieder (Parts II & III)
  • 1
    Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar)
    Arnold Schönberg
    5:10
  • 2
    Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar)
    Arnold Schönberg
    2:52
  • 3
    Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer)
    Arnold Schönberg
    3:06
  • 4
    Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen)
    Arnold Schönberg
    5:47
  • 5
    Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar)
    Arnold Schönberg
    3:14
  • 6
    Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr)
    Arnold Schönberg
    6:44
  • 7
    Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar)
    Arnold Schönberg
    2:24
  • 8
    Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen)
    Arnold Schönberg
    4:13
  • 9
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel]
    Arnold Schönberg
    3:50
  • 10
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)
    Arnold Schönberg
    5:13
  • 11
    Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor)
    Arnold Schönberg
    4:31
  • CD 45: Schubert: Symphonies no. 5 & no. 8 “Unfinished”
  • 1
    Symphony no. 8 in B minor “Unfinished”, D 759: 1. Allegro moderato
    Franz Schubert
    12:47
  • 2
    Symphony no. 8 in B minor “Unfinished”, D 759: 2. Andante con moto
    Franz Schubert
    12:39
  • 3
    Symphony no. 5 in B-flat major, D 485: 1. Allegro
    Franz Schubert
    7:19
  • 4
    Symphony no. 5 in B-flat major, D 485: 2. Andante con moto
    Franz Schubert
    11:02
  • 5
    Symphony no. 5 in B-flat major, D 485: 3. Menuetto. Allegro molto
    Franz Schubert
    5:27
  • 6
    Symphony no. 5 in B-flat major, D 485: 4. Allegro vivace
    Franz Schubert
    5:58
  • CD 46: Schubert: Mass no. 6
  • 1
    Mass no. 6 in E-flat major, D 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison”
    Franz Schubert
    6:21
  • 2
    Mass no. 6 in E-flat major, D 950: Gloria. “Gloria in excelsis Deo”
    Franz Schubert
    5:00
  • 3
    Mass no. 6 in E-flat major, D 950: Gloria. “Domine Deus”
    Franz Schubert
    4:22
  • 4
    Mass no. 6 in E-flat major, D 950: Gloria. “Quoniam tu solus sanctus”
    Franz Schubert
    1:03
  • 5
    Mass no. 6 in E-flat major, D 950: Gloria. “Cum Sancto spiritu”
    Franz Schubert
    4:14
  • 6
    Mass no. 6 in E-flat major, D 950: Credo. “Credo in unum Deum”
    Franz Schubert
    2:57
  • 7
    Mass no. 6 in E-flat major, D 950: Credo. “Et incarnatus est”
    Franz Schubert
    6:04
  • 8
    Mass no. 6 in E-flat major, D 950: Credo. “Et resurrexit”
    Franz Schubert
    6:46
  • 9
    Mass no. 6 in E-flat major, D 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”
    Franz Schubert
    2:09
  • 10
    Mass no. 6 in E-flat major, D 950: Sanctus. “Osanna in excelsis”
    Franz Schubert
    1:15
  • 11
    Mass no. 6 in E-flat major, D 950: Benedictus. “Benedictus, qui venit”
    Franz Schubert
    4:59
  • 12
    Mass no. 6 in E-flat major, D 950: Benedictus. “Osanna in excelsis”
    Franz Schubert
    1:12
  • 13
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
    Franz Schubert
    3:56
  • 14
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
    Franz Schubert
