The Dreaded P.D.Q. Bach Collection
Compilation by P.D.Q. Bach
Released 27 August 1996
Tracklist
- CD 1
- 1In the Vanguard Vault, Part 1Peter Schickele2:23
- 2IntroductionPeter Schickele3:23
- 3Concerto for Horn and Hardart, S. 27: Allegro4:55
- 4Concerto for Horn and Hardart, S. 27: Tema con variazione5:01
- 5Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero2:25
- 6IntroductionPeter Schickele1:10
- 7Cantata: Iphigenia in Brooklyn, S. 53162: Aria2:05
- 8Cantata: Iphigenia in Brooklyn, S. 53162: Recitative1:41
- 9Cantata: Iphigenia in Brooklyn, S. 53162: Ground2:57
- 10Cantata: Iphigenia in Brooklyn, S. 53162: Recitative1:04
- 11Cantata: Iphigenia in Brooklyn, S. 53162: Aria1:22
- 12IntroductionPeter Schickele1:11
- 13Quodlibet for Small Orchestra: AllegroPeter Schickele2:34
- 14Quodlibet for Small Orchestra: AdagioPeter Schickele2:39
- 15Quodlibet for Small Orchestra: AllegroPeter Schickele3:35
- 16IntroductionPeter Schickele6:38
- 17Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz2:33
- 18Sinfonia Concertante, S. 98.6: Andante senza moto3:29
- 19Sinfonia Concertante, S. 98.6: Presto nicht schleppend2:15
- 20IntroductionPeter Schickele4:55
- 21Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”2:19
- 22Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”0:56
- 23Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”2:15
- 24Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra1:08
- 25Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”1:53
- 26Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”2:00
- 27Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”0:29
- 28Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”2:02
- 29Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”1:00
- 30Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”1:42
- 31Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”2:52
- CD 2
- 1IntroductionPeter Schickele2:05
- 2“Unbegun” Symphony: Ⅲ. MinuetPeter Schickele3:26
- 3“Unbegun” Symphony: Ⅳ. Andante – AllegroPeter Schickele5:15
- 4IntroductionPeter Schickele2:39
- 5Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto0:44
- 6Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno)1:22
- 7Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio2:39
- 8Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo)2:00
- 9Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio2:55
- 10Report From Hoople: Bright and Early Show: Signature Theme / IntroPeter Schickele1:34
- 11Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / TagP.D.Q. Bach / Peter Schickele3:26
- 12Report From Hoople: Bright and Early Show: Station BreakPeter Schickele0:17
- 13Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”Peter Schickele2:53
- 14Report From Hoople: Bright and Early Show: IntroPeter Schickele0:52
- 15Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth SymphonyPeter Schickele with Robert Dennis7:56
- 16Report From Hoople: Bright and Early Show: Time / Weather / NewsPeter Schickele3:04
- 17Report From Hoople: Bright and Early Show: IntroPeter Schickele0:42
- 18Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano3:27
- 19Report From Hoople: Bright and Early Show: Station Break / Tag / Signature ThemePeter Schickele0:55
- 20Report From Hoople: Dull and Late Show: Signature Theme / IntroPeter Schickele1:10
- 21Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo2:40
- 22Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio1:18
- 23Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino0:52
- 24Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto1:46
- 25Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio1:09
- 26Report From Hoople: Dull and Late Show: Tag / Station BreakPeter Schickele0:26
- 27Report From Hoople: Dull and Late Show: What’s My Melodic Line?Peter Schickele5:09
- 28Report From Hoople: Dull and Late Show: Time / News / IntroPeter Schickele2:56
- 29Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)2:46
- 30Report From Hoople: Dull and Late Show: Tag / Station BreakPeter Schickele0:33
- 31Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)Peter Schickele0:48
- 32Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”Peter Schickele1:06
- 33Report From Hoople: Dull and Late Show: Sign‐Off / Signature ThemePeter Schickele1:57
- CD 3
- 1IntroductionWill Jordan1:15
- 2The Stoned Guest, Part 1: Overture1:41
- 3The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”2:20
- 4The Stoned Guest, Part 1: Recitative: “Boy!”1:15
- 5The Stoned Guest, Part 1: Aria: “Now is the season”3:30
- 6The Stoned Guest, Part 1: Recitative: “Gesundheit!”2:34
- 7The Stoned Guest, Part 1: Duet: “Woe”2:25
- 8The Stoned Guest, Part 1: Recitative: “Hark!”1:28
- 9The Stoned Guest, Part 1: Aria: “Look at me”3:35
- 10The Stoned Guest, Part 1: Recitative: “That’s the end”2:17
- 11The Stoned Guest, Part 1: Trio: “I’m sure I’d be”2:33
- 12Intermission Feature: Opera WhizPeter Schickele4:24
- 13Plot SynopsisWill Jordan4:00
- 14The Stoned Guest, Part 2: Recitative: “I hate to interrupt”2:46
- 15The Stoned Guest, Part 2: Quartet: “Don Octave”3:47
- 16The Stoned Guest, Part 2: Finale: “O saviour”1:00
