She is a legend and this album is a pur masterpiece
Digital Media
MOTOMAMI
Album by ROSALÍA
Tracklist
- 1SAOKO2:174.0 ★
- 2CANDY3:134.0 ★
- 3LA FAMAROSALÍA & The Weeknd3:084.2 ★
- 4BULERÍAS2:354.0 ★
- 5CHICKEN TERIYAKI2:023.7 ★
- 6HENTAI2:423.9 ★
- 7BIZCOCHITO1:493.7 ★
- 8G3 N154:123.8 ★
- 9MOTOMAMI1:014.4 ★
- 10DIABLO2:454.1 ★
- 11DELIRIO DE GRANDEZA2:354.1 ★
- 12CUUUUuuuuuute2:303.4 ★
- 13Abcdefg1:052.2 ★
- 14LA COMBI VERSACEROSALÍA & Tokischa2:403.9 ★
- 15COMO UN G4:224.4 ★
- 16Thank Yu :)0:34
- 17DESPECHÁ2:36
- 18CANDY (remix)ROSALÍA & Chencho Corleone3:24
- 19LA FAMA (live en el Palau Sant Jordi)3:46
- 20AISLAMIENTO3:26
- 21LA KILIÉ2:11
- 22LAX1:29
- 23CHIRI2:00
- 24SAKURA3:213.8 ★
Recent reviews
She’s the only one who can transform traditional music into pop bops like THESE.
I mean she went from being virgin mary, to the motomami and now she’s a nun for a reason.
MOTOMAMI is not just an album; it’s a rupture. A bold, confrontational, and wildly inventive body of work that redefines what pop music can be in the 2020s.
Rosalía doesn’t simply experiment here; she detonates expectations, turning vulnerability, irony, aggression, and tenderness into a single, electrifying language.
Sonically, MOTOMAMI thrives on contrast. Hard, distorted beats collide with fragile piano ballads; hyper-digital production gives way to moments of near silence. Reggaeton, experimental pop, flamenco echoes, and glitchy minimalism coexist without hierarchy. The album feels alive, unpredictable, and intentionally uncomfortable, a refusal to be boxed in.
Lyrically, Rosalía is sharper than ever.
She plays with identity, femininity, fame, desire, and self-mythology, often through fragmented phrases and blunt repetition. There’s humor, provocation, and emotional exposure. Even in its most intimate moments, MOTOMAMI maintains a sense of control and self-awareness.
What makes MOTOMAMI a five-star album is its courage. It embraces chaos as an aesthetic choice and turns risk into coherence. The sequencing mirrors emotional whiplash (softness to brutality, confidence to doubt) reflecting a modern, fractured sense of self.
MOTOMAMI doesn’t ask to be understood immediately. It demands attention, rewards repeated listens, and leaves a lasting impact. It’s radical, influential, and unmistakably Rosalía, a landmark album that will be referenced for years to come.
Favorite Track: Diablo
Skip Track: Sakura
Disclaimer: This Is my opinion based on personal taste and emotions.
The skip tracks are not bad songs but just songs that are less memorable.
More by ROSALÍA
Release credits
- mix [19]
- assistant [1-12, 14-15, 17-18, 20-24]
- recording [15]
- background vocals [7]
- background vocals [9]
- background vocals [10], vocal arranger [3-4, 8, 10, 14-15]
- vocal [18]
- producer [17]
- organ [8]
- drums (drum set) [21]
- additional [7, 10, 24], mix [16], recording [1-12, 14-15, 17-24], task [1, 10, 12, 23]
- background vocals [4], body percussion [4], handclaps [4, 14]
- additional [20, 22], bass guitar [5], drums (drum set) [2, 5, 10, 18, 21], keyboard [5], producer [2-3, 5, 10, 14, 18-21], sampler [3], task [10]
- background vocals [4], body percussion [4], handclaps [4, 14], tap dance [4]
- background vocals [4], body percussion [4], handclaps [4, 14]
- producer [2-3, 10, 15, 18-19], synthesizer [2-3, 10, 15, 18-19], vocal arranger [3, 10, 15]
- producer [17]
- background vocals [9]
- recording [14, 20]
- background vocals [14]
- piano [6]
- background vocals [9]
- recording [17]
- background vocals [10, 15], keyboard [10], piano [15], producer [15], synthesizer [15]
- task [19]
- task [3]
- assistant [1-12, 14-15, 17-18, 20-24]
- task [14]
- recording [19]
- background vocals [4], body percussion [4], handclaps [4, 14]
- background vocals [4], body percussion [4], handclaps [4, 14]
- background vocals [4], body percussion [4], handclaps [4, 14]
- handclaps [14]
- synthesizer [2, 18]
- choir vocals [3-4, 8, 14-15, 19-20, 23]
- strings [6]
- background vocals [10]
- background vocals [4], body percussion [4], handclaps [4, 14]
- mix [1-12, 14-15, 17-18, 20-24]
- assistant [4, 14, 20]
- assistant [4, 14, 20]
- recording [23]
- recording [5-6, 9, 15]
- additional [8], bass guitar [5], drum machine [7], drums (drum set) [6], producer [1-2, 5-7, 9, 11, 14, 18, 21-22], strings [22], vocal arranger [9]
- additional [10]
- background vocals [7]
- background vocals [18], bass [17], bass guitar [6], drum machine [2], drums (drum set) [17], lead vocals [18], producer [1-6, 8, 10, 12, 14-15, 17-20, 23-24], recording [19], synthesizer [2, 18], task [2-4, 8, 10, 19, 23], vocal arranger [3-4, 8, 10, 15]
- background vocals [9]
- drum machine [9], percussion [14], producer [6, 9, 14], vocal arranger [9]
- background vocals [5]
- Wurlitzer electric piano [24], background vocals [1-2, 18, 20], bass guitar [8], body percussion [11], drum machine [7], drums (drum set) [1, 5-6, 17], executive [3], finger snaps [1], keyboard [11, 22], mix [16], organ [8], other vocals [1], percussion [11], piano [1, 6], producer [1-12, 14-24], sampler [3], spoken vocals [13, 16], strings [22], task, vocal [1-12, 14-15, 17-24], vocal arranger [3-4, 7-10, 15]
- additional [7]
- recording [17]
- additional [3, 19], drums (drum set) [3, 19], percussion [3, 19]
- spoken vocals [8]
- background vocals [14]
- recording [2, 18, 24]
- recording [3]
- additional [4, 6, 15], bass [19], bass guitar [3, 6], drums (drum set) [1, 8], keyboard [20], piano [1, 6, 8, 17, 23], producer [1, 3, 8, 12, 17, 19-20, 23], synthesizer [3, 8, 17, 19, 23], task [3, 8, 19, 23], vocal arranger [3-4, 8, 15]
- drums (drum set) [5], producer [3, 5, 14, 19]
- additional [12]
- bass [19], bass guitar [3], drums (drum set) [2, 18], producer [2-3, 14, 18-19]
- drum machine [12], producer [12]
- additional [14], guitar [22], producer [21-22], synthesizer [21-22]
- guest [3], producer [3]
- guest [14]
- recording [2-3, 10, 15, 18]
- assistant [1-12, 14-15, 17-18, 20-24]
Issues
M
MDigital Media18 March 2022
MCD18 March 2022
MDigital Media9 September 2022
MDigital Media23 September 2022
MDigital Media30 September 2022- MCD2022
- MCD2022
- MVinyl