    3:31
  • 15
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
    Franz Schubert
    0:54
  • 16
    Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
    Franz Schubert
    2:07
  • CD 47: New Year's Concert 1988
  • 1
    “Donna Diana”: Overture
    Emil Nikolaus von Reznicek
    4:02
  • 2
    Brennende Liebe, op. 129 (Polka mazur)
    Josef Strauss
    4:28
  • 3
    Auf Ferienreisen, op. 133 (Polka schnell)
    Josef Strauss
    2:28
  • 4
    Auf der Jagd, op. 373 (Polka schnell)
    Johann Strauss
    2:26
  • 5
    Wo die Zitronen blüh'n, op. 364 (Walzer)
    Johann Strauss
    9:03
  • 6
    Die Fledermaus: Overture
    Johann Strauss
    8:16
  • 7
    Neue Pizzicato-Polka, op. 449
    Johann Strauss
    3:39
  • 8
    Freut euch des Lebens, op. 340 (Walzer)
    Johann Strauss
    8:19
  • 9
    Un ballo in maschera, op. 272: No. 1 Le Pantalon / No. 3 La Poule / No. 4 La Trénis / No. 6 Finale
    Johann Strauss
    4:34
  • 10
    Tritsch-Tratsch-Polka, op. 214
    Johann Strauss
    2:59
  • 11
    Leichtes Blut, op. 319 (Polka schnell)
    Johann Strauss
    2:43
  • 12
    Seid umschlungen, Millionen, op. 443 (Walzer)
    Johann Strauss
    9:37
  • 13
    Perpetuum mobile, op. 257 (Walzer)
    Johann Strauss
    2:57
  • 14
    Im Fluge, op. 230 (Polka schnell)
    Josef Strauss
    2:00
  • 15
    Banditen-Galopp, op. 378 (Polka schnell)
    Johann Strauss
    2:43
  • 16
    An der schönen blauen Donau, op. 314 (Walzer)
    Johann Strauss
    9:42
  • 17
    Radetzky-Marsch, op. 228
    Johann Strauss
    3:23
  • CD 48: New Year's Concert 1991
  • 1
    »Waldmeister«: Overture
    Johann Strauss
    9:26
  • 2
    Kontretanz in C major, K 609/1
    Wolfgang Amadeus Mozart
    0:57
  • 3
    Kontretanz in D major, K 609/3
    Wolfgang Amadeus Mozart
    1:18
  • 4
    Kontretanz in C major, K 605/3 »Die Schlittenfahrt«
    Wolfgang Amadeus Mozart
    2:39
  • 5
    Die tanzende Muse, op. 266 (Polka mazur)
    Johann Strauss
    4:05
  • 6
    Galopp und 8 Ecossaisen für Klavier, D 735: Galopp
    Franz Schubert
    1:39
  • 7
    Galopp und 8 Ecossaisen für Klavier, D 735: Ecossaise No. 1
    Franz Schubert
    1:32
  • 8
    Die Werber, op. 103 (Walzer)
    Josef Lanner
    7:20
  • 9
    Seufzer-Galopp, op. 9
    Johann Strauss
    1:51
  • 10
    Aquarellen, op. 258 (Walzer)
    Josef Strauss
    7:51
  • 11
    Freikugeln, op. 326 (Polka schnell)
    Johann Strauss
    2:29
  • 12
    Carmen-Quadrille, op. 134
    Eduard Strauss
    4:58
  • 13
    Kaiser-Walzer, op. 437
    Johann Strauss
    10:44
  • 14
    Furioso-Polka, op. 260 (Polka quasi Galopp)
    Johann Strauss
    2:14
  • 15
    Stürmisch in Lieb' und Tanz, op. 393 (Polka schnell)
    Johann Strauss
    2:08
  • 16
    An der schönen blauen Donau, op. 314 (Walzer)
    Johann Strauss
    9:29
  • 17
    Radetzky-Marsch, op. 228
    Johann Strauss
    3:24
  • CD 49: Tchaikovsky: Symphony no. 4
  • 1
    Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo
    Pyotr Ilyich Tchaikovsky
    18:15
  • 2
    Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone
    Pyotr Ilyich Tchaikovsky
    9:06
  • 3
    Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro
