How to Listen to and Understand Great Music, 3rd Edition
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How to Listen to and Understand Great Music, 3rd Edition

Other by Professor Robert Greenberg

Released 2006
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Tracklist

  • 1
    Music as a Mirror
  • 2
    Sources — The Ancient World and the Early Church
  • 3
    The Middle Ages
  • 4
    Introduction to the Renaissance
  • 5
    The Renaissance Mass
  • 6
    The Madrigal
  • 7
    An Introduction to the Baroque Era
  • 8
    Style Features of Baroque-Era Music
  • 9
    National Styles — Italy and Germany
  • 10
    Fugue
  • 11
    Baroque Opera, Part 1
  • 12
    Baroque Opera, Part 2
  • 13
    The Oratorio
  • 14
    The Lutheran Church Cantata
  • 15
    Passacaglia
  • 16
    Ritornello Form and the Baroque Concerto
  • 17
    The Enlightenment and an Introduction to the Classical Era
  • 18
    The Viennese Classical Style, Homophony, and the Cadence
  • 19
    Classical-Era Form — Theme and Variations
  • 20
    Classical-Era Form — Minuet and Trio: Baroque Antecedents
  • 21
    Classical-Era Form — Minuet and Trio Form
  • 22
    Classical-Era Form — Rondo Form
  • 23
    Classical-Era Form — Sonata Form, Part 1
  • 24
    Classical-Era Form — Sonata Form, Part 2
  • 25
    Classical-Era Form — Sonata Form, Part 3
  • 26
    The Symphony — Music for Every Person
  • 27
    The Solo Concerto
  • 28
    Classical-Era Opera — The Rise of Opera Buffa
  • 29
    Classical-Era Opera, Part 2: — Mozart and the Operatic Ensemble
  • 30
    The French Revolution and an Introduction to Beethoven
  • 31
    Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1
  • 32
    Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2
  • 33
    Introduction to Romanticism
  • 34
    Formal Challenges and Solutions in Early Romantic Music
  • 35
    The Program Symphony — Berlioz's Symphonie Fantastique, Part 1
  • 36
    The Program Symphony — Berlioz's Symphonie Fantastique, Part 2
  • 37
    19th-Century Italian Opera — Bel Canto Opera
  • 38
    19th-Century Italian Opera — Giuseppe Verdi
  • 39
    19th-Century German Opera — Nationalism and Experimentation
  • 40
    19th-Century German Opera — Richard Wagner
  • 41
    The Concert Overture, Part 1
  • 42
    The Concert Overture, Part 2
  • 43
    Romantic-Era Musical Nationalism
  • 44
    Russian Nationalism
  • 45
    An Introduction to Early 20th-Century Modernism
  • 46
    Early 20th-Century Modernism — Claude Debussy
  • 47
    Early 20th-Century Modernism — Igor Stravinsky
  • 48
    Early 20th-Century Modernism — Arnold Schönberg

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How to Listen to and Understand Great Music
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The Concerto
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The 30 Greatest Orchestral Works
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