75x CD
Tracklist
- CD 1: Oberto (Atto I) (Marriner, 1966)
- 15:44
- 23:26
- 35:22
- 48:36
- 514:04
- 62:45
- 78:25
- 813:17
- 98:13
- CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
- 110:04
- 23:52
- 36:36
- 412:15
- 52:51
- 64:02
- 714:43
- 89:28
- 96:04
- 108:57
- CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
- 15:29
- 22:01
- 33:14
- 41:29
- 55:07
- 61:49
- 77:24
- 85:40
- 92:39
- 106:01
- 111:48
- 127:50
- 134:53
- 141:10
- 154:07
- 1610:05
- CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
- 13:08
- 26:47
- 31:21
- 47:19
- 55:02
- 60:29
- 76:51
- 88:08
- 91:11
- 103:13
- 114:02
- CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
- 17:04
- 25:11
- 36:10
- 43:21
- 52:00
- 64:55
- 71:52
- 83:10
- 93:45
- 101:00
- 113:31
- 123:32
- 134:21
- 143:12
- CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
- 14:49
- 22:40
- 32:11
- 43:23
- 52:35
- 62:59
- 76:11
- 87:13
- 93:21
- 104:43
- 114:12
- 125:05
- 133:44
- 141:55
- 152:52
- 161:54
- 177:28
- CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
- 15:25
- 20:55
- 33:17
- 43:09
- 53:26
- 66:46
- 72:22
- 83:29
- 91:56
- 103:11
- 112:44
- 122:01
- 131:08
- 142:33
- 153:45
- 168:04
- 173:42
- 182:59
- 196:12
- 204:30
- CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
- 15:31
- 24:57
- 34:50
- 43:20
- 54:21
- 64:24
- 74:10
- 83:54
- 92:06
- 103:33
- 113:55
- 124:10
- 132:44
- 142:00
- 153:00
- CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
- 13:23
- 23:20
- 34:02
- 43:07
- 56:21
- 63:12
- 73:12
- 83:47
- 93:44
- 103:37
- 112:58
- 124:14
- 133:56
- 142:33
- 152:11
- 163:19
- 171:50
- 182:21
- 193:19
- CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
- 13:27
- 22:14
- 32:39
- 43:30
- 54:14
- 67:59
- 73:38
- 81:32
- 92:59
- 104:09
- 111:36
- 122:11
- 131:24
- 143:55
- 153:11
- 165:17
- 172:21
- 188:11
- CD 11: I due Foscari (Atto I) (Gardelli, 1976)
- 12:26
- 24:07
- 32:07
- 42:33
- 52:23
- 61:47
- 73:22
- 82:48
- 92:02
- 101:46
- 112:38
- 121:26
- 133:29
- 144:04
- CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
- 11:27
- 22:10
- 32:03
- 42:47
- 53:14
- 6I Due Foscari: Atto secondo, Barcarola. "Tutta è calma la laguna" / Stretta: "Speranza dolce ancora"4:26
- 71:56
- 83:37
- 91:45
- 102:23
- 112:25
- 123:35
- 134:31
- 142:07
- 153:11
- 162:14
- 174:01
- 184:10
- 193:08
- 202:49
- 213:12
- 225:48
- CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
- 17:25
- 23:31
- 32:41
- 43:02
- 52:39
- 61:35
- 73:16
- 81:54
- 93:51
- 100:57
- 112:45
- 124:39
- 131:54
- 140:34
- 153:27
- 162:13
- 172:44
- 182:22
- 193:00
- 204:12
- 211:28
- 224:23
- CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
- 12:23
- 20:59
- 33:02
- 41:16
- 53:41
- 64:11
- 73:25
- 81:27
- 95:09
- 101:04
- 112:17
- 120:58
- 131:45
- 142:45
- 152:17
- 167:16
- CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
- 16:16
- 21:55
- 32:18
- 45:37
- 51:26
- 62:10
- 76:45
- 83:56
- 97:01
- 102:15
- 114:30
- 121:44
- 136:31
- 141:08
- 153:37
- CD 16: Alzira (Atto II) (Luisi, 1999)
- 12:03
- 22:07
- 33:52
- 40:58
- 52:17
- 64:30
- 76:45
- 82:14
- 90:56
- 102:37
- 115:52
- CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
- 13:04
- 21:47
- 32:22
- 40:31
- 50:31
- 63:21
- 72:34
- 80:31
- 91:33
- 103:56
- 112:21
- 122:51
- 131:46
- 142:17
- 153:20
- 163:23
- 172:34
- 183:11
- 191:36
- 203:35
- 211:16
- 222:19
- CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
- 11:44
- 23:34
- 32:17
- 43:39
- 54:59
- 61:55
- 72:22
- 81:38
- 92:31
- 101:30
- 112:16
- 121:48
- 132:15
- 141:08
- 152:16
- 163:06
- 172:46
- 182:36
- 191:46
- 200:58
- 213:02
- 220:43
- 230:55
- 243:08
- CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
- 13:16
- 27:46
- 33:22
- 44:16
- 57:32
- 63:32
- 711:32
- 87:52
- 92:50
- 104:24
- 113:08
- 125:14
- 131:52
- 146:26
- 156:47
- CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
- 13:49
- 29:53
- 36:59
- 44:33
- 54:03
- 63:21
- 76:22
- 83:41
- 92:54
- 105:19
- 117:54
- 121:46
- 133:35
- 143:44
- 152:31
- 163:32
- CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
- 15:34
- 22:25
- 38:27
- 42:33
- 56:48
- 62:38
- 73:55
- 84:51
- 92:17
- 104:55
- 114:01
- 126:45
- 131:39
- 146:59
- 154:36
- 161:53
- 172:23
- 181:58
- CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
- 110:43
- 23:05
- 36:06
- 47:18
- 52:02
- 65:26
- 74:50
- 82:58
- 92:52
- 102:40
- 114:56
- CD 23: Jérusalem (Acte I) (Luisi, 1998)
- 14:37
- 21:38
- 31:38
- 43:22
- 51:58
- 62:29
- 71:28
- 83:21
- 92:24
- 103:31
- 114:00
- 122:31
- 131:04
- 141:34