    Pyotr Ilyich Tchaikovsky
    5:41
  • 4
    Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco
    Pyotr Ilyich Tchaikovsky
    8:34
  • CD 50: Tchaikovsky: Symphony no. 6 “Pathétique”
  • 1
    Symphony no. 6 in B minor “Pathétique”, op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
    Pyotr Ilyich Tchaikovsky
    17:54
  • 2
    Symphony no. 6 in B minor “Pathétique”, op. 74: 2. Allegro con grazia
    Pyotr Ilyich Tchaikovsky
    8:09
  • 3
    Symphony no. 6 in B minor “Pathétique”, op. 74: 3. Allegro molto vivace
    Pyotr Ilyich Tchaikovsky
    9:14
  • 4
    Symphony no. 6 in B minor “Pathétique”, op. 74: 4. Finale. Adagio lamentoso - Andante
    Pyotr Ilyich Tchaikovsky
    9:43
  • CD 51: Tchaikovsky / Mendelssohn: Violin Concertos
  • 1
    Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato
    Pyotr Ilyich Tchaikovsky
    17:04
  • 2
    Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante
    Pyotr Ilyich Tchaikovsky
    6:14
  • 3
    Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo
    Pyotr Ilyich Tchaikovsky
    9:05
  • 4
    Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato
    Felix Mendelssohn
    11:29
  • 5
    Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante
    Felix Mendelssohn
    7:48
  • 6
    Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace
    Felix Mendelssohn
    6:26
  • CD 52: Verdi: Messa da Requiem (beg.)
  • 1
    Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)
    Giuseppe Verdi
    8:56
  • 2
    Messa da Requiem: Dies Irae. “Dies irae” (chorus)
    Giuseppe Verdi
    2:20
  • 3
    Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)
    Giuseppe Verdi
    3:09
  • 4
    Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)
    Giuseppe Verdi
    5:11
  • 5
    Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)
    Giuseppe Verdi
    3:45
  • 6
    Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)
    Giuseppe Verdi
    3:52
  • 7
    Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)
    Giuseppe Verdi
    4:04
  • 8
    Messa da Requiem: Dies Irae. “Ingemisco” (tenor)
    Giuseppe Verdi
    3:34
  • 9
    Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)
    Giuseppe Verdi
    5:26
  • 10
    Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)
    Giuseppe Verdi
    6:14
  • 11
    Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)
    Giuseppe Verdi
    10:55
  • CD 53: Messa da Requiem (cont.) / Quattro pezzi sacri
  • 1
    Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)
    Giuseppe Verdi
    2:44
  • 2
    Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)
    Giuseppe Verdi
    5:05
  • 3
    Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)
    Giuseppe Verdi
    6:21
  • 4
    Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)
    Giuseppe Verdi
    14:20
  • 5
    Quattro pezzi sacri: Ave Maria
    Giuseppe Verdi
    5:28
  • 6
    Quattro pezzi sacri: Stabat Mater
    Giuseppe Verdi
    13:29
  • 7
    Quattro pezzi sacri: Laudi alla Vergine Maria
    Giuseppe Verdi
    5:38
  • 8
    Quattro pezzi sacri: Te Deum
    Giuseppe Verdi
    16:06
  • CD 54: Wagner: Lohengrin (Acts I & II beg.)
