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The Fame Monster

EP by Lady Gaga

Released 23 November 2009

dance-pop electropop electronic

Tracklist

1
バッド・ロマンス
4:54
3.0 ★
2
アレハンドロ
4:34
3.8 ★
3
モンスター
4:10
4
スピーチレス
4:31
3.3 ★
5
ダンス・イン・ザ・ダーク
4:49
6
テレフォン
feat. ビヨンセ
3:41
4.3 ★
7
ソー・ハッピー・アイ・クッド・ダイ
3:55
3.3 ★
8
ティース
3:41
3.0 ★
9
バッド・ロマンス(スタースミス・リミックス)
4:55
10
テレフォン (パッション・ビット・リミックス)
feat. ビヨンセ
5:12
3.0 ★
11
パパラッチ(デモリション・クルー・リミックス・ラジオ・エディット)
3:53
12
ジャスト・ダンス (ディーワン・リミックス)
4:15
13
ラヴゲーム(ロボット・トゥ・マーズ・リミックス)
3:13
14
エイ、エイ(ナッシング・エルス・アイ・キャン・セイ)
3:48
3.0 ★
15
ポーカー・フェイス(ライヴ・フロム・ザ・チェリートゥリー・ハウス)
3:38
2.0 ★
16
バッド・ロマンス(グラム・リミックス)
4:50
3.0 ★
17
テレフォン (アルファピート・リミックス)
feat. ビヨンセ
4:48
18
ジャスト・ダンス
feat. コルビー・オドニス
19
ポーカー・フェイス
20
ラヴゲーム
21
エイ、エイ(ナッシング・エルス・アイ・キャン・セイ)
22
ビューティフル、ダーティー、リッチ
23
パパラッチ
24
バッド・ロマンス
25
テレフォン
feat. ビヨンセ

The Fame Monster is pop darkness perfected. Sleek, theatrical, and emotionally sharp, the project expands the glittery ambition of The Fame into something colder, heavier, and far more psychologically complex. It’s an exploration of fear, desire, and excess wrapped in immaculate pop precision. Sonically, the album leans into industrial pop, gothic synths, and razor-sharp hooks. Every track feels urgent and dramatic, yet tightly controlled. The production is bold but never messy, amplifying Gaga’s ability to turn anxiety and obsession into dancefloor catharsis. Lyrically, The Fame Monster dissects the darker side of success: paranoia, addiction, obsession, and emotional decay. Gaga doesn’t romanticize these themes; she stylizes them, transforming fear into spectacle and vulnerability into power. What earns The Fame Monster 4.5 stars is its cohesion. There is no filler, no conceptual drift. Every song contributes to a unified emotional and aesthetic vision. It’s theatrical pop with teeth…influential, iconic, and timeless. Favorite Track: So Happy I Could Die Skip Track: Disclaimer: This is my opinion based on personal taste and emotions. The skip tracks are not bad songs but just songs that are less memorable.

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Release credits

Abraham Laboriel
drums (drum set) [4]
Alphabeat
remixer [17]
Beyoncé
guest [6, 10, 17]
Dave Russell
engineer [7-8], mix [8]
Eric Jackson
guitar family [8]
Frank Wolf
engineer [4]
Frankmusik
remixer [14]
Grum
remixer [16]
Hisashi Mizoguchi
recording [6]
Jack Joseph‐Puig
mix [4]
Joe Cory
assistant [4]
John Goux
guitar family [4]
Johnny Severin
editor [2, 7], engineer [7]
Lady Gaga
background vocals [2, 7], co [2, 4, 6, 8], lead vocals [2, 7], piano [4], producer [7], programming [7], vocal [4, 6, 10, 17], vocal arranger [2, 7]
Mark “Spike” Stent
mix [6]
Martin Kierszenbaum
producer [15]
Matty Green
assistant [6]
Mike Daly
assistant [8]
Mike “Handz” Donaldson
other instruments [6], recording [6]
Passion Pit
remixer [10]
Paul Foley
recording [6]
RedOne
background vocals [2, 7], editor [2, 7], engineer [7], producer [1-2, 7], programming [2, 7], recording [7], vocal arranger [2, 7]
Robert Orton
mix [2, 7]
Robots To Mars
remixer [13]
Rodney Jerkins
mix [6], producer [6]
Ron Fair
arranger [4], conductor [4], producer [4]
Ryan Kennedy
assistant [4]
Space Cowboy
producer [7], programming [7]
Stacy Dulan
background vocals [8]
Starsmith
remixer [9]
Takayuki Matsushima
assistant [6]
Tal Herzberg
bass [4], co [4], engineer [4]
Tal Oz
assistant [4]
Teddy Riley
mix [8], producer [8]
Teyonie Page
background vocals [8]
The Demolition Crew
remixer [11]
The Regiment Horns
brass [8]
Tony Ugval
engineer [15], mix [15]