- 152:43
- 169:20
- CD 24: Jérusalem (Acte II) (Luisi, 1998)
- 13:06
- 22:51
- 3Jérusalem : Acte II, scène 1. « Du secours ! Ô mon Dieu !, faut-il mourir ainsi ! » (Raymond, Roger)2:04
- 43:50
- 53:06
- 66:16
- 73:54
- 82:26
- 92:27
- 102:18
- 113:02
- 122:52
- 132:00
- 142:08
- 153:58
- 161:49
- CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
- 13:17
- 21:58
- 31:34
- 41:33
- 51:27
- 62:10
- 70:43
- 81:13
- 91:36
- 103:35
- 110:47
- 120:43
- 131:32
- 142:35
- 150:43
- 163:41
- 175:27
- 183:03
- 192:01
- 202:56
- 216:22
- 227:31
- 231:19
- 243:52
- 253:43
- 261:02
- 275:50
- CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
- 12:43
- 21:23
- 34:51
- 42:37
- 51:54
- 63:31
- 71:44
- 8Il corsaro: Atto primo. "No, tu non sai comprendere ... Tornerai, ma forse spenta" (Medora, Corrado)6:22
- 91:50
- 104:28
- 112:55
- 121:30
- 132:34
- 142:54
- 153:38
- 163:00
- 174:18
- CD 27: Il corsaro (Atto III) (Gardelli, 1975)
- 12:02
- 23:26
- 32:18
- 44:56
- 54:30
- 61:47
- 76:39
- 82:26
- 92:16
- 104:15
- 113:29
- 123:56
- CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
- 18:15
- 22:53
- 33:45
- 43:25
- 53:57
- 62:02
- 72:01
- 83:53
- 93:19
- 101:29
- 116:35
- 122:27
- 132:28
- 142:20
- 153:08
- 164:11
- CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
- 15:06
- 23:59
- 36:44
- 43:04
- 52:01
- 63:01
- 72:47
- 86:54
- 94:49
- 103:46
- 115:23
- 124:02
- CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
- 15:38
- 25:30
- 34:09
- 43:55
- 58:46
- 65:13
- 74:42
- 87:03
- 91:35
- 106:12
- 117:24
- 122:34
- 136:26
- CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
- 15:59
- 27:27
- 37:05
- 42:47
- 53:46
- 66:27
- 75:06
- 81:55
- 911:10
- 104:13
- 1113:17
- 125:30
- CD 32: Stiffelio (Atto I) (Gardelli, 1979)
- 110:00
- 22:31
- 32:13
- 42:25
- 53:21
- 61:55
- 74:04
- 82:17
- 93:46
- 101:31
- 111:10
- 123:06
- 133:10
- 140:52
- 153:17
- 162:04
- 173:02
- 182:49
- CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
- 13:41
- 23:42
- 32:40
- 43:06
- 52:20
- 63:08
- 75:11
- 82:46
- 93:43
- 102:15
- 112:43
- 124:53
- 134:03
- 142:18
- 15Stiffelio: Atto terzo. "Non punirmi, Signor" (Dorotea, Federico, popolo assasveriano, Stankar, Lina)4:48
- 163:36
- CD 34: Rigoletto (Atto I) (Giulini, 1979)
- 12:03
- 21:47
- 36:54
- 4Rigoletto: Atto primo. "Ch'io gli parli" (Monterone, Duca, Rigoletto, Borsa, Marullo, Ceprano, coro)4:49
- 54:34
- 63:35
- 75:52
- 86:54
- 92:50
- 103:43
- 112:04
- 126:21
- 132:15
- 142:47
- CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
- 12:18
- 22:45
- 32:19
- 43:17
- 53:17
- 64:36
- 71:50
- 83:00
- 94:08
- 103:09
- 112:13
- 123:06
- 131:39
- 144:23
- 151:25
- 16Rigoletto: Atto terzo. "Maddalena? - Aspettate ... La donna è mobile" (Duca, Maddalena, Sparafucile)2:53
- 176:18
- 184:42
- 191:45
- 204:17
- CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
- 13:08
- 28:24
- 32:25
- 47:31
- 51:55
- 61:54
- 74:45
- 82:51
- 92:42
- 101:56
- 110:57
- 125:07
- 132:15
- 147:13
- 151:32
- 167:36
- 172:48
- 182:18
- 194:50
- CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
- 14:55
- 22:17
- 35:17
- 42:09
- 53:25
- 60:50
- 70:46
- 83:49
- 92:58
- 104:05
- 115:29
- 124:17
- 131:00
- 147:07
- 159:29
- 16Il trovatore: Parte quarta, Il supplizio. "Che!... Non m'inganna quel fioco lume?"(Manrico, Leonora)4:58
- 174:56
- CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
- 13:38
- 24:34
- 32:55
- 42:18
- 53:05
- 61:19
- 71:37
- 83:36
- 94:31
- 103:33
- 112:19
- 123:17
- 131:39
- 141:58
- 152:34
- 164:05
- 174:17
- 181:42
- 192:06
- 202:12
- 214:01
- 222:44
- CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
- 11:03
- 22:463.0 ★
- 3La traviata: Atto secondo. "Di Madride noi siam mattadori" (Gastone, coro, Flora, Dottore, Marchese)2:32
- 43:54
- 52:28
- 61:31
- 71:48
- 84:14
- 93:36
- 103:54
- 113:59
- 120:48
- 134:44
- 143:00
- 151:43
- 163:53
- CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
- 18:23
- 23:58
- 36:11
- 44:20
- 52:13
- 66:43
- 73:18
- 87:47
- 94:06
- 105:21
- 114:29
- 125:34
- 136:08
- CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
- 110:23
- 24:44
- 36:16
- 46:51
- 58:18
- 65:24
- 79:04
- 86:16
- 95:34
- CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
- 19:30
- 25:06
- 38:07
- 43:57
- 54:41
- 64:29
- 75:28
- 82:40
- 94:20
- 103:47
- 117:25
- 127:59
- CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
- 17:03
- 23:29
- 35:09
- 46:21
- 54:04
- 62:26
- 73:52
- 87:25
- 95:00
- 103:24
- 119:35
- 121:16
- 136:59
- 140:58
- CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