  • 1
    Lohengrin: Vorspiel
    Richard Wagner
    8:24
  • 2
    Lohengrin: Akt I. »Hört! Grafen, Edle, Freie von Brabant!« (Der Heerrufer, Männerchor, König Heinrich)
    Richard Wagner
    4:31
  • 3
    Lohengrin: Akt I. »Dank, König, dir, dass du zu richten kamst!« (Friedrich, Männerchor, König, Heerrufer)
    Richard Wagner
    6:25
  • 4
    Lohengrin: Akt I. »Seht hin! Sie naht, die hart Beklagte!« (Männerchor, König, Elsa)
    Richard Wagner
    3:37
  • 5
    Lohengrin: Akt I. »Einsam in trüben Tagen« (Elsa, Männerchor, König, Friedrich)
    Richard Wagner
    7:07
  • 6
    Lohengrin: Akt I. »Des Ritters will ich wahren« (Elsa, Männerchor, König, Heerrufer)
    Richard Wagner
    2:42
  • 7
    Lohengrin: Akt I. »Ohn' Antwort ist der Ruf verhallt!« (Männerchor, Friedrich, Elsa, König, Heerrufer, Frauenchor)
    Richard Wagner
    4:39
  • 8
    Lohengrin: Akt I. »Nun sei bedankt, mein lieber Schwan!« (Lohengrin, Chor, König, Elsa)
    Richard Wagner
    5:22
  • 9
    Lohengrin: Akt I. »Wenn ich im Kampfe für dich siege« (Lohengrin, Elsa)
    Richard Wagner
    4:03
  • 10
    Lohengrin: Akt I. »Welch holde Wunder muss ich sehen?« (Chor, Lohengrin, Friedrich, König)
    Richard Wagner
    3:46
  • 11
    Lohengrin: Akt I. »Nun höret mich und achtet wohl« (Heerrufer, Chor, Lohengrin, Friedrich, König, Elsa, Ortrud)
    Richard Wagner
    7:20
  • 12
    Lohengrin: Akt I. »Durch Gottes Sieg ist jetzt dein Leben mein« (Lohengrin, Chor, König, Elsa, Ortrud, Friedrich)
    Richard Wagner
    4:02
  • 13
    Lohengrin: Akt II. Einleitung
    Richard Wagner
    4:19
  • 14
    Lohengrin: Akt II. »Erhebe dich, Genossin meiner Schmach!« (Friedrich, Ortrud)
    Richard Wagner
    3:37
  • 15
    Lohengrin: Akt II. »Was macht dich in so wilder Klage doch vergehn?« (Ortrud, Friedrich)
    Richard Wagner
    4:02
  • CD 55: Wagner: Lohengrin (Act II cont.)
  • 1
    Lohengrin: Akt II. »Du wilde Seherin, wie willst du doch« (Friedrich, Ortrud)
    Richard Wagner
    7:54
  • 2
    Lohengrin: Akt II. »Euch Lüften, die mein Klagen« (Elsa, Ortrud, Friedrich)
    Richard Wagner
    3:25
  • 3
    Lohengrin: Akt II. »Elsa!« / »Wer ruft?« (Ortrud, Elsa)
    Richard Wagner
    5:47
  • 4
    Lohengrin: Akt II. »Ortrud, wo bist du?« (Elsa, Ortrud, Friedrich)
    Richard Wagner
    10:55
  • 5
    Lohengrin: Akt II. »In Früh'n versammelt uns der Ruf« (Chor)
    Richard Wagner
    4:48
  • 6
    Lohengrin: Akt II. »Des Königs Wort und Will' tu' ich euch kund« (Heerrufer, Männerchor)
    Richard Wagner
    6:03
  • 7
    Lohengrin: Akt II. »Nun hört, dem Lande will er uns entführen!« (Die vier Edlen, Friedrich, vier Edelknaben)
    Richard Wagner
    2:06
  • 8
    Lohengrin: Akt II. »Gesegnet soll sie schreiten« (Chor)
    Richard Wagner
    5:32
  • 9
    Lohengrin: Akt II. »Zurück, Elsa! Nicht länger will ich dulden« (Ortrud, Chor, Elsa) / »Heil! Heil dem König!« (Chor, König, Elsa, Lohengrin)