- 17AnnouncementWill Jordan0:50
- 18Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”3:20
- 19Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”2:35
- 20Final AnnouncementWill Jordan0:27
- CD 4
- 1IntroductionPeter Schickele3:27
- 2Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture1:25
- 3Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”1:28
- 4Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”1:55
- 5Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”1:20
- 6Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”0:30
- 7Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”2:33
- 8Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”2:09
- 9Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”1:31
- 10Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination0:34
- 11Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”1:21
- 12Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”0:48
- 13Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”1:20
- 14Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”4:08
- 15The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°3:16
- 16IntroductionPeter Schickele5:00
- 17“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker0:47
- 18“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons0:39
- 19“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle1:13
- 20“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker0:25
- 21“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore1:57
- 22“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle0:57
- 23IntroductionPeter Schickele1:00
- 24The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy0:58
- 25The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir1:42
- 26The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane2:38
- 27The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh1:29
- 28The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl1:52
- 29The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)1:30
- 30In the Vanguard Vault, Part 2Peter Schickele4:08
- 31The “Sanka” Cantata7:03
- 32In the Vanguard Vault, Part 3Peter Schickele1:12
More by P.D.Q. Bach
Release credits
- bassoon [25, 27-29]
- tenor vocals [14, 16]
- spoken vocals [12]
- performing orchestra [3-5, 7-11, 13-15, 17-19]
- mix [1-29]
- calliope [15], piano [2-14, 17-22], whistle [2, 14]
- liner notes, baritone vocals [31], spoken vocals [31], viola [31], violin [31]
- design
- mix [1-20], recording [1-20]
- audio [31], cello [31]
- editor [1-20]
- performing orchestra [10-13, 15-16, 19-25, 27-28, 30-33]
- editor [1-20]
- liner notes
- re, recording [1-29]
- photography
- editor [1-29]
- photography
- baritone vocals [24-29], countertenor vocals [3.9-11, 3.14-16, 4.4, 4.6, 4.8-10, 4.12-14, 1.7-11, 2.12-13, 2.16, 2.19, 2.28, 2.30, 2.32], harpsichord [2, 14], solo [4.4, 4.6, 4.8-10, 4.12-14, 2.12-13, 2.16, 2.19, 2.28, 2.32, 1.7-11, 1.22-23, 1.25, 1.27, 1.29, 3.9], spoken vocals [7, 11], tenor vocals [1.22-23, 1.25, 1.27, 1.29, 3.18-19], whistle [2, 14]
- baritone vocals [3.18-19, 4.24-29], chorus master [21-23, 25-31], conductor [2-11, 13-16]
- conductor [2.2-3, 2.5-9, 1.3-5, 1.7-11, 1.13-15, 1.17-19, 1.21-31]
- illustration
- illustration
- harpsichord [7-11], solo [7-11]
- photography
- solo [1.23, 1.25, 1.29-30, 3.5], soprano vocals [1.23, 1.25, 1.29-30, 3.5-8, 3.10-11, 3.13-16, 3.18-19]
- alto vocals [1.23, 1.25, 1.29-30, 3.18-19], mezzo-soprano vocals [3-4, 6-8, 10-11, 13-16], solo [1.23, 1.25, 1.29-30, 3.3-4], spoken vocals [5]
- bagpipe [1.17-19, 2.5-9], solo [2.5-9, 1.17-19]
- photography
- cello [24, 26, 28-29]
- photography
- liner notes, baritone vocals [2.32, 4.3, 4.5, 4.7-11, 4.13-14, 4.24, 4.26-29], bass vocals [15-16, 18-19], bassoon [31], bell [22], calliope [4.2, 4.14-15, 2.29], conductor [4.2, 2.10-13, 2.15-16, 2.19-25, 2.27-28, 2.30-33], foot stomps [5], jug [7-11], kazoo [22], lasso d'amore [21], natural brass instruments [17], ocarina [17-19], other instruments [2.5-9, 4.18], other vocals [22], percussion idiophone [3-5], piano [4.31, 2.18], slide brass instruments [20], slide whistle [19], solo [2.5-9, 2.18, 2.29, 4.3, 4.5, 4.7-11, 4.13-14, 4.17-22, 4.22, 1.3-5, 1.7-11, 1.17-19], spoken vocals [3.5, 3.12, 1.1-2, 1.6, 1.12, 1.16, 1.20, 1.24, 2.1, 2.4, 2.10-12, 2.14-20, 2.26-28, 2.30-31, 2.33, 4.1, 4.3-4, 4.16, 4.23, 4.30-32], whistle [2, 14], whistling [4.3, 3.17], wind instruments [22]
- balalaika [17-19], solo [17-19]
- French horn [3-5], solo [3-5]
- spoken vocals [15]
- flute [17-19], other instruments [5-9], solo [2.5-9, 1.17-19]
- solo [7-11], trumpet [7-11]
- assistant [10-33], producer [1-20], spoken vocals [11]
- lute [17-19], solo [17-19]
- double reed [17-19], solo [17-19]
- assistant [2.10-33, 3.1-20], producer [4.1-29, 1.2-31, 2.1-9]
- choir vocals [21, 26, 31]
- performing orchestra [2-11, 13-16]
- performing orchestra [1.21-31, 2.2-3, 2.5-9]
- spoken vocals [30, 32]
- spoken vocals [4.30, 4.32, 1.1]
- producer, producer [4.30-32, 1.1]
- spoken vocals [1, 11, 13, 17, 20]
- background vocals [5, 9]
- bass vocals [22, 25, 28-29], solo [22, 25, 28-29]
Issues
T
T27 August 1996