- 12:34
- 25:02
- 34:37
- 42:33
- 51:50
- 65:47
- 74:33
- 85:54
- 96:55
- 101:20
- 116:49
- 127:15
- 133:47
- 142:43
- 157:20
- CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
- 18:56
- 21:22
- 31:40
- 42:11
- 51:50
- 62:29
- 71:51
- 84:02
- 92:08
- 101:20
- 113:43
- 123:18
- 134:36
- 141:10
- 152:12
- 163:55
- 172:57
- 184:45
- 193:21
- 205:02
- 212:18
- 223:23
- 233:05
- 245:48
- CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
- 13:23
- 23:31
- 31:32
- 42:07
- 52:29
- 65:59
- 75:22
- 84:32
- 91:37
- 103:04
- 114:03
- 120:43
- 131:47
- 144:40
- 154:08
- CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
- 14:29
- 23:24
- 34:24
- 44:22
- 55:00
- 69:31
- 75:19
- 86:20
- 93:24
- 104:13
- 112:17
- 121:36
- 135:36
- 149:09
- CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
- 14:46
- 27:35
- 32:17
- 44:43
- 56:31
- 63:02
- 74:55
- 84:06
- 95:30
- 103:34
- 112:03
- 121:52
- 135:21
- 144:55
- CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
- 13:19
- 22:33
- 31:35
- 43:59
- 57:28
- 62:21
- 73:10
- 83:27
- 93:25
- 102:29
- 112:22
- 122:35
- 136:21
- 142:45
- 156:52
- 163:40
- 172:43
- 186:47
- CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
- 13:55
- 25:54
- 32:14
- 43:51
- 54:15
- 62:14
- 75:22
- 80:53
- 92:46
- 102:12
- 114:11
- 123:48
- 132:55
- 148:32
- 154:58
- CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
- 16:05
- 24:06
- 31:34
- 47:48
- 55:34
- 61:59
- 72:38
- 82:38
- CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
- 17:53
- 22:42
- 31:36
- 43:47
- 50:27
- 67:35
- 72:19
- 81:12
- 91:56
- 103:09
- 114:26
- 122:29
- 132:29
- 143:02
- CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
- 16:55
- 22:22
- 313:44
- 412:35
- 50:42
- 66:48
- 72:47
- 83:04
- 93:52
- 104:25
- 112:18
- 125:50
- CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
- 12:43
- 29:04
- 30:51
- 41:24
- 50:58
- 63:37
- 71:32
- 82:02
- 94:07
- 103:14
- 117:25
- 126:06
- 139:12
- 146:15
- 159:35
- CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
- 11:23
- 21:47
- 32:20
- 4Don Carlos : Acte I. « Le bruit du cor s'éteint sons l'ombre épaisse » (Carlos, Thibault, Elisabeth)2:40
- 58:15
- 62:03
- 76:44
- 85:52
- 91:48
- 107:55
- 113:34
- 124:00
- 138:24
- CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
- 19:36
- 21:10
- 34:18
- 410:50
- 52:35
- 60:36
- 74:03
- 87:05
- 99:00
- 1010:29
- CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
- 19:26
- 29:07
- 38:31
- 43:05
- 54:16
- 63:02
- 72:46
- 81:39
- 93:42
- 103:12
- CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
- 110:36
- 29:44
- 31:39
- 49:38
- 54:46
- 615:14
- 74:47
- 87:23
- 94:11
- CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
- 11:31
- 22:09
- 32:31
- 42:40
- 53:51
- 64:53
- 71:12
- 80:47
- 91:22
- 105:09
- 116:59
- 122:01
- 134:07
- 144:40
- 153:24
- 164:21
- 178:52
- CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
- 19:55
- 21:17
- 34:14
- 42:15
- 56:22
- 63:28
- 73:02
- 85:16
- 96:49
- 1010:41
- 114:36
- 125:08
- CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
- 110:13
- 23:36
- 34:07
- 46:27
- 54:20
- 63:08
- 75:03
- 83:39
- 94:38
- 103:31
- 113:38
- 125:27
- 135:21
- 145:48
- 153:34
- 161:36
- CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
- 13:54
- 21:39
- 35:02
- 45:55
- 56:41
- 67:00
- 75:20
- 85:21
- 96:14
- 107:04
- 112:45
- 123:39
- 136:19
- 142:30
- 152:13
- 160:56
- 171:04
- 184:24
- CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
- 12:41
- 23:16
- 34:21
- 47:14
- 58:13
- 63:05
- 77:07
- 82:56
- 92:59
- 107:15
- 114:23
- 127:04
- 132:17
- 144:02
- 155:13
- CD 64: Otello (Atto I, Atto II) (Chung, 1993)
- 13:48
- 22:10
- 32:30
- 42:32
- 51:18
- 63:46
- 71:10
- 84:05
- 98:59
- 102:22
- 110:28
- 125:08
- 134:11
- 144:12
- 151:49
- 16Otello: Atto secondo. "Se inconscia, contro te, sposo, ho peccato" (Desdemona, Otello, Jago, Emilia)3:03
- 170:37
- 180:54
- 190:59
- 202:29
- 212:44
- 221:41
- 232:16
- CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
- 11:46
- 21:14
- 34:33
- 45:26
- 53:34
- 60:54
- 70:45
- 84:03
- 92:20
- 102:58
- 111:47
- 121:59
- 134:03
- 142:19
- 153:56
- 160:56
- 176:40
- 184:42
- 193:25
- 202:38
- 212:58
- 225:42
- CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
- 15:12
- 23:04
- 33:58
- 44:10
- 51:24
- 64:07
- 71:31
- 85:44
- 93:18
- 106:25
- 111:55
- 122:48
- 137:19
- 146:25
- CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
- 14:11
- 21:48
- 33:24
- 41:02
- 52:57
- 61:38
- 75:13
- 86:17
- 95:43
- 105:08