    Richard Wagner
    8:52
  • 10
    Lohengrin: Akt II. »O König! Trugbetörte Fürsten! Haltet ein!« (Friedrich, König, Chor, Lohengrin)
    Richard Wagner
    5:35
  • 11
    Lohengrin: Akt II. »Welch ein Geheimnis muss der Held bewahren?« (König, Chor, Ortrud, Friedrich, Lohengrin, Elsa)
    Richard Wagner
    4:41
  • 12
    Lohengrin: Akt II. »Mein Held, entgegne kühn dem Ungetreuen!« (König, Chor, Lohengrin, Friedrich, Elsa)
    Richard Wagner
    6:29
  • CD 56: Wagner: Lohengrin (Act III)
  • 1
    Lohengrin: Akt III. Vorspiel
    Richard Wagner
    3:22
  • 2
    Lohengrin: Akt III. »Treulich geführt ziehet dahin« (Chor, Kammerfrauen) / Brautlied
    Richard Wagner
    5:14
  • 3
    Lohengrin: Akt III. »Das süße Lied verhallt; wir sind allein« (Lohengrin, Elsa)
    Richard Wagner
    3:51
  • 4
    Lohengrin: Akt III. »Wie hehr erkenn' ich unsrer Liebe Wesen!« (Lohengrin, Elsa)
    Richard Wagner
    7:50
  • 5
    Lohengrin: Akt III. »Höchstes Vertraun hast du mir schon zu danken« (Lohengrin, Elsa)
    Richard Wagner
    5:49
  • 6
    Lohengrin: Akt III. »Ach nein! Doch dort - der Schwan!« (Elsa, Lohengrin)
    Richard Wagner
    7:09
  • 7
    Lohengrin: Akt III. »Heil König Heinrich!« (Männerchor, König)
    Richard Wagner
    4:53
  • 8
    Lohengrin: Akt III. »Was bringen die? Was tun sie kund?« (Chor, König, die vier Edlen, Lohengrin)
    Richard Wagner
    7:48
  • 9
    Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)
    Richard Wagner
    5:32
  • 10
    Lohengrin: Akt III. »Mir schwankt der Boden!« (Elsa, Lohengrin, Chor, König)
    Richard Wagner
    5:18
  • 11
    Lohengrin: Akt III. »Mein lieber Schwan!« (Lohengrin, König, Chor, Ortrud, Elsa)
    Richard Wagner
    8:15
  • CD 57: Schoenberg: A Survivor from Warsaw / Webern: Orchestral Works
  • 1
    A Survivor from Warsaw, op. 46
    Arnold Schönberg
    6:59
  • 2
    Musikalisches Opfer, BWV 1079: Fuga (Ricercata no. 2) a 6 voci. Sehr mäßig
    Johann Sebastian Bach
    8:09
  • 3
    Passacaglia, op. 1: Sehr mäßig, Tempo I - Mäßig bewegt, Tempo II - Sehr lebhaft, Tempo III
    Anton Webern
    10:01
  • 4
    Six Pieces for Orchestra, op. 6: 1. Etwas bewegte Achtel
    Anton Webern
    1:07
  • 5
    Six Pieces for Orchestra, op. 6: 2. Bewegt
    Anton Webern
    1:20
  • 6
    Six Pieces for Orchestra, op. 6: 3. Zart bewegt
    Anton Webern
    0:52
  • 7
    Six Pieces for Orchestra, op. 6: 4. Langsam. Marcia funebre
    Anton Webern
    5:10
  • 8
    Six Pieces for Orchestra, op. 6: 5. Sehr langsam
    Anton Webern
    2:33
  • 9
    Six Pieces for Orchestra, op. 6: 6. Zart bewegt
    Anton Webern
    1:54
  • 10
    Five Pieces for Orchestra, op. 10: 1. Sehr ruhig und zart
    Anton Webern
    0:43
  • 11
    Five Pieces for Orchestra, op. 10: 2. Lebhaft und zart bewegt
    Anton Webern
    0:34
  • 12
    Five Pieces for Orchestra, op. 10: 3. Sehr langsam und äußerst ruhig
    Anton Webern
