Digital Media

reputation

Album by Taylor Swift

Released 10 November 2017

pop electropop alternative pop

Tracklist

1
…Ready for It? (commentary)
1:19
1.0 ★
2
…Ready for It?
3:28
3.7 ★
3
End Game (commentary)
1:41
1.0 ★
4
End Game
feat. Ed Sheeran & Future
4:04
3.6 ★
5
I Did Something Bad (commentary)
1:24
1.0 ★
6
I Did Something Bad
3:58
4.1 ★
7
Don’t Blame Me (commentary)
1:49
1.0 ★
8
Don’t Blame Me
3:56
4.1 ★
9
Delicate (commentary)
2:24
1.0 ★
10
Delicate
3:52
3.9 ★
11
Look What You Made Me Do (commentary)
0:51
1.0 ★
12
Look What You Made Me Do
3:31
4.2 ★
13
So It Goes… (commentary)
2:02
1.0 ★
14
So It Goes…
3:47
4.0 ★
15
Gorgeous (commentary)
1:19
1.0 ★
16
Gorgeous
3:29
3.8 ★
17
Getaway Car (commentary)
2:45
1.0 ★
18
Getaway Car
3:53
4.0 ★
19
King of My Heart (commentary)
0:56
1.0 ★
20
King of My Heart
3:34
3.7 ★
21
Dancing With Our Hands Tied (commentary)
1:57
1.0 ★
22
Dancing With Our Hands Tied
3:31
4.0 ★
23
Dress (commentary)
1:48
1.0 ★
24
Dress
3:50
4.2 ★
25
This Is Why We Can’t Have Nice Things (commentary)
2:55
1.0 ★
26
This Is Why We Can’t Have Nice Things
3:27
3.4 ★
27
Call It What You Want (commentary)
1:21
1.0 ★
28
Call It What You Want
3:23
4.1 ★
29
New Year’s Day (commentary)
2:47
1.0 ★
30
New Year’s Day
3:55
4.2 ★
31
Radio Outro (commentary)
1:41
1.0 ★

Ai o rep… quem me conhece sabe muito bem que o reputation não é de jeito nenhum o meu álbum favorito (e muito menos o álbum da carreira como muitos falam). Ele é mais interessante liricamente do q o lover? Completamente. Getaway Car eh uma das melhores músicas que eu já pude ouvir na minha vida. O problema de rep stan é criticar os outros albuns e achar que só o reputation presta. No fim das contas… é um disco ruim? Jamais. Porém não é esse mousse todo.

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iamthepinkprince 18 Jan 2026

★★★★

Reputation is Taylor Swift weaponizing image and narrative. Dark, defensive, and sharply self-aware, the album turns public scrutiny into performance, reclaiming control through attitude, irony, and sonic aggression. It’s not about likability but it’s about authorship. Sonically, the album leans into electro-pop, trap-inflected beats, and industrial textures. The production is heavy and confrontational, built around bass, distortion, and dramatic drops. This abrasive palette mirrors the album’s themes of backlash and reinvention, creating a cohesive, high-contrast mood. Lyrically, Reputation oscillates between armor and intimacy. Revenge fantasies and media critique sit beside private moments of devotion and trust. That duality is the album’s strength: the public persona clashes with the private self, revealing vulnerability beneath the bravado. The reason it lands at 4 stars instead of five is balance. While the concept is bold and the era iconic, some tracks lean harder on aesthetic and posture than emotional depth. The highs are undeniable, but not every moment carries the same staying power. Still, Reputation remains one of Taylor’s most distinctive and cohesive statements; polarizing by design, confident in execution, and essential to understanding her evolution. Favorite Track: I Did Something Bad Skip Track: End Game Disclaimer: This Is my opinion based on personal taste and emotions. The skip tracks are not bad songs but just songs that are less memorable.

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Martha 17 Aug 2025

★★★★

Probably in my top 5 Taylor albums. Dancing With Our Hands Tied is top tierrrr.

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Release credits

Ali Payami
keyboard [2], producer [2], programming [2]
Cory Bice
assistant [4, 6, 8, 10, 14, 16, 20, 22]
Daniel Watson
assistant [4]
Evan Smith
saxophone [12]
Jack Antonoff
background vocals [18, 28], bass guitar [30], guitar [30], instrument [12, 18, 24, 26, 28], piano [30], producer [12, 18, 24, 26, 28, 30], programming [12, 18, 24, 26, 28], synthesizer [30]
Jeremy Lertola
assistant [4, 6, 8, 10, 14, 16, 20, 22]
John Hanes
engineer [12, 30]
Jon Sher
assistant [20]
Laura Sisk
engineer [12, 18, 24, 26, 28, 30]
Max Martin
background vocals [8], keyboard [2, 4, 6, 8, 10, 14, 16, 20, 22], piano [10], producer [2, 4, 6, 8, 10, 14, 16, 20, 22], programming [2, 4, 6, 10, 14, 16, 20, 22], recording [2]
Michael Ilbert
engineer [4, 6, 8, 10, 14, 16, 20, 22]
Mike Synphony
assistant [4]
Noah Passovoy
engineer [20]
Oscar Görres
keyboard [14], piano [14], producer [14], programming [14]
Oscar Holter
keyboard [22], producer [22], programming [22]
Peter Karlsson
assistant [4]
Phillip Peterson
cello [12, 18, 26]
Sam Holland
engineer [4, 6, 8, 10, 14, 16, 20, 22]
Sean Flora
assistant [4]
Sean Hutchinson
drums (drum set) [18]
Serban Ghenea
mix [2, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28, 30]
Seth Firkins
engineer [4]
Shellback
bass guitar [4, 20], drums (drum set) [4, 20], guitar [8, 16], keyboard [2, 4, 6, 8, 10, 14, 16, 20, 22], producer [2, 4, 6, 8, 10, 14, 16, 20, 22], programming [2, 4, 6, 10, 14, 16, 20, 22], recording [2]
Taylor Swift
copyright, phonographic copyright, background vocals [2, 8, 20], executive [12], lead vocals [2, 8], phonographic copyright, producer [12, 18, 24, 26, 28, 30], vocal [30]
Victoria Parker
viola [26], violin [12, 18, 26]