- 114:59
- 124:11
- 136:01
- 146:15
- 153:43
- 163:23
- CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
- 19:12
- 22:20
- 33:02
- 44:59
- 53:43
- 63:41
- 74:02
- 83:35
- 95:21
- 106:07
- CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
- 14:21
- 25:57
- 32:40
- 44:57
- 56:42
- 62:34
- 72:24
- 82:54
- 95:43
- 105:01
- 1113:09
- 125:30
- 1314:32
- CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
- 11:44
- 23:47
- 31:18
- 44:49
- 56:49
- 63:38
- 76:04
- 85:27
- 96:28
- 105:31
- 115:48
- 125:35
- 1312:02
- CD 71: Discoveries (Riccardo Chailly, 2002)
- 15:15
- 220:18
- 33:12
- 45:25
- 511:20
- 611:40
- 75:50
- 84:37
- 92:32
- 1010:31
- CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
- 13:24
- 23:31
- 33:21
- 42:29
- 54:35
- 64:28
- 72:56
- 82:15
- 98:16
- 104:21
- 114:00
- 123:13
- 132:59
- 141:50
- 155:39
- CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
- 11:25
- 20:48
- 30:54
- 41:10
- 52:09
- 63:06
- 72:51
- 81:44
- 94:16
- 102:14
- 112:31
- 121:39
- 131:39
- 143:39
- 155:46
- 163:32
- 172:59
- 182:44
- 192:03
- 207:08
- 2113:37
- CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
- 17:16
- 27:14
- 33:06
- 44:10
- 57:17
- 65:33
- 77:28
- 83:36
- 96:39
- 108:22
- 118:13
- 122:37
- CD 75: Ballet Music (Chailly, 1986 & 1988)
- 15:59
- 215:32
- 36:11
- 49:44
- 56:36
- 67:34
- 74:59
- 89:01
More by Giuseppe Verdi
Release credits
- performing orchestra [2.1-10, 1.1-9]
- bass vocals [73.15, 10.6, 10.10-11, 10.14, 9.12-13]
- bass vocals [10]
- baritone vocals [4]
- oboe [6]
- tenor vocals [47.4-5, 26.10, 26.14-15]
- bass vocals [20.3, 36.10, 38.2-4, 38.7, 39.1-3, 39.5-8]
- baritone vocals [14]
- choir vocals [3]
- choir vocals [4.2, 4.7, 4.11, 52.8-12, 52.14, 3.2-5, 3.10, 3.16, 17.2, 17.4, 17.12-16, 18.4-5, 18.7-8, 18.10-16, 18.19-21, 27.10-12, 26.2-4, 26.9, 26.11-13, 26.15-17, 53.1, 53.4-5, 53.8-9, 54.1-11]
- bassoon [10]
- producer [10.1-18, 9.1-19]
- chorus master [9.2-6, 9.12-14, 10.3-4, 10.6, 10.10-12, 10.14-15]
- mezzo-soprano vocals [29.3, 29.10-12, 28.9, 55.4, 55.6, 55.11, 55.11-12, 55.12-13, 55.13, 56.2, 56.10]
- soprano vocals [6.3-4, 6.4, 6.17, 5.7, 5.9, 5.11]
- mezzo-soprano vocals [31.3, 30.7-8]
- mezzo-soprano vocals [3-4, 18-19]
- mezzo-soprano vocals [30.2-4, 30.10-12, 31.7]
- tenor vocals [4]
- baritone vocals [46.1-4, 46.7, 46.13-15, 45.9-12, 45.14, 45.16-17, 45.21-24]
- piano [15]
- tenor vocals [56.9, 20.9, 20.16, 19.8, 73.20]
- conductor [5-8]
- soprano vocals [10]
- choir vocals [3]
- bass vocals [62.2, 62.7, 63.1, 63.3], vocal [63.12, 62.8]
- tenor vocals [21.5, 21.9-10, 21.12, 22.3, 22.5-7]
- bass vocals [2, 6]
- soprano vocals [5]
- mezzo-soprano vocals [52.10-12, 52.14, 54.3-5, 54.8-10]
- soprano vocals [66.5-8, 67.1-2, 67.6-7, 67.9-11, 67.13-16]
- performing orchestra [38.1-22, 39.1-3, 39.3-13, 39.13-16]
- bass vocals [30.6-7, 30.10-11, 31.2-3, 31.6, 31.12]
- mezzo-soprano vocals [66.5-7, 67.1-2, 67.4-5, 67.7, 67.9-10, 67.12, 67.14-16]
- mezzo-soprano vocals [37.2-3, 37.15-16, 36.9-14]
- tenor vocals [14-15]
- baritone vocals [38.2-4, 38.7, 39.4-8, 56.10]
- tenor vocals [5.3, 5.5-6, 5.8-11, 6.2-4, 6.4, 6.17]
- tenor vocals [18.5, 18.7-8, 18.13-24, 59.2-10, 59.12-14, 62.2-5, 62.15, 61.8-9, 61.11, 61.14-16, 60.1, 60.8-12, 17.14-16, 17.19-22, 63.1, 63.6-8, 63.10, 63.13-15], vocal [63.1, 63.6, 63.8, 63.13, 59.2-3]
- bass vocals [1, 4-6, 17], bass-baritone vocals [5.3-4, 5.7-11, 6.1, 6.3-6, 6.11, 6.15, 6.17]
- conductor [67.1-16, 34.1-12, 34.12-14, 37.1-17, 35.1-20, 36.1-8, 36.8-19, 66.1-14]
- bass vocals [10-11]
- conductor [38.1-22, 39.1-3, 39.3-13, 39.13-16]
- soprano vocals [46.6-7, 46.13-15, 45.3-12, 45.15-24]
- soprano vocals [42.2-7, 42.9-12, 64.9, 64.14-16, 65.3-4, 65.10, 65.12-21, 41.8-9, 40.4-6, 40.10-13]
- choir vocals [10-13]
- performing orchestra [11, 13]
- choir vocals [38.2-3, 38.7, 39.2-3, 39.3, 39.5-8, 39.12], other vocals [3]
- choir vocals [6.4-5, 6.10, 6.12, 6.17, 35.3-5, 35.7, 35.17, 34.4, 34.12, 34.14, 68.1-4, 68.6, 68.9-10, 5.2, 69.2-4, 69.6-9]
- choir vocals [61.11, 61.16, 59.1, 59.9-11, 59.13-17, 60.2-3, 60.10-12]
- choir vocals [10.3-4, 10.6, 10.10-12, 10.14-15, 21.2-3, 21.11, 21.15, 21.18, 22.1-4, 22.7, 22.10-11, 9.2-6, 9.12-14]
- tenor vocals [42.1-3, 42.5-7, 42.10, 42.12, 40.6-7, 40.10-12, 41.2-3, 41.8-9]
- mezzo-soprano vocals [6-7, 9-10]
- producer [68.1-10, 69.1-9]
- choir vocals [25.1, 25.17, 25.21-22, 25.27, 16.1, 16.6, 16.8, 23.6, 23.8, 23.10-11, 23.14-16, 15.2, 15.5, 24.6-9, 24.16]
- choir vocals [65.9-10, 65.12-14, 64.1-2, 64.4-7, 64.14]