    1:31
  • 13
    Five Pieces for Orchestra, op. 10: 4. Fließend, äußerst zart
    Anton Webern
    0:31
  • 14
    Five Pieces for Orchestra, op. 10: 5. Sehr fließend
    Anton Webern
    1:05
  • 15
    Variations for Orchestra, op. 30
    Anton Webern
    7:01
  • CD 58: Wien Modern
  • 1
    Départ (1988)
    Wolfgang Rihm
    8:55
  • 2
    Atmosphères (1961)
    György Ligeti
    9:05
  • 3
    Lontano (1967)
    György Ligeti
    12:51
  • 4
    Liebeslied (1954)
    Luigi Nono
    5:07
  • 5
    Notations (1945/1978): 1. Modéré - Fantasque
    Pierre Boulez
    2:45
  • 6
    Notations (1945/1978): 4. Rythmique
    Pierre Boulez
    1:21
  • 7
    Notations (1945/1978): 3. Très modéré
    Pierre Boulez
    3:32
  • 8
    Notations (1945/1978): 2. Très vif - Strident
    Pierre Boulez
    2:19

More by Claudio Abbado

Release credits

  • baritone vocals [42.1-2, 42.13-14, 42.22, 41.2-3, 41.7-8, 41.12, 41.15-16]
  • soprano vocals [7]
  • baritone vocals [54.2, 54.2-3, 54.3, 54.6, 54.6-7, 54.7, 54.11, 55.6]
  • soprano vocals [41.2, 41.14, 41.16, 42.1-2, 42.9, 42.22]
  • choir vocals [3-4, 8, 11]
  • mezzo-soprano vocals [41.7-10, 41.15-16, 42.3, 42.9-10, 42.12, 42.18, 42.20-22]
  • spoken vocals [10]
  • tenor vocals [55.7, 56.8]
  • solo [53.2, 53.4, 53.8, 52.1, 52.5-7, 52.10-11], soprano vocals [52.1, 52.5-7, 52.10-11, 53.2, 53.4, 53.8, 54.4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9, 54.11, 54.11-12, 54.12, 55.2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 55.11-12, 55.12, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.10, 56.10-11, 56.11]
  • choir vocals [57.1, 42.1, 42.6, 42.8, 42.18, 42.20-22, 56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 44.3-4, 44.8, 44.11, 53.1-2, 53.4-8, 54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 41.2, 41.7, 41.15-16, 46.1-16, 52.1-4, 52.6, 52.9-10]
  • executive [55.1-12, 43.1-12, 56.1-11, 44.1-11, 54.1-15], producer [41.1-16, 54.1-15, 55.1-12, 58.1-8, 52.1-11, 53.1-8, 56.1-11, 46.1-16, 48.1-17, 47.1-17, 57.1-15, 42.1-22]
  • co [41.1-16, 42.1-22]
  • conductor [50.1-4, 48.1-17, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 58.1-8, 43.1-12, 49.1-4, 45.1-6, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 57.1-15, 47.1-17, 42.1-22, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 44.1-11, 51.1-6, 52.1-11, 53.1-8, 41.1-16, 46.1-16]
  • bass vocals [56.8, 55.7]
  • executive [41.1-16, 42.1-22]
  • chorus master [3-4, 8, 11]
  • alto vocals [7]
  • baritone vocals [41.7-10, 41.15-16, 42.5, 42.7-8, 42.10-12, 42.15-17, 42.19-22]
  • chorus master [3-4, 8, 11]
  • associate [44.1-11, 55.1-12, 56.1-11, 43.1-12, 54.1-15]
  • tenor vocals [42.3-4, 42.9-12, 42.15-17, 42.20-22, 41.4-6, 41.11, 41.14, 41.16]
  • tenor vocals [55.7, 56.8]
  • spoken vocals [1]
  • balance [58.1-8, 57.1]
  • soprano vocals [2]
  • balance [57.2-14, 51.1-6, 50.1-4, 49.1-4, 48.1-17]
  • executive [46.1-16, 47.1-17]