- task [57.1-10, 58.1-9, 56.1-10, 55.1-13]
- conductor [44.1-15, 19.1-15, 43.1-14, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10, 58.1, 58.1-2, 58.2-3, 58.3-4, 58.4-5, 58.5-6, 58.6-7, 58.7-8, 58.8-9, 58.9, 57.1, 57.1-2, 57.2-3, 57.3-4, 57.4-5, 57.5-6, 57.6-7, 57.7-8, 57.8-9, 57.9-10, 57.10, 20.1-16, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12-13, 55.13, 73.20]
- bass vocals [3, 16-17]
- baritone vocals [63.5, 62.18], vocal [17]
- choir vocals [1, 3-6, 11-13]
- choir vocals [45.2, 45.14, 45.16-17, 45.24, 46.8-12]
- choir vocals [40.2, 40.9, 40.12-13, 58.2-3, 58.3-4, 58.4-5, 58.5, 58.7, 58.7-8, 58.8-9, 58.9, 56.2, 56.2-3, 56.3, 56.9, 56.9-10, 56.10, 19.2-4, 19.8, 19.11, 19.13-14, 20.1, 20.3-5, 20.7, 20.9, 20.14-16, 44.1-3, 44.10-11, 44.15, 55.1, 55.7, 55.7-8, 55.8, 55.10, 55.10-11, 55.11-12, 55.12-13, 55.13, 41.8-9, 57.10, 43.2, 43.5, 43.13-14, 42.5-8, 42.12]
- choir vocals [36.1-2, 36.8, 36.10, 36.17-19, 37.1-3, 37.8, 37.11]
- soprano vocals [17.4-7, 17.17-22, 18.5, 18.13-16, 18.19-24]
- soprano vocals [13]
- tenor vocals [66.6-8, 67.6-7, 67.10-11, 67.15-16]
- bass vocals [23.9-10, 23.16, 24.8-9, 25.19, 25.21, 25.23, 25.27]
- piano [14]
- editor [9.1-19, 10.1-18]
- mezzo-soprano vocals [64.15-16, 65.10, 65.12-15, 65.21]
- baritone vocals [61.4-5, 61.8-10, 60.3-6, 60.8-12, 59.2-3, 59.13-14, 59.17]
- baritone vocals [35.3-5, 34.10-14], bass vocals [34.4, 34.10-13, 35.3-5]
- bass vocals [29.11, 28.5, 28.13-16]
- soprano vocals [5.5-6, 5.9, 5.11, 6.3-4, 6.4-5, 6.16-17]
- vocal [1, 9]
- violin [1-4]
- soprano vocals [5]
- mezzo-soprano vocals [11.8, 12.13]
- bass vocals [41.1, 40.3, 40.12]
- producer [10]
- tenor vocals [40.4-5, 40.13, 41.9]
- choir vocals [3]
- soprano vocals [7]
- tenor vocals [33.2, 33.4-7, 33.11, 32.2-5, 32.14, 32.16-18]
- conductor [25.1-27, 45.1-24, 23.1-16, 46.1-15, 24.1-16, 15.1-15, 16.1-11]
- choir vocals [3]
- bass vocals [63.1-2, 62.15], vocal [5, 15]
- tenor vocals [4]
- tenor vocals [13]
- bass vocals [42.4-7, 42.11-12, 40.8-10, 40.13, 41.8-9]
- mezzo-soprano vocals [3.8, 3.12-13, 3.16, 4.5-7, 4.9-11]
- tenor vocals [14.5-7, 14.13-16, 13.3-6, 13.10, 13.12, 13.19-22]
- bass vocals [3]
- tenor vocals [66.1-3, 66.6-7, 66.9-12, 67.4, 67.7, 67.14-16]
- tenor vocals [21.2-3, 21.15-18, 22.1, 22.3-4, 22.8-11]
- concertmaster [55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12-13, 55.13, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10, 57.1, 57.1-2, 57.2-3, 57.3-4, 57.4-5, 57.5-6, 57.6-7, 57.7-8, 57.8-9, 57.9-10, 57.10, 58.1, 58.1-2, 58.2-3, 58.3-4, 58.4-5, 58.5-6, 58.6-7, 58.7-8, 58.8-9, 58.9]
- cello [1-4]
- bass vocals [12.20, 28.13-16, 11.12]
- choir vocals [3]
- tenor vocals [51.4, 51.6-8, 50.2-5, 50.14-15, 49.5-6]
- piano [1-15]
- baritone vocals [49.14-15, 49.18, 50.12, 51.1-3, 51.8]
- baritone vocals [64.1, 64.7-8, 65.22]
- baritone vocals [26.12-14, 26.16-17, 27.1-4]
- trumpet [4]
- choir vocals [3]
- baritone vocals [37.2-3, 37.13-14, 37.16, 41.1-3, 41.8-9, 40.5-7, 40.12, 36.5-7, 36.15-19, 42.5-7, 42.12]
- bass vocals [5.14, 6.3-4, 6.4-5, 6.7-8, 6.13-14, 6.17, 19.5, 38.4, 38.7, 39.1-3, 39.5-8, 39.10, 39.16, 43.1-2, 43.5, 43.12, 44.2-4]
- mezzo-soprano vocals [63.1, 63.3, 63.13, 63.15, 62.4, 62.9], vocal [62.10, 63.9-11]
- chorus master [56.2, 56.2-3, 56.3, 56.9, 56.9-10, 56.10, 57.10, 58.3, 58.3-4, 58.4-5, 58.5, 58.7, 58.7-8, 58.8-9, 58.9, 55.1, 55.7, 55.7-8, 55.8, 55.10, 55.10-11, 55.11-12, 55.12-13, 55.13]
- bass vocals [10]
- conductor [52.1, 52.1-2, 52.2-3, 52.3-4, 52.4-5, 52.5-6, 52.6-7, 52.7-8, 52.8-9, 52.9-10, 52.10-12, 52.12-13, 52.13-14, 52.14, 54.1, 54.1-2, 54.2-3, 54.3-4, 54.4-5, 54.5-6, 54.6-7, 54.7-8, 54.8-9, 54.9-10, 54.10-11, 54.11-12, 54.12-13, 54.13-14, 54.14-15, 54.15, 53.1, 53.1-2, 53.2-3, 53.3-4, 53.4-5, 53.5-6, 53.6-7, 53.7-8, 53.8-9, 53.9-10, 53.10-11, 53.11-12, 53.12]
- mezzo-soprano vocals [4-6, 12]
- balance [68.1-10, 69.1-9]
- chorus master [11.2-14, 12.1-22]
- soprano vocals [59.15-17, 60.8-9, 61.4-7, 61.11]
- chorus master [15.2, 15.5, 16.1, 16.6, 16.8, 23.6, 23.8, 23.10-11, 23.14-16, 25.1, 25.17, 25.21-22, 25.27, 24.6-9, 24.16]
- balance [20.1-16, 19.1-15]
- producer [34.1-14, 35.1-20]
- mezzo-soprano vocals [8-11]
- bass vocals [5]
- additional [34.1-14, 35.1-20], producer [38.1-22, 35.1-20, 39.1-16, 34.1-14]
- balance [35.1-20, 34.1-14]
- soprano vocals [38.11-12, 38.18, 39.10, 39.13, 39.16]
- conductor [62.1-18, 63.1-13, 63.13-15]
- soprano vocals [25.27, 23.3, 23.8, 23.10, 23.16, 24.4-5]
- editor [8.1-15, 7.1-20]
- bass vocals [65.10-14, 65.22, 7.3, 7.6, 7.9, 7.16]
- soprano vocals [38.2-6, 38.8-9, 38.12-19, 35.7-11, 35.13-15, 35.17-20, 39.4-5, 39.8, 39.10-11, 39.13, 39.13-16, 34.7-12, 34.12, 34.14]
- baritone vocals [3.5-7, 3.11-12, 3.14, 3.16, 4.3, 4.5-7, 4.9-11]
- flute [15]
- balance [63.1-15, 62.1-18]
- conductor [8.1-15, 73.21, 7.1-20]
- recording [10.1-18, 30.1-13, 31.1-12, 8.1-15, 7.1-20, 9.1-19]
- mezzo-soprano vocals [8]
- mezzo-soprano vocals [13-15, 19-20]
- mezzo-soprano vocals [3, 5-7]
- soprano vocals [60.2, 60.11-12, 59.4, 59.7, 59.15-17]
- piano [2]
- soprano vocals [15]
- soprano vocals [3.10-13, 3.16, 27.10-12, 4.3, 4.8, 4.10-11, 26.5-8]
- soprano vocals [13]
- soprano vocals [12]
- soprano vocals [68.1, 68.5-7, 68.10, 69.1, 69.4, 69.6-9, 9.5-9, 9.12-13, 9.15-19, 21.6-14, 22.1, 22.10-11, 10.3-4, 10.13-14, 10.16, 10.18]
- tenor vocals [13.3, 13.21, 14.13]
- producer [62.1-18, 69.1-9, 68.1-10, 63.1-15]
- tenor vocals [3, 15]
- chorus master [26.2-4, 26.9, 26.11-13, 26.15-17, 3.2-5, 3.10, 3.16, 4.2, 4.7, 4.11, 27.10-12]
- baritone vocals [26.17, 27.2]
- recording [8.1-15, 7.1-20, 9.1-19, 10.1-18]
- bass vocals [2, 7]
- tenor vocals [10]
- baritone vocals [29.7-8, 28.9-10]
- tenor vocals [28.3-5, 28.10-11, 28.13-16, 4.2-3, 4.8, 4.10-11, 27.5-12, 32.2-7, 32.15-18, 54.2, 54.13, 54.15, 52.6-7, 11.4-5, 26.2-4, 26.7-8, 26.14-17, 43.8-9, 53.6-10, 12.3-10, 12.12-13, 12.16-17, 44.2-3, 44.6-7, 44.9-10, 44.14-15, 3.6-7, 3.11-13, 3.16, 29.2, 29.6, 29.9, 29.11-12, 33.4-7, 33.11-14, 33.16]
- baritone vocals [43.1-2, 43.5, 43.10, 43.12-13, 44.2-6]
- baritone vocals [16.6, 24.12, 25.15]
- tenor vocals [2, 7, 9]
- baritone vocals [53.2-4, 54.9, 54.11-12]
- bass vocals [5, 13-16]
- tenor vocals [45.13, 45.16-17, 45.20-24, 46.5]
- soprano vocals [7.2-3, 7.7-8, 7.11, 7.19-20, 8.2-3, 8.6-8, 8.10, 8.12-15]
- soprano vocals [48.8, 48.10-14, 47.2-10], vocal [11]
- soprano vocals [57.3, 57.3-4, 57.4, 29.3-5, 29.9-12, 55.4, 55.4-5, 55.5-6, 55.6-7, 55.7, 55.13, 56.1, 56.3, 56.10, 66.5-7, 28.7-11, 58.1, 58.1-2, 58.2-4, 58.4-5, 58.5-6, 58.6-7, 58.7-8, 58.8-9, 58.9, 67.1-5, 67.7, 67.9-10, 67.12, 67.14-16, 12.6-10, 12.12-13, 12.16-19, 12.22, 11.7-8, 11.12, 11.14]
- tenor vocals [59.9-10, 61.2, 61.11]
- tenor vocals [2, 9-10]
- recording [31.1-12, 30.1-13]
- balance [58.1-9, 55.1-13, 56.1-10, 57.1-10]
- engineer [39.1-16, 38.1-22]
- engineer [8.1-15, 7.1-20]
- bass vocals [34.4, 35.10]
- performing orchestra [8]
- choir vocals [3]
- conductor [33.1-16, 6.1, 6.1-4, 6.4-5, 6.5-6, 6.6-12, 6.12-17, 11.1-14, 32.1-18, 29.1-12, 18.1-24, 3.1-16, 17.1-22, 26.1-17, 27.1-12, 28.1-16, 4.1-11, 12.1-22, 5.1-2, 5.2-13, 5.13-14]
- baritone vocals [56.3, 56.3-4, 56.4, 56.8, 56.10, 10.1-4, 10.7-9, 10.12-14, 67.4, 67.7, 67.9-10, 67.14-16, 9.7-9, 9.12-13, 57.3, 57.6, 57.6-7, 57.7-8, 57.8-9, 57.9, 66.6-7, 66.9, 66.12-14, 55.10, 55.13]
- mezzo-soprano vocals [3-5]
- soprano vocals [10.4, 10.14, 9.7, 9.12-13]
- choir vocals [47.2-3, 47.5-10, 30.2-4, 30.10-12, 31.7, 31.12, 48.2, 48.10, 48.12-14]
- choir vocals [2.1-3, 2.5, 2.7, 2.9, 1.2-3, 1.6-7, 1.9]
- choir vocals [7, 13-16]
- performing orchestra [67.1-16, 66.1-14]
- solo [8], violin [8]
- mezzo-soprano vocals [57.3, 57.3-4, 57.4-5, 57.5, 57.10, 66.5-7, 55.11, 55.11-12, 55.12-13, 55.13, 56.7, 56.7-8, 56.8, 58.5, 58.7, 67.1-2, 67.4-5, 67.7, 67.9, 67.14-16]
- tenor vocals [7.13-15, 47.2-10, 47.14, 68.1, 68.5-6, 68.8, 68.10, 73.20-21, 48.1, 48.9-10, 48.13-14, 9.3-4, 9.9, 9.12-13, 9.15-19, 8.2-3, 8.6-7, 8.9, 10.5-6, 10.10-14, 10.16-18, 69.1, 69.5, 31.4-6, 31.10-12, 30.3-4, 30.7-8, 30.10-11]
- baritone vocals [35.3-5, 34.4, 34.12-13], performer [34.4, 34.14, 35.3, 35.5, 35.7]
- bass vocals [48.2, 48.6-8, 48.10, 48.14, 47.2-3, 47.5, 47.8-10]
- tenor vocals [24.10-16, 23.2-3, 23.7-10, 23.16, 25.17, 25.19-21, 25.24-25, 25.27]
- baritone vocals [2, 4, 12]
- soprano vocals [72.1-15, 48.1-4, 48.7-8, 48.13-14, 47.7, 47.9, 47.12-14]
- soprano vocals [3]
- soprano vocals [1.4-5, 1.8-9, 2.4-5, 2.7-8]
- mezzo-soprano vocals [32.2-5, 32.16-18, 33.15-16]
- mezzo-soprano vocals [69.1, 69.4-5, 68.1, 68.4-7, 68.10]
- mezzo-soprano vocals [15-17]
- soprano vocals [25.16-17, 25.22, 25.24-25, 25.27, 16.3, 16.8, 15.9-11, 23.2-4, 23.7-8, 23.10, 23.16, 24.4-5, 24.12-16]
- mezzo-soprano vocals [19]
- tenor vocals [52.12, 54.6]
- bass vocals [61.2-3, 61.11, 61.16, 68.1-7, 68.9-10, 69.1-9]
- soprano vocals [3]
- baritone vocals [32.2-5, 32.10-13, 32.18, 33.4-10, 33.13, 33.15-16, 22.5-7, 29.3-9, 29.12, 28.4-5, 28.10, 28.13-16, 21.4-5, 21.9-10, 21.13-14]