  • chorus master [1, 4]
  • producer [43.1-12, 44.1-11]
  • baritone vocals [44.3, 54.3, 54.5, 54.7, 54.10, 54.10-11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15, 55.1, 55.1-2, 55.2, 55.4, 55.7, 55.10, 55.10-11, 55.11-12, 55.12]
  • chorus master [41.1-16, 42.1-22]
  • soprano vocals [7]
  • chorus master [3-4, 8, 11]
  • solo [6-8, 11-16], tenor vocals [6-8, 11-16]
  • solo [6-8, 11-16], tenor vocals [6-8, 11-16]
  • solo [52.1, 52.6, 52.8, 52.10-11, 53.3], tenor vocals [53.3, 52.1, 52.6, 52.8, 52.10-11]
  • editor [5-8]
  • solo [6-8, 11-16], soprano vocals [6-8, 11-16]
  • chorus master [1]
  • balance [1-17]
  • balance [41.1-16, 42.1-22, 46.1-16, 54.1-15, 55.1-12, 56.1-11]
  • bass vocals [54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 55.9, 55.9-10, 55.10-11, 55.11-12, 55.12]
  • alto vocals [2]
  • alto vocals [11-16], contralto vocals [12], mezzo-soprano vocals [53.2-3, 52.1, 52.4-7, 52.10-11], solo [46.11-16, 53.2-3, 52.1, 52.4-7, 52.10-11]
  • violin [1-6]
  • chorus master [52.1-4, 52.6, 52.9-10, 53.1-2, 53.4-8]
  • soprano vocals [42.1-2, 42.9, 42.12, 42.22, 41.2, 41.12, 41.14, 41.16]
  • task [44.1-11, 43.1-12]
  • chorus master [54.2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8, 54.10, 54.10-11, 54.11-12, 54.12, 55.5, 55.5-6, 55.6, 55.8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 56.2, 56.7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11]
  • chorus master [10-11]
  • tenor vocals [6]
  • associate [43.1-12, 44.1-11], executive [56.1-11, 54.1-15, 55.1-12]
  • bass vocals [55.7, 56.8]
  • executive [1-6], producer [49.1-4, 50.1-4, 51.1-6]
  • balance [53.1-4, 56.1-11, 52.1-11, 54.1-15, 55.1-12]
  • soprano vocals [2]
  • bass vocals [11-16], solo [11-16]
  • bass vocals [52.1, 52.3, 52.6, 52.9-11, 41.2-3, 41.5-6, 41.11-13, 41.15-16, 42.2, 42.5, 42.7, 42.10-12, 42.15-16, 42.19-22, 53.3], solo [53.3, 52.1, 52.3, 52.6, 52.9-11]
  • contralto vocals [7]
  • soprano vocals [3, 5, 7, 9]
  • tenor vocals [55.9, 55.9-10, 55.10-11, 55.11-12, 55.12, 43.2, 43.4, 43.6, 43.8, 43.10, 56.3, 56.3-4, 56.4-5, 56.5-6, 56.6, 56.8, 56.8-9, 56.9-10, 56.10-11, 56.11, 54.8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12, 44.1-2, 44.2, 44.5, 44.7]
  • choir vocals [3-4, 8, 11]
  • editor [52.1-11, 53.1-4]
  • balance [52.1-11, 43.1-12, 44.1-11, 53.1-8, 57.15]
  • alto vocals [2]
  • chorus master [1-16]
  • mezzo-soprano vocals [56.11, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4, 55.9, 55.11, 54.11, 54.11-12, 54.12, 54.14, 54.14-15, 54.15]
  • choir vocals [1, 4]
  • performing orchestra [48.1-17, 44.1-11, 52.1-3, 52.5-11, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12, 41.1-16, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10-11, 56.11, 57.1-15, 46.1-16, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 49.1-4, 51.1-6, 53.1-8, 50.1-4, 58.1-8, 42.1-22, 45.1-6, 43.1-12, 47.1-17]
  • choir vocals [10-11]

Issues