- choir vocals [65.9-10, 65.12-14, 64.1-2, 64.4-7, 64.14]
- choir vocals [7.1-6, 7.10-12, 7.17-20, 8.1, 8.3-4, 8.8-9, 8.11-12, 8.15]
- performing orchestra [8.1-15, 7.1-20]
- assistant [10.1-18, 9.1-19]
- engineer [7.1-20, 8.1-15]
- tenor vocals [65.11-14, 64.1, 64.3, 64.5-7]
- tenor vocals [66.1, 66.6-7, 67.7, 67.9, 67.15-16]
- bass vocals [8]
- tenor vocals [12.12, 11.4, 28.10]
- soprano vocals [44.1-3, 44.7-10, 44.14-15, 43.7-11, 43.14]
- soprano vocals [26.10-11, 26.15-17, 30.2-4, 30.9-13, 27.4, 27.6-12, 31.1, 31.3, 31.7-12]
- producer [7.1-20, 8.1-15]
- performing orchestra [13.1-22, 14.1-16]
- performing orchestra [31.1-12, 47.1-14, 30.1-13, 48.1-14, 74.9-12]
- tenor vocals [45.5-8, 45.14-17, 45.22-24, 46.5-7, 46.9-10, 46.14-15]
- bass vocals [16]
- bass vocals [34.5, 57.2, 57.10, 60.2-6, 60.10-12, 19.2-3, 19.8, 19.12, 44.2-3, 44.5, 44.12-15, 35.11-12, 35.16-18, 35.20, 58.3, 58.8, 58.8-9, 58.9, 61.1-5, 61.11, 61.16, 43.3-5], vocal [2-3]
- editor [7.1-20, 8.1-15]
- tenor vocals [49.10, 50.10]
- performing orchestra [11.1-14, 28.1-16, 29.1-12, 33.1-16, 32.1-18, 12.1-22]
- choir vocals [29.1-12, 28.1-16, 11.2-14, 32.5, 32.15-18, 33.7, 33.15-16, 12.1-22]
- mezzo-soprano vocals [3-4]
- performing orchestra [5.1-2, 5.2-13, 5.13-14, 6.1, 6.1-4, 6.4-5, 6.5-6, 6.6-12, 6.12-17]
- performing orchestra [71.1-10, 70.1-10, 70.13]
- performing orchestra [45.1-24, 46.1-15]
- performing orchestra [1-8]
- performing orchestra [44.1-15, 20.1-16, 57.1, 57.1-2, 57.2-3, 57.3-4, 57.4-5, 57.5-6, 57.6-7, 57.7-8, 57.8-9, 57.9-10, 57.10, 41.1-9, 55.1, 55.1-2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7-8, 55.8-9, 55.9-10, 55.10-11, 55.11-12, 55.12-13, 55.13, 56.1, 56.1-2, 56.2-3, 56.3-4, 56.4-5, 56.5-6, 56.6-7, 56.7-8, 56.8-9, 56.9-10, 56.10, 58.1, 58.1-2, 58.2-3, 58.3-4, 58.4-5, 58.5-6, 58.6-7, 58.7-8, 58.8-9, 58.9, 73.20, 19.1-15, 43.1-14, 40.1-13, 42.1-12]
- performing orchestra [37.1-17, 36.1-19]
- performing orchestra [60.1-12, 59.1-17, 61.1-16]
- performing orchestra [21.1-18, 10.1-18, 22.1-11, 9.1-19]
- performing orchestra [15.1-15, 23.1-16, 24.1-16, 16.1-11, 25.1-27]
- performing orchestra [64.1-23, 65.1-22]
- performing orchestra [5-8]
- bass vocals [9.10-13, 9.15-16, 9.19, 10.1-6, 10.10-11, 10.14, 10.16-18, 54.11-12, 54.15, 53.3-4]
- tenor vocals [2, 4, 12]
- violin [1-4]
- conductor [13.1-22, 14.1-16]
- baritone vocals [16.2, 16.4-6, 16.8-11, 15.7, 15.12, 15.14-15]
- tenor vocals [10]
- bass vocals [3, 6, 11]
- mezzo-soprano vocals [2-3, 7, 9]
- bass vocals [4]
- bass vocals [20]
- tenor vocals [6]
- conductor [30.1-13, 31.1-12]
- tenor vocals [6, 10]
- baritone vocals [9, 12]
- choir vocals [13.2-6, 13.11, 13.13-16, 13.20-21, 14.1, 14.4-8, 14.12, 14.15-16]
- choir vocals [21]
- performing orchestra [27.1-12, 54.1-15, 26.1-17, 52.1, 52.1-14, 53.1-12, 73.21]
- bass vocals [1]
- baritone vocals [24.8-9, 25.17, 25.27, 23.7-10]
- baritone vocals [20.3-4, 20.6, 20.12-15, 12.8-10, 12.12-13, 12.18, 12.20-22, 43.1, 43.4-5, 43.10-13, 35.5-13, 35.13-15, 35.18-20, 34.4-8, 34.13-14, 44.2-3, 44.8-9, 44.12-15, 11.11-14, 19.2-3, 19.6-9, 19.13-15], vocal [8]
- viola [1-4]
- baritone vocals [13.7, 13.14-16, 14.2-3, 14.5-13, 14.15-16], tenor vocals [58.2, 58.2-3, 58.3, 58.8, 58.8-9, 58.9, 56.1, 56.6, 56.6-7, 56.7-8, 56.8, 56.10, 20.8-9, 20.14-16, 39.4-8, 39.13, 39.13-16, 57.6, 57.8, 57.8-10, 57.10, 19.8, 19.13-15, 36.6-7, 36.10-14, 36.19, 73.16-19, 34.2-4, 34.9-11, 65.1-14, 65.19-22, 55.2, 55.2-3, 55.3-4, 55.4-5, 55.5-6, 55.6-7, 55.7, 55.9, 55.9-10, 55.10, 37.4-8, 37.11, 37.15-17, 35.1-4, 35.11-14, 35.16, 35.18, 64.2, 64.8-9, 64.13-23, 38.2-6, 38.9-11, 38.18-22], vocal [8]
- string quartet [1-4]
- clarinet [7]
- producer [55.1-13, 19.1-15, 57.1-10, 20.1-16, 56.1-10, 58.1-9]
- tenor vocals [65.7-9, 65.11-14, 65.22, 15.4, 15.13, 64.1, 64.5-8, 64.10, 16.7]
- producer [30.1-13, 8.1-15, 31.1-12, 7.1-20]
- chorus master [8.1-15, 7.1-20]
- chorus master [15]
- soprano vocals [1-2, 4-5, 7-10]
- mezzo-soprano vocals [6], soprano vocals [60.1, 60.3, 60.10-12, 63.4-8, 63.13, 63.13-15, 59.4-10, 59.17, 61.4-6, 61.12-16, 62.4-6, 62.10-11, 62.16-18], vocal [4-5, 7]
- baritone vocals [47.3-5, 47.10, 48.1-3, 48.5-10, 48.12-14, 53.5, 53.8-12, 54.2, 54.12-13, 54.15, 66.1-4, 66.10-13, 67.3-5, 67.7-9, 67.12, 67.14-16, 52.9-14]
- tenor vocals [18.1, 18.5, 18.13-17, 4.9-11, 17.4]
- conductor [70.1-13, 71.1-10, 75.1-8]
- conductor [42.1-12, 41.1-9, 40.1-13]
- conductor [10.11, 9.2]
- assistant [30.1-13, 31.1-12]
- conductor [10.1, 10.1-2, 10.2-3, 10.3-4, 10.4-5, 10.5-6, 10.6-7, 10.7-8, 10.8-9, 10.9-10, 10.10-11, 10.11-12, 10.12-13, 10.13-14, 10.14-15, 10.15-16, 10.16-17, 10.17-18, 10.18, 22.1-11, 74.9-12, 21.1-18, 9.1, 9.1-2, 9.2-3, 9.3-4, 9.4-5, 9.5-6, 9.6-7, 9.7-8, 9.8-9, 9.9-10, 9.10-11, 9.11-12, 9.12-13, 9.13-14, 9.14-15, 9.15-16, 9.16-17, 9.17-18, 9.18-19, 9.19]
- tenor vocals [8.4, 8.12-15, 7.2-4, 7.7, 7.9, 7.11, 7.17, 7.19-20]
- tenor vocals [9.12-13, 10.4, 10.7, 10.12, 10.14]
- bass vocals [30.5-6, 30.13, 31.1-3, 31.6, 52.9-12, 52.14]
- bass vocals [47.2-3, 47.5, 47.8-10, 48.2, 48.6-8, 48.10, 48.14]
- chorus master [10]
- piano [12-13]
- bass vocals [23.7-9, 23.11-13, 23.15-16, 45.5, 45.13, 45.16-17, 45.24, 46.3, 46.7, 46.9-10, 46.15, 24.1-3, 24.8-9, 25.22-25, 25.27]
- bass vocals [13-14, 16]
- chorus master [57.10, 58.3, 58.3-4, 58.4-5, 58.5, 58.7, 58.7-8, 58.8-9, 58.9, 56.2, 56.2-3, 56.3, 56.9, 56.9-10, 56.10, 20.1, 20.3-5, 20.7, 20.9, 20.14-16, 19.2-4, 19.8, 19.11, 19.13-14, 55.1, 55.7, 55.7-8, 55.8, 55.10, 55.10-11, 55.11-12, 55.12-13, 55.13]
- soprano vocals [37.4, 37.6-14, 37.16-17, 36.3-4, 36.7, 36.18-19, 52.2-7, 52.9, 53.1-3, 54.14-15]
- choir vocals [48.2, 48.10, 48.12-14, 47.7-9]
- performing orchestra [4.1-11, 17.1-22, 3.1-16, 18.1-24]
- bass vocals [18.1-5, 18.11, 18.13-16, 18.22-24, 58.3, 58.7, 58.7-8, 58.8-9, 58.9, 17.3-4, 17.8-11, 56.2, 56.2-3, 56.3-4, 56.4, 56.10, 57.1, 57.1-2, 57.2-3, 57.3, 57.10], bass-baritone vocals [2]
- bass vocals [12.10, 12.12-14, 12.17, 12.20, 12.22, 1.5, 1.8-9, 11.2-3, 22.3-4, 22.8-11, 2.3-4, 21.8-10, 8.6-7, 8.12-15, 7.2-6, 7.9-11, 7.16-17, 7.19-20]
- mezzo-soprano vocals [2.1, 2.5, 2.7, 1.7-9]
- choir vocals [3]
- other vocals [10]
- bass vocals [6]
- tenor vocals [14, 16-17]
- baritone vocals [17.8-11, 18.6-9, 18.11, 18.13-16, 18.19-24, 30.2-4, 30.9-11, 38.12-17, 38.20-22, 39.7-8, 39.15-16, 31.7-9, 31.11-12]
- mezzo-soprano vocals [20.6, 20.11, 19.4-10, 19.13-15]
- baritone vocals [10]
- tenor vocals [25.21, 23.7-8, 23.10, 23.16, 24.3-4]
- bass vocals [7]
- conductor [61.1-16, 69.1-13, 59.1-17, 47.1-14, 48.1-14, 60.1-12, 68.1-10]
- conductor [1.1-9, 2.1-10]
- baritone vocals [15.3, 15.6, 24.12, 25.15, 25.21]
- mezzo-soprano vocals [1.8-9, 2.1, 2.6]
- mezzo-soprano vocals [19.8, 19.13-15, 39.1-8, 38.2-4, 38.7, 20.10-11, 20.14]
- tenor vocals [2.4-6, 2.10, 1.3, 1.7, 1.9]
- soprano vocals [32.3-13, 32.16-18, 33.1-3, 33.5-7, 33.11-16]
- chorus master [30.1-13, 1.2-3, 1.6, 1.9, 2.1-3, 2.5, 2.7, 2.9, 31.1-12]
- tenor vocals [32.2-5, 32.14, 32.16-18, 33.15-16]
- tenor vocals [55.7, 57.2, 57.10]
- baritone vocals [6.1, 6.3-4, 6.4-9, 6.12, 6.12-14, 6.17, 5.8-11]
- tenor vocals [2]
- bass vocals [2-3, 14]
- baritone vocals [4.3-4, 4.10-11, 3.3-5, 3.11-12, 3.14-16]
- tenor vocals [12.12-13, 12.18, 12.22, 59.11-14, 61.16, 11.2]
- piano [1-11]
- mezzo-soprano vocals [2.1, 2.4-5, 2.7-10, 1.7-9]
- choir vocals [3]
- tenor vocals [37.6-9, 36.19, 38.2-4, 38.6-7, 38.12, 38.20, 39.3-8, 35.3-5, 35.7, 34.2, 34.4, 34.10-14]
- tenor vocals [3-4, 4, 7-8, 17]
- chorus master [13.2-6, 13.11, 13.13-16, 13.20-21, 14.1, 14.4-8, 14.12, 14.15-16]
- performing orchestra [6.1-7, 6.12, 6.14-17, 5.1-11, 5.13]
- performing orchestra [35.1-20, 63.1-15, 68.1-10, 34.1-14, 69.1-9, 62.1-18]
- choir vocals [62.7, 62.9, 62.12, 62.14-15, 63.1-3, 63.13, 63.15]
- tenor vocals [3.5, 3.12, 4.11]
- bass vocals [66.1-3, 66.6-7, 66.9-10, 66.12, 67.4, 67.7, 67.14-16]
- baritone vocals [3.3-6, 3.11-12, 3.15-16, 4.3-4, 4.6, 4.9-11], bass vocals [32.2-5, 32.14-15, 32.18, 33.7, 33.9, 33.11, 33.13, 33.16]
- baritone vocals [23.13, 23.16, 15.10]
- chorus master [38.2-3, 38.7, 39.2-3, 39.5-8, 39.12]
- baritone vocals [12]
- tenor vocals [4]
- soprano vocals [6.4, 6.6-9, 6.17, 5.5-6, 5.8-9, 5.11-14]
- soprano vocals [14.5-11, 14.16, 13.8-9, 13.12, 13.17-22]
- conductor [49.1-18, 51.1-8, 50.1-15, 73.16-19]
- soprano vocals [49.2-7, 49.9, 49.13-16, 49.18, 51.5-7]
- bass vocals [7-12]
- bass vocals [36.1-2, 36.15, 36.17, 36.19, 37.1-3]
- mezzo-soprano vocals [13-14, 16-17]
- bass vocals [51.1-3, 51.8, 49.14-16, 49.18]
- bass vocals [55.8, 55.8-9, 55.9-10, 55.10, 58.3, 58.8, 58.8-9, 58.9]
- baritone vocals [49.7-12, 50.1, 50.3-7, 50.14, 51.3-4]
- mezzo-soprano vocals [50.8-9, 50.11-13, 49.8, 49.10, 49.12]
- baritone vocals [64.1, 64.3, 64.5-8, 64.10-17, 64.20-23, 65.1-2, 65.5-14]
- performing orchestra [49.2-18, 73.16-19, 51.1-8, 50.1-15]
- choir vocals [51.1, 49.7-13, 49.18, 50.1, 50.3-4, 50.8-13]
- conductor [64.1-23, 65.1-22]
Issues
T
T75x CD25 March 